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UM reveals plans to demolish Mahoney-Pearson

UM revealed plans to replace Mahoney-Pearson Residential Colleges with a new residential complex called Gables Village. The construction is scheduled to begin in the summer of 2026 and end by mid-2029. 

Gables Village will be made up of two towers connected on the ground floor and include amenities like study rooms, wellness areas, recreational lounges and collaboration spaces. The project is expected to span 573,804 gross square feet. 

The building referred to as “residential college one” will have 222 units and 735 beds spread across nine floors. “Residential college two” will have 207 units and 723 beds across 10 floors. The total of 1,458 beds is 32 more beds than Mahoney-Pearson’s current 1,426 beds. 

The plans are pending approval from the City of Coral Gables. A meeting with the Coral Gables Development Review Committee discussing the construction is scheduled for Friday, Nov. 21, at 9:30 a.m. 

Phase two of Centennial Village, which includes three new buildings, will open for students in August 2026. These three residential colleges will have 1,150 beds in total and, once completely open, Centennial Village will have approximately 2,025 beds

The demolition of Mahoney-Pearson and the opening of Centennial Village Phase two creates an expected loss of 276 beds for the 2026-2027 academic year. The Hurricane has contacted the University for comment and has not yet received a response. 

The Gables Village buildings will have double suites, single suites and single rooms. Single suites are the most common room type across the two towers. 

Floor plan of level two of Gables Village as designed by Arquitectonica.

UM also intends to build a new 9,898 square foot “Central Energy Plant” next to the Mahoney-Pearson parking garage. The garage will remain operational, but the entrance will be relocated to the south side and can be accessed via Ponce de Leon Boulevard. 

Future plans about replacing the Mahoney-Pearson dining hall are also in discussion. The new dining hall will have seating for 700 and span 24,046 square feet. 

The filings show plans for other buildings to be demolished in the future, including Whitten Learning Center. 

According to a letter of intent written by Jessica Brumley, the vice president for facilities operations and planning, this construction is the next part of UM’s “Housing Master Plan,” following Lakeside and Centennial Village. 

“This next phase will provide modern, sustainable housing that enhances the student experience for years to come,” Brumley wrote. 

Arquitectonica, one of the largest architecture firms in Miami, will design the new residential colleges. The firm previously designed Lakeside Village and the Murphy Design Studio. 

The firm has a large focus on sustainability, “developing solutions that balance a modern aesthetic with an environmentally sensitive practice to create value, identity and a sustainable environment.”

A rendering of the ground floor of Gables Village, the new housing scheduled to replace Mahoney-Pearson.

Lakeside Village received a LEED Gold certification rating in 2022 and UM has been working on achieving carbon neutrality by 2035. As of 2024, there has been a 79.6% reduction in greenhouse gas emissions at the Coral Gables and Rosenstiel campuses since 2013. 

The Hurricane will publish updates as we receive more information.

Get your holiday coffee fix at Ricky’s

With all the coffee shops scrambling to add peppermint and gingerbread syrups to their menus this holiday season, Ricky’s Cafe – located outside the University of Miami’s School of Communication at 5100 Brunson Drive – has taken a different approach with a bold choice of comfy, decadent flavors. 

Cookie Butter Latte

I had pretty high hopes for this drink, considering that cookie butter is one of my favorite spreads and I could eat it by the spoonful. 

The sweet cream and speculoos crumble combination on top was an excellent touch — it adds an extra layer of sweetness and creamy texture, making the drink more of a dessert than a coffee.

“After only drinking the dining hall drip coffee, I feel as though it is heaven,” Gabby Walsh, a UM freshman, said.

Incredible housemade syrup that tastes just like a biscoff cookie. But if you prefer the flavor of coffee over sweetness, it needs some modifications.

“It’s very sweet, which is good, but I don’t know if I could drink too much of it,” Walsh said.

Cookie butter is a great flavor choice, but I recommend asking for it to be prepared less sweet if you don’t want a headache later.

Pistachio White Chocolate Latte

Pistachio is a great holiday flavor that brings back memories of nutty pies and cakes around christmastime. This drink is super versatile and can be tried as an espresso or matcha latte.

It’s got a strong pistachio taste, but not one of my favorite lattes. I think it needs to be tried again, with less syrup. The pistachio cloud top adds a thick consistency that feels almost like eggnog, which not everyone prefers.

Once again, a great taste, but way too sweet. 

“Pretty sweet even for me, and I love a sweet coffee,” Hannah Valdivia, a Ricky’s regular, said..

Smoked Bourbon Caramel Latte

By this point, I learned my lesson and asked for this latte to be half-sweet, which was a very good decision.

With the syrup not overpowering the coffee flavor, the caramel and bourbon create a warm, smoky holiday flavor.

There’s plenty of toastiness that brings to mind fire-roasted marshmallows, and the salted caramel on a sweet cream top ties everything together.

The syrup was the predominant flavor, but not in an overpowering, way-too-sweet way.

A starry night with Quevedo at FPL Solar Amphitheater

I didn’t realize how many Spaniards live in Miami until I walked into theFPL Solar Amphitheater on Nov. 15th for Quevedo’s evening concert.

The Latin Grammy-winning artist and Spanish hitmaker Quevedo sold-out his second to last stop of the Buenas Noches USA Tour with an unforgettable performance.


Quevedo brought his fusion of reggaeton, Latin trap and freestyle to an excited American audience for the second time in Miami. Few of us may recall his more intimate and smaller show at Oasis, Wynwood in January 2024. 

This time around fans were treated to a fun set that blended chart-topping hits and fan favorites from his latest album Buenas Noches, including “Buenas Noches,” “DAME” and his global smash “BZRP Music Sessions Vol. 52.”

The concert started around 9p.m. when lights lit the stage to uncover a red carpeted staircase in the middle which Quevedo used to descend onto the mainstage like a prince stepping down from his castle to arrive at the dance floor in his white clad suit used in the album cover.

The first medley of songs from his latest album “Buenas Noches” immediately captured the attention of the eager crowd. Fun and danceable tracks like “DURO”, “CHAPIADORA.COM” and “HALO” served as a great energizer for the first segment of the show. 

While the lighting pattern only added to the party, featuring simple but effective cues and changes to match the vibe of the song.

Next, having taken off the suit and sporting a white tank top, Quevedo took us on a journey back to the past. With classics like “DAME”, “APA” and “SIN SEÑAL” the energy in the crowd reached the sky. Groups of friends singing and dancing together as couples shared passionate moments.

For the finale, Quevedo tapped back into his newest tracks like “SHIBATTO”, “IGUALES” and ‘“GRAN VÍA” which are fittingly some of the best songs in his newest album. The crowd felt as if it might explode as the soundwaves lured the audience into a danceable trance that I won’t soon forget.

The final four songs were perfectly selected to induce as much dopamine in our brains as possible. “Columbia”, being the smash-hit it is, took us back to those summer vibes that fall has sneakily made us miss. 

Then came the emotional album title track “BUENAS NOCHES,” Quevedo’s favorite track as he confessed, you could feel they had something grand planned for the final encore.

Quevedo gave us one of the best mashups I have ever heard when he closed out the concert with a mix of “MR. MOONDIAL” and “BZRP Music Sessions Vol. 52.”

The notes and lyrics mixed together so perfectly to create something more than themselves: a new euphoric club party anthem that I need to hear online. 

UM’s K-Pop dance team dazzles the audience with their fall showcase

UM’s K-pop dance team, LOCKED (Love of Chinese Korean and Eastern Dances), took the stage at the Shalala Student Center ballroom by storm on Nov. 15. 

LOCKED performed their Fall 2025 showcase, “Project: LOCKED,” to a lively crowd of students, families, and community members.. 

The night was filled with free boba drinks, fun stickers and 12 dances that were covers of popular K-Pop songs. The showcase mimicked the process K-POP bands go through on Korean survival shows such as I-LAND and BOYS PLANET. 

For the night, members of LOCKED became trainees competing for a chance to debut. 

In Korean survival shows, trainees that debut go on to form a new K-POP group which kickstarts their career. Once part of the new group, they get to officially release music and perform. 

Sticking to the script, LOCKED introduced every performance with a skit-like video that was dramatic and witty. 

The video presented a behind-the-scenes glimpse into the group’s rehearsals, challenges and final moments leading up to the performance. It drew laughter and great cheers from the audience. 

At the end of the night, the audience scanned a QR Code to vote for their favorite performance. Their votes determined which trainee team would debut.  

After votes were cast, the trainee team that performed “ZOOM” from BOYS PLANET 999 came out victorious. 

“This was my first experience ever attending a K-POP show and it was exhilarating. I loved all the dances,” Ariel Shavit, a first-year student at the University of Miami, said. 

From their opening song “Samidare” to the finale “Wish Mix,” LOCKED captivated the audience with their dynamic dance moves and interactive activities. 

“I thought [the performance] was fantastic. The energy was so good and the choreography was great,” Nikki Desai, a UM senior, said. 

Following their performances, LOCKED capped off the night by honoring their three graduating seniors: Ivy Chen, Jae Lee, and Dolly Coreaga Coleman.

With their skillful moves and love for all things K-POP, members of LOCKED presented an electric performance that left the audience buzzing with excitement. 

For the entire two and a half hour performance, there was no shortage of cheers. 

‘Billy Knight’ brings movie magic back to life

University of Miami alum Alec Griffen Roth returned to campus to premiere his debut film “Billy Knight.” 

On Oct. 23 students and community members gathered at Cosford Cinema to watch the movie alongside Roth, who was the film’s director and writer, and one of the executive producers, Josh Clayton. 

The movie follows best friends Alex (Charlie Heaton) and Emily (Diana Silvers) as they struggle to make their way as filmmakers. Following the death of Alex’s father he finds a box of his unfinished scripts along with a handkerchief which reads “Billy Knight.” 

This begins a series of peculiar instances for Alex, which tease between fantasy and reality. 

In a desperate effort to bring Alex back down to earth, Emily forces him to attend a party. Though when he gets bored and ventures off through the mansion he finds a theater where he meets the man behind his visions: Billy Knight (Al Pacino).

Alex becomes an apprentice to Billy Knight, who shows him how to get in touch with his creative side. But as he becomes more absorbed and is more trusting in Billy than himself, he starts to lose touch with life beyond the script. 

How far will Alex go to achieve his dreams before the people in his reality begin to fade? 

“Billy Knight” brought back the movie magic that has been lacking in recent years. This film displayed the nostalgia surrounding the love of movies, making it majestical and aesthetically pleasing, allowing viewers to experience the narrative along with the characters. 

The cinematography played into the essence of the movie with the lighting and coloring having the viewer question what’s real. Additionally, it portrays a very real struggle for all young people finding their career path. 

What inspires you to do what you love? And what’s holding you back from jumping and fully immersing yourself in your dream?

Ahead of the official release Roth and Clayton plan to have 40 – 50 pre-release screenings. This isn’t a typical process, but is a way of allowing each audience to have a more personal experience. 

This was definitely felt in the Cosford Cinema as both conversed with audience members before and introducing the movie brought a positive energy. After the screening, there was a loud round of applause.

Both Roth and Clayton took back the stage bashfully and led a Q&A. This opened up a series of fun dialogue from what it was like to work with Pacino to the visual style of the film. 

The director was eager to talk and brought a friendly energy to the conversation. Roth spoke about how it felt watching his film for the first time.

“It’s the most nervewracking thing on planet earth,” Roth said. “Because you want people to enjoy it. You want people to connect to it. And you always want to be able to go do it again.”

Roth described “Billy Knight” as a one day at a time film, highlighting how crucial it is to remember that though your fantasies can be beautiful it’s important to remember the people that are in your life. 

He encouraged those who want to be in the movie business, and those with other visions alike, to not be afraid to send cold emails and go after what they want. That it’s not about getting the job, but getting to work on something you love with those who have similar interests. 

Befittingly Roth’s intended message for viewers is,“remember to fall in love with your dreams and your reality.”

Though the official release is unknown, hopefully this article has left readers excited or at least has inspired you to support a fellow ’Cane. 

Meet Glen Howard, Mahoney-Pearson dining hall’s beloved omelette chef

Morning omelettes have become a routine for many freshmen at the University of Miami. But in the Mahoney-Pearson dining hall, getting an omelette is a chance to start your day off right with chef Glen Howard.

 Howard’s constant uplifting and happy attitude has a ripple effect among students every morning. With his trademarked phrases like “my man,” and his never-leaving smile, you can’t help but leave the omelette line in a better mood than when you arrived. 

“I enjoy what I do,” Howard said. “I have so much enthusiasm because of tomorrow’s people that I am catering to: the future lawyers and doctors.”

Howard is known for his constant outgoing positivity. As a spiritual man, he credits his uplifting spirit to his “oneness with his creator, the lord,” sharing that he believes his positive energy transfers to those he serves.

Every student who reaches the front of Howard’s omelette line gets greeted with the most joyous “good morning!” To many, this may be just a greeting, but Howard has intention behind his words.

 “When we meet face to face – that good morning has so much positivity,” Howard said. “Own it to whatever you were going through last night and let it dissipate it.” 

Transforming what could be a meaningless interaction, and making connections is Howard’s specialty. Taking actual interest in students’ lives and offering advice on how to go about their issues is not part of the job, but it’s what he loves to do..

With 50 years of experience in food service, Howard has helped in every part of a kitchen. He started off as a dishwasher at a family-owned restaurant. 

“Ever since then, I have just been loving food service,” Howard said. “It does your heart so well when you see people enjoying what you put your heart and soul into.”

After working at Denny’s for eight years, he got the job at UM and he has worked at the UM dining hall for seven years. Until last year he was behind the scenes. 

He was offered the omelette-making position and was more than happy to take it in 2024. He prefers to interact with students rather than cook in the hidden kitchen. 

Howard says he strives to make a positive impact on the University of Miami community as a whole. 

“I hope to give the freshmen a picture of what UM will be like for the next three years.” 

Howard and his wife attended the 2025 UM Homecoming celebration on Nov. 7. Groups of students were approaching him and saying hi. He said that in this moment, his mission to make an impact on students felt fulfilled. 

In every aspect of his life, Howard leads with gratitude and intention. He makes it a priority to remember the small things in life, from the exact number of days that he has been with his wife– which he recalled was 11,422–  to the intricate omelette order of many students at UM. 

Sometimes in life, it is hard to be positive. But Howard always reminds students to at least try to “make it a great day.”

Taste of Africa is a celebration of African culture

The African Students Union hosted their 2025 annual Taste of Africa event on Nov. 13.  It was a night filled with culture, food, dance and fashion. The event has been going on since April 2015.

This year’s theme was Abeye, which means “It shall be successful,” and  was strung throughout the whole event.

ASU President, Janice Darkwah, says that the theme means “It doesn’t matter where you start from,” ASU President Janice Darkwah said.  “You always get to the point of rising up and then finally meeting success.” 

The main event of the night was the fashion show, where models walked on stage featuring fashion from several African designers like All Things Ankara, EZ Clothing and YBI Clothing.

All the fabrics used are African and the patterns are derived from African cultures and countries.Three different walks were featured in the fashion show with their own themes: root, rise and reign. 

The executive board also wanted to incorporate audience engagement into the festivities. The main hosts would speak to people in the audience and even invite people to the stage in between the second and third walks during dinner. 

The food was another very important part of the night. Coordinators wanted to choose dishes from each region or a number of regions, in order to represent all parts of Africa.

The delicious dishes included plantains, tikil gomen, North African meatballs, jollof rice, veggie and beef samosas, fish masala, a chocolate mango pound cake and more.

A plate of food at Taste of Africa on Nov. 15. Photo Credit // Vivian Amoia.

“My favorite part of the show was definitely the food,” Sadie Carroll, a student at the University of Miami, said. “The University of Miami is very diverse, and I think it’s really important to show everyone’s culture.” 

Another key part of the night was the music, which was primarily a mix of afrobeats influenced by African artists and mixed by a live DJ.

Guests were able to enjoy the food, fashion and music while being surrounded by decorations that emulated African culture, like boards on the side of the room with African masks. 

“We try to showcase that we are a group with impact and part of that is shown in Taste of Africa where our culture is literally flowing out of everything,” Darkwah said.

The night ended with the executive board going  on stage in matching outfits tailored by African artists with material from Nigeria.

The executive board played a huge role in organizing the event, as TOA coordinators were in charge of coming up with ideas for the theme, logistics, outreach, food and modeling. 

Darkwah reflects on the challenges of putting together all the pieces of an event of this scale, by getting all of the vendors, the decorators and the designers behind the scenes to work. 

“My favorite part was probably the heart that they put into it, and how much effort and how much you can tell that they really enjoyed being there,” UM student Desiree Dowie said.

Following the final walk by the executive board, they joined the audience, which broke into a large crowd dancing and singing together. 

“It’s an area for all different types of black people to collaborate and be unified. Also people from other countries as well,” Leeilai Hailey, a Taste of Africa attendee, said. “I think it’s really cool to see representation of African culture, black or not.”

While Taste of Africa is ultimately a celebration, it also brings attention to the struggles that occur in the continent of Africa like widespread conflicts, cost-of-living crises and healthcare challenges, especially in Sudan and the Congo.

“Iit shows it in a light where one might be more inclined to [learn about] African issues after attending something like this,” Darkwah said. “It brings more visibility to Africa, which in turn can bring awareness to the issues going on in Africa right now. I feel like that is also extremely important.”

Stairway under the electric sky at EDC 2025

There’s a moment when the bass starts feeling like a heartbeat at the Electric Daisy Carnival.

Porter Robinson’s “Sad Machine” made the air shimmer. Thousands of voices became one, singing not just to the stage but to each other. 

Somewhere in that crowd, a stranger handed me my first kandi bracelet — a loop of beads that look like candy ravers often trade with each other. It wasn’t just a gift; it was a recognition.

EDC, for all its wonder, isn’t gentle. Navigating the crowd sometimes felt like being caught in a current that forgot where to break — people shoving, not saying “excuse me”, pockets being picked. 

A worrying portion of the festival’s sea was rude and reckless. But then, in that same sea, I found kindness. Strangers fanning each other. Friends dancing together. A guy in a Santa hat and beard gave me a mystery bag, and inside it, I pulled a Star Wars action figure. 

My friend pulled Anakin Skywalker. It made no sense, but it made us laugh.  And that’s the rhythm of EDC: chaos and compassion, dancing side by side.

EDC is about the worlds you stumble into. Casa Bacardí was one of those worlds. I didn’t expect to hear “Gasolina” at EDC, but there it was, blasting under the electric sky. 

“Candy Perreo,” “NUEVAYoL” and other hits brought the kind of Latin energy that turns grass into a dance floor. Unironically, being in Orlando, Puerto Rico carved out a corner of Tinker Field just for us.

And then — the holy trinity of night two: Loud Luxury, DJ Snake and Zedd closing Kinetic Field. Whoever programmed that lineup deserves a medal in emotional pacing. 

Loud Luxury had us grooving, DJ Snake had us screaming and Zedd brought it home with the kind of catharsis you only get when the lasers cut through tears you didn’t plan to cry.

After all that, the sacred owl stage graces us with a drone show and fireworks finale. The crowd roared.

Day three brought rain.. The festival briefly paused, but the crowd didn’t scatter. When the weather cleared, the sky was still gray, but the energy was brighter. 

I ended up back at Casa Bacardí, surrounded by fellow Puerto Ricans, singing to Nuevayol and laughing like we’d been friends forever. That’s the real magic of EDC: you arrive with a wristband and leave with a family.

Dom Dolla’s set was well-rounded and fun, like riding a rollercoaster that was shootinglasers. Knock2’s hardcore EDM set at Circuit Grounds closed out the night and let us release whatever energy we had left. 

That’s where the moshpits thrived and I danced and jumped into the final minutes of the festival as fireworks lit up the electric sky.

EDC Orlando wasn’t perfect. The crowds were rough, the lines for water were long, and the weather bratty. But perfection was never the point. The point is connection. The point is surrender. The point is letting the music remind you that joy can be an act of resistance.

By the final night, I realized EDC isn’t just a festival. It’s a feeling — a place where chaos meets grace, where every drop is both an ending and a beginning.

You’re messy, EDC. You’re overwhelming. You’re everything that makes us human — louder, brighter, faster. And that’s why I’ll come back. Because somewhere between the lasers and the rain, I fell in love with the music all over again.

Guillermo del Toro’s ‘Frankenstein’ is a scary classic greatly reimagined

Guillermo del Toro’s “Frankenstein” is a fantastic revival of a well-established classic starring a-list actors Oscar Issac, Jacob Elordi and Mia Goth. With beautiful sets and intense, gruesome moments, the film tells the tale of “Frankenstein” like never before.

The story follows Victor Frankenstein, played by Oscar Issac, who grows up without a father figure yet feels pressure to live up to his family name. From a very young age, he wanted to defy life and death due to his mother’s death.

As he matures and becomes a scientist, Victor succeeds in bringing together pieces of dead bodies to create life itself. 

This small experiment led him to his greatest and most terrifying   achievement: creating something, or rather someone, with a life of its own, the Creature, who’s played by Jacob Elordi. 

After bringing Jacob Elordi’s “monster” to life, Victor attempts to educate him. But as desperation and anger builds, he starts to physically and verbally abuse the monster, making him afraid and scared. 

Elizabeth, Mia Goth’s character, the woman Victor’s younger brother is set to marry and with whom Victor secretly loves, plays a crucial part in the story. When she meets the monster, he starts to display real human emotion.

Something that I really liked about the movie was the relationship between the characters. It was fascinating how they were all supporting each other, yet somehow deep down, they were all scared of what they were capable of. 

Oscar Isaac’s performance as Frankenstein truly kept me on the edge of my seat because I didn’t know what he was going to do, or how he was going to react. He was just a man going into the path of insanity.

Performances by Jacob Elordi and Mia Goth were also impressive, and their relationship and interactions with each other were very special.

The second act of the movie shifts to the monster’s perspective. He explores the world, befriends someone who teaches him language and emotion and begins to understand what it means to be human. Though made from death, he yearns for life, love and belonging—a true sense of humanity.

I really like how the movie begins at the end and tells the story from two different perspectives — first from the creator and then from the created. I think it’s a smart way of showing both sides of the coin, and somehow you feel empathy for both characters. 

Overall, del Toro’s rendition of “Frankenstein” is a powerful reimagining of a timeless classic. However, it includes a little bit too much animal violence and lots of gory scenes for me. Still, for fans of the “Frankenstein” myth, this is a must-watch.

Video games for the winter season

It’s that time of year again. Daylight savings is over, Mariah Carey is defrosting for the millionth time, and winter is coming back to gaming. 

As I turn on my computer and finally get to play games after a long day of college, I start up my favorite game: Overwatch 2, a competitive first-person shooter. I’m welcomed by the beautiful sight of the winter season taking over the previous Halloween decorations of the game.

Across the gaming world, there are many winter-themed games. Players could drive snowmobiles in 2023’s “Sledders,” survive a permanent winter dystopia in 2019’s “Frostpunk” or do some wild snowboarding tricks in the classic “SSX” series from the early 2000s. 

As the industry evolved over the years, even games that aren’t necessarily winter-themed have managed to stay relevant as the snow. These games do it in two ways: in-game weather mechanics and seasonal updates. 

Through in-game weather mechanics, developers can create gorgeous environments that reflect real-world snow days. With seasonal updates, even games that aren’t necessarily able to create in-game winter environments can still give players winter-themed cosmetics and rewards.

Open world winter

Many of the industry’s biggest open-world games, such as “Red Dead Redemption 2” , “Assassin’s Creed: Valhalla” and “Minecraft,” feature areas or biomes filled with snow. 

In RDR2, players might want to explore the rugged snow-covered mountains of the fictional Ambarino region, inspired by the real-life Rocky Mountains and rugged terrain of Wyoming. Even after seven years, the game still holds up as a modern classic, and the area looks beautiful thanks to RDR2’s amazing graphics.

“RDR2 is the best game in history,” Miguel Valdez Padilla, a student at the Monterrey Institute of Technology and Higher Education, said. “While you leave the Ambarino area very quickly at the start of the game, you can return to the snowy mountains whenever you want to participate in various activities.”

RDR2’s success speaks for itself.  According to the video game sales-tracking website VGChartz, RDR2 has sold more than 77 million copies as of 2025 and earned over 175  awards.

“Assassin’s Creed: Valhalla” features recreations of medieval Norway, England and other unique areas of Northwest Europe. Whether players explore the snow-covered fjords of Norway or travel through Jorvik, modern-day Yorkshire, England, players will enjoy the feeling of being a Viking in the winter. The game is also one of the best in Ubisoft’s history, becoming the second-most profitable Ubisoft title and making over $1 billion by 2022.

In “Minecraft,” players might have to explore its randomly generated world before finally coming across some winter-themed biomes. However, there are many varieties players might come across.

There’s the ice hills of the snowy tundra, populated with scattered polar bears and hostile undead skeletons. Or the rolling snow-covered hills of the snowy mountains biome, populated with the occasional cozy village. 

And the rare ice spikes biome, packed with ice spikes that shoot up from the ground. At any rate, players will have a multitude of options for creative builds and constant exploration.

“Minecraft is a very entertaining game, and the perfect game to play alone or with friends,” Emilio Cordero Valenzuela, a high school student from Mexico, said. “You can find all sorts of biomes in the game, including snowy environments.”

Game-changing events

A lot of games, especially live-service games (games that receive ongoing updates and monetized content over time) get complete makeovers as the holidays roll in.

“Animal Crossing: New Horizons” and “Overwatch 2” are just two examples of this.

In ACNH, the game’s cozy island will receive snowfall and cloudy weather starting in late November, as winter arrives in the Northern Hemisphere. Once the snow settles in mid-December, snowballs can be found and rolled up to make “snowfolks” or to discover and catch Dung Beetles. 

All existing cedar trees will be covered in flashing lights, auroras can be seen in the sky and catchable snowflakes  fall. It’s a perfect game when staying in to avoid the dreary winter weather.

The game has been very successful for Nintendo. . ACNH grossed an estimated $2 billion as of March 2021 and has sold almost 50 million copies as of this year. On Nov. 9, 2022, it was reported that ACNH became the best-selling game of all time in Japan.

OW2 gets its seasonal “Winter Wonderland” update around mid-December, letting players access previous years’ cosmetics in the shop and releasing new ones as well. 

Event challenges will be available during the season as well, allowing players to achieve exclusive rewards, along with unique game modes like Mei’s Snowball Offensive, where players wage an all-out snowball war.

The community and the developer team are very active, and updates and events are consistent for the game. Most of its profits come from in-game cosmetics that players can purchase.

The permanent winter

If you’re missing the winter during any other time of the year, don’t worry the gaming world has something for you, too. 

Players might be trying to keep their settlement alive in “Frostpunk,” exploring the hostile, icy depths of “Subnautica: Below Zero” or slaying gods of Norse mythology in “God of War: Ragnarök.” Be warned: these games might be challenging for the inexperienced.

“Frostpunk” is Polish developer 11 Bit Studios’ 2018 city-building survival game, where players take the role of a leader in an alternate history of the 19th century gone wrong. 

A worldwide mass cooling event has plunged the citizens of New London into a permanent winter. Players must grapple with internal conflict and societal turmoil in a divided city, survive a great storm that threatens to overwhelm it and make morally grey ethical decisions along the way.

If you can’t get enough of “Frostpunk,” consider also trying the sequel, “Frostpunk 2.” Set 30 years after the first game, the sequel allows players to take control of New London’s new leader, “the Steward,” who replaces the leader players saw in the first game, “the Captain.” 

This time around, the advent of the petroleum industry creates new challenges for players, along with a simulation of a fledgling democracy filled with factionalism and divided ideals. 

If you can’t get enough of the main game, “Frostpunk 2” also features a sandbox mode called “Utopia Builder,” so you never have to miss the winter season.

If you still can’t get enough of “Frostpunk’s” permanent winter, don’t worry. 11 Bit Studios already announced a remake of the original game: “Frostpunk: 1886.”

“The original ‘Frostpunk’ experience is being reimagined and expanded with new events, mechanics, and laws within a new Purpose Path,” the developers announced on their website. “Return to your role as the ruler of Earth’s last city, manage its citizens, weigh up your choices and ensure your society’s survival.”

“Subnautica: Below Zero” is San Francisco developers Unknown Worlds’ spin-off of its wildly popular “Subnautica” game. As players land in this 2021 masterpiece’s alien ocean world, they’ll have to survive as xenologist Robin Ayou and solve the mysterious death of her sister. 

Collect resources, construct tools, build bases and submersibles, interact with the planet’s wildlife and somehow survive long enough to get out. Have a blanket handy for this one, because the game’s Antarctica-esque setting will have you feeling the freeze.

Last, but definitely not least, “God of War: Ragnarök” is the perfect game for a long winter playthrough. 

Set in mythical ancient Scandinavia, Sony’s ninth installment of the highly praised “God of War” series follows its protagonist, Kratos, on a journey to prevent the destruction of the nine realms by Ragnarök, the doomsday event central to Norse mythology. 

Fight mythological monsters, solve puzzles and role-play as a god-slaying warrior as you travel through Midgard, which has become a frigid wasteland due to the three-year-long winter of Fimbulwinter, as well as other icy realms like Helheim, the land of the dead and Jötunheim, the land of the Giants.

“God of War: Ragnarök” is one of the greats in gaming, with the franchise selling over 76 million copies, 15 million of which come from Ragnarök, according to VGChartz. It has won many awards over the years and been nominated for Game of the Year several times.

“God of War: Ragnarök’ is an amazing game with a good story and gameplay,” Valdez said. “A large part of the game’s setting is snowy, and due to the events of the previous game, you can see how all the characters are progressing and changing, and how Ragnarök is making them cold.”

Go Greek Yogurt brings Greek flavors to Coconut Grove

Go Greek Yogurt recently opened in Coconut Grove, right by the new Carbone Vino. The chain, which started in Beverly Hills in 2012 and has since expanded to several U.S. cities, is known for its frozen Greek yogurt and clean, Mediterranean aesthetic.

I went around 5 p.m. on a Tuesday and the shop was almost empty. There were one or two other people, no line and a calm, bright atmosphere. The space is simple and fresh, with white walls, blue accents and pink bougainvillea-style flowers that make it feel airy and coastal. 

It’s self-serve, so you grab a cup, swirl your yogurt, add toppings and check out. The whole process took about five minutes.

I tried the Greek honey and original tart flavors, while my friend went for peanut butter and chocolate. 

The yogurt itself was the highlight: smooth, rich and creamy, with a light tang that felt fresh without being too sour. The honey flavor had just the right sweetness and felt a little more elevated than a typical fro-yo chain.

Where it falls short is the price. My bowl came out to around $16, which is definitely on the high end. Maybe that’s because it’s Greek yogurt, which tends to be thicker and higher in protein, or maybe it’s just the newness of the location but still, it’s a lot for frozen yogurt. 

The toppings were decent but not very exciting: granola, chocolate, fruit, yogurt pretzels and candy. I heard you can ask for pistachios, though I didn’t see them the day I went. 

I wish they leaned more into the Greek sideThings like phyllo crumbles, honey drizzle, olive oil and sea salt or different nut butters would make it feel more unique. 

Even so, Go Greek is a nice addition to the Grove. With its airy vibe and smooth, tangy yogurt, it’s the perfect stop after dinner or a walk around the neighborhood. Even though it’s a little pricey for every day, it’s absolutely worth a try.

I give it four out of five stars for taste, freshness and atmosphere. Point off for the price, but still a spot I’d go back to once in a while.

How blending reggaeton and tradition have reinvented the latin music scene

Bad Bunny has redefined what it means to make Latin music in the 21st century. 

After being named the most-streamed artist on Spotify for three consecutive years (2020, 2021, and 2022), it seemed his blend of trap and reggaetón had found the perfect formula for Grammy nominations and Billboard Music Awards.

Nonetheless, with his latest album, “Debí Tirar Más Fotos,” he proves he can do it all. 

The record weaves salsa, plena, bomba and jíbaro rhythms into his signature contemporary style — a heartfelt tribute to Latin American identity.

More recently, Rosalía’s latest album “LUX,” released on Nov. 7, 2025, blends orchestral arrangements with multilingual tracks. It earned more than 42 million streams on its first day. 

In contrast to Bad Bunny’s return to tradition, Rosalía offers a unique exploration of music as a vehicle for feminine identity and spirituality. 

Her album, particularly the track “Reliquias,” embodies the series of contradictions that define identity in a world that is constantly exposed to new cultures and blended traditions.

Surprisingly, Bad Bunny is not the first mainstream Hispanic artist to turn inward and pay homage to his roots. We saw a similar ode to tradition in C. Tangana’s masterful “El Madrileño,” where flamenco and Iberian folk rhythms pulse through his urban rap and pop crossover. 

Although he may not dominate streaming charts like Bad Bunny, his work has not gone unnoticed. “El Madrileño” earned the Latin Grammy Award for Best Engineered Album, along with multiple other nominations.

Another rising artist redefining this cultural movement is Milo J. The Argentine prodigy has carved out a name for himself with his recent album “La vida es más corta.” Here, he reimagines the language of Latin music by weaving chacarera, tango, samba, milonga and murga into trap; a powerful blend that bridges generations and genres. 

The album features Mercedes Sosa, Soledad Pastorutti and Silvio Rodríguez, alongside Argentine hip-hop icon Trueno, making Latin identity the emotional core of its sound.

Together, these artists are reinventing reggaetón and trap by reviving the creativity and depth often overshadowed by the genre’s commercial side. 

They remind us that the true power of music lies in uniting tradition and innovation. In the end, they’ve proven that paying homage to one’s roots can be just as powerful and earn just as much recognition in the music industry.