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Frost School of Music alumnus Joshua Henry turned Tony Award-winner

University of Miami alum Joshua Henry took home the Tony Award for Best Performance by a Leading Actor in a Musical at the 79th annual ceremony on Sunday, June 7. 

Henry was awarded for his performance as Coalhouse Walker, Jr. in “Ragtime,” which in total won four Tonys, including Best Revival of a Musical. 

“Shiny things don’t run my life, but this … feels really good, and I will allow myself to live in the beauty of this moment as my community has given me this tremendous honor,” said Henry in an Instagram post on the evening of June 8. 

“Ragtime” marked Henry’s fourth Tony nomination across his nearly twenty year-long career across stage and screen. He additionally holds a Grammy Award, a Drama League Award, an ACCA Award, two Drama Desk Awards, two Outer Critics Circle Awards, two Broadway.com Audience Choice Awards and a Dorian Award. 

His performance was met with critical acclaim long before the accolades came in. The New York Times opened their rave review by declaring Henry “blows the roof” off of the Vivian Beaumont Theater at Lincoln Center.

“Ragtime” is a period piece which takes place at the start of the 20th century. The plot diverges to follow three separate storylines before they all intertwine together at the end. Henry plays a Harlem African American musician in pursuit of his love and the American Dream. 

He stars alongside Brandon Uranowitz — a Jewish immigrant striving to forage a better life for his young daughter — and Caissie Levy — an upper-class white woman who is forced to confront inequality. The latter took home Best Performance by a Leading Actress in a Musical. 

Henry earned his Bachelor of Music in Vocal Performance with a concentration in musical theatre from the Frost School of Music in 2006. He routinely returns to UM to conduct masterclasses or perform at special events. 

During his acceptance speech, Henry thanked theatre educators and Black performers, such as Audra McDonald and Brian Stokes Mitchell, for paving the way.  

“It is an honor to play this role, Coalhouse Walker, Jr., a Black musician whose art led him to his love and to his dream,” said Henry. “And even in the face of pain and tragedy, he found a way to be heard. Every artist in this room, every artist at home, fight, fight, fight to be heard.”

“Ragtime” is running on Broadway now through August 2.

6.1 magnitude earthquake in Cuba causes tremors across Florida

Cuba was struck by the strongest earthquake to hit the Gulf of America in 150 years, and its effects were felt as far as Orlando, Florida, where buildings began shaking on Monday, June 8.

The earthquake hit at a shallow depth of 16 miles northwest of Mantua, Cuba, according to the U.S. Geological Survey. It occurred 248 miles from the intersection between the North American and Caribbean tectonic plates. 

Miami-Dade County Hall, the Stephen P. Clark Government Center, was evacuated following reports of the building trembling. Metrorail and Metromover services were also suspended. After inspection, they resumed their activity, bypassing the station.

No injuries, deaths, or major property damage were reported despite calls to emergency services across Miami. 

“The situation remains stable,” City of Miami Fire-Rescue posted. “And the City will continue coordinating with appropriate agencies while monitoring for any additional impacts.”

The Miami Beach Fire social media echoed the statement, assuring residents that “there is no cause for alarm.”

Jochen Braunmiller, a professor at the University of South Florida, told News Channel 8 that he felt the tremors for 15 seconds.

“They are so unusual to have in Florida,” said Braunmiller. “And what I like in this particular case [is that] it’s an earthquake that is large enough to be felt, right, but it didn’t do any damage in Florida.”

Another Florida resident from Hillsborough County told WFLA he thought he was the one shaking.

“I thought maybe it was just someone underneath me causing a ruckus until I realized everything was slightly shaking,” Taylor F said. “I thought it was me for a second until I put my coffee down, and it was also moving.” 

Aftershocks of a 4.3 magnitude were reported just after 9 p.m. on Wednesday, June 10. They were shallow, at 6.2 miles and in the same place as the original earthquake.

There is no tsunami threat, William Barnhart, a geophysicist with the U.S. Geological Survey, told ABC News. These destructive waves are more likely in the Pacific rather than the Atlantic. 

Florida is not likely to feel any further aftershocks.

UM doctoral student launches healthcare children’s book series

University of Miami doctoral student Nicole Jacobsen never imagined she’d end up in healthcare, art or education — much less in an interdisciplinary career that combined all three. 

With her picture book series, “Leo Learns About Healthcare,” Jacobsen endeavored to help children feel more comfortable in healthcare settings.

“I wanted the books to just open the door for conversation in any way, shape or form for families … and to make hospitals and medical procedures seem less scary,” said Jacobsen. “Everyone always says children are scared of the unknown, [but] adults are, too. So, if they kind of know what they’re getting themselves into, maybe it would just ease a bit of anxiety and then that will help them in every way possible.”

Covers of Leo Learns, Nicole Jacobsen’s children’s book series. // Photo courtesy of Nicole Jacobsen.

Jacobsen combined personal and professional experience in her series. In the books, Leo — the protagonist, named after her nephew and godson — isn’t a patient. He’s an ordinary kid who goes into medical settings with an open mind, excited to learn about specific fields.

“I always just want to teach [my nephew] about all the things the world has to offer,” said Jacobsen. “I just wrote a little book about radiation therapy just so he would know what it is.”

When the first installment, “Leo Learns About Radiation Therapy,” took off in her community, what started as a pet project blossomed into a full-fledged series. What started as a standalone became the first in a pentology, followed by “Leo Learns About Mental Health,” “Leo Learns About Hospitals,” “Leo Learns About CT Scans” and “Leo Learns About MRI Scans.” 

To enter a creative field she had no knowledge of, Jacobsen sought advice from several children’s book authors and illustrators. Her own process involved rewrite after rewrite to ensure stories remained both educational and light-hearted, oftentimes seeking out young beta readers for feedback. 

“I try to just get inside a younger person’s brain, if I can,” she explained.

Apart from alleviating fear ahead of medical visits, Jacobsen hopes her series might introduce children to careers they might have never known about otherwise. 

“I didn’t know about radiation therapy until I Googled it when I was 21 years old,” said Jacobsen. “And it’s a really fruitful career among all the health sciences, of course.”

Jacobsen has worked in radiation therapy for 18 years. A New York native, she trained and then spent eight years at Memorial Sloan Kettering Cancer Center.

“I treated a lot of pediatric patients over the years [at Memorial Sloan], which is not that common for my field,” said Jacobsen. “It’s not for everyone, but I actually loved it more than anything. To get a child to trust you is really a very special [role] that you get to play in their life.”

In 2021, Jacobsen moved to Miami for a position at UM’s Sylvester Comprehensive Cancer Center before traveling as a therapy professional. Upon her return, she accepted a role as Miami Dade College’s radiation therapy program director and clinical coordinator. 

Her big shift into education next landed her in UM’s doctoral education program. There, the program’s focus on combining psychological thinking with the teaching process helped “spark the idea” for the series. At 41 years old, Jacobsen said finally gaining admission to UM was a “bucket list item.”

“I’m a big University of Miami fan generally, so I’m just so happy that I can be completing it there,” said Jacobsen. “People tell you you can’t go back to school … you so can, and I’m so happy I did. I hope that inspires people to continue their education at any time, any age in their life, if it’s what they want to do.”

Jacobsen has five more installments in the works, and she’s currently creating Spanish translations of the existing five. 

Though Jacobsen encountered her share of imposter syndrome while starting out as an author, she’s adamant it’s never too late to try something new.

“Every time you try something, it’s never a failure because you learn something from it,” said Jacobsen. “What you put out there is what you get…and as long as you try, there’s no fault in that. If I gave up every time I tried something new, I never would have landed here where I am in my life now.”

UM track alum joins ‘Love Island USA’ season 8 as original cast member

The University of Miami has a new representative on one of the country’s biggest reality television shows, “Love Island USA.”

Former Hurricanes track and field athlete Sincere Rhea arrived in Fiji looking for love on Peacock’s hit dating competition, which places a group of singles together in a luxury villa and follows their search for romance in real time over the course of 6 weeks. 

Throughout the season, contestants must navigate new relationships, dramatic recouplings and surprise arrivals known as “bombshells” in hopes of remaining in the villa and ultimately winning the show’s $100,000 cash prize — and of course, finding love.

For Miami fans, Rhea’s appearance marks a significant crossover between Hurricanes athletics and reality television.

Before stepping into the spotlight of the villa, Rhea competed as a sprinter and hurdler. During his collegiate career, he developed a reputation as one of the fastest athletes on the track. 

Rhea was one of Miami’s top hurdlers during his collegiate career, qualifying for the 2023 NCAA Outdoor Championships and posting a personal-best 13.48 seconds in the 110-meter hurdles at the ACC Championships — the second-fastest time in program history. His indoor personal best of 7.73 seconds in the 60-meter hurdles ranks third all-time at Miami, and Rhea earned multiple event victories while consistently scoring at the ACC level.

Now, instead of racing down the straightaway, he’ll be navigating challenges of a very different kind in front of a national audience.

Rhea’s casting is not the first connection to “Love Island USA” for the University of Miami community.

Last year, Season 7 contestant Elan Bibas visited UM’s Jewish Student Center, Hillel, where he met with students and discussed his experience on the show. The event drew significant interest from students, many of whom had spent the summer following the season’s twists, recouplings and dramatic eliminations.

This season’s cast features even more South Florida representation beyond Rhea.

Bombshell Gabriel Vasconcelos, who entered the villa after the original cast was established, identified Miami as his home during his introduction on the show. Fellow bombshell Corbin Mims also hails from the 305, giving the city multiple representatives in the villa this summer.

The South Florida presence reflects the region’s growing influence on reality television. Miami has long served as a backdrop for reality programming thanks to its nightlife, beaches, fashion and international culture. Those same characteristics have helped make the city a frequent source of contestants for dating shows and social media personalities.

What was once a niche summer dating show has become a popular fixture of online conversation, producing viral moments, celebrity contestants and passionate fan communities. The series attracted more than 18 billion minutes viewed during its seventh season last year and has emerged as one of the most-streamed reality TV shows in the U.S. 

For Canes, Rhea’s casting is particularly notable. Miami alumni regularly make headlines in professional sports, entertainment and business, but it is far less common to see a former Hurricane athlete join one of television’s biggest franchises today.

Now, as viewers across the country tune in each night to see who couples up — and who gets dumped — UM students have a familiar face to root for.

UM Alumni launch second-hand fishing gear marketplace

Three freshly graduated Herbert Business School alumni launched Second Catch, a second-hand fishing gear website, designed to give fishermen a specialized and secure online marketplace.

Colin Elliott did not hang up his fishing rod when he moved from Boston, Massachusetts to study at University of Miami. Neither did his twin brother Kyle nor their close friend Dennis Lee, when they all decided to co-found Second Catch.

Colin and Kyle’s passion for fishing wasn’t the only thing passed down through generations — so was most of their gear.

“It was just my dad handing down his gear from the 1980s,” Colin Elliott said. “It was a family heirloom.”

Both the Elliotts and Lee were blue tuna fishermen from Massachusetts, a fact these three fishing enthusiasts discovered when they became suitmates in their freshman year. 

They teamed up to catch all the different fish species in Miami, but finding the right gear was an unexpected issue.

“I was always on Facebook Marketplace doomscrolling,” Colin Elliott said. “I was looking at this expensive gear and seeing if I could find something good quality, but not for $1,500.”

In addition to the hefty prices, most sellers were not verified. They frequently demanded to meet in person for the transaction, and Colin Elliott did not trust the process.

That was how Second Catch was born. The idea struck during their semester abroad in Barcelona, their sophomore year. Immediately, the twins and Lee began doing research.

Second Catch, a site “for fishermen by fishermen,” allows users to sell or buy second-hand fishing gear. Using Stripe’s electronic payment services — which require people’s Social Security numbers — sellers are verified and authorized to protect all members of these cashless transactions.

A week after their “cold launch”, the company’s challenge was to lure sellers away from Facebook and onto their site. The website design had been outsourced to specialists while the founders focused on promotion and networking. 

Breaking into the fishing world required connections — some form of bait — and UM provided the founders with the perfect opportunity: UM’s fishing club.

“My junior year, they kind of disbanded the fishing club,” Colin Elliott said. Without it, he had lost his connection to fishing.

No executive board had been selected for the 2024-2025 year. Without leadership, the club was deemed inactive. Elliot took it upon himself to revive it.

“I made it the way I wished it was when I was younger,” Elliot said. 

He established guest speakers, group activities and opportunities to connect with people who share similar interests. He and his brother remained part of the E-board until they graduated last month. 

The fishing club gave them connections, while the Herbert Business School, where the founders studied finance, gave them the confidence to create Second Catch.

“I think the entrepreneurship program [helped push] us to put ourselves out there if there was a problem that we thought we could solve and make better,” Colin Elliott said. 

Becoming an entrepreneur, Colin Elliott noted with a smile, “is risky,” 

“I know it’s easy to get a salary and look for a job outside of being an entrepreneur,” Colin Elliott said. “And having something that’s comfortable and you’re just getting paid weekly and you know it’s there.”

Still, he is hooked on starting his own venture. 

“It’s really good to have something that [we] love and something that we want to do for the rest of our lives,” Colin Elliott said, “Which is fishing.”

Second Catch will continue to evolve. The team is looking into local pickup as an alternative to shipping, while maintaining all transactions through the website to keep banking secure. 

“If I can keep fishing the rest of my life and make some money doing it, that’s the dream,” Colin Elliott said. “I mean, this is just the beginning.”

 

The internet never forgets, and Love Island proves it

Reality television has always thrived on drama, but for Love Island, that drama often starts well before the proclaimed “hot new bombshells” enter the villa. 

Before this season even began, Love Island found itself dealing with negative attention, rather than excitement.

On May 30th, contestant Vasana Montgomery was removed from the show before the season aired, after videos resurfaced of her using racial slurs. According to TMZ, these videos were only recently circulated by someone from Montgomery’s hometown, meaning they were not publicly visible when the producers initially vetted the cast. 

Contestants who have a history of harmful behavior, such as using racial slurs, should be removed from shows like Love Island, even if the actions occurred in the past, as their presence reflects poorly on the show and shows the importance of accountability regarding digital footprint. 

On shows such as Love Island, contestants are public figures and can in turn cause negative press for the show, potentially reducing viewership. 

Over the past few years, the show has become nearly unavoidable, especially for Gen Z audiences, pulling in more than 18 billion streams in its seventh season alone and dominating social media feeds, even for those who don’t actively watch it. 

The show’s reach even made its way onto campus, where UM’s social team leaned into the trend, posting mascots Sebastian and Gigi captioned, “The bombshells we’ve been waiting for.” Around the same time, former contestant Elan Bibas visited UM Hillel, speaking to current students about the importance in finding community, as well as figuring out who you are beyond academics and relationships.

This year, the connection between Love Island and our campus has become even closer. UM track and field alum Sincere Rhea is set to appear on the upcoming season, adding student attention to the show’s return. Notably, unlike many contestants, there have been no reports of controversy tied to Rhea. 

Because of how widespread the show is, the removal of Vasana Montgomery shows just how quickly shows act when controversy threatens their image. 

In one resurfaced clip, Montgomery uses a racial slur while rapping along to a song. In another, she shouts the slur while her friend plays an arcade game. While these videos themselves are not recent, their circulation is, which ultimately cost her a place on the show. The decision to remove her was less about what happened in the past, but more about how the audience would react in the present.

“I think people are definitely capable of growth, but it doesn’t erase their errors and pain they inflicted on others,” said Sara Ruiz-Meza, an anthropology major. “For every ‘racist phase’ someone went through as a kid, there was a brown or black kid who was traumatized from it… it is also not the responsibility of black and brown audiences to forgive a person they do not know personally.”

Regarding accountability, Ruiz-Mena said, “There needs to be a public lesson learned about inflicting what could be generational trauma on a young child and excusing it with the fact that the aggressor, too, was a child.”

This is also not the first time Love Island had to deal with a situation like this. In a previous season, contestant Yulissa faced similar backlash for publicly using racial slurs online. She was quietly removed from the show almost immediately, with little acknowledgement from producers.

Moments like this are happening more often, where a contestant’s time on a show can be cut short — not because of what they do on screen — but by their own digital footprint. This situation results in a larger question about how much someone’s past should affect their present. 

Some viewers argue that people are capable of growth and shouldn’t be permanently defined by past mistakes, especially those made at a young age. Others believe that reality TV contestants are being held to unrealistic standards, expected to have flawless histories despite being regular people before becoming famous.

Under a TikTok post discussing the situation, commenters expressed conflicting views about whether or not her removal was justified. One commenter wrote, “This is the digital footprint everyone’s been warned about playing out in real time,” reinforcing the idea that past actions inevitably resurface. 

Another commenter argued that people are not perfect and should not be expected to be, stating, “…No one on earth is an innocent person, so maybe let’s stop expecting [people] on these shows to be perfect.” 

While personal growth is important, reality TV stars are public figures who voluntarily choose to be platformed and with that visibility comes responsibility. If someone knows their past includes behavior that could be harmful or offensive, choosing to appear on a show like Love Island means accepting the possibility that it may resurface. 

Montgomery addressed the situation after her removal, acknowledging the harm caused from her past action in a statement posted to social media. “I am embarrassed and disappointed by my words. I take full responsibility for what I said and understand why it has hurt and upset people,” wrote Montgomery. “⁠Since then, I have grown a lot as a person and taken the time to educate myself, listen, learn, and better understand the impact that language can have. That growth does not erase my mistake.”⁠

Casting is not just about entertainment value, but about who represents the show. Allowing contestants with harmful pasts to remain can damage the show’s credibility. At the same time, removing contestants without acknowledgement can create its own issues, fueling online backlash and leaving little room for growth.

“I honestly believe that everyone deserves a chance to try and be better,” said Yennifer Beltran, a STEM student in the College of Arts and Sciences. “Love Island was put in a tough position with the news coming out, because they would’ve gotten [backlash] regardless of what they did.”

Beltran believes the show may have benefited from addressing the situation more clearly. 

 “I personally believe they should’ve come out with a statement explaining that they don’t align with the information that came out,” Beltran said. ”This way, they protect themselves as a brand and allow both the communities affected and the contestant to heal. Kicking them out immediately only furthers the fire and social media uproar towards the contestant, and we have seen in the past how tragically that can end.”

Situations like this show that reality TV is no longer just about what happens on screen. Before the show had even started, people began forming opinions, digging into contestant’s pasts and deciding who deserves to be there. At this point, producers can’t just cast for personality or entertainment, as they know the internet will always double check their choices.

And while it’s true that people can grow and change, it doesn’t erase what happened before. Love Island has a huge audience, and who they choose to platform matters. This is no longer about drama among young bombshells, but about what the show chooses to overlook and what it doesn’t. 

Letting someone stay on the show sends a message, even if it’s not on purpose. But at the same time, removing someone right away, without any real conversation, shows how quickly things move now. There’s little actual accountability, instead reaction after reaction.

As viewers, we need to realize our voices matter too. How people respond online directly plays a role in shaping decisions in the media, and we must think critically about who we choose to platform.

This is more than just reality TV show drama, it applies to our own lives as ordinary people. The same way repercussions for past behavior can come back for famous people, they can come back for anyone. The things people say or joke about doesn’t disappear when the internet is involved. So while it’s easy to judge from the outside, situations like this remind us to look at ourselves too. The internet doesn’t forget, and eventually, it catches up to us.

Before online travel was mainstream, a UM alumnus was already building it

 

While studying at the University of Miami in the 1990s, Koksal Abdurrahmanoglu began building Istanbul.com, which would eventually become one of the country’s largest tourism platforms.

The idea began with homesickness. 

“I missed the city so much and everything about it,” Abdurrahmanoglu said.

What started as an informational website during the early years of the internet later evolved into a platform serving travelers from more than 175 countries and reaching millions of visitors each month.

At the time, Abdurrahmanoglu was already working with tourism technology in Miami. While pursuing his MBA, he worked part-time for Touch Guide, a company developing touchscreen tourism kiosks for hotels and visitor centers. 

The kiosks allowed tourists to search for restaurants, hotels and local events while printing maps and coupons directly from the screen.

The experience introduced him to the growing field of tourism technology. But while helping promote Miami to visitors, he found himself thinking about the city he had left behind.

“I should be promoting Istanbul to the world,” he said. 

In 1995, while still living in the United States, Abdurrahmanoglu launched Istanbul.com.

At first, the website was not built as a business. It focused on cultural content and helping people experience Istanbul. 

Over time, Istanbul.com evolved  into a platform where travelers could book tours and local experiences throughout the city. 

But building an online travel business in the 1990s came with challenges.

Many people were hesitant to enter credit card information online, making the idea of digital tourism difficult to imagine at the time.

“It was something new,” Abdurrahmanoglu said. “People had a lot of privacy fears.”

Despite that skepticism, he believed the internet would eventually transform the way people traveled and that his platform had the potential to grow with it.

“I knew it was going to be big,” Abdurrahmanoglu said. “But it still needs to be bigger.”

Keeping the platform relevant meant adapting to decades of technological change, he said.

Connecting museums, attractions and tour operators onto a single website required significant technical development. Eventually, Istanbul.com created its own booking infrastructure to manage reservations and experiences across the city.

Abdurrahmanoglu said his background in computer science at UM became an important foundation for building those systems. 

But some of his most valuable lessons came outside the classroom.

As president of the university’s Turkish Student Association, he learned how to organize events, build relationships and lead a community.

“I was able to do more than just education,” he said. “I learned how to deal with people, with clubs, with students, and I had mentors.”

Those experiences would later help him navigate the challenges of growing an international business.

Today, Istanbul.com uses artificial intelligence tools to help travelers plan trips and find information about the city. The technology shows how online tourism has changed since the website’s launch nearly three decades ago.

For Abdurrahmanoglu, however, success is not measured only by company growth.

He sees the platform as a contributor to Istanbul’s broader tourism economy, helping connect travelers with local businesses throughout the city.

“When we bring a lot of traffic, all these other businesses benefit,” he said. “It’s like rain. You don’t say you’re not going to get wet. Everybody gets wet.”

Looking back, Abdurrahmanoglu encourages students to remain persistent even when progress feels slow.

“Being discouraged is easy, and being encouraged is difficult,” he said. “You have to fight and find ways to keep that spark.”

That philosophy continues to guide both his life and his work.

“Do whatever you do,” he said. “But make sure you get joy out of it. That’s why my business isn’t a business. It’s a hobby.”

Factory Town races into the weekend with Zedd, Rampa and Martin Garrix

Formula 1 weekend in Miami is loud by design — speed, spectacle, money and noise colliding for three days in the Florida sun. But out in Hialeah, Factory Town made its own kind of argument for where the real music was happening.

From May 1 to May 3, the venue ran a three-night Race Weekend takeover that didn’t feel like an afterthought to the racing calendar. It felt like a headline of its own.

Night one belonged to Zedd, and it was not subtle about it. The Infinity Room was overly packed but that compression made the energy denser. Even when we lost ourselves on the dance floor we could always find our way back with our Totem Compasses. 

This was Zedd’s Factory Town debut, and he played it like one. Laying on anthems, like “Beautiful Now” and “Stay the Night,” that made him a household name while leaving room for new IDs and a few curveballs that caught even the devoted off guard. 

“Beauty and a Beat” caused one of the loudest crowd-pops I’ve heard, everyone sang it word for word. The production matched the moment — colorful, high-impact and calibrated to a room that was running on pure feeling. For someone who has seen Zedd four times before, this one hit differently.

Saturday belonged to a different frequency entirely. Rampa doesn’t need to walk into a room and take it over — he lets the room come to him. The Keinemusik co-founder settled into the Infinity Room on Saturday with the kind of unhurried confidence that only comes from someone who has never needed to prove a point. 

Percussion-forward, warm, organic — his set breathed in ways that most don’t, pulling the crowd deeper without ever tipping its hand. Jaden Thompson and Rimaye had laid the groundwork well, and by the time Rampa found his footing, the room wasn’t just watching anymore. It was entranced. 

The production was clean and intentional without being extravagant — fitting for an artist whose music has always prioritized feel over flash.

Sunday closed the weekend with Martin Garrix’s Factory Town debut, and he brought something special for his fans. Midway through his Infinity Room set, Afrojack stepped into the booth — a guest appearance that charged the crowd with the kind of energy only a genuine surprise can produce. 

Where Zedd leaned into emotional release, Garrix brought intention and precision, mapping out a set built around momentum and payoff. Miss Monique warmed the room with melodic techno before him, and the Chain Room ran its own lane with Blair Suarez, Goosey and SLUGG trading b2b sets under the Getbusy banner.

Three nights, three very different rooms, one consistent idea: Factory Town doesn’t just host Race Weekend — it programs it.

Five-star edge rusher Jaiden Bryant flips commitment from LSU to Miami

The Miami Hurricanes received another massive boost to their 2027 class as five-star defensive end Jaiden Bryant has flipped his commitment to Miami from LSU. 

Bryant committed to the Tigers in January but, in the months following Miami had slowly chipped away at LSU’s hold over the South Carolina native. 

Hints slowly dropped at Miami catching up with Bryant posting workout videos rocking Canes gear after multiple visits to Coral Gables first during Miami’s “Spring Splash” and most recently its opening official visit weekend.

During that visit, Bryant was very complimentary of Miami and after months ago being committed to the Tigers — his tone changed.

During an interview with Miami Hurricane Sports Editor Sebastian Font for CanesInSight he said, “It’s really just Miami and LSU in this race.”

And a race that had LSU near the finish line, suddenly saw Miami creeping up in the background.

Days after that visit to Miami he made it official today. In a tweet this afternoon Bryant stated, “Recruiting Shut Down!!” sealing the deal that Miami will add another five star to the 2027 class.

A driving point for Bryant seemed to be the development plan that the Canes’ presented particularly for defensive linemen like himself. Bryant noted the 2026 draft for the Canes’ with Reuben Bain and Akheem Mesidor both landing in the first round. 

“It’s definitely heavy knowing they got two first rounders with the same coach,” he said to Font during his visit this weekend. “That’s definitely a key piece to my recruitment.”

Listed at 6-foot-3, 260 pounds according to ON3, Jaiden Bryant brings a big physical presence for a Miami program that places emphasis on building through the trenches.

 Among many high level traits the one that stands out the most from his 247 evaluation is this line, “Thick edge defender that creates negative plays with his twitch, power and a relentless motor.” 

That showed up in games with the defensive end racking up over 160 tackles and 36 tackles for loss over his last two seasons.

It’s another big flip for Miami which has been a trend over recent weeks. 

First it was Georgia commit five-star Donte Wright and Oregon four-star Ai’King Hall flipping to Miami and now Bryant adds to a Miami 2027 class that sits at third in the nation. 

Miami likely isn’t done with flips, with the Canes heavily pursuing Ohio State five-star edge DJ Jacobs for months and recent USC decommit four-star wide receiver Eli Woodard has been seen touting Canes gear during that same official visit weekend. 

And with five-star and 2027’s top linebacker Kaden Henderson yet to commit, Miami’s stacked class could easily continue to get better.

Miami’s Malachi Toney graces cover of College Football 27

 On June 2, Electronic Arts released the cover athletes for College Football 27, starring Miami Hurricanes receiver Malachi Toney in the center of the cover art throwing up the U. 

With video game speed and shiftiness, Toney was a surefire pick to be one of the three highlighted athletes alongside Ole Miss running back Kewan Lacy and Oregon quarterback Dante Moore. 

Toney is the first Hurricane to be featured on the game’s cover art and the sixth wide receiver to hold the mantle. This is the third title to be released by EA Sports since it brought the game back after an 11-year hiatus. The game will be released on July 9, 2026, starting at $69.99 for the basic version and $99.99 for the deluxe. 

After his video game-like sophomore season posting 1,324 yards from scrimmage with 11 touchdowns to boot. These numbers include a memorable playoff run with 219 yards and 2 touchdowns. 

Toney’s projected rating is estimated to be a 96 overall, the third-highest rated player in the game after Indiana lineman Carter Smith (97) and Ohio State wide receiver Jeremiah Smith (99). The actual game ratings aren’t going to be released until early July, ahead of the game’s release. 

Miami had eight players with a rating 90 or higher in the previous edition, and the team should be able to maintain its high-end the new additions like Duke transfer quarterback Darien Mensah, Missouri transfer defensive end Damon Wilson II and freshman offensive lineman Jackson Cantwell. Hurricane fans can expect another elite roster to play with in-game. 

Toney isn’t the only Hurricane to be featured in the game. The game is bringing back a fan-favorite gamemode, Mascot Mashup, where Sebastian the Ibis makes his long-awaited return after being excluded from the previous two editions. 

Players will start with 10 unlocked mascots with the ability to unlock an additional 75 over the course of a story-like gameplay catered to the player’s desired experience. 

It will be left up to the user as to which mascots they want on their roster and how they want to go about the experience. There will also be special celebrations, plays and animations available for the mascots, so expect to see Sebastian do his iconic C-A-N-E-S breakdown as well as the other popular emotes that Canes fans have grown to love.

Sebastian A running on the field of Hard Rock Stadium holding the flag. // Photo via Sebastian A.

Baseball Postseason Starts in Gainesville, Football Visits and Hoops Schedule Release

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Breaking down the best and worst moments from Miami’s ACC Tournament run and previewing the Canes’ postseason push to the College World Series as UM looks to seek revenge against Florida in the Gainesville Regionals. Analyzing Canes Hoops’s tough schedule ahead of the 2026-27 season and explaining why head coach Jai Lucas could face his most challenging year at The U. Reacting to the Miami Hurricanes’ first list of official visitors ahead of a major recruiting weekend for the football program.

No. 13 Miami Rowing makes UM history with first appearance at NCAA Championships

When Miami’s first varsity eight pushed off the dock Friday morning, it became the first Hurricanes crew in program history to compete at the NCAA Championships.

A few minutes later, the crew added another chapter to the record book.

Scarlett Pringle, Naroa Zubimendi Varela, Jovana Stanivuk, Samantha Premerl, Mallory Sullivan, Esther Fuerte Chacón, Candela Martinez Pernas, Maria Sole Perugino and Beatrice Ravini Perelli crossed the finish line in 6:09.93, breaking the school record they had set just weeks earlier at the ACC Championships and setting the tone for a historic weekend at Lake Lanier Olympic Park.

The No. 13 Hurricanes arrived at the NCAA Championships as first-time participants. They left as the 13th-best team in the country after a three-day performance that featured multiple school records, two Petite Final appearances and a program-defining debut on collegiate rowing’s biggest stage.

Friday morning alone saw all three of Miami’s competing boats rewrite the record book.

The first varsity four of Maria Mastrando, Nicole Wyszynski, Holly Prichard, Grace Gaskill and Layla Jolley fought past No. 12 UCF and No. 17 Columbia to secure a place in the A/B semifinals while breaking the program record with a time of 7:03.17. The second varsity eight followed suit, posting a then-school-record 6:15.24 to advance to the A/B semifinals ahead of Oregon State, Boston University and Jacksonville.

Photo Credit: @CanesRowing via X // Miami Hurricanes rowing finishes in third place at the Orlando Invitational in Orlando, Fla. on April 19, 2026.

Hours later, with severe weather forcing NCAA officials to move Saturday’s semifinal races to Friday afternoon, Miami was back on the water.

The Hurricanes’ first varsity eight continued its strong showing, finishing second in its C/D semifinal to earn a place in Sunday’s C Final. Meanwhile, both the second varsity eight and first varsity four secured spots in their respective Petite Finals after lining up against some of the fastest crews in the nation.

“Semifinals at NCAA’s are always some of the most compelling races this sport has to offer,” head coach James Mulcahy said. “Us getting to line up against the top teams in the country and experience firsthand their speed was a great step in our team’s development.”

By the time Sunday arrived, Miami had already made history — but the Hurricanes weren’t finished yet.

The first varsity eight capped the weekend with another record-breaking performance, crossing the line in 6:02.54 in the C Final to lower its own school record for the second time in three days. The time was good for fourth place in the race and helped Miami secure a 13th-place finish in the final team standings.

The second varsity eight and first varsity four each closed their seasons in the Petite Finals, competing against programs that have become regular fixtures at the NCAA Championships. For Miami, however, simply reaching those races represented another step forward in a season defined by milestones.

“For us to finish 13th in our debut is a really strong result,” Mulcahy said. “We finished ahead of other at-large teams. We finished ahead of other conference champions.”

“We had a good showing.”

That showing was the culmination of a season unlike any in program history. The Hurricanes earned their first NCAA Championship berth, reached the highest national ranking in program history and consistently proved they belonged among the nation’s elite crews. 

By the end of the weekend, they had done more than simply make their NCAA debut.

They had established a new benchmark for what Miami rowing can be.

Photo credit: @CanesRowing via X // Members of the Miami Rowing team prepare for Day 1 of the Sarasota 2k Invitational in Sarasota, Fla. on March 26, 2026.