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Miami men’s tennis win fourth match in a row

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The No. 41 University of Miami men’s tennis team swept the Delaware Fighting Blue Hens on Wednesday afternoon at the Neil Schiff Tennis Center. 

After a rough start to the season, including a five-match losing streak to begin conference play, the Hurricanes (11-8, 3-5 ACC) have turned it around with their fourth straight victory.

To start off the day, the Canes took care of the doubles point with two wins on the top courts. Antonio Prat and Rafael Segado took the opening win of the day, defeating Tobey Lock and Luke Tollenaar 6-3. Then Mehdi Sadaoui and Jakub Kroslak secured the point with a 6-4 win over Euan Mackenzie and James Sclater.

When play was stopped, Miami duo Nacho Serra Sanchez and Jules Garot were leading 5-4 over Pere Prat and Federico Garbero.

Singles play was a cake walk for UM, obtaining three dominating straight-set victories to complete the sweep. Garot had the first of the trifecta, winning easily over Sclater 6-0, 6-3. Kroslak had a similar outcome, dropping only two games to Mackenzie for a 6-2, 6-0 victory. Finally, it would be Sadaoui who would win the clincher, besting Tollenaar 6-2, 6-1.

When singles play was halted, the final scores were as follows: No. 113 Prat was a game away from victory as he led 6-4, 5-1 over Lock, Serra Sanchez was up 6-3, 2-2 over Garbero and Segado was ahead 6-3, 3-2 against Prat.

We really do not need a new ‘Harry Potter’ series

It’s been nearly three years since HBO Max announced its intention to create a new “Harry Potter” TV series more faithful to J.K. Rowling’s original book series. 

On March 25, 2026, the long-awaited teaser trailer for the first season — centered around Harry’s first year at Hogwarts and set to release this December — proving once and for all that we really do not need this series. 

From a simply artistic point of view, everything about this remake screams lazy. The Wizarding World has millions of multitudes dying to be explored, from the Marauders era to the First Wizarding War and the rise of Voldemort, to the founding of Hogwarts to life at other Wizarding schools. 

And yet, the creators decided to instead beat a dead horse.  

2026 marks the 25th anniversary of “Harry Potter and the Philosopher’s Stone,” the first of eight in the critically acclaimed film series. The adaptations grossed more than $7 billion, solidifying the series a lifelong title as a cultural phenomenon. 

Even now, more than a decade following the release of the final installation, “Harry Potter” and its many entities remain more relevant than ever. 

Epic Universe’s Ministry of Magic just became the world’s sixth Wizarding World theme park.  “Harry Potter and the Cursed Child,” continues to make waves in New York, London and worldwide. The films are annually reintroduced to movie theaters every fall and performed nationally with live orchestral accompaniment. 

So while diehard defenders will argue the new series is a vital instrument to reintroduce “Harry Potter” to new generations, I would argue it needs no introduction. 

Its prominence in popular culture is unquestionable, and it isn’t going anywhere. The television series will not reignite passion for the original series — it will aim to replace it, and if it succeeds, it will harm the legacy of “Harry Potter.”

“Harry Potter” isn’t the first remake of its kind. Disney+’s “Percy Jackson” TV series essentially did what HBO Max is trying to do: introduce that which defined many childhoods to a new generation. 

But where the series is actually finding a majority of its viewership is from fans who grew up with the book series and felt slighted by the film adaptations. After only two films, the series ceased after being torn apart by fans and critics alike for its extreme deviations from the original source material.

Fans of the “Harry Potter” books were luckier, earning a movie for each of the seven novels (in addition to a second movie for “Deathly Hallows”). 

While not every detail could reasonably be taken from the increasingly long novels, the films stayed mostly true to the books. The characters matched most readers’ imaginations, and Hogwarts’ architecture captured the brilliance and elegance we saw through Harry’s eyes. 

In a book-based fandom, you will be hard pressed to find a fan that admits the movies were better — but the majority of “Potter” fans think the movies were done exceptionally well. 

There’s a familiar phrase that goes, “Lightning doesn’t strike twice.” By attempting to reinvent the wheel, producers are taking an incredible dangerous gamble. 

Should the series fail to live up to the magic of the original, said failure will threaten to overshadow the massive success of the original films. 

A majority of “Harry Potter” fans will refuse to accept anything except what they have grown accustomed to. The directors are placing this new slew of actors in an incredibly difficult spot. 

The Black actors cast to play Hermione Granger and Severus Snape have already been subject to extreme racism from fanatics attached to the original portrayals. But they aren’t — and won’t be — the only actors being constantly compared to their original counterparts. 

When Dominic McLaughlin, for example, is asked to fill Daniel Radcliffe’s incredibly large shoes, will he rise to task — or will fans lose interest entirely long before he’s even given the chance?   

Then comes the timing of the series release. As culture and politics become more intertwined than ever before, it’s especially vital to recall that “Harry Potter” has always been inherently political. 

(See: The entire plot of prejudice against muggleborns — Voldemort’s main campaign strategy, in a way — which is an obvious metaphor for systemic racism.)

 The political conversation surrounding the series only increased when author J.K. Rowling decided to use her prowess and wealth as a weapon against the transgender community. 

Seeing as J.K. Rowling has made it clear that the residual wealth she continues to accumulate from “Potter” and its entities — and will now accumulate from this series — will go directly toward funding anti-trans legislation, a discussion of the series and its implications go hand in hand.

It seems rather obvious that a driving force in Rowling’s desire to remake the series is to raise a new generation of actors to wield. She’s made her disdain for Daniel Radcliffe, Emma Watson and Rupert Grint quite clear after they each spoke up against her political views. 

Here are three brand-new, starry-eyed young actors cast in the roles of a lifetime. Even if they grow to foster any animosity toward Rowling for her views, they’ll surely be silenced the same way people attempted to silence Radcliffe, Watson and Grint. 

People will say they owe all of their success to Rowling, and particularly while in the midst of a ten year contract spanning seven seasons, they will be at a crossroads: Do they stand up for what’s right while potentially destroying their career in the process?

The claim that the series will expand on what the films failed to cover is pure nonsense. The films did their job, and they did it well. 

“Harry Potter” retains its magic through nostalgia and what it means to each individual fan. It laid the groundwork for new art forms to flourish, for new hands to pick up books that might not have otherwise. 

The series has been redefined by fans for the past decade since filming ceased, and they hardly need Rowling nor producers to do it for them. It’s time to let it stand on its own two feet, because forcibly pushing “Harry Potter” forward will more than likely send the franchise crashing down.  

Driving around Miami as a student? Check your insurance first

For many University of Miami students, driving is just part of daily life. One day, it’s a quick trip from Coral Gables to campus. The next is a drive to Brickell for dinner, a late-night food run, or a weekend trip to the beach.

With heavy traffic, busy intersections, and thousands of commuters on the road every day, car accidents in Miami and nearby happen more often than many drivers expect. Most student drivers assume that if something goes wrong on the road, insurance will handle it.


Unfortunately, that’s not always how it works.


After an accident, many drivers discover their insurance coverage isn’t as strong as they thought. Medical bills can add up quickly, repairs can get expensive, and Florida’s insurance rules can be confusing, especially for students who are driving a car insured under a parent’s policy or their first personal plan.


Before something happens on the road, it’s worth taking a few minutes to understand what your insurance actually covers.


Florida’s Minimum Insurance Isn’t as Much as It Sounds
Florida requires drivers to carry two basic types of coverage:
– $10,000 in Personal Injury Protection (PIP)
– $10,000 in Property Damage Liability


At first glance, that may sound like a reasonable amount. In reality, it often doesn’t go very far. But emergency room visits, medical imaging, and follow-up treatment can easily exceed $10,000 after a serious crash. And that’s before you consider physical therapy, missed work, or long-term injuries. Florida is also a no-fault insurance state, which means your own insurance policy usually pays for your initial medical expenses after a crash, regardless of who caused the accident. Many drivers don’t realize that until they’re already dealing with bills.


The 14-Day Rule Many Drivers Don’t Know About


Another detail that surprises many drivers is Florida’s 14-day rule. To receive benefits from Personal Injury Protection coverage, injured drivers must seek medical care within 14 days of the crash. Students often delay treatment because they assume soreness will go away or they feel fine immediately after the accident. However, symptoms from injuries like whiplash or concussions can appear later. Waiting too long can make insurance claims much more complicated


“I’m on My Parents’ Insurance”. But What Does That Mean?

A lot of college students drive vehicles insured under their parents’ policies. While that can provide
coverage, it can also raise questions that many drivers don’t think about ahead of time.


For example:
– Are you listed as a driver on the policy?
– Is the car you’re driving actually insured under that plan?
– Does the policy cover you if you live in another city most of the year?


Sometimes the coverage works exactly as expected. Other times, families discover the policy
doesn’t fully match how the car is actually being used. That’s why it helps to review the details ahead
of time instead of figuring it out after a crash.


Not Every Driver on the Road Has Strong Coverage


Another challenge on Florida roads is that not every driver carries enough insurance. Even though Florida requires certain minimum coverage, many drivers either have no insurance at all or carry very limited policies. According to the Insurance Research Council, about 26.7% of drivers in Florida are uninsured, which is significantly higher than the national average. Because of this, some drivers choose uninsured or underinsured motorist coverage (UM/UIM) as an extra layer of protection. Uninsured motorist coverage can help pay for damages when the driver who caused the crash does not have insurance or doesn’t have enough to fully cover injuries and other losses. This type of coverage can help with costs such as medical expenses, lost wages, and even pain and suffering that may not be covered by Florida’s basic no-fault insurance. With so many uninsured or underinsured drivers on Florida roads, reviewing whether your policy includes UM coverage can be an important step before an accident ever happens.


Borrowing a Friend’s Car? Insurance Doesn’t Always Work
the Way You Expect


College students borrow cars all the time.
Maybe your roommate lets you take their car to Publix. Maybe a friend offers their car for a trip to the
beach or a late-night drive to grab food. It usually feels casual, until something goes wrong.
Many drivers assume that if they’re behind the wheel, their own insurance automatically covers the
accident. In many situations, the opposite is true.
In Florida, insurance typically follows the vehicle first, not the driver. That means the car owner’s
insurance policy may be the primary coverage if an accident happens.


However, coverage can depend on several factors, including:
– Whether the owner gave permission to drive the car
– Whether the driver is listed or excluded on the policy
– Whether the vehicle is being used regularly by someone not listed on the insurance policy


If the damages exceed the vehicle’s policy limits, the driver’s own insurance may come into play as
secondary coverage.
Because of this, borrowing a car can create unexpected complications after a crash. Taking a
moment to ask a simple question — “Is the car insured and okay for me to drive under the policy?”
— can prevent a lot of confusion later.


Mistakes Students Should Avoid After a Crash


Accidents happen, even to careful drivers. What you do in the minutes and hours after a crash can make a big difference later, especially when insurance companies start reviewing the claim. Here are some common mistakes student drivers should avoid.

  1. Leaving the scene without calling the police. Even if the crash seems minor, having an official police report helps document what happened. Without one, proving the details of the accident later can become much harder.
  2. Forgetting to document the scene. Take photos of the vehicles, the damage, the intersection, and anything else that may help explain
    how the crash occurred. If there are witnesses nearby, try to get their contact information as well.
  3. Saying too much at the scene. It’s natural to apologize or try to smooth things over after an accident. But statements made in the moment can later be interpreted as admitting fault, even if the situation isn’t clear yet.
  4. Delaying medical care. Some injuries don’t show symptoms right away. Getting checked out by a doctor helps protect your health and also creates a medical record if symptoms appear later.
  5. Talking to insurance adjusters without understanding your options. Insurance companies often reach out quickly after a crash. Their job is to investigate the claim and limit what they pay when possible. Taking time to understand your rights before giving detailed
    statements can help you avoid complications later.

A Quick Insurance Check Can Save You Stress Later


College life moves fast. Between classes, work, and social life, insurance coverage is rarely at the top of a student’s to-do list. But taking a few minutes to review your policy now, whether it’s your own plan or your parents’, can make a big difference if an accident ever happens. Understanding your coverage today can help prevent expensive surprises tomorrow. And on busy Miami roads, that peace of mind can go

‘Amaze amaze amaze:’ Phil Lord and Christopher Miller bring ‘Project Hail Mary’ (2026) to life

Who among us hasn’t felt at one point or another that we have no idea what we’re doing? That we’ve been thrown in the deep end?

The protagonist in directors Phil Lord and Christopher Miller’s latest film “Project Hail Mary” (2026) can certainly relate. Dr. Ryland Grace is a middle school teacher and former microbiologist who wakes up on a spaceship in a different solar system with no idea who he is or how he got there.

Adapting Andy Weir’s latest novel to the big screen was a tall order for Lord and Miller. At 478 pages, the novel takes its time telling Dr. Grace’s story. The directors had a lot of material to condense into just two and a half hours.

Lord and Miller rose to the challenge. “Project Hail Mary” (2026) is a gorgeous film that is at once exciting and moving, a reminder of the best in people — human or otherwise— in the worst of circumstances.

The opening of the film is hilarious and terrifying, a perfect example of how screenwriter Drew Goddard’s script excellently adapts Andy Weir’s signature blend of drama, humor and science. A very shaggy Grace, played by Ryan Gosling, awakens from a coma disoriented, babbling and tripping over himself as he regains the ability to speak and walk.

Once Dr. Grace reaches the control room and realizes his situation, his despair is palpable.

For much of the film Grace is the only human onscreen. A one-man show could have very easily become tiring, but Ryan Gosling’s performance was out of this world (pun intended). One moment he has the audience laughing their asses off and ten minutes later he’ll have them bawling their eyes out.

With a score of 95% from Rotten Tomatoes, “Project Hail Mary” has become the highest rated film inRyan Gosling’s filmography.

Grace undoubtedly has the largest role in the film, but he is not entirely alone. “Project Hail Mary” is a story told in pieces, interspersing the present with flashbacks representing Grace’s slowly returning memories. Through this back and forth the audience is introduced to the other characters.

Bit by bit, Grace remembers that he is a member of Project Hail Mary, an international effort to save humanity from a global ice age caused by the mysterious alien microorganism Astrophage which feeds on stars ’—  including the sun’s — energy.

Initially contacted by the unshakeable head of Project Hail Mary Eva Stratt (Sandra Hüller), Grace made major breakthroughs studying Astrophage and accidentally became her second in command.

As a last ditch effort to save the Earth, Stratt and her team determined that three astronauts must be sent on a suicide mission to the distant Tau Ceti solar system to discover why that star has survived Astrophage and send their findings back to Earth.

A stalwart leader, Stratt does what must be done no matter the cost. Even so, it is clear that her difficult decisions weigh heavily on her. Hüller brings an emotional depth to Stratt that makes her one of the film’s most memorable characters.

The chemistry between Hüller and Gosling in their respective roles is excellent. Stratt is distant where Grace is friendly; she is stern where he is scatterbrained. The relationship between the characters is unbalanced, more boss-employee than true friends or colleagues.

Stratt is not Grace’s only companion. As the Hail Mary arrives at Tau Ceti in the present, Dr. Grace quickly learns that we are not alone in the universe. 

Grace meets an alien from the 40 Eridani solar system. He creatively names the five-legged Eridian “Rocky,” after his rock-like appearance. As they learn to communicate, Grace and Rocky realize they are there for the same reason and resolve to help each other save their respective planets.

Rocky was an important part of the movie to get right. He is beloved by fans of the novel, and Lord and Miller wanted Gosling, who would have many scenes with the alien, to have someone real as a scene partner rather than a motion-capture tennis ball.

James Ortiz knocks it out of the park as Rocky’s voice and primary puppeteer, bringing humor and heart to the Eridian.

Rocky is just one example of this film’s dedication to practical effects. “Project Hail Mary” uses no green or blue screen whatsoever, and is easily one of the most visually stunning sci-fi movies of the decade.

A full-size rotating set was built for the scenes with Ryland Grace inside the ship. Most of the scenes of outer space were done by computer.

One of the most beautiful scenes occurs when Grace exits the ship in his space suit to collect samples of Astrophage from the planet Adrian’s (named after Rocky’s Eridian partner) “Petrova line.” The Petrova line is the trail of Astrophage coming and going from a planet to its sun.

The shot was accomplished by putting Gosling inside a chicken-wire cage strung with infrared lights and equipping the camera with an infrared light filter. The result is a breathtaking sea of twinkling red.

Gorgeous as the film is, none of the stellar cinematography and effects would be as impactful without Daniel Pemberton’s original score. The choir-heavy score evokes a deep sense of humanity even as the main character is perhaps one of the loneliest humans there is.

The soundtrack of the movie is also incredibly effective. Every needle drop — most memorably Stratt’s rare moment of vulnerability singing karaoke to Harry Styles’ “Sign of the Times”— was perfectly chosen.

As far as adapting the novel, the film glosses over many of the scientific elements rather quickly, and many supporting characters were also cut from the story or watered down for the sake of its runtime.But these are ultimately minor faults. 

Lord and Miller clearly love this story, and they did it justice in their adaptation, bringing to the story all the strengths of the film medium. “Project Hail Mary” is at its heart a story of love for friends and for life (human or otherwise) itself.

Inside the pink-carpet premiere of UM student and influencer Lauren Barnwell’s ‘Turning 21’

The fourth floor of Brickell City Centre’s CMX Theater transformed into a pink‑lit birthday‑meets‑movie‑event at night on Friday, March 20. Invited guests arrived to celebrate University of Miami junior Lauren Barnwell and the debut of her short film, “Turning 21.” 

Complete with branded cocktail stations, oversized props and a full pink carpet lined with photographers — the event marked the official premiere of the short film Barnwell directed and starred in to commemorate her 21st birthday.

The night began with a slow trickle of guests and a few minor technical hiccups that pushed the start time back, but the delay barely registered. Attendees filled the extra time with free drinks, photos and tipsy conversation. 

At the theater bar, film co-creator Julyanna Colby, dressed in soft pink to match the theme, said she and Barnwell were leaving for a trip together just days after the premiere. The two met through social media, she explained, and their friendship has only grown since. 

As more guests arrived, the energy shifted. Every few minutes, someone yelled “shot o’clock,” sending groups toward the Voli 305 Vodka bar for mini passion‑fruit pouches and Voli shooters. It felt more like a coordinated social event than a typical college birthday — which made sense, because this wasn’t just a birthday.

Barnwell’s film, a blend of scripted scenes and real friendships, follows a fictionalized version of her birthday weekend. Inspired by “The Hangover” and “Project X,” “but girlified,” as she later told the audience. The project brought together her closest friends, a professional crew and a theater full of supporters.

Before the screening, content creators Nina Simone and Larissa Randolph waited near the carpet, both saying they weren’t surprised by the turnout.

 “It’s very on brand for Lauren,” Simone said. The two were most excited for the “hangover moments” in the film and the exaggerated chaos of a 21st birthday. 

Randolph joked that she nearly blacked out the night before her own 21st. “When in Miami,” she said, laughing. Their presence, along with dozens of other creators, reflected the social‑media world Barnwell has built her career in, one where events double as content and community.

Walking the pink carpet, cast members Madison Purdy and Erica Arnstein talked about what it was like to be part of the project. 

Purdy described the film as “lighthearted, funny and chill,” adding that her friendship with Barnwell is similar. 

“We’re playful, but when we’re serious, we’re serious. We have a deep relationship,” Purdy said. 

Purdy added that she felt grateful for the opportunities the project brought her like working with a professional crew and also being part of something that felt “bigger than us.”

Arnstein, Barnwell’s roommate and best friend since freshman year, said she didn’t even blink when Lauren announced she wanted to make a movie. 

“That sounds about right,” Arnstein said. “She doesn’t do anything halfway.” 

Watching the film come together, Arnstein said, felt like watching Barnwell in her element; organized, creative and fully committed. She expected the audience to react the same way she did the first time she saw “Turning 21:” laughing, cheering and recognizing the real friendship underneath the chaos. 

“It’s so her,” Arnstein said. “People are going to see that.”

Both “actors” agreed the project reflects who Barnwell is — ambitious, committed and willing to take on something bigger than what most students attempt.

That same sentiment came from Barnwell’s aunt, Siva Barnwell‑Adams, who flew in from Houston for the big night. 

“Her level of dedication, her grit — it’s stronger than I even realized,” Barnwell‑Adams said.

Barnwell-Adams recalled Lauren’s college decision as an early example of her determination. 

“We told her to have backup schools. She humored us, but it was always UM,” Barnwell‑Adams said. “She had vision‑boarded it. When she sets her mind to something, she follows through.”

As guests chatted and sipped, Barnwell stood in the women’s bathroom with a drink in hand, taking in the moment and also taking a second. 

The chaos of the early evening had faded, replaced by something steadier. She said the night felt like the first time her family truly understood the scope of her work. 

“They know I do social media, but I don’t think they grasped that this is what I want to do for the rest of my life,” Barnwell said “They’re from a different generation. So this, seeing it, I think it finally clicked.”

Finally, it was time. The noise of the lobby dimmed as guests headed into the theater, but not before Barnwell rallied the room with one last “shot o’clock.” 

Everyone raised their shooter to Barnwell and the thunder of “Baddie, baddie, shot o’clock” echoed through the City Centre bar.

Before pressing play, Barnwell stepped up to the microphone and the room quieted. Barnwell began her speech by thanking her crew first; Enzo, her director of photography; Sky, who organized the event; and Daniel, her sound engineer — along with her sponsors, including 818 Tequila, amika, Hard Candy and, of course. Voli 305 Vodka.

“I hope you guys are drunk enough, that’s super important,” Barnwell joked, earning cheers. She ended with a simple message: “I love everybody in this room. Enjoy the film, enjoy the night, and happy 21st birthday to me.”

By the end of the screening, the energy in the room made it clear the night was a success. Friends, creators and family members celebrated not just the film, but the effort behind it.

Desserts and sponsor‑filled goodie bags waited at the exit, a polished final flourish that underscored just how intentionally Barnwell crafted every part of the evening.

For Barnwell, the premiere wasn’t just a birthday milestone, it was a statement about where she’s headed. And if this is how she marks 21, there’s little doubt there’s more ahead for her.

A list of Zendaya’s 2026 film and television lineup

From television series to major studio releases, Hollywood actress Zendaya is set for a busy 2026. She has projects that will be released throughout the year, beginning in the spring and ending until December. 

Her first appearance is “The Drama,” a dark romantic comedy produced by A24 and directed by Kristoffer Borgli, arriving in theaters April 1. 

Zendaya plays Emma Harwood, a bookseller whose relationship is put to the test in the week leading up to her wedding. “Twilight” star Robert Pattinson plays Charlie Thompson, her fiancé.

She then returns to television in the season 3 of “Euphoria,” premiering April 13 on HBO. She reprises her role as Rue Bennett, a teenager struggling with addiction, as the series introduces a time jump showing the characters as adults. 

The new episodes follow Rue dealing with the consequences of her past and hiding out in Mexico after owing money to a drug dealer.

“The Odyssey,” directed by acclaimed Christopher Nolan, is next and arrives July 15. The Greek epic follows Odysseus, played by Matt Damon, on a decade-long journey home after the Trojan war. Zendaya portrays the goddess Athena, guiding him through the seas and kingdoms. 

Zendaya and Tom Holland appear together in both “The Odyssey” and her next film “Spider-Man: Brand New Day,” out July 29. 

It marks the fourth installment in the Marvel franchise, with Holland playing Peter Parker. Zendaya reprises her role as MJ, the romantic interest who no longer remembers Parker’s identity as Spider-Man. 

Her final release of the year is “Dune: Part Three,” arriving Dec. 16. She returns as Chani in the third installment, which tackles the consequences of Paul Atreides’ rise to power. The film explores the rekindling of her strained relationship with him 17 years later.

Across these roles, Zendaya moves between different characters and genres, pointing to a year built on showing the world her range.

The girl you “shouldn’t worry about” was in fact the girl

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Dear V,

So I don’t even know where to start. I was in a relationship that ended in a full dumpster fire, allegedly “mutual.” About three months later, I was casually informed by, let’s put it lightly, a drama queen that my ex was talking to someone new. His friends were my friends, or at least I thought they were, and when I asked them if it was true, they denied it profusely…

From, Dumped in a dumpster fire

Response:

There’s no better advice than telling you to appreciate the fact that your intuition was spot on and your ex was talking to someone new. Sometimes there’s no better feeling than clarity.

Obviously this raises questions about your ex’s friends — who you thought were also yours — and the actual timeline of things. 

After getting the news from the “drama queen,” you were right to pick up the phone and call his best friend. But from here on out, you need to completely distance yourself. He showed who his loyalty really belongs to — and it wasn’t you.

More often than not, I’ve seen friend groups fall apart over one relationship not working out. Unfortunately, things won’t be the same as they were before this drama-filled breakup.

On the bright side, if your ex is as shady as he sounds, his friends probably are too, and it’s for the better that they’re out of your life. 

Coming across that photo, even months later, would’ve made my heart instantly sink. No matter how moved on you truly were at the time, that had to hit hard. 

What would bother me the most, if I were you, is if you naively maintained a friendship with his friends after they blatantly lied to your face. 

Now, I’m a very confrontational person, but I have to tell you not to confront them for lying. No matter how badly you might want to. His friends are in too deep and confronting them just opens the gate for more lies. And it makes you look like you care. 

As for the downgrade, all you can do is sit back and laugh. Liars tend to go for people with similar traits, and clearly he hasn’t grown up at all. Be glad you got out when you could.

In the end, you should feel really good about your situation. Your ex took a major downgrade, you know who to trust and you sound like you’ve moved on from the situation.  

You should give a big thanks to the “drama queen” in your life too, she was a real one.

Love, V                                                                                

Storylines to keep track of during Canes football spring practice

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Hurricanes football returned to Greentree March 24 with spring practice getting underway.

With the battles for playing time, and mix of youth and upperclassmen, returners and transfers, camp will be exciting to watch, culminating April 18 in Miami’s 2026 spring game.

It’s time to find the diamonds in the rough and answer the questions about how Miami reloads to attack next season coming off a national championship appearance.

Mirabal rebuilds his wall

With weapons galore across the skill position, the only major question mark right now for this UM offense is how it can rebuild an offensive line losing four starters. 

While plenty more shuffling could happen, as of the first day though it looks like Miami’s tackles decision may be set. 

Following practice, redshirt junior Matthew McCoy hinted at the staff’s plan for him.

“I’m just focused on trying to play right tackle, getting better, getting my group better and leading,” McCoy said. 

With his experience mainly at guard, McCoy will need to pick up the position fast, especially given he’s likely lined up across from true freshman five-star Jackson Cantwell at left tackle.

Both are going to be tested all spring long, something they’re used to.

“Rueben [Bain] and [Akheem] Mesidor were his baptism by fire at the end of the season,” Coach Cristobal said of freshman Jackson Cantwell who participated in scout team drills last January as an early enrollee.

On the interior, the picture isn’t as clear.

Samson Okunola and Ryan Rodriguez are two names that come to mind, but with Rodriguez’s injury history Miami has some young guys fans should keep an eye on in the rotation.

Max Buchanan and SJ Alofaituli, two second year players, are going to make a push. 

Buchanan brings size and physicality to maul opponents on the interior while Alofaituli was a top-100 recruit in the 2025 class and earned time last year in some jumbo sets for Miami. 

Time will tell as this group shuffles and offensive line coach Alex Mirabal finds a group that gels. 

Photo Editor Brian Mulvey // Junior offensive lineman Francis Mauigoa and freshman offensive lineman Seuseu Alofaituli jump in celebration during Miami’s victory against Ohio State University on Wednesday, Dec. 31, 2025.

Key to the defensive secondary

In the College Football Playoff, Miami asked a true freshman to step into an injured corner room to defend one of the most explosive offenses in college football against Ole Miss.

Jaboree Anotine not only did that but played impressively. 

With another offseason he could find himself with a bigger role, especially considering the injury history of Damari Brown and OJ Frederique. 

While the expectation is for Boston College transfer Omar Thornton to replace Keionte Scott in the slot, freshman JJ Dunnigan is another name to watch. 

Last year’s nickel back Keionte Scott showed off his blazing speed during pro day and according to Zachariah Poyser, Dunnigan is the fastest player on the team.

Those similar traits to chase and tackle could earn Dunnigan a spot whether that’s at safety or in the slot.

Rise of young front seven

With veteran Ahmad Moten out for the start of spring “dealing with some stuff” according to Cristobal, Miami has plenty of guys to watch throughout spring.


Justin Scott, Marquise Lightfoot and Armoundo Blount will aim to take the next step in their development as juniors. Each year the former five-stars have rotated in spurts and impressed, but now they will have the chance to establish themselves as 3-down players for the Hurricanes. 

Canes’ fans have to keep an eye on their highest rated recruit from the 2024 class, Hayden Lowe.

As a freshman, Lowe’s size, strength, and motor would have earned him playing time had he not suffered a season ending injury. Now fully healthy, Lowe can make the jump into what Blount and Lightfoot have been on the edge for Miami. 

In the linebacker room, Chase Smith and Mo Toure returning are the expected duo, but watch for Kellen Wiley. The second-year linebacker has an NFL frame at 6-foot-4, 235 pounds and has the skills of hybrid edge/linebacker. How he puts it together this spring will be fun to watch. 

Photo Editor Brian Mulvey // Sophomore defensive lineman Marquise Lightfoot celebrates against Ohio State University on Wednesday, Dec. 31, 2025.

Receivers battling for playing time

This room could be the most fun to watch all spring long. Malachi Toney and Cooper Barkate are likely locks as starters but the rest will be a war.

“The receiver room will be the most competitive it’s been since we’ve been here,” Cristobal said. 

West Virginia transfer Cam Vaughn made a statement with his downfield contested catch ability and could slot into a true deep-threat receiver role for Miami. But, the Canes’ underclassmen will have something to say about that. 

Milan Parris stands at 6-foot-5 and Samourian Wingo stands at 6-foot-2, both are very fluid and speedy for their size. 

Overall though, sophomore Joshua Moore is the one that could impress the most.

From the opening game last season, Miami showed confidence in Moore when he recorded a couple of catches against Notre Dame. With his phenomenal game against USF, Moore, when given an opportunity, showed the ability to make plays with the ball in the air and could easily be the guy to look for in this receiver room.

Miami is looking to find its way back to the national championship and there is no better place to start that spring practice, where the season truly begins.

Brian Mulvey Assistant Photo Editor // Freshman wide receiver Josh Moore catches a touchdown versus USF on Sept. 14 2025

Canes women’s tennis drops first ACC match of the season to No. 15 Virginia

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The University of Miami women’s tennis team (10-3, 6-1 ACC) were handed their first conference loss of the season against the No. 15 Virginia Cavaliers (13-4, 6-0 ACC), 4-1 on Sunday at the Neil Schiff Tennis Center.

Virginia opened the match up earning the doubles point, with UVA’s Melodie Collard and Vivian Yang winning 6-3 over Raquel Gonzalez and Dominika Podhajecka on court one, while Isabella Lacy and Katie Rolls defeated Maria Vargas and Daria Volosova won by the same score on court three. 

The Hoos would then win back-to-back singles matches to go up 3-0. Kaitlyn Rolls would earn a straight set victory 7-5, 6-3 on court three over Sebastianna Scilipoit, and No. 81 Yang defeated No. 101 Sofia Rocchetti 6-3, 6-4. 

Raquel Gonzalez would pull the Canes back with her highest ranked win, a 6-3, 6-3 victory over No. 32 Annabelle Xu, but it would be too little too late.

No. 108 Lacy would earn a 4-6, 6-1, 6-1 victory over Jaquelyn Ogunwale to seal the match for the Cavaliers. 

Miami will be back in action on Friday in Atlanta as they take on Georgia Tech.

St. Patrick’s Day showdown: UDebate vs. The Irish Times Debate champions

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The University of Miami Debate team faced off against The Irish Times Debate champions in a St. Patrick’s Day showdown on Tuesday, March 17.

The topic of debate was social media regulation. The official motion read, “⁠This House Would Hold Social Media Companies Liable for Spread of Misinformation,” with the Irish debating as the government and Miami as the opposition.

The Irish Times Debate is Ireland’s prestigious, longest-running debate competition for students in higher education, established in 1960. The competition begins with around 300 competitors and concludes with three winning speakers.

Athena Wu of Trinity College Dublin’s Historical Society was named one of  the winners of the 66th Irish Times Debate final. Cian Carew of the Solicitor’s Apprentices Debating Society (SADSI) won the individual speaker award. 

Winners not only gain recognition, but win an all-expenses-paid tour of the United States. Wu, Carew, and finalist Roisin McCormack are currently on tour. Their most recent stop: UM. 

Representing UM were freshman Yolanda Del Pino, senior Joe Thiesan and fourth-year architecture student Parker Osth.

The debate followed a format similar to British Parliamentary style, which includes audience participation and an audience vote. The debate took place in the student senate room in the Shala Student Center, where nearly every seat was filled.

The audience voted the Irish champions winners with a score of 27 to 19, all in the spirit of friendly competition.

“Well honestly, I think the audience just voted us because we were guests and they wanted to be nice,” Wu said with a laugh. “I think the opposition did a really good job.”

For both teams, the debate provided an amazing opportunity to discuss an important and timely topic. For the Irish team, the visit provided a chance to step into life at an American university.

“It’s so surreal, I think that we all watch movies about the U.S. so we think that we know a lot about it and we think that movies are kind of a caricature of what university is like” Wu said. “But all the people are so nice … we haven’t met a single mean person.”

UDebate promoted the event across UM’s campus, expressing that this opportunity was very special for them.

“I’m very honored and blessed that I was chosen,” Del Pino said. “It’s such a cool thing to have in your life to be able to say that you debated the Irish national champions on St. Patrick’s Day.”

Both teams embraced the experience, spending time together before and after the debate. 

When the Irish landed, UDebate coach Dave Steinberg took them to Greenstreet Cafe, a popular restaurant in Coconut Grove and showed them around campus. 

After the debate was over, both teams were seen leaving with smiles and laughs and went to Monty’s, another popular spot. 

Before continuing their tour to Tennessee, the Irish champions went to UDebate’s weekly debate meeting, where they judged a practice round and soaked up more Miami culture before heading to Tennessee, including visiting Wynwood, South Beach and even got to try Cuban food at the legendary Versailles restaurant.

AEPi surpasses $60,000 goal in Rockathon fundraiser

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Alpha Epsilon Pi wrapped up its Rockathon fundraiser at 6:30 p.m. on Friday, March 20, after one of its members was rocking in a chair for 56 straight hours. 

The event was held on Lakeside Patio, where sophomore Lorenzo Cavallino spent the entire time in a rocking chair to raise money for the Gift of Life Marrow Registry, a national nonprofit dedicated to curing blood cancer through cellular therapy. 

The event began on Wednesday, March 18, and drew steady crowds of fraternity brothers and supporters who stayed with Cavallino around the clock.

Rockathon co-chair Jimmy Koch said the chapter passed its $60,000 fundraising goal around 3 p.m. on Friday, with donations continuing to come in after the event’s official end. 

By the final tick of the clock at 6:30 p.m., the fundraiser had raised a total of $67,722.

Last year’s total was just over $50,000, marking an increase despite a week of wind and rain.

Koch said the Lakeside Patio proved to be a major improvement from last year’s location outside Richter Library, even with the weather challenges. 

“It’s a much better spot for visibility,” Koch said. “People walking by stop, ask questions and donate. Even with the wind and the rain, everything came together really well.”

Koch added that Cavallino’s commitment drew attention across campus. “He’s the most popular guy on campus right now,” Koch said. 

Cavallino, who had just over an hour left when interviewed for this article, said the marathon felt surprisingly manageable. 

“Feels like hour one, [I] feel amazing,” Cavallino said. “The people around me keep me going.” 

He added that he never spent a single moment alone during the 56 hours. 

“I haven’t been alone for one second, even guys sleeping over here with me,” Cavallino said, noting that the support was entirely voluntary.

He said the overnight stretches were easier than expected thanks to improvised comfort strategies. 

“I definitely have gotten better sleep than I thought I would,” Cavallino said. “Last night, I just bundled myself up in a bunch of pillows and blankets, put my feet up and then relaxed.”

The most‑asked question of the event — how he handled bathroom breaks — was the only one he refused to fully answer. 

“I knew that was coming,” Cavallino said, laughing. “All I’m gonna say is, we make it work.”

As the clock hit 56 hours, the event closed with a full AEPi mosh‑pit to “Get It Sexyy” by Sexyy Red, a preview of the fraternity’s party later that evening that featured the artist herself. 

Koch called the fundraiser a success, saying the new location came with challenges but ultimately ran smoothly. 

“There are always growing pains with a new setup,” Koch said. “But everything came together really well, especially with keeping him on stage the entire time.” 

UM researcher releases new “Miami Hurricanes” fight song

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Skilled songwriter and cancer researcher at the Miller School of Medicine, Dr. Theodore Lampidi, released a new ‘Canes Fight Song on Jan. 16, after five years in the making.

Every football game is marked by the beating of the drums, the cheering crowds and the Miami U How-Dee-Doo — the Hurricanes’ decades-old fight song that is as much of a tradition as the Alma Mater. 

Dr. Lampidis felt like it was time for a change.

Inspired by the promise of a “comeback” in 2022, Dr. Lampidis composed a new fight song, appropriately titled “Miami Hurricanes.”

“They’re back to the old days where they were winning championships,” Lampidis said. “But what got me to do the song originally is just my love for UM.”

In the beginning stages of the song, the singer was his eleven-year-old daughter and had a softer arrangement. After the original version of “Miami Hurricanes” aired on Local 10 in 2021, he got some feedback from the station.

“I was told that the song should be done by a male,” Lampidis said. “And that it should be arranged differently.”

The new version was recorded with Sam Rawls, a singer and music engineer, whom Dr. Lampidis met through other projects.

This was not the first time Dr. Lampidis wrote a song — songwriting had been his hobby since childhood. He finally connected with the music industry after composing a piece inspired by “Marathon Man” in 1976.

“As I was writing the song, and I was getting to where I wanted to get to, I decided to call Paramount Pictures,” Lampidis said.

The song was not finished yet, but he had gotten the contact for Marvin Cain, former president of Famous Music Corporation, Paramount Pictures’s music publishing division. 

With the help of a band of bar musicians, Dr. Lampidis put together a demo. Even though it was never published, his passion for songwriting did not waver.

Almost a decade later, another one of his projects, “Close My Eyes,” appeared in an 80s coming-of-age comedy series called Red Oaks.

Because of his brief history with the industry, Dr. Lampidis knew that the best way to get his fight song out there was to pick up the phone — or, in this case, start sending emails. 

“If you wanna do something, go work for it,” Lampidis said.

Since its re-recording, Dr. Lampidis shared the song with broadcasters, radio stations and UM staff.

Erica Arroyo, associate vice president for engagement at UM, even shared it on the University’s official Instagram. According to Dr. Lampidis, she later sent him an email expressing her intent to keep using the song during events.

Dr. Lampidis recalled an email from President Echeverria with a similar sentiment, saying the song “was excellent,” but it still had a “long way to go.”

In his last exchange with Dr. Craig McKenzie, the director of athletic band at UM, Dr. Lampidis said that Dr. McKenzie thought the fight song was a “cool idea” that the Frost Band of the Hour could “play in the future.”

According to Dr. Lampidis, there are currently no plans to implement his fight song as The Hurricanes’ official chant. 

Those were not the only comments Dr. Lampidis received. He also received feedback from the people to whom he sent the demo.

Jim Berry, anchor at CBS News Miami, interviewed Dr. Lampidis about his song during the 7 p.m. news broadcast on Jan. 16.

Two radio stations, WVUM 90.5 FM — UM’s station — and WQAM 560 also aired the song during the football team’s playoff run.

Despite already reaching a wide audience, the song still “belongs to the students,” and was designed for the UM community to support the Hurricanes.

For Dr. Lampidis, the piece is more than an expression of his love for UM. It is proof that a person is not constrained by their profession or a singular interest.

“People are people, they have many capabilities, and they should never label themselves,” Dr. Lampidis said.

If you would like to listen to Dr. Lampidis’ work, the song is titled “Miami Hurricanes by Ted Lampidis” on YouTube.