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Miami Baseball remains undefeated as Hugus throws 11 strikeouts in six innings

(Coral Gables, Fla.) The Miami Hurricanes (2-0) starting infield had a quiet night on defense on Saturday against Niagara Purple Eagles (0-2) thanks to a dominant performance from right-handed pitcher Griffin Hugus. The junior transfer from Cincinnati recorded a career-high 11 strikeouts over six shutout innings, leading Miami to a 10-0 victory over Niagara in their second game of the season.

Hugus credited his catcher Tanner Smith for helping him stay composed on the mound, saying, “I just felt very comfortable on the mound, just knowing that I got Tanner catching me.” Smith, a senior transfer from Oregon State, has a stellar performance of his own, hitting 4-for-4 with two doubles, a triple, a single, and three RBI. 

Miami Head Coach J.D. Arteaga expressed his high expectations for Hugus this season. “He really settled in and had a good, great outing. So, look for many more of those. It will be a lot of career highs for him. It is only his first year as a full-time pitcher, first year as a starter.”

Todd Hudson, a junior transfer from Liberty, delivered Miami’s first home run of the season, sending the ball 345 feet and clearing the left-field fence. Hudson ended the night 3-for-3 at the plate and became the first Hurricane of the season to take a celebratory ride in the iconic “Home Run Cart.”

While the dugout erupted in celebration, Arteaga kept his team focused and reminded them that home runs should not be their primary goal. “It’s exciting, especially when it is the first one of the season. But hopefully, we are not swinging for the fences. Home runs are mistakes, and in our park, when you get the ball up in the air in left field when the wind is blowing the way it is, it is usually going to carry.”

With Miami holding the lead for the entire game, 18 different Hurricanes saw action at the plate on Saturday night. Following their 14-2 win on Friday, every Miami hitter has now recorded at least one plate appearance and played at least one inning defensively.

Miami will conclude their season-opening series against Niagara at noon on Sunday, Feb. 16.

Bruno Mars suffers a rare misstep in form with his controversial single “Fat Juicy & Wet”

Sexyy Red’s rise to stardom is as unforgettable as it is controversial. Often shrouded in divisive opinion, the 26-year-old has become a household name in the world of hip-hop due to her unabashed sexual lyrics. She has become an icon in her world, and shows no signs of slowing down. 

Enter the smooth, retro-inspired world of Bruno Mars, another household name often noted for his sheer mastery of blending the worlds of R&B and funk, with the electric, infectious power of pop. 

He has transcended generational boundaries, producing a spectrum of music. From the modern classic “Locked out of Heaven” on his sophomore album “Unorthodox Jukebox”, to the funk soul hit album “An Evening With Silk Sonic” with Anderson .Paak. Mars has become a powerhouse in his own right, frequently becoming part of the conversation of the greatest pop stars of his time. 

So, what happens when the star-studded world of Bruno Mars and the raunchy world of Sexyy Red collide? They answered, and dubbed it “Fat Juicy & Wet”. To say the new single has been divisive would be an understatement. 

While many laud his innovative funky bassline that he has come to be famous for,  his overall choice of lyrical content has become highly contentious. Many note that the dirty-rap single proves extremely unusual in the 39-year-old’s portfolio and that even with Red’s meticulous consistency in the form of provocative lyrics and intense cadence, the single falls flat on its face.

Opening with Mars’ trademark airiness, the intro quickly transitions into an infectiously poppy and electric bassline as Mars introduces the titular chorus, before Red takes over and introduces a graphic rendition of the suggestive acts.

The single comes after Mars’ string of well received duets, featuring Lady Gaga for his pop ballad “Die With A Smile” as well as the electric, K-Pop inspired “APT.” with Rosé. The 15-time Grammy Award-winning artist originally teased a “strip club anthem” was on its way after his duet with Lady Gaga reached number 1 on Billboard’s Hot 100, even going as far as to ask for someone to put him in touch with Sexyy Red. 

Bruno Mars is generally not one for failure, but for one of the few times in his career, he’s managed to divide his fanbase rather than unify them so soon after a string of strong releases.

Latin Mafia sets The Fillmore ablaze with raw energy

Latin Mafia transformed The Fillmore at Miami Beach into a pulsating hub of emotion on Feb. 7. The trio’s performance proved why they’ve become one of Latin music’s most exciting new artists.

The chaotic stage became a physical manifesto of Latin Mafia’s creative philosophy. Strewn across the stage, keyboards, controllers and old computer monitors created a deliberate disarray that mirrored their unconventional approach to music-making.

Like a bedroom studio transported to center stage, their performance space rejected the polished setups typical of modern concerts. Instead, they embraced organized chaos, transforming their belief that there’s no “right way” to make music into a visual spectacle.

This wasn’t just an artistic statement – it was Latin Mafia’s authenticity made tangible, where traditional structures crumble in favor of raw, unfiltered creative energy.

Opening with “Siento que merezco más,” the group immediately established their commanding presence. The crowd’s response to “y como te digo que” demonstrated the deep connection between artists and audience, setting the tone for an intimate yet explosive night.

The performance of “Flores” and “Sal Rosa” demonstrated their passion, while “Más Humano” showcased their more introspective side.

While the lighting production occasionally missed opportunities to synchronize with the music’s intensity, it didn’t diminish the electric atmosphere. During “No digas nada,” the backdrop screens showed up-close footage of the trio, giving fans a behind-the-scenes glimpse into their life.

Mexican pride ran strong through the performance, with spontaneous “México” chants erupting from the crowd and the trio’s enthusiastic, “¡Que Viva México!” calls receiving thunderous responses. 

The transition into “Julieta” and “Julietota” provided one of the evening’s smoothest segues, transforming the Fillmore into a dance party.

The concert reached a burning point with a mosh pit during “Qué vamos a hacer?” showcasing Latin Mafia’s ability to blur the lines between genres and energize a crowd. Their on-stage chemistry kept the energy high, with constant engagement that had the audience responding in full force to every call and response.

A particularly memorable moment came during “sentado aquí,” when one of the members darted through the venue, sending fans into a frenzy. 

The show hit an explosive peak with “2:12 AM,” proving to be the night’s standout moment as the crowd erupted in unified energy. The performance captured Latin Mafia’s versatility, with their alternative signature sound cutting through while seamlessly fusing with 70s rock. 

Their performance of “vivo si me exiges” served as a testament to their unwavering dedication to music. The track is a promise to keep delivering music for as long as we’re here to listen. 

Latin Mafia is on the path to something big. Their music is unlike anything else in the Mexican scene right now—they’re fearless, they have fun with it and it’s so clear that they just let their creativity take over and let the magic happen. I truly believe they’re going to be huge, not just because of their talent, but because they’re bringing something fresh and authentic that the industry needs.

The University of Miami’s Chinese Student and Scholar Association welcomes the Year of the Snake

The University of Miami’s Lakeside Patio was a hub of excitement and cultural celebration as students, faculty, and community members gathered to welcome the Lunar New Year on Jan. 28. The 2025 festival, marked the Year of the Snake, symbolizes wisdom, intelligence and transformation in traditional Chinese culture. 

The event, organized by the Chinese Student and Scholar Association in collaboration with other cultural clubs transformed the Lakeside Patio into a vibrant scene of tradition with interactive activities. The festival welcomed not just members of the club, but was an open display of culture that eagerly greeted anyone that came. 

Throughout the evening, attendees were treated to a variety of interactive games and activities such as fortune telling, mahjong and festive foods such as dumplings and rice balls. Attendees had the opportunity to write red envelopes, writing messages of hopes for the new year and good fortune. Attendees also made paper lanterns, collecting colorful decorations to take home. Additionally, the festival gave out Year of the Snake T-shirts featuring a white background with a red snake curling to spell 2025.

“This was my first time going to something like this, I was super nervous at first but the people running the event eagerly welcomed me in,” Trevor Landgraf, a UM junior, said. “Once I got my fortune read, I was completely immersed. I’m definitely gonna go again next year.” 

As the festival came to an end, the evening was lit up by the soft glows of lanterns made by organizers and attendees, creating a tranquil atmosphere in the normally busy patio. The organizers and student volunteers made a concerted effort to engage the broader university community, and it truly paid off. 

“It was really great to get a chance to see, everyone looked so happy. I had a lot of fun, I just wish it went on longer,” UM junior Monika Gilicinska said.

The University’s Lunar New Year Festival was not just a celebration for the Asian community, but an inclusive event that welcomed people from all backgrounds. As the new year starts, the sense of camaraderie and cultural appreciation lingers on. 

The festival not only celebrated the new year, but reinforced the hopeful feeling from a new start.

Turning pain into peace: Director Kim Snyder breaks down Oscar-nominated documentary on Marjory Stoneman Douglas shooting

Every time Samantha Fuentes enters a room, she looks for the exits. Then, she identifies all the places where a shooter could barge in. It’s a habit she’s developed since two of her classmates were shot and killed at Marjory Stoneman Douglas High School on Feb. 14, 2018.

Fuentes had hoped to leave the worst day of her life behind until she was subpoenaed to testify at the shooter’s sentencing trial in 2022. 

“Sorry, here’s an obvious question,” Fuentes asked the state prosecutors in a virtual meeting. “[The shooter’s] not going to be there, correct?”

The state prosecutors met her eyes. “No, he will be.” Her heart dropped. Fuentes had months to prepare to testify in front of the shooter. It was the hardest thing she had ever had to do.

Her tear-jerking journey to look her friends’ killer in the eye became the Oscar-nominated short documentary, “Death by Numbers.” Peabody-Award-winning director Kim Snyder helped Fuentes transform her pain into a rally cry for gun violence survivors.

The documentary created a powerful art piece on gun violence that reached the Academy of Motion Pictures Arts and Sciences. Snyder sat with film producer Maria Cuomo Cole with Fuentes on Zoom waiting to hear this year’s Oscar-nominated films for best short documentary at 6:30 a.m. on Jan. 23. 

The category arrived, and “Death by Numbers” was the first film announced. Excitement flooded the air as Fuentes got overwhelmed with emotion. Snyder and Fuentes then reunited in London and couldn’t stop talking about how to keep the conversation about gun violence going.

“It’s the first film to ever be nominated for an Oscar that’s actually been co-created by a gun violence survivor,” Snyder said. “That’s something we both feel very strongly proud of.”

Snyder brought Fuentes’ words alive in the film. Poems Fuentes wrote during her healing journey became personified with archival, black-and-white footage and a gothic, classical score. A shadow shaped as the grim reaper crawled across the screen as Fuentes recalled when she saw the shooter peeking into her Holocaust Studies class.

Her forward narration describes indescribable anger and grief. Viewers can see Fuentes getting teary-eyed calmly watching the trial.

“Sam was always open to having her most vulnerable moments recorded,” Snyder said. “It was a perfect collaboration where I have a certain amount of experience and craft, and together with her words, we’ve built something powerful.” 

The source of Fuente’s pain is rarely mentioned or seen in the documentary. A large black ‘X’ covers the shooter’s face almost every time he’s on screen. Snyder and Fuentes avoided mentioning or showing him unnecessarily to limit his notoriety. 

His face only comes into focus when Fuentes delivers her victim impact speech. Families of murdered students sat in the pews as Fuentes approached him dressed in black. She took a deep breath before looking him in the eye.

“Do you remember, after you sprayed my classroom with bullets, standing in the door frame, peering in to see the work you’ve done? Do you remember my little battered, bloody face looking back at you?” Fuentes said. “I could’ve sworn we locked eyes.”

Contrary to most of Fuentes’ speeches in the film, her final one had no visuals. Instead of dramatic music, the silence from the crowd ignited her words. Snyder allowed Fuentes’ rage to speak for itself.

“When she does that speech, she taps into a larger zeitgeist of what’s happening in the world right now, a feeling of people feeling powerless,” Snyder said. “By looking at him and calling him out, he doesn’t matter anymore. Her putting that out into the world is some energetic, hopeful and positive thing.”

The duo works with organizations like the Sandy Hook Promise nonprofit to address escalating gun violence as one of the largest killers in America. They attend international film festivals to promote the film and keep the conversation alive. 

“We need to really take in the hundreds and thousands of Samanthas that are in cities across America that witness gun violence, lose parents, friends and siblings,” Snyder said. “One of our friends in Chicago said he’s been to more funerals of friends from gun violence than he had been to graduation parties.”

Snyder and Fuentes look to use the bravery from survivors to stand up to hate. Catch them at the Oscars on March 2 bringing the conversation about gun violence to the golden carpet.

Canvas, cuisine and creativity at the Coconut Grove Arts Festival

Looking for something to do this weekend? The 61st Annual Coconut Grove Arts Festival is coming back to Miami, offering a vibrant blend of beautiful art, music and delicious food. Presented by First Horizon Bank, the festival anticipates welcoming over 100,000 attendees to explore the works of 285 internationally acclaimed artists

The festival is produced by Coconut Grove Arts and Historical Association. Proceeds help fund year-round arts programs, including scholarships for Florida International University and Miami-Dade high school students, the Visiting Artists Program and the Next Generation Emerging Artist Program. 

Since its inception in 1963, the association has awarded hundreds of scholarships to students who attend fine arts programs in local schools. Each year, $45,000 in scholarships is awarded to 15 graduating seniors from Miami-Dade County’s public magnet arts high schools, marking the festival’s commitment to nurturing emerging talent. 

Attendees can immerse themselves in various artistic expressions, including mixed media, paintings, photography, digital art, printmaking, ceramics and sculptures. The festival is a chance for artists and art enthusiasts to foster creativity, community and culture. 

Beyond visual arts, the festival offers culinary delights with cooking demonstrations led by local and celebrity chefs. Make sure to attend hungry as more than a dozen restaurant and gourmet partners will showcase their cooking skills, providing a range of bites from high-end eats to festival-style favorites. 

The festival will occur from Feb. 15-17 at 2700 S. Bayshore Drive, Miami, FL 33133, just south of downtown Miami and next to Biscayne Bay. Festival hours are 10 a.m. to 6 p.m. on Saturday and Sunday and 10 a.m. to 5 p.m. on Monday. 

General admission tickets are $35 plus fees and can be purchased online or at the gate. All food and beverage vendors accept credit cards, though artists may choose to accept cash only. So make sure to hit the ATM before going just in case.

The festival features a Family Zone located in Regatta Park for families. The zone offers interactive activities and hands-on art projects for children, ensuring an engaging experience for attendees of all ages. 

The Coconut Grove Arts Festival is not just an event, but a celebration of Miami’s rich cultural tapestry. It brings together artists, chefs, musicians and the community to celebrate creativity and support the arts. 

Budget friendly Valentine’s Day date ideas

With Valentine’s Day quickly approaching, finding the perfect insta-worthy date, without breaking the bank, can be a challenge in such an expensive city like Miami. Whether you’re looking for something creative or something delicious, here are some budget-friendly ideas to make the day special. 

Visit the Lowe Art Museum

For an artsy date, head to the Lowe Art Museum located on the University of Miami campus to explore a variety of exhibitions and collections. With free admission, this is a great option for students looking to have fun without spending a dime. For an extra touch of fun, consider taking photos at the gallery or doing writing exercises on your favorite pieces. 

Consider writing about how the art makes you feel, how the artist felt when they made the piece or write about how you think the other person relates to the art. 

Enjoy custom ice cream

For a sweetly simple date, visit Chill-N Nitrogen ice cream to create your dream ice cream. Each scoop is made-to-order, and with vegan, gluten-free and no sugar added options, there is something for everyone to enjoy. Each ice cream scoop starts at $6.45.

Pick a base, add a flavor and pick your favorite mix-ins, then watch the magic happen. Liquid nitrogen is poured into your liquid base to flash freeze it to create the perfect smooth consistency. 

Building flower bouquets

Head over to Trader Joe’s to build a bouquet using local flowers. Set a budget of around $10 per person, then pick out a few of your favorite flower bundles to mix and match with your date. Get creative with different sized flowers to create dimension in your DIY bouquet. Surprise your date with final creations or you can work together on a collaborative arrangement. 

For a special keepsake, make your flowers into a garland to preserve them as a reminder of your Valentine’s date. 

Explore Fairchild Tropical Botanic Garden

Visit Fairchild Tropical Botanic Garden and enjoy the tropical landscapes. With butterfly exhibits, colorful flowers and shady walking trails, this is the perfect place for any nature-loving couple to spend time together. Bring a camera or phone with you to capture the perfect photos to post for the special day. 

Bring your UM student ID to get a discount on your admission for $16 student tickets. 

Pottery painting

Get hands-on with a creative date at Color Me Mine at the Shops of Sunset Place. Choose from a  variety of pottery pieces, starting at $20, and paint together for a fun and memorable activity. Optional reservations cost an additional $8, but walk-ins are welcome. 

After painting, your piece will be glazed and fired, making for a perfect present to remember the day.

No matter your budget, there are plenty of creative ways to celebrate Valentine’s Day without spending a fortune. Whether you’re crafting, exploring or simply enjoying each other’s company, these date ideas will help you create a memorable and romantic experience.

Professors profiting off students: The ethical debate of requiring their own books?

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Textbooks aren’t cheap. And when they are required by the instructor, that makes students feel even worse. 

College students pay an exorbitant amount of tuition to attend elite private schools, and on top of that is the cost of books and materials. In many courses, assigned textbooks often turn out to be unnecessary expenses, used only once or twice, with a price tag exceeding $100? In some cases, professors even author their own textbooks and make them required for their courses. 

Where does the money that students pay for these required materials go? In some cases, right back into the pockets of the professors who made those books mandatory. Something about that just makes my skin crawl. 

Students in the Miami Herbert Business School know all too well about situations like this with CyberText and other digital simulations. The issue with these types of assignments is that they are often mandatory and created by the designer of the class. If you want to make sure you receive a good grade, you need to pay for this additional assignment. 

The same thing can happen with professors and textbooks. If I’m taking the class specifically for the professor, I’m already spending my time and money to have them teach me. 

“We pay for courses taught by wise professors thinking we’ve paid to receive nuggets of their knowledge,” said an anonymous student studying marine science. “So when a professor’s required course reading ends up being a book they wrote, and the proceeds of purchasing that book go back to their own pockets, it seems like it’s a bit of a rip-off. Why can’t they share the wisdom from their book during class time? Isn’t that what we already paid for?” 

She is not the only student who feels jaded by this situation. 

“I don’t think it is ethical for professors to make mandatory material for the class so that the money goes back into the professors’ pockets. It feels like they have a monopoly or are using the system,” said senior engineering student Koa Wong. “I respect the grind, but the price for textbooks is absurdly high. I have had a class in the past where there are multiple errors in equations in each chapter, yet the professor assigns the textbook, which is his own.”

Wong is one of many students who experienced firsthand how professors manipulate their coursework for their personal value. Wong acknowledged that this situation might push students to seek alternative resources, such as free PDFs, to bypass purchasing the textbook. However, one could argue that a textbook written by the professor is the best resource for the class, as having the author as the instructor offers valuable insights.

Sam Angell, a junior studying sports and facilities management at the University of Minnesota falls somewhere in the middle of this debate. “I think if professors are truly putting the best materials forward for students, and it happens to be their own textbook, fine. But pushing mandatory materials that are only putting money into their pockets needs to be looked into.”

A senior in the Miami Herbert Business school, Dan Bennett, feels similarly. “I generally am able to see both sides of the argument. On the one hand, materials created by the professor would theoretically offer higher quality of resources than fully outsourcing to another company. However, the fact that the professor is profiting further from the sale of this required material is the issue I have personally. It feels ethically questionable at best for a professor to force students to purchase something which will directly give them a monetary kickback particularly as students are paying extremely high tuition to be enrolled in the professor’s class in the first place”

There are many professors who agree with students questioning the ethics of assigning their own material. Jeff Erikson, a computer science teacher at the University of Illinois Urbana-Champaign, argued that if a professor’s textbook is that good, plenty of other students from all over the country will buy it. 

“This is a matter of considerable debate, but I fall squarely in the no camp. Requiring my students to purchase a textbook from which I earn royalties would be unequivocally unethical, unless I took concrete action to offset the conflict of interest,” said Erikson. 

Recently, the University of Miami has implemented the ’Canes Course Pack, where students pay a flat fee of $400 per semester for all of their books and class materials. But, in classic Miami fashion, it often does not cover extra things like digital simulation and projects or case studies. This program is often far more expensive for students than spending money on books out of pocket. I couldn’t have opted out faster. 

For the students who have opted into the ’Canes Course Pack, the reality of this ethical debate somewhat misses them, but for those of us who are paying per class, this hits close to home. 

Several University of Miami professors across a variety of academic disciplines declined to provide a comment when asked about this situation.

Not only am I against the additional payment of a professor’s personal material, but I ultimately find myself thinking less of the professor and the class as a result. If a professor feels so strongly that their content is essential for the class that they teach then they can provide a free version to the students paying their salaries. 

Students should never bear the additional expense of a teacher’s personal materials, as it presents a clear ethical dilemma in the commercialization of education.

The Taylor Swift Super Bowl backlash was never about football

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Despite football being the main focus of the Super Bowl, Taylor Swift arguably stole the spotlight when she was greeted by boos on the stadium jumbotron. Swift, in a highly publicized relationship with Chiefs tight end Travis Kelce, attended to support him but became the center of controversy.

Critics argue the reaction reflected the high-energy atmosphere of the Super Bowl, but the backlash went beyond typical fan behavior. The crowd’s response to Swift was unjustified, rooted in deeper issues such as misplaced frustration, media manipulation and a gender-based double standard in sports culture.

Defending the booing as part of sports rivalry oversimplifies the issue. Booing a celebrity dating a player differs fundamentally from booing a player whose performance directly impacts the game.While players and coaches are subject to intense examination because of their involvement in the sport, a spectator like Taylor Swift is not part of that competitive equation. Holding her to the same standard is unfair and misguided.

The incident’s rapid spread on social media amplified the narrative, with videos of the negative response fueling commentary that reinforced Swift’s portrayal as an intruder. Platforms turned a single moment into a spectacle, reinforcing negative stereotypes about celebrity behavior instead of offering a balanced view of fan culture.

This mindset often stems from long-standing gender stereotypes that question women’s legitimacy as sports fans. The Society Pages notes that men have historically been seen as the default fans, while women frequently have to prove their knowledge and dedication. Women like Swift are aggressively rejected from male-dominated spaces when they attend games. In contrast, when Travis Kelce appears at Swift’s concerts, her fans often invite him on stage, cheer for him, and celebrate his support. This stark difference in interactions underscores the deeply rooted gender stereotypes and toxic masculinity present in sports environments. 

Male celebrities, on the other hand, like Adam Sandler and Pete Davidson, can attend the game and be pointed out and shown on the jumbotrons with little to no backlash. The boos directed at Swift reveal an underlying discomfort with seeing a high-profile woman occupy a space long dominated by men.

Prominent figures like Serena Williams have defended Swift, arguing that the negative reaction is less about her behavior and more about a reluctance to accept a woman in a traditionally male domain. This disparity in treatment exposes a double standard affecting both celebrities and ordinary women who choose to enjoy sports events.

Furthermore, not everyone in attendance must be a die-hard football fan. The NFL actively markets the Super Bowl as more than just a game, bringing in celebrities, massive halftime performances and viral commercials to draw a wider audience, so it’s clear that not everyone in attendance is there just for the game. Someone’s reason for attending doesn’t diminish their right to attend. 

In recent years, media coverage of the NFL and the Super Bowl has increasingly spotlighted celebrity involvement, with Taylor Swift emerging as a prominent figure in conversations about the intersection of sports and popular culture. Networks frequently cut to her during games, and her relationship with Travis Kelce has fueled a media narrative that sometimes overshadows the sport itself. 

Although some argue that her presence detracts from the game, the responsibility for this situation lies with the media rather than with Swift herself. She did not choose to become a media sensation at football games, and expecting her to remain invisible ignores the reality of today’s interconnected cultural landscape.

The Super Bowl is more than just a football game — it’s a cultural event that unites diverse groups through regional pride. Expecting every attendee to fit a rigid fan stereotype ignores the many reasons people attend.

The booing of Taylor Swift at the 2025 Super Bowl was an unfair reaction fueled by media sensationalism, misdirected anger, and ingrained biases against women in sports. Her presence was a personal expression of support, not a political statement.

Celebrities, like any fan, have the right to enjoy sports.  The backlash against Taylor Swift highlights lingering double standards, showing the need for a more inclusive sports culture.  It serves as a reminder that our reactions to public figures should be guided by fairness, not influenced by biases. This was never about Taylor Swift.

Miami women’s tennis grabs their first win against Kennesaw State 

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This past Wednesday, Miami women’s tennis defeated Kennesaw State, winning 6-1. After an impressive season last year, including an individual national championship, the team has gotten off to a slower start this season. Before the match, the team was 0-4, having previously lost to FAU, LSU and FIU twice. 

Starting off strong, Aely Arai and Jaquelyn Ogunwale dominated in doubles, winning 6-2 against Laura Nadaska and Che Nel. Clinching the doubles point, Raquel Gonzalez and Xinyi Nong defeated Ema Baraniakova and Sofia Madrid, winning 6-3, setting the ’Canes up for success in singles. 

Freshman Daria Volosova partners with freshman Maria Paula Vargas for a doubles match against Kennesaw State University Kennesaw State University at Neil Schiff Tennis Center on Wednesday, February 12, 2025. Photo Credit: Lorelei DiSanto @loreleis_lens, Staff Photographer

Moving into singles, Ogunwale snatched the win for Miami over Kennesaw’s Madrid, winning 6-1, 6-0. Dominating once again, Ogunwale defeated Izabelle Persson at line No. 4. 

In a tight matchup, Miami’s Maria Paula Vargas came out on top against Nadaska, winning in three sets. The score was 6-2, 4-6, 6-4. 

Despite being up 7-6 (0), 6-6 (5-2), Daria Volosova retired her match, giving a point to Kennesaw State. Volosova recently joined the ’Canes for the spring season from Ukraine. 

In another tight match, Arai clinched the win against Sophia Unger, winning 6-4, 4-6, 6-1. 

At line No. 1, Gonzalez secured the win in a close match against Baraniakova, winning 6-3, 6-4, 6-1. Gonzalez is new to the team this year as a transfer from Oklahoma State, and she has already made strides. She is ranked No. 68 in the country and attended the NCAA Singles Tournament in the fall. 

Junior Xinyi Nong hits a high forehand back at her Kennesaw State University opponent at Neil Schiff Tennis Center on Wednesday, February 12, 2025. Photo Credit: Lorelei DiSanto @loreleis_lens, Staff Photographer//

Although this is the first win the Hurricanes have secured this season, they have a fairly new roster and a young team. If they can continue to dominate and take close matches in the third sets, they can secure major conference wins. 

The team will be heading to upstate New York to face Syracuse on Feb. 28 at 3 p.m. to kick off conference play. 

How Trump’s tariffs will affect your SHEIN and Temu orders

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In this week’s episode, Sophia explains how Trump’s new tariff implementations might make SHEIN and Temu orders less convenient for students on campus.

The NFL fumbled by airing the controversial ‘Hims & Hers’ commercial

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By: Katie Karlson and Madeline Darby

Super Bowl commercials have been a cultural phenomenon for years. However, this year, one commercial sparked widespread controversy and a heated debate about the country’s obesity crisis. 

At first glance, the Hims & Hers commercial addresses valid national health concerns, starting with an introduction to obesity as America’s deadliest epidemic. The commercial incorporates statistics highlighting that 74% of Americans are overweight and that obesity leads to half a million deaths each year. 

Hims & Hers promotes its compounded GLP-1s weight loss drug as a solution. However, this class of drugs is not FDA-approved, has been proven to cause adverse side effects and “may pose a risk to patients.” Consumers can get the drug after a simple telehealth visit with licensed providers through Hims & Hers, making the drug appear deceptively harmless. Hims & Hers is just one of many telehealth companies that capitalizes on the loophole allowing compounded pharmacies to distribute their own versions of drugs when the brand names run out of supply.    

The National Football League should not have allowed advertisements promoting non-FDA-approved drugs and misleading information to air. As an organization committed to professional sports, which is strongly associated with wellness and fitness, it has an obligation to provide accurate health information and look out for the estimated 126 million Super Bowl viewers.  

This year’s advertisers paid, on average, $8 million for a 30-second ad. These ad spots are some of the most sought after due to their unmatched reach and the opportunity to showcase products to a diverse and engaged audience. The NFL has committed money and partnered with organizations promoting health and wellness across America, but ironically also promotes drugs that have the opposite effect. 

Partnership for Safe Medicines Executive Director Shabbir Imber Safdar asked the FDA to stop the commercial from airing. Democratic Senator Dick Durbin and Republican Senator Roger Marshall sent similar letters expressing concerns that the commercial “risks misleading patients.” Durbin and Marshall were concerned about the lack of side effect or safety disclosures in the commercial. The company argued that it was not a drug manufacturer and did not need to follow the same standards of disclosure and advertising. 

About 100,000 people are currently subscribed to the brand’s weight loss program, which offers these compound drugs at a significantly reduced price compared to brand name alternatives. According to a 2022 survey conducted by Advocado, 50% of people surveyed “purchased a product or service based” on a Super Bowl ad. The NFL had a responsibility to its large Super Bowl viewer base not to promote unsafe drugs or misleading commercials, but knowingly did so anyway.    

These drug concerns are not the only issues with the commercial. The Hims & Hers advertisement directly attacked the American healthcare system, saying, “Something is broken, and it’s not our bodies. It’s the system,” before proceeding to promote exactly what they argued is wrong with the system in the first place.  

They criticize the system for keeping people “sick and stuck,” featuring a visual of Froot Loops as a nod to the Make America Healthy Again (MAHA) movement, which advocates for cleaner ingredients and seeks to dismantle brands such as Kellogg’s for using artificial food dyes. Instead of confronting the U.S. food industry that sells us poison for profit, the brand exploits the issue by promoting an unregulated, under-researched, and unapproved drug as a quick fix, capitalizing on the national health crisis. 

The commercial is not only ironic and self-contradictory but also promotes a “future of healthcare” that could potentially be unsafe for millions of Americans. National broadcast networks need to be held accountable for the advertisements they air during one of the most watched events on television. Subjecting millions of Americans to unapproved drugs marketed as a quick, affordable fix to a widespread health care crisis is not acceptable and should have never been approved.