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Marsh’s grand slam and Walters’ six hitless innings enough for Miami to complete four-game sweep over Princeton, 8-0

After out-scoring the Princeton Tigers 28-5 in the first three games, the Miami Hurricanes continued their dominant play on Sunday, winning 8-0. At Mark Light Field, a grand slam from Bobby Marsh and six electric innings from Brian Walters led the way for the ’Canes this afternoon.

With the bases juiced in the first, Bobby Marsh decided to empty them. On the second pitch of the at-bat, “Bobby Barrels” took Princeton’s Liam Kineen to the opposite field, sending his first home run as a Hurricane over the wall in left. The Penn State transfer’s grand-slam gave UM a commanding 5-0 lead in the first inning.

“I was looking for a pitch somewhere over the middle of the plate that I knew that I could handle,” Marsh said. “I was looking for a fastball.”

UM starting pitcher Brian Walters was brilliant this afternoon for the Hurricanes. In six dominant innings of work, the redshirt junior surrendered no hits. He allowed two walks while striking out nine batters. Walters threw 71 pitches, 49 for strikes.

“We’ve done a good job with that [getting strikeouts],” Miami head coach J.D. Arteaga said when talking about the early success this season. “We’ve been very consistent on the mound, our defense has been solid.”

On Saturday, Jake Ogden hit his first grand-slam of his Miami career. With the bases loaded on Sunday, the shortstop lined a single up the middle to open the scoring for the ’Canes. 

In the third inning, Ogden put himself on notice to SportsCenter’s top-10. On a well-hit ball from Isaac Lamson, the sophomore made a superman dive to his left, got up and threw a dart to Michael Torres to get the sliding Lamson at first.

“Instincts took over there,” said Jake Ogden when talking about the diving play.

Ogden had himself a weekend for the ages against Princeton (0-3). Over the course of the three days, the UNC Greensboro transfer shortstop went 6-for-10, hitting one home run and tallying seven RBIs against the Tigers.

Kinnen struggled this afternoon in his first start of his college career. The freshman from Lexington, Mass. went three innings, allowing five runs on four hits. Kineen struggled finding the strike zone, walking four Hurricanes and hitting another two. In the 68 pitches that he threw, 31 were for balls.

In the top of the seventh frame, Tigers’ Nick Shenefelt lined a single over the head of Ogden, off of UM’s Carson Fischer. Shenefelt’s first career hit ended the Hurricanes no-hit bid after 6.2 innings. 

After scoring six in the first three innings, the Hurricane bats fell silent until the seventh. In the seventh, Ogden and Dorian Gonzalez Jr. hit RBI single’s of their own, extending UM’s lead to eight.

Before the game on Sunday, the Miami Hurricanes honored Mitch Freedman, the creator of the Mark Light Shake, as they celebrated 40 years of the famous tasty milkshakes.

Miami (7-1) will stay home this week, hosting the Florida Gulf Coast Eagles (4-3) on Tuesday. The Eagles are coming off a weekend sweep over the Stony Brook Seawolves. 

Graduate Student Reese Lumpkin is likely to toe the slab for the Hurricanes at Mark Light Field. First pitch is set for 6 p.m.

’Canes’ WBB stage electric 62-60 comeback win over Demon Deacons

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Miami women’s basketball wowed the crowd at the Watsco Center on Sunday afternoon in what ended up being one of their best games this season. As their last home game of the season and first win after a five game losing streak, this 62-60 victory over Wake Forest was definitely meaningful to the seniors.

Throughout the entirety of the game, Miami’s shooting percentage was the team’s achilles heel. UM’s shots were not dropping, and Wake Forest was able to take advantage of this from early on. The Hurricanes trailed the Demon Deacons from the beginning of the first quarter up until the middle of the fourth quarter, where they truly came to life.

With outside shooting working against Miami’s favor, the team still had one shining star throughout the game: Cameron Williams. She went 9-10 from the field, tallied 11 rebounds, and led the team in scoring with 23 points, which was her season high. She led the team, both offensively and defensively, and only sat out for 24 seconds in the entire game.

“I thought Cam was exceptional tonight,” said head coach Tricia Cullop. “she was phenomenal in finding those opportunities, and it was a lot of work.” “She played a lion’s share of the game.”

The fourth quarter of the game proved to be the most crucial, as Natalija Marshall’s two made free throws gave UM its first lead since the beginning of the first quarter. The teams scored back and forth, making the outcome seem uncertain.

With 28 seconds left in the game and the Hurricanes down by two points, Miami had the chance to secure the win with their possession. Wake Forest double teamed Haley Cavinder, so she threw a pass to Williams, who was able to find Darrione Rogers open in the corner. Rogers sank the three pointer, the crowd went wild, and the ’Canes took the lead.

“As soon as I saw Cam make eye contact with me, I said oh, yeah, it’s going up – and it went in,” said Rogers in the postgame press conference.

As the Hurricanes celebrated their win, though, they reminded themselves of what is still ahead. 

“We know what’s at stake, we’re trying to make it to the ACC tournament, so now it’s one of those, we have to take every game, one game at a time,” added Rogers.

The Hurricanes face Stanford on Thursday as they round out their regular season on the road.

’Canes pour on 15 runs in the second game of Saturday’s doubleheader win against Princeton 

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A uniform change later, the Miami Hurricanes took the field for game two of the Saturday doubleheader against Princeton. After a 10-run offensive performance, including a Jake Ogden grand slam, Miami looked to keep the momentum going. They outdid themselves, exploding for 15 runs in a 15-1 rout of the Princeton Tigers at Mark Light field on Saturday night.

Toeing the slab for Miami was right-handed pitcher Alex Giroux, the graduate student transfer from Hawai’i. Giroux, in his first appearance as Miami Hurricane. He didn’t disappoint, throwing a no-hitter through five innings pitched, striking out his first two batters in the opening frame. Giroux would finish the day pitching six innings, striking out five, giving up two hits and one earned run. 

In the bottom of the third inning, Nolan Johnson standing on second base with two outs, the sophomore slugger Daniel Cuvet hit a line drive to right field that just kept on carrying over the wall for a two-run home run, his first of the season. The Hurricanes would end up batting around and touch home seven times in the third. 

Cuvet would finish the evening going three for four, hitting a double in the first inning followed by a base knock in the second.

Princeton’s starter would struggle tremendously in his first career collegiate appearance. The 6’7 James Beasley would only throw two and a third, giving up seven hits and eight earned runs on 73 pitches. 

The Tigers’ pitching, weak all series, would go through five relief pitchers to finish the game.

With a 10-0 lead through five, Miami Head Coach J.D. Arteaga opted to pull many of his starters throughout the back half of the game. This would give a chance for some Freshman to get their first collegiate hits.

Stepping to the plate in the bottom of the sixth inning was Evan Tavaras, the catcher from Fort Myers, Fla. The right-handed hitting freshman would hit a double into the left field gap. Tavares would later score Miami’s lone run of the inning.

With Redshirt-Junior Renzo Gonzalez standing on first with no outs, freshman Amaury De Jesus doubled to right field on a 3-2 pitch allowing Gonzalez to advance to third. Both De Jesus and Gonzalez would round third and score in a four-run 7th inning. 

Following the 15-1 victory, Miami (6-1) officially won the series against Princeton (0-3). They will look for the sweep on Sunday at 1 p.m.

Miami Basketball fights, ultimately drops home game to Virginia Tech

After a difficult road loss to Florida State, the Miami Hurricanes men’s basketball team (6-21, 2-14 ACC) aimed to recover against the Virginia Tech Hokies (12-15, 7-9 ACC). However, on Saturday night at the Watsco Center, Miami fell to Virginia Tech by a score of 81-68.

The Hurricanes were without their best player, Matthew Cleveland, who leads the team in scoring with an average of 16.3 points per game. His absence created a significant gap in their offense. However, junior A.J. Staton-McCray rose to the occasion, contributing 21 points on an efficient 6-of-11 shooting from the field, despite the team’s loss. Staton-McCray continued his strong offensive stretch on Saturday night, scoring in double figures for the fourth time in five games and surpassing 1,000 career points while leading the Hurricanes in scoring. 

Alongside Staton-McCray, three different Hurricanes joined him in double figures. Senior Lynn Kidd poured in 16 points, sophomore Paul Djobet scored 12, and senior Brandon Johnson finished with 10 to keep the game within reach against the Hokies. 

The first half saw an efficient display of offense from both schools, as Virginia Tech shot 53.3 percent from the field, while Miami closely followed with a shooting percentage of 52%. The Hokies established an early lead of eight but Miami was determined to keep up. Staton-McCray led all Miami scorers with an impressive 12 points in the first half. A crucial three-pointer from freshman Austin Swartz tied the game at 38 entering the break.  

Early in the second half, Miami capitalized on the momentum and captured a 48-42 lead, thanks to a three from Staton-McCray at the 15:14 mark. Virginia Tech would respond to this with an 18-2 run of their own, taking a commanding 10-point lead 60-50. The ‘Canes attempted to rally behind Djobet, who scored 8 of his 12 points in the second half, but the Hokies’ sharpshooting from behind the arc proved to be too much for Miami, as they drained seven three-pointers in the second half and ultimately pulled away for the victory.  

The Hokies were led by sophomore Jaydon Young, who exploded with a 27-point performance that was his best of the season, and the first time that he reached the 20-point mark. Joining him was senior Ben Burnham who poured in 14 points and drained four three-pointers for Virginia Tech.

The Hurricanes will look to end a three-game losing streak on Tuesday night when they host No. 3 Duke at the Watsco Center. Tipoff is set for 7 p.m., with the game airing nationally on ESPN.

’Canes Baseball claw back to beat the Princeton Tigers 10-3

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In front of over two thousand fans at Mark Light Field Saturday afternoon, the Miami Hurricanes defeated the Princeton Tigers 10-3 in the first leg of a doubleheader.

Miami’s Junior transfers stole the show once again with right hander Griffin Hugus striking out nine across six innings, and shortstop Jake Ogden going 2-4 with five RBI’s. The pair continue to display why they were so coveted in the transfer portal.

Freshman Tate DeRias and transfer Jake Dorn followed Hugus’ stellar start with a solid performance of their own, going three innings with only one run allowed to close the game for the Hurricanes.

But it was Princeton who struck first, with Junior Jake Bold driving a 2-run homer to left in the first inning to bring in Jordan Kelly. From then on the game was relatively quiet with Hugus and Princeton starter Andrew D’Alessio finding their groove on the mound as they made it through the lineup relatively unscathed.

That was until the bottom of the third, where the Hurricanes offense exploded against D’Alessio. A Todd Hudson double got the bats going, and Max Galvin put the first run on the board for the ’Canes with a single up the middle. Then the stage was set for Ogden with the bases loaded and the shortstop launched a grand slam over the left field fence for his first homer as a Hurricane to put the score at 5-2. Even after taking the lead with the homer, the offense continued to fire on all cylinders in the third as a Bobby Marsh RBI single and Derek Williams sac fly put Miami ahead 7-2.

That score remained in place for a few innings as Hugus continued to deal and the Tigers staff settled down. 

In the bottom of the sixth, the bats came to life again for Miami. Williams started the rally with a single and stolen base which was followed up by a HBP for Daniel Cuvet, both were driven home by Max Galvin’s double who himself was driven in by a Jake Ogden double to put the score at 10-2.

Galvin has been one of the ’Canes hottest hitters so far, consistently driving the ball to all parts of the field which has  resulted in an average well above .400.

While Miami’s bats went quiet across the last two games with only four runs scored, they came alive in a big way against Princeton with 10 runs on the night.

And despite a late consolation run for Princeton in the ninth, the game was never out of the Hurricanes’ control. With hot bats and dominant arms, Miami (5-1) will face Princeton (0-2) later Saturday night, hoping to continue their positive momentum.

Manuel Ruiz-Barrera captures a world of fear, betrayal and survival in ‘Surreal Cuba’

Manuel Ruiz-Barrera, a Cuban American, was 23 when he first fled to Cuba. A history major at Florida International University, he was driven by a desire to capture the reality of a place that seemed like the last place you’d expect to find a totalitarian regime.

“Surreal Cuba: A Photographic Journey” captures images from a post-Cold War period when the country was in the midst of a severe economic crisis. After the Soviet Union withdrew its financial support, Cuba, under Fidel Castro’s government, faced a crippling shortage of food and energy. 

The period was marked by blackouts, famine, and widespread fear. Those years are known as the Special Period

Before his first trip to Cuba in 1993, Barrera worked at the Miami Herald. Knowing the paper would never send him on an assignment because of his age, he decided to go on his own. He funded the trip – and the next 3 to come – by doing a UPS-style job from the U.S. to Cuba. 

“The items in my luggage were never mine,” Barrera said.

The book is composed of several moments, captured by Barrera, of a vulnerable and struggling Cuba. The faces of Cubans, worn with exhaustion, show the emotional toll of daily hardships: fear, frustration and uncertainty. 

Their eyes reflect a deep longing as they endure blackouts, hunger, and scarcity, holding on to whatever hope they can find. The struggle to survive in such conditions is felt in every picture.

“My pants were baggy because I had many films I was just carrying around,” Barrera said.

For Barrera, this book tells a story of forgiveness and redemption. During those times, neighbors turned against neighbors, never knowing who was compromised and who wasn’t. 

People feared for their families, wondering what might happen to their children or spouses if they spoke out or were seen as a threat. Even within families there was tension. Relatives urged each other to stay quiet, saying, “‘You have to shut up, or you’re going to get me in trouble.’”

On his first trips, Barrera was welcomed by the citizens of Cuba. Each time he returned, he learned more about the dystopia Cuba had become. 

However, things began to change over time. 

“I could feel the eyes of the people on me during my last trip, and I was scared I wouldn’t be leaving Cuba,” Barrera  said. The realities of Cuban life started to seep into his own experience: he found himself being gossiped about and getting detained at a Cuban police station.

One photograph from that time captured a moment when his car was broken into. He recalls how professional the thieves were, quickly stealing his video camera. “They did it within seconds,” Barrera  said.

Barrera chose the photograph “The Yearning” when asked to select an image that captured what it felt like to be a citizen in Cuba during that time. He narrates the moment where, “this man was standing in front of crashing, 20-30 foot waves, frozen in his desire to get out of there.” 

He didn’t have his camera with him at the moment, so Barrera had to go get it; and the man remained in the same spot. Staring out toward the sea, looking beyond the island. 

Barrera described that moment in Cuba as “darker than dark,” reflecting the intense hopelessness and desperation to leave that permeated the air.

But “Surreal Cuba” is more than just a photography book. Beneath each picture, a QR code links to a story where Barrera shares the personal experiences behind the image, drawing viewers into the deep emotions of the moment captured. 

The author shared that some of the people in his photographs later died by suicide, suffering from depression brought on by repression.

“Sometimes it is painful for me to look at this, because this causes a lot of pain for me. There is a lot of pain that I still see with these photographs,” Barrera said.

Even in a time of sorrow and uncertainty, Barrera still found moments of joy. He recalls the story of his great-uncle, also named Manuel, a countryside rebel who gave him the most memorable Christmas dinner of his life. 

In Cuba, killing a cow can result in 10 to 15 years in prison. But that night, his great-uncle defied the rules, creating a moment of warmth and defiance that Barrera would never forget. 

He served what Barrera described as a giant, delicious slab of steak – but without utensils.

 “This guy doesn’t even use utensils,” Barrera  said. “I just remember grabbing the steak with our hands and eating it.”

The situation in Cuba still isn’t getting any better. Michael Vazquez, 57, a member of the Cuban Heritage Collection Amigos Board at The University of Miami, shared his disappointment at the book launch. 

The son of Cuban parents, he visited the country in 2016 and was shocked by what he saw. “It was almost like going to Disneyland and finding out everything was falling apart,” Vazquez said. 

Vazquez advocates for human rights organizations to step in but acknowledges the challenges, given the government’s control. “They control the police, the army and the people have absolutely nothing,” Vazquez said.

Vazquez often hears people say that Latinos are always happy. When someone claims that about Cubans, Vazquez doesn’t sugarcoat his response.

“That’s if you go to the zoo and you see the monkeys in a cage. They look happy,” Vazquez said. 

“Surreal Cuba: A Photographic Journey” offers a powerful glimpse into a world shaped by hardship, hope, and resilience. Discover the untold stories behind each image and feel the emotions that words alone can’t capture.

Sabrina Carpenter is a ‘Busy Woman’ as she releases ‘Short n’ Sweet (Deluxe)’

Love is in the air, and “Short n’ Sweet (Deluxe)” is taking over car radios, fans’ playlists and social media trends. On February 14th, Sabrina Carpenter’s Grammy-winning sixth studio album garnered an additional five songs. Considering most of her songs are about love – both its pretty and petty sides – Valentine’s Day simply makes sense for the deluxe’s release.

Announced through an Instagram post on Feb. 4, just two days after her successful night at the Grammys, Carpenter unveiled a vintage – aesthetic, faded version of the original album cover. 

Track 12, “Don’t Smile,” used to mark the conclusion of “Short n’ Sweet,” but now, the groovy “15 Minutes” leads into a few more songs (that total to just under 15 minutes). 15 minutes: The song is a perfect transition into some new tracks, giving listeners something familiar – that they’ll undoubtedly enjoy if they’re fans of her previous music – before stepping into a new realm.

“Please Please Please” follows, and you may be swearing you’ve heard this one before, but Carpenter’s vocals aren’t the only ones on it now. Country music superstar Dolly Parton, an idol of Carpenter’s, finds herself on the remix and in its all new black-and-white, “Thelma and Louise”- inspired music video, as well. 

In the solo version of the song’s music video, Carpenter’s now ex-boyfriend and actor, Barry Keoghan, starred as her love interest who she begs to not prove people right by embarrassing her through unfaithfulness. Considering he seemingly did “prove them right,” as sung, this new video follows the same plot, but this time, with a newfound vengeance. 

While the concept is entertaining, the song is rather disappointing, and my least favorite on the album. There’s simply something off about the harmony of Sabrina and Dolly’s voices. 

Personally, I think a song like “Slim Pickins” would’ve been a better fit for Parton to be featured on, considering there’s already country elements in the instrumentals of that song, including a violin and slide guitar. This remix just feels like an unnatural cross of “Slim Pickins” and “Please Please Please,” which both stood well on their own. 

“Couldn’t Make It Any Harder” shifts the album into a more introspective, ballad-styled mood – which I love – as she sings about her inability to be completely open to love after a past of heartbreak. 

With heavenly vocals, a gentle guitar and a violin that all sound straight out of a Disney princess fairytale, this song draws similarities to Olivia Newton-John’s “Hopelessly Devoted to You,” which Carpenter previously covered during her time as opener for Taylor Swift’s Eras Tour. 

“Oh, hey!” Another more familiar tune, as she sung it live at the Short n’ Sweet tour prior to its release. “Busy Woman” opens with a lighthearted adlib, which she often includes in her songs. It’s fun, catchy and just what you’d expect from a Sabrina Carpenter song if you know her from hits like “Feather,” “Nonsense” and “Espresso.”

“Bad Reviews” gently closes the album and immediately becomes one of my personal favorites. There’s something so satisfying about the melody and country-like production. “Still I choose to be in love with you,” leaves people wondering, just who’s the muse? 

The song took a different route than I expected, as the title led me to believe its lyrics would center her recent experience in the spotlight as a pop star who’s susceptible to people’s opinions and criticisms. However, this theme is more fitting for the album, and I’m definitely not complaining about the final product. 

“Still I choose to be in love with you.” The album ends on a longing note. 

A unique promotional approach accompanies her release, setting it up for inevitable success after a year of immense popularity. Alongside an interview with Vogue, she finds herself returning to her acting roots with a comedic bit starring none other than herself. She also stuns in a Marilyn Monroe, Madonna-esque photoshoot with platinum-blonde hair and feminine outfits. 

Carpenter is also set to embark on the Europe leg of her tour next month, likely adding some of the new songs to the setlist. 

“Short n’ Sweet (Deluxe)” tackles heavy-hearted topics like facing the hardship of a new relationship with a heart that’s still healing from a past break-up, while also saving room for her classic raunchy, fun tracks in between. 

Though only in its first week since release, “Short n’ Sweet (Deluxe)” has already received positive opinions and is expected to dominate the charts, proving she’s here to stay as a pop star and household name. The 17-track album maintains a majority pop sound, with flints of country twang and the woes of a songwriter. 

My Rating: 4/5

An eye-opening trip through Black history at the Black History 101 Mobile Museum

A Ku Klux Klan mask captured the eyes of attendees at the Black History Mobile Museum at the University of Miami’s Lakeside Auditorium on Feb. 6. Visitors went from seeing Jim Crow era memorabilia to photos of the 2020 Black Lives Matters protests as they traveled through time following the exhibit.

Though the journey ends on a hopeful note, exhibit organizer Dr. Khalid el-Hakim wants viewers to leave knowing there’s still work to do to preserve Black rights in America.

“It’s for students to see themselves in time, to be reminded of how things have changed over time,” el-Hakim said. “And how, in the current political climate, where their attention should be focused and looking at which side of history they want to be on.”

At the “Marching for Justice” exhibit, viewers looked at some of humanity’s darkest moments in the first tables. Racist caricatures of African-Americans with pitch-black faces eating watermelon covered calendars and cards. 

It only grew darker. Photos of KKK lynchings surprised viewers. Even modern items, like Disney princess candy with Princess Titanna on the cover of watermelon flavored sugar powder, were on display.

Then, a light shined on the darkness. Images of Rosa Parks getting her fingers printed at a police station and activists protesting segregation flooded the scene. Copies of Malcolm X’s speeches transitioned into Black Panther badges and the cover of a TIME magazine showing young Black protesters leading supporters.

“I don’t think I’ve ever seen artifacts like this in person,” Lori Ann Butler, a UM doctorate student, said. “I wish this was everywhere because it really makes history come alive.”

Hit songs like “Fight the Power” from Public Enemy played as attendees entered the Obama era and saw a picture of Dr. Martin Luther King’s daughter, Dr. Bernice King, crying to a speech from Betty Shabazz, Malcolm X’s wife.

The exhibit shook Executive Director of the Office of Academic Enhancement Christopher Doell’s heart when he first saw it at the National Conference on Race & Ethnicity in 2018. He immediately knew he wanted to bring the mobile museum to campus.

“I felt like more people needed to see this,” Doell said. “It’s something we’ve wanted to do as often as we could.”

Associate Director for Prestigious Awards and Fellowships Molly Lockwood Ho felt honored to market the event and share it with students. Promoting the event during the first Black History Month in the 2025 Trump administration was a “huge responsibility” the Office of Academic Engagement was excited to take on.

“This is especially important for a place like Florida,” Ho said. “We certainly don’t want to take part in any erasure.”

Attendees’ heavy hearts would be answered with a warm smile from el-Hakim at the end of the exhibit. He never missed an opportunity to talk to viewers and answer questions.

With Black History 101, el-Hakim looked to introduce viewers to an underexposed side of Black history to encourage them to dive deeper. The Black History 101 Mobile Museum has been enlightening the ’Canes community since 2018 and doesn’t look to be stopping anytime soon.

“History is very important and always relevant,” el-Hakim said. “Anytime I can come on a college campus and engage students, I’m very excited about it.”

A cinematic journey at the 2025 Shorts Miami International Film Festival

I had the privilege of attending Shorts Miami, an international film festival held at the University of Miami’s Coral Gables campus. The event began on Jan. 31 and ended on Feb. 2. 

Throughout these three nights, a multitude of 20-minute films were screened back-to-back, each with a genre and mood different from the last. From thought-provoking documentaries, to visually stunning dramas, the power of cinematic storytelling was truly remarkable.

The first night kicked off with a series of films focused on creating unique stories as part of the “Narrative Shorts Competition.” Each movie presented tales with drastic tones. For one movie, you may be watching a comedic film about a rodent munching on a group of guests’ potluck dinner, while for another, you may have your heartstrings pulled as you view a riveting movie of a child dealing with familial grief. 

At the Friday screening, the movie I found most interesting was a film called “Dank,” a charming and seemingly intimate story of a man who sets up a lady’s washing machine. During the end of Friday’s film showcase, a $500 award was presented to“After Mountains,” a gripping feature about a child who befriends a sick boy as he waits for his grandfather’s recovery. The evening culminated in a lively reception filled with an assortment of free gifts and food to welcome the hungry viewers.

Night two ushered the movie screening forward with a new set of short films that varied in tone. This evening’s focus was targeted specifically at documentary films. The first film to kick off the night was “Rooted in Cuba,”  a wholesome feature about what it means to be Cuban-American and how to preserve your heritage. 

Following that sprouted an array of unique documentaries ranging from how disabilities affects individuals’ lives in “Disability in Focus”, to writing poems in concrete in “Sidewalk Poetry”, to auditioning to become a mermaid in “Unlikely Mermaid.” The end of one documentary only generated intrigue for what the next might be. 

The award for the best documentary ended up going to “The Sex Slave,” an AI-generated feature on the damaging and disturbing experiences of what it’s like to be a victim of human-trafficking..

To end off with a bang, the third and final night, although bittersweet, reigned in a barrage of experimental and dramatic student-directed films. While some films were fun seatings about a group of friends playing a roleplaying game, like “Castles & Creatures: The Axe of Fate,” others were brutal tragedies dedicated to the pressures that society can place on people as portrayed in “Purple Grooves: A Funky Tragedy.” 

One of the most riveting films of the night, however, was the closing film, “Eating Me Alive.” This horrific and gore-induced showed an overworked video editor losing her sanity racing to finish a film on time. 

After a Q&A with the student filmmakers, the Shorts Miami International Film Festival triumphantly reached its end.  

Beyond the films themselves, the festival provided a fantastic opportunity for viewers to connect and mingle with one another. Audiences had the chance to retrospect and give their interpretations of what they witnessed. 

It was truly an immersive experience that opened my eyes to new perspectives as I saw films portraying unique worlds and narratives I had yet to experience. I left the festival feeling enriched and inspired, already looking forward to future film-related events. 

If you’re a film enthusiast, I highly recommend keeping in touch with local film festivals—it’s an experience you won’t forget. 

Tate McRae’s “Sports Car” review:  seductive, confident evolution in pop

Tate McRae is the bright future of pop, and “Sports Car” is more proof that she’s one of the most exciting artists in the genre right now.

With every release, she manages to outdo herself, evolving from the introspective heartbreak queen to a confident, sultry powerhouse. “Sports Car” isn’t just a song, it’s an experience, a full-throttle ride through desire, independence and pure, unfiltered pop.

From the moment the beat kicks in, “Sports Car” feels dangerously addictive. It’s sleek, sensual and effortlessly cool, blending 2000s pop nostalgia with McRae’s signature edge. The production is crisp yet intoxicatingly hypnotic, allowing her vocals to take center stage. The deep bass and soft chorus pull you in, creating an irresistible, intimate atmosphere that you can’t help but get lost in.

The song is a masterclass in building anticipation. The pre-chorus teases, the chorus hits like a rush of adrenaline, and by the time the bridge layers McRae’s vocals into a fever pitch, you’re completely hooked. This track doesn’t just sit in your ears, it takes over your whole body, making it impossible not to dance, lip sync and vibe with the beat. 

Lyrically, “Sports Car” is playful, seductive, and dripping with confidence. McRae isn’t looking for a slow-burn romance, she’s here for the thrill, the moment, the ride. The sports car metaphor perfectly captures that intoxicating feeling of no-strings-attached passion, where excitement trumps stability, and every second counts. 

The whisper-like delivery in the chorus? Absolutely genius. It adds a layer of intimacy that makes the song feel like it’s meant just for you, like she’s letting you in on a secret you’ll never forget.

The world is taking notice. “Sports Car” didn’t just drop, it exploded. Winning Billboard’s New Music Poll with 26% of the vote, beating out some serious competition like Sexyy Red and Bruno Mars, the song is already proving that McRae’s magnetic pull is only getting stronger. 

This song also marks an exciting shift in McRae’s artistry. While she first captivated audiences with her heart-wrenching ballads, she’s now fully embracing a bolder, more self-assured persona. There’s no heartbreak here, no second-guessing, just pure empowerment. She’s owning her desires, her confidence and her ability to command a room with a whisper.

The music video is a cinematic fever dream of high-fashion aesthetics, movement and raw energy. It captures the song’s essence perfectly, making “Sports Car” not just something to listen to, but experience. The visual storytelling takes the track’s themes of desire and thrill to the next level.

With “Sports Car” and her highly anticipated album, So Close to What, dropping Feb. 21, 2025 is set to be Tate McRae’s biggest year yet. Let’s not forget her Miss Possessive Tour kicks off in March, covering South America, Europe, the U.K. and North America. With Benee and Zara Larsson as supporting acts, it’s bound to be one of the most unforgettable tours of the year.

Bottom line? “Sports Car” is a certified hit, a confident and seductive anthem that proves Tate McRae is only getting started. 

Buckle up, because if this track is any indication, her career is about to go full speed ahead, and we’re all just along for the ride.

Smith’s two-run homer and dominant pitching powers Miami to Friday night win over Princeton 3-1

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Before the season, Miami coach J.D. Arteaga said this year’s group of pitchers was one of the deepest he’s ever seen. They showed that Friday night at Mark Light Field, allowing one unearned run against the Princeton Tigers, winning 3-1.

The Hurricanes pitching staff put up a dominant performance this evening against the Tigers. 

Friday starting pitcher Nick Robert followed his five innings of one run ball against Niagara with another solid outing against Princeton. This evening, he threw five innings, allowed two hits, one run and two walks while striking out eight. The sophomore’s eight punchouts was a career high.

AJ Ciscar, Carson Fischer, and Will Smith followed Robert with a brilliant four innings to seal the game. The bullpen allowed just one hit in four shutout innings, striking out six in the process.

In the ninth, Smith shut the door, striking out Dylan Zdunek, tallying his first save as a ’Cane.

After out-scoring Niagara on opening weekend 35-3, the Hurricane bats fell silent on Tuesday, scoring just one run in the 2-1 loss against FAU. On Friday, the bats struggled to get much going.

In the bottom of the second, Oregon State transfer Tanner Smith powered his first home run as a ’Cane, a two-run home run over the scoreboard in left. Smith’s 378 foot bomb broke the scoreless tie. The catcher’s home run proved to be the difference in the game.

Smith is off to a fast start offensively for Miami. The senior from Arizona entered the evening with four extra-base hits and a batting average of .429 and an on-base plus slugging (OPS) of 1.253.

Senior catcher Tanner Smith after his second at-bat against Princeton University at Mark Light Field on Friday, Feb. 21, 2025. – Photo Credit: Callie Sims – Contributing Photographer

In the third, Princeton’s Jake Bold laced a single to left field, bringing home Tyler Googins to get the Tigers on the board for the first time this season. Bold’s RBI was the last run scored for the Tigers this evening.

Miami outfielder Max Galvin provided some much needed insurance for UM. In the sixth, the Coral Gables native lined an RBI single up the middle to score Dorian Gonzalez Jr. Galvin’s RBI extended Miami’s lead to two.

Galvin had another nice showing for the Hurricanes this evening. He tallied three of Miami’s five total hits and brought in a run of his own. The Oklahoma State transfer is now batting .400 to start his UM career.

Princeton’s Sean Episcope was strong in his first start of 2025. The sophomore from Chicago struck out six batters in five innings of work, allowing just three hits. Episcope threw one bad pitch tonight: the home run to Smith in the second.

Daniel Cuvet has been a potential note of concern for UM, although it has just been five games. The sophomore slugger entered 2025 ranked as one of the premier players in the sport, being ranked as the top third baseman in the country by D1Baseball.

So far, Cuvet has struggled to get anything going. Tonight, he went 0-for-3, striking out twice. This season, the Fort Lauderdale native has just two singles in his first 14 at-bats. 

Miami (4-0) will look to continue its winning ways this weekend, playing a double-header on Saturday against the Princeton Tigers. The games at Mark Light Field will be at 2 p.m. and 5:30 p.m. Griffin Hugus will toe the slab in game one and Alex Giroux will pitch in game two. 

No. 23 Miami Tennis stays hot at home, sweeps FGCU 4-0

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The No. 23 Miami Hurricanes remained undefeated at home sweeping the FGCU Eagles 4-0 at the Neil Schiff Tennis Center Friday afternoon. Miami now moves to 5-2 on the season, while FGCU moves to 3-8.

The ’Canes dominated right from the offset, securing the doubles point with back-to-back wins. Nacho Serra Sanchez and Leonardo Dal Boni defeated FGCU’s Jonathan Baron and Guglielmo Stefanacci 6-1, followed up by Medhi Sadaoui and Jules Garot clinching the point for Miami with a 6-3 win over Stavros Hadjivarnava and Harry Michalowski.

With the doubles point secured, the ’Canes kept their foot on the gas. No. 48 Martin Katz took down Hugo Magnusson 6-1, 6-1 to give Miami their second point in the match. Serra Sanchez was the next to secure a point, winning 6-2, 6-3 against Stefanacci.

But just like the last match against UCF, Sadaoui delivered the final blow to secure the win for Miami, defeating Ninad Raut 6-1, 6-1.

With the match secured in such a quick manner, the remaining two games went unfinished. Dal Boni was close to winning court four over Pablo Paternostro with a 6-2, 5-1 score, while Prat was up 6-3, 2-1 to Baron and Garot led CJ Smith, 7-6 (4), 1-1.

The Hurricanes remain undefeated at home and against other Florida schools this season. Miami hopes to continue their momentum into ACC play, facing SMU Feb. 28 at the Neil Schiff Tennis Center.

Singles Results

1. No. 48 Martin Katz (UM) def. Hugo Magnusson (FGCU) 6-1, 6-1

2. Nacho Serra Sanchez (UM) def. Guglielmo Stefanacci (FGCU) 6-2, 6-3

3. Mehdi Sadaoui (UM) def. Ninad Raut (FGCU) 6-1, 6-1

4. Antonio Prat (UM) vs. Jonathan Baron (FGCU) 6-3, 3-1, unfinished

5. Leonardo Dal Boni (UM) def. Pablo Paternostro (FGCU) 6-2, 5-1, unfinished

6. Jules Garot (UM) vs. CJ Smith (FGCU) 7-6 (4), 1-1, unfinished

Doubles Results 

1. Leonardo Dal Boni/Nacho Serra Sanchez (UM) def. Jonathan Baron/Guglielmo Stefanacci (FGCU) 6-1 

2. Mehdi Sadaoui/Jules Garot (UM) def. Stavros Hadjivarnava/Harry Michalowski (FGCU) 6-3

3. Martin Katz/Antonio Prat (UM) vs. Hugo Magnusson/CJ Smith (FGCU) 4-5, unfinished