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3 reasons Shane Gillis’ return to ‘SNL’ was worth it

In recent years, stand-up comedian Shane Gillis has amassed tremendous fame upon the 2023 release of his Netflix special “Beautiful Dogs,” and the surging listenership of his podcast with Matt McCusker, “Matt and Shane’s Secret Podcast.”

However, like many comics in today’s society, Gillis has had his bouts of dishonorable controversies and public apologies. One of his most notorious scandals being his dismissal from “Saturday Night Live” back in 2019.

Briefly after “SNL” had announced Gillis as a new cast member, podcast clips surfaced of him and his co-host, Matt McCusker, bashing Chinese culture among other racist, sexist and homophobic remarks. This ultimately led to his termination, with “SNL” producer Lorne Michaels condemning the behavior as “offensive, hurtful and unacceptable.”

In response to the backlash on social media, Gillis wrote, “I’m a comedian who pushes boundaries, I sometimes miss.”

Although his reputation is far from squeaky clean, it’s safe to say that Gillis has transcended the fiery hell of cancel culture for now. Nearly half a decade later, “SNL” has invited Gillis back to host the show. Here are a couple of things that made the wait worthwhile:

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1) The opening monologue was refreshingly real.

The more you watch Shane Gillis, the more you realize what you see is what you get.

He opens with a touch of imposter syndrome, remarking that, “I probably shouldn’t be up here. I should be home. I should be a high school football coach.”

Gillis then shifts the focus to his diverse family, mentioning his sister’s daughter with Down syndrome, her three adopted Black children and Egyptian husband.

“Going to their house is like entering the craziest Uber pool you’ve ever been in,” he said.

In today’s climate, people often shy away from acknowledging diversity due to the fear of being labeled as insensitive. However, Gillis takes a different approach by unapologetically drawing attention to it. In my opinion, this adds to layers to his authenticity, revealing a comedian who stands by his content despite potential backlash.

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2) His Trump impression was spot-on, as per usual.

Gillis has truly mastered the persona of a chubby, off-putting redneck— perhaps because it hits a little close to home.

The “Trump Sneakers” skit stood out to me in particular because it was so real, both in its concept and execution. The bit poked fun at the ex-president’s elite gaslighting skills, providing Gillis with a platform to showcase, what I consider his greatest talent— the Trump impression.

Sporting a straw-yellow wig and shiny gold sneakers, Gillis misses a shot on the basketball court. “I didn’t miss, it went in,” Gillis said in Trump’s voice, mocking his signature hand gestures and facial expressions.

Later, someone asks Gillis if the shoes are what makes him good at the sport.

“They gave me the power to say I’m good at basketball, then double down on that until people actually start to believe it,” Gillis replied.

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3) The episode proves cancel culture is a waste of time.

My final critique is not a nod to Gillis’ comedic talent, but rather his resilience in the face of public criticism, and the success he derived from it.

In 2019, Gillis’ offensive remarks cost him one of the most coveted jobs in comedy. Yet today, the same podcast that once sentenced him to digital exile now stands as a foundation for his skyrocketing fame.

This shift suggests a trend where people are finally distancing themselves from the rigidity of cancel culture. Perhaps, because it’s becoming more and more obvious that many companies cut ties to avoid PR crises rather than to fulfill moral obligations.

Even in “SNL’s” case, it’s unclear whether they truly believed in the reasons they fired Gillis to begin with. Although the comic used regrettable language, the question arises whether it would have warranted the downfall of his career. After all, his persistence in the comedy world still led him to back to the very stage that let him go in the first place.

Shane Gillis’ comeback to “SNL” suggests that social media isn’t the ultimate determinant of success, and blindly adhering to cancel culture is a useless pursuit.

REVIEW: Ariana Grande makes a vulnerable comeback in new album, “Eternal Sunshine”

Singer Ariana Grande returns to the music world with her newest album, “Eternal Sunshine.” Released on March 8, the 13-song record
Singer Ariana Grande returns to the music world with her newest album, “Eternal Sunshine.” Released on March 8, the 13-song record addresses heartbreak, divorce, new relationships, media scrutiny and self-love. Photo credit: Lindsay Neilson via Flickr | Twitter @lindsneilson | Instagram: @lindsaydaniella

Ariana Grande has delivered a phenomenal record, despite controversies, in her newest album “Eternal Sunshine.”

She addresses tumultuous themes of heartbreak, divorce, new relationships, media scrutiny and self-love with 13 songs.

In mid-2023, while filming “Wicked” in the UK, the singer started dating her co-star, Ethan Slater, but the timeline of their relationship is questionable. Although Grande and her ex-husband, Dalton Gomez reportedly split up in January 2023, it is not certain when Slater went through a divorce with his own wife.

Grande released “Yes, And?” as a lead single in January, her first new song since her 2023 album “Positions.” Sampling Madonna’s “Vogue,” the song is a rebuttal to social media and press discussions about her relationship with Slater. Many listeners were disappointed with the song’s lyrics and felt the song was underwhelming.

Less than a week after the release of “Yes, And?” Grande announced her upcoming album, “Eternal Sunshine,” would be released March 8.

The album title holds a special meaning for the singer, as it is derived from the movie “Eternal Sunshine of the Spotless Mind,” notably one of Mac Miller’s favorites. Grande and Miller dated for two years, before he passed away in 2018.

Due to the Screen Actors Guild and Writers’ Guild of America strikes, Grande was forced back to the United States while “Wicked” production came to an indefinite halt. With the newfound free time, Grande developed her seventh studio album. Several of her usual collaborators also returned for the record, including producer Max Martin.

The album is phenomenal and features some of Grande’s best lyrics and musical production to date.

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The record begins with “Intro (End of the World),” which is about the frightening uncertainty that comes with the beginning of a relationship. The song perfectly introduces the sonic and lyrical themes of the album.

“Bye,” the second track, is an upbeat breakup song with a disco feel that features similar instrumentals to “Yes, And?” The song clearly refers to Grande and Gomez’s divorce, as shown by the catchy lyrics “So I grab my stuff / Courtney just pulled up in the driveway.”

In “Don’t Wanna Break Up Again” and “I Wish I Hated You,” she reflects on trying to mend her relationship with a past love and whether to view that past relationship with love or disdain.

Grande includes “Saturn Returns Interlude” to symbolize a new era in her life and music as she enters her 30s. According to Vox, a Saturn return is “the concept that every 30 or so years in a person’s life, Saturn comes back to the place in the sky that it was on the day that person was born.”

The titular track “Eternal Sunshine” comes after being reminded to “wake up” in the interlude. This song directly references the plot of “Eternal Sunshine of the Spotless Mind,” as Grande sings, “So I try to wipe my mind / Just so I feel less insane.” She reflects on the end of her previous life and the beginning of her new one, after her Saturn has returned.

“True Story” is a soulful number that shows Grande is reclaiming the narrative.

“The Boy is Mine” and “Supernatural” are both playful songs conveying the strong feelings experienced during the honeymoon phase of a new relationship. However, the deluxe edition has an even better version of “Supernatural” featuring Troye Sivan, who truly adds so much to the song with his harmonies.

“Imperfect for You” also symbolizes the beginning of a relationship and contains clever wordplay. Grande sings that while she is perfect for her partner, she is imperfect as a person.

“We Can’t Be Friends (Wait For Your Love)” — which just landed the number one spot on the Billboard Hot 100 — stands out as the best track. With sad lyrics set to a lively tempo, it is reminiscent of “Dancing on My Own” by Robyn. The song is an example of Grande’s growth as a songwriter.

The singer concludes the album with a special track. “Ordinary Things” features a voice memo from her grandmother, Nonna, sharing advice for a healthy, long lasting relationship.

With “Eternal Sunshine,” Ariana Grande makes her grand return to the music world with a bang, solidifying her position within the music industry — not only as a singer, but as a producer and songwriter.

Ticketmaster continues to let fans down with deceptive practices

Even after new legislation was proposed, some say the company is still prioritizing money over fans.
The “Fans First Act,” a bill designed to address price transparency, consumer protection and the usage of bots in concert ticket sales, is yet to be signed into law. Even after the proposal of this new legislation, some say Ticketmaster is still prioritizing money over fans. Photo credit: Tdorante10 via Wikimedia Commons

After a bipartisan group of lawmakers introduced new legislation in the Senate in December, music enthusiasts were filled with hope that buying concert tickets would finally become a more accessible, fan-friendly experience. The bill, titled the “Fans First Act,” was designed to address three major issues that have plagued the concert industry this past year: price transparency, consumer protection and the usage of bots.

However, as concertgoers wait for the Fans First Act to be signed into law, they continue to struggle with seeing their favorite artists live. As 2024 ticket sales have gotten underway, some fans say the promises made by the Fans First Act could not come any sooner.

Since the new legislation was introduced, multiple concertgoers have told the Hurricane that buying concert tickets seems to have become harder than ever. Many say that ticket-selling sites are prioritizing profits over fan’s interests, leaving them frustrated and disheartened.

“The scalper market these last few years has become completely insane,” said Maddie Wilson, a senior studying biology. “Nobody is getting the chance to see their favorite artists anymore and sites like Ticketmaster continue to allow it.”

The Fans First Act was introduced by a group of both Republican and Democratic senators as a response to a treacherous year in the concert industry, marked by incidents like Ticketmaster’s failure to meet the overwhelming demand for Taylor Swift’s Eras Tour. The ensuing chaos led to a wave of fan-initiated lawsuits, exposing the flaws and shortcomings of the existing ticketing system.

The act claims to tackle these issues head-on. Price transparency provisions are meant to ensure that fans know exactly what they are paying for, without hidden fees or inflated prices.

Additionally, the act promises to target the use of bots, which have long been a tool for scalpers to buy tickets in bulk, leaving genuine fans empty-handed. These proposed provisions, if signed into law, would ensure a fair and secure ticket-buying experience.

Even though the act was introduced three months ago, it has yet to advance to a vote. Prices remain high, consumer protections are easily avoided, and bots continue to take up space on the website.

In mid-February, fans of Olivia Rodrigo — the musician and actress who starred in the televised adaptation of the “High School Musical” films and who’s known for her hits “Drivers License” and “Vampire” — were given a second opportunity to purchase tickets for her highly anticipated Guts tour, since her original sale was limited and occurred before the proposed legislation.

For the low price of $20, Ticketmaster gave buyers a “Silver Star” ticket, which would place them at randomly selected seats throughout the venue. However, the large majority of fans were not even granted access to this sale, leaving room for scalpers and bots to run in.

It appears many fans didn’t get a chance to snag one of these tickets, after all. In an unofficial poll from 900 Rodrigo fans on X from the user @Guts_ResellOR, over 96% of users did not receive access to the Silver Star sale, let alone any email at all, leaving hundreds on the platform feeling incredibly frustrated.

Evan, the account owner, expressed her own feelings towards the situation, revealing she was “shaking with anger” when she saw the extent of people being left out of the sale.

“Ticketmaster obviously does not care about Olivia Rodrigo fans and still does not months later for Silver Star Tickets. Mistakes were made, and it’s very sad how so many fans are let down and confused right now,” she angrily expressed once Ticketmaster failed to address the situation.

Other users on the platform called Ticketmaster for an explanation. Kylie Murphy, a dedicated Rodrigo fan, said the company was negligent in its communications and even told fans different forms of misleading information on X’s Ticketmaster support line.

“Me and my friend felt like sitting ducks just waiting for a response that never came,” Murphy said.

Riley Simon, a senior studying political science, says she was let down by Ticketmaster once again. Since she tried to buy tickets last fall and was unsuccessful, she already had low expectations for the Silver Star Sale, but did not expect the sale to go as poorly as it did.

While Simon is glad that the new legislation will bring improvements in the fees and price transparency, she adds that it may still be useless without physical access to the sale itself.

“This still leaves fans stuck with overpriced seats on resale platforms. Concert tickets used to be much more accessible, and the recent price-gouging is ridiculous,” Simon added.

Since the Silver Star sale left thousands of fans in the dark, many are left with the option to pay for price-gaged tickets bought by scalpers — which are sometimes 3-4 times the original value — or to miss out on the concert altogether. This is not just the case with fans of Olivia Rodrigo, but any concert goer who missed out on access to sales for their favorite artists.

As these frustrated fans deal with the continued challenges of obtaining tickets, the live events industry finds itself at a crossroads. The dream of a fans-first ticket experience, promised by the Fans First Act, though a step in the right direction, still seems far-fetched. Concertgoers and artists alike are left wondering if the legislative efforts will bring the positive change they had hoped for, or if further improvements are necessary to truly prioritize fans over financial gains.

Jakai Robinson marks yet another ‘Cane entering the transfer portal

Redshirt sophomore guard Jakai Robinson has entered the transfer portal, ending a three-year stint with the Miami Hurricanes.

Robinson is a former four-star recruit from the class of 2021, ranked as the 83rd-best player in the country by 247Sports three years ago.

Robinson appeared in 24 games over the past two seasons and 17 games this year, playing for a bench unit that struggled for Miami all season. In 7.2 minutes per contest, Robinson averaged 1.0 points and 1.1 rebounds per game while shooting 36.8% from the field.

Robinson did see a slightly increased role as the season went on and injuries ramped up for the Hurricanes, seeing around 10 minutes per night over the final nine games of the season as he averaged 1.4 points during that stretch. Robinson is now the fifth Miami player to enter his name into the transfer portal following a massively disappointing sub .500 campaign.

The Hurricanes are a team to look out for in the transfer portal in the coming months with several roster spots left vacant for potential newcomers.

Record books re-written in opener for outdoor track and field season

With the sun shining and a bright season ahead, Miami’s outdoor track and field stepped into Cobb Stadium and made history throughout the weekend. On Friday alone, there were five ‘Canes who broke into Miami’s outdoor top-six overall for the weekend.

The throwers were the highlight of the day. Florida State transfer and grad student Milton Ingraham launched the discus 58.20 meters (m) and launched himself into third all-time in the discus throw with his second-place finish. Junior Erikka Hill, with a second-place finish of her own, recorded 60.66m in the women’s hammer throw, a new personal best that places her at fifth all time. Heath Vernor recorded 56.27m in the men’s hammer throw, putting himself at fifth all time now. Vernor also got third in men’s discus, with a distance of 46.59m.

On Friday, in the pole vault, freshman Brianna Isa took the spot for the fifth-highest pole vault in outdoor school history, with her final height of 3.35m.

Sophomore Valeria Fernandez places 18th in the women’s long jump event in the Hurricane Invitational Miami hosted on March 15, 2024.
Sophomore Valeria Fernandez places 18th in the women’s long jump event in the Hurricane Invitational Miami hosted on March 15, 2024. Photo credit: Charisma Jones

Moving on to the track, another freshman made a mark. Maddie Scheier, with her time of 9:50.33 in the 3000m, took seventh on the day and fifth all-time in the outdoor record books. The next day, senior Solomon Strader in the 200m, with a wind-time of 21.03, now holds the No. 5 spot in outdoor school history.

Outside of the record-breakers, there were several other standout performances from the weekend.

Miami took the top two spots in the women’s 400m, with Makenzy Pierre-Webster (52.40) and Gabrielle Grissom (53.67) both earning new personal bests. Pierre-Webster’s time ranks first in the ACC this season. She also earned an ACC track Athlete of the Week recognition because of this.

Graduate student Christina Warren participates in the women’s 100 meter hurdles where she finished in 13.69 seconds, earning fifth place on the second day of the Hurricane Invitational March 16, 2024.
Graduate student Christina Warren participates in the women’s 100 meter hurdles where she finished in 13.69 seconds, earning fifth place on the second day of the Hurricane Invitational March 16, 2024. Photo credit: Charisma Jones

Freshman Ace Malone, who brought home ACC Rookie of the Week honors, took sixth in the 200m with a time of 20.83. Christina Warren finished in fifth place and clocked 13.69 in the 100m hurdles.

Miami returns to Cobb Stadium next weekend for the Hurricane Collegiate Invitational on March 23.

How a vicious spat between two female rap stars revealed America’s feeble framework for battling doxxing

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By Andrew McCleskey and Destiny Vergara

An acrimonious feud between fans of Nicki Minaj and Megan Thee Stallion has shone a light on a growing doxxing epidemic — a form of cyberharassment that’s affected more than 10 million Americans.

When Milka Derisma posted a 60-second video to TikTok in late January spoofing the outlandish lyrics of rapper Nicki Minaj’s most recent single, “Big Foot,” she assumed the Internet would be in on the joke. But the 32-year-old content creator from Orlando had no idea that, 24 hours later, she’d have stirred up a hornets’ nest that would turn her life upside down.

Sitting in her bedroom, Derisma — who counts an audience of about 73,000 followers — cringed on camera while listening to a rendition she’d made of the new track. The song includes verses intended to belittle a female rapper with whom Minaj has long shared a tumultuous rivalry: Megan Thee Stallion.

In the rough-and-tumble culture of hip-hop, it’s not unheard of for artists like Minaj or Stallion, or their loyal fans, to exchange insults. But Derisma didn’t anticipate that her post, which was viewed more than two million times in a month, would unleash an outpouring of vitriol from an incensed army of Minaj supporters calling themselves the “Barbz.” Within hours, the comments section of her video had devolved into a cesspool of backlash and warnings that she would pay the price for disrespecting the rapper they anointed as their queen.

That was just the tip of the iceberg.

The next day, someone leaked Derisma’s phone number on X (the platform formerly known as Twitter), and the situation really went nuclear. A legion of angry Barbz started blowing up Derisma’s phone with dozens of denigrating calls, texts, and voicemails.

What happened to Derisma is one episode in a growing epidemic of doxxing, a form of cyberbullying in which individuals’ personal details, like phone numbers and home addresses, are shared publicly without their consent. Doxxing can take place on virtually any digital platform, from social networks like X and Facebook to messaging services like WhatsApp. The effect on victims is often harrowing and potentially dangerous, since online threats from doxxing can quickly bleed into the real world.

Doxxing has been weaponized on the internet for years, but the feud between members of Minaj and Stallion’s fan bases highlights how it’s become tougher to contain. Roughly 11 million Americans say they’ve directly experienced doxxing, according to a study released in February by SafeHome.org. The Hurricane reviewed more than 15 TikTok videos made by people like Derisma, who said they’d been doxxed by the Barbz in late January. (Representatives for both Minaj and Stallion did not respond to requests for comment.)

The escalation in doxxing comes amid a simultaneous surge in cyberharassment. Last year, 52% of Americans experienced online harassment — a 12% jump from the year prior — according to a report from the Anti-Defamation League. The ADL hasurged officials to outlaw doxxing; helped lawmakers, including a Florida state senator, draft anti-doxxing legislation; and called on social networks to ratchet up their enforcement efforts.

Now, legislators in states including Illinois, Kentucky, Oregon and Texas are evaluating or rolling out measures to battle doxxing. Some of their efforts are hitting snags, and victims say the time for solutions has long passed. The Hurricane spoke to lawyers, digital-privacy experts and social-media creators who said they’d been doxxed. All agreed that social networks should adopt a more forceful approach to contain the fallout — but also called on government officials to update laws they say are troublingly outdated, or empower law enforcement to crack down.

For Derisma, getting doxxed has left deep scars. Some who bombarded her likened her appearance to monkeys, dinosaurs and Aunt Jemima. One unknown caller shouted into the phone: “Is this Milka? How dare you speak about Nicki Minaj, you stupid bitch,” she told the Hurricane in a February interview, sharing screenshots of messages she received to verify her account. Her overtures to local police for help have gone unanswered, she said.

“To have my number and personal information leaked — it feels like a violation,” Derisma said. “My fear is that someone is going to get hurt, and that’s when law enforcement is going to start asking questions.”

Doxxing attacks are increasingly directed on larger scales using more sophisticated techniques

The reasons why people engage in doxxing aren’t always clear, but a 2017 study from researchers at NYU and the University of Illinois at Chicago offers clues about its allure for perpetrators. Primary motivations the researchers identified included a desire to gain domination and control over victims, as well as the pursuit of revenge against someone for a perceived slight or wrongdoing. Victims are left to navigate the trail of destruction that’s left behind.

In the past, doxxing attacks were typically orchestrated by lone individuals, limiting the damage they could create. Now, entire groups may be involved, meaning that fighting doxxing is less like swatting flies and more like battling a Hydra. For every threat that’s neutralized, two more aggressors seem to spring up to prolong victims’ suffering. Some perpetrators leak victim’s private information in secretive chat rooms on platforms like Discord, making it harder for moderators to detect.

Since the start of the pandemic, as users’ sensitivity to digital privacy risks has increased, demand for products from tech firms like DeleteMe — which offers tools to cleanse customers’ personal information from hundreds of websites — has skyrocketed. “Targeting people on social media has become a team sport,” John Gilmore, DeleteMe’s head of research, told the Hurricane, estimating that the company has grown by roughly 500% over that period.

January’s doxxing spree by some of Minaj’s fans has reignited a debate over who’s accountable for stopping the practice. Celebrities appear to bear some of the responsibility, at least when their supporters are involved.

Over the years, Minaj has been accused of fanning the flames of online furor. In 2021, she posted two reporters’ personal details on Instagram who were looking into statements she’d made about the Covid-19 vaccine and issued threats against one who tried to speak with a member of her family in Trinidad. But on Instagram last November, she instructed the Barbz not to threaten individuals on her behalf, adding that she doesn’t condone antagonizing others on or off the Internet.

Other celebrity fandoms — ranging from Taylor Swift’s “Swifties” to Ariana Grande’s “Arianators” — have also reportedly engaged in doxxing or cyber harassment. Meanwhile, the practice has reared its head in connection with fraught political clashes in recent months, too.

Following Hamas’ October 7 attack on Israel and the ensuing invasion of Gaza, the conservative group Accuracy in Media deployed special vehicles retrofitted with large screens to multiple college campuses, including Columbia University and the University of Pennsylvania. The personal details of numerous students who signed a letter holding the Israeli government responsible for the conflict were plastered on the vehicles’ screens as a form of punishment. Following the trucks’ first appearance at Columbia in late October, the university joined forces with nearby Barnard College to launch a resource group aimed at safeguarding students and faculty from doxxing.

In a letter that month to students, a senior Columbia official called out doxxing directly. “This malicious activity, including the placement of trucks that circulate around our campus displaying pictures and names of our students, is aimed at intimidating our affiliates and sowing division within our community,” Keren Yahri-Milo, the dean of Columbia’s School of International and Public Affairs, wrote.

Why doxxing has proven so hard to control

Some countries, like Australia and the Netherlands, are weighing laws or have already implemented bans on doxxing. So, why have measures to prevent it in the US proven so elusive?

For starters, federal legislators in Congress haven’t succeeded in developing legal solutions for doxxing. Aside from a few specific groups like elected officials, members of the military, jurors or informants in federal investigations, most social-media users have no federal protection if their contact information is leaked, experts say.

In 2016, a Democratic congresswoman introduced a proposed law designating the publication of others’ personal information “with the intent to threaten, intimidate, harass, or stalk” a crime punishable by up to five years in prison. The bill never made it out of committee.

Without proving an intent to cause harm, most victims’ claims are dead in the water, experts note, even in states that have statutes addressing doxxing. Perpetrators can try invoking a variety of defenses — like pointing out that websites such as WhitePages or RocketReach make the phone numbers, email or home addresses, and family connections of millions of people widely accessible. It may be unethical to disseminate such information against someone’s wishes — but it’s not necessarily illegal.

And then there’s the freedom-of-speech argument. “One person’s doxxing might be another’s First Amendment right,” Sam Terilli, a former media law professor at University of Miami’s School of Communication and ex-general counsel at the Miami Herald, told The Hurricane. Plus, many doxxers are anonymous, obfuscating attempts to identify and charge perpetrators.

Further complicating the issue, doxxers’ techniques are rapidly metamorphosing, leaving decades-old laws from nascent eras of the Internet in desperate need of an overhaul. Terilli pointed to Section 230 of the 1996 Communications Decency Act, which essentially absolves publishers of responsibility for users’ content. The law has left the power to decide how to crack down on doxxing in the hands of Silicon Valley tech giants — not Washington watchdogs.

“The world has changed in the last 25 years, and it doesn’t make sense the way it’s currently written,” Terilli said of Section 230. “If you’re getting threatening or obscene phone calls and things are being sent to your house because you’ve been doxxed, that is a harm, and that too ought to be criminal.”

A clear strategy to end doxxing appears far off

Nationwide, there are signs that state and local legislators want to ramp up their efforts. In recent years, roughly a dozen states have adopted some form of anti-doxxing legislation.

In January, Tina Polsky, a Florida state senator, introduced SB-920 into the Tallahassee legislature. Sponsored by the ADL, the bill would build upon the Sunshine State’s criminal statute against cyberstalking — which could slap convicted doxxers with a fine up to $1,000 and a year behind bars — by enabling victims to sue alleged doxxers for damages in civil court.

But it appears unlikely that SB-920 will see the light of day. Polsky — a Democrat representing parts of Palm Beach and Broward counties — told the Hurricane via email she doubts the bill will pass, since it wasn’t heard by a committee before the legislative session ended this month.

As federal and state legislators play hot potato, people like Erick Louis, a 26-year-old content creator in Orlando, say their patience is wearing thin. Like Derisma, Louis became a victim of doxxing by the Barbz in late January after posting a 19-second video to his more than one million followers on TikTok. In the recording, circus music played in the background as lyrics from Minaj’s diss track scrolled on screen, and Louis made a series of disparaging faces.

After the video’s release, it didn’t take long for a deluge of threats and slurs — some of which Louis characterized as racist or homophobic — to flood in. Someone sent a pizza to his family’s house. The calls and FaceTime requests seemed endless, he said.

Louis said he reported the incident to a division of the FBI concerned with cyber crimes but added that he’s grown fed up waiting for action. (A spokesperson for the FBI declined to provide specifics on Louis’ claim, saying the agency’s policy is to refrain from commenting on any investigation that may be underway.) He blamed law enforcement’s apparent malaise on the idea that doxxing is just an extension of cyberbullying, as opposed to something more insidious. “That framing doesn’t properly emphasize the severity of doxxing,” he added.

Despite victims’ frustrations, a clear strategy to deal with doxxing appears far off. Not even digital-privacy experts are on the same page about exactly who should tackle it or how.

DeleteMe’s Gilmore doesn’t think social networks are up to the task by themselves. They’re sorely lacking content-moderation resources, he said, calling their anti-doxxing guidelines “mostly fluff” in practice. “In most cases, the policies are unenforceable because there are millions of people using these platforms,” he continued, adding that they don’t have enough administrators on hand to monitor everyone’s posts.

But Eva Galperin, director of cybersecurity at the Electronic Frontier Foundation, believes social-media companies can marshal stronger tech solutions against doxxing than lawmakers stymied by bureaucratic gridlock. Now is the moment for these companies to face the rising tide of doxxing head-on, she warned, since the problem is only getting worse.

“Normalizing this behavior and treating it as a ‘fans will be fans’ kind of thing is quite dangerous,” Galperin said. “These are actions that have real-life consequences.”

They’re consequences that victims like Derisma and Louis have experienced firsthand. And, until better solutions to end doxxing are in place, countless other social-media users like them will remain sitting ducks.

Miami women’s basketball head coach Katie Meier announces retirement

The winningest coach in Miami basketball history, Katie Meier, has announced her retirement after 19 seasons at UM.

Meier accrued 362 career victories with the Hurricanes while leading them to 11 20-win seasons, 10 NCAA tournaments, and the Elite Eight in 2023. Meier had four years left on her deal and will transition into a new role with the school as a special advisor to the Vice President/Director of Athletics.

“Nineteen years ago, I was offered my dream job to be the head coach of the University of Miami, and while I have absolutely loved living that dream, it is with a heart full of pride and gratitude that I announce my retirement from coaching,” Meier said in a Miami Athletics release. “Miami is an incredibly special place, and my journey here has been an honor and a privilege. Today is a day to celebrate and reflect on the amazing success that was achieved through collaboration with outstanding people.”

The first four years of her coaching career were spent at Charlotte, where she went to the 2003 NCAA Tournament. The rest of her head coaching years were spent in Coral Gables.

Meier was the longest-tenured head coach in the ACC and is one of just nine coaches to record more than 150 ACC wins. Her nine seasons with 20-plus victories rank 21st among all active head coaches and 12th among active Power Six Conference head coaches.

“Katie has done a remarkable job leading our women’s basketball program for nearly two decades,” Vice President/Director of Athletics Dan Radakovich said. “Her list of accomplishments speaks for itself, but her legacy extends far beyond the court. She has been an incredible ambassador not only for Miami basketball but for the sport of women’s basketball and for the University of Miami. We are excited to continue working with Katie as a member of the Hurricanes Family.”

Meier decided to retire and step into a new role within the program. Now, Miami is set to have a new coach for just the third time in 36 years. Meier will help the school focus on fundraising for women’s programs as well as being a mentor for many.

Meier poured her heart and soul into the Miami program and will still be in the building to provide support, just not as the head coach of the Hurricanes any longer.

Dorian Gonzalez Jr. walks it off again as Miami wins low-scoring thriller, 4-3.

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With runners on first and third with one out in the bottom of the ninth inning, Dorian Gonzalez Jr. stepped up to the plate looking to repeat his walk-off homerun from this Saturday that beat North Carolina. Unlike UNC, the ball only needed to travel a few feet as he dropped down a bunt that scored Blake Cyr to give the Hurricanes yet another walk-off win.

Stealing the show on both sides of the field tonight was Cyr. The sophomore began his day by doubling into the left-center gap on the first pitch he saw, driving in UM’s first run. Right after, in the top of the second, Cyr went full extension to make a diving grab in left field. Somehow, this was not his best defensive play of the night, as in the top of the seventh inning, Cyr leaped up and took a homerun away from FIU’s Ryne Guida. This was a vitally important play that kept the FIU lead at one.

The scoring was minimal on both sides, as offenses struggled to get anything going throughout the middle innings of this game. A big reason for this was both teams’ inability to drive in runners in scoring position (RISP), especially Miami. FIU was a poor 1-for-6 with RISP, while UM was just 3-for-13, including an inning where the bases where left loaded with no runs after the ’Canes loaded the bases with nobody out.

This time it was the hitting that came up short, but coming into this game, the Hurricanes were 1-3 in mid-week matchups with losses to FAU, FGCU and UCF, with pitching as the main culprit. Unreliable starting pitching has been the root issue causing these losses and the answer may have been found tonight.

Graduate student Drew Dwyer throws a pitch in Miami's 4-3 win against FIU on March 20, 2024 at the Cobb Stadium.
Graduate student Drew Dwyer throws a pitch in Miami's 4-3 win against FIU on March 20, 2024 at the Cobb Stadium. Photo credit: Sophia Metzner

Although Drew Dwyer started the game, Ashton Crowther had a lights-out performance and could be the midweek starter that the ’Canes turn to in the future.

Dwyer struggled immediately, as through three batters, he had already given up a run after an out and two consecutive hits. Dwyer managed to get out of the inning giving up two runs and was pulled from the game.

Crowther entered the game for Dwyer in the second and was almost flawless. He tossed five innings of no-run ball, only allowing two hits and striking out three Panthers along the way. These midweek losses are killing Miami’s hopes of entering the top 25 rankings, but Crowther may be the guy to find consistent success in the mid-week starting role.

After Crowther exited, Brian Walters entered the tied 2-2 ballgame. He got two outs with ease and looked like he was going to strike out the third, but with two strikes, Austin Dearing took Walters deep to give FIU a one-run lead.

Redshirt sophomore Lorenzo Carrier hits the ball against FIU in Miami's 4-3 win on March 20, 2024 at Cobb Stadium.
Redshirt sophomore Lorenzo Carrier hits the ball against FIU in Miami's 4-3 win on March 20, 2024 at Cobb Stadium. Photo credit: Sophia Metzner

Walters got two more outs in the eighth before closer Nick Robert entered to shut down the game even though it was not a save situation. Robert got his one out in the eighth and three more easy ones in the ninth, dominating as he has done so far this season, setting up UM for another walk-off opportunity.

While the offense was minimal from Miami, there were some good performances from a few hitters. Daniel Cuvet got back on track after a 0-for-10 weekend against UNC going 3-for-5 including an RBI double in the first. Jason Torres stayed hot going 2-for-3 with a walk. While not reaching via a hit a single time, Lorenzo Carrier had himself a nice day at the plate drawing three walks.

Next up, the Hurricanes will have its first road series of the season, as it will head to South Bend, Indiana to take on the Notre Dame Fighting Irish (12-8, 0-6 ACC). Gage Ziehl will likely man the mound on Friday afternoon, as Miami will look to keep its conference series steak alive. The first pitch will be at 4:30 p.m. at Frank Eck Stadium.

Lil’ Greenhouse Grill in Overtown serves soul food, gives back to the community

What started as a humble food truck in Historic Overtown has blossomed into a culinary hotspot. Lil’ Greenhouse Grill is celebrating a decade of delicious meals and also continues to serve as a beacon of resilience and community spirit.

From the beginning, Lil’ Greenhouse Grill has been more than just a place to eat. The restaurant actively contributes to the community by providing healthy meals for youth teams at Gibson Park, creating employment opportunities and circulating dollars locally with affordable, high-quality comfort food.

It has become a true community champion, embodying the essence of Overtown.

Chef Kareem Ryan, the mastermind behind Lil’ Greenhouse Grill, shared the restaurant’s commitment to sourcing fresh, local ingredients.

“We serve farm-to-table fresh vegetables, collard greens, all of our salads and actually, we use a farm that’s right here in Overtown for all of our leafy vegetables,” said Nicole Gaines, the restaurant’s managing partner and creative lead. “Our meat is specifically and specially butchered by Chef Kareem Ryan here in the restaurant, and we smoke and grill it right here, too.”

From the family-like hospitality to the cost efficient indulging soulful bites, personal experience at Lil’ Greenhouse Grill did not disappoint. The shrimp and grits, mac and cheese and collard greens were not only delicious, but also a testimony to what has made this spot a local favorite.

Beyond culinary excellence, Lil’ Greenhouse Grill prides themselves in providing a positive environment and job opportunities, especially for young Black men.

“It’s usually young Black men who are running from cops, carjacking, robbing, killing,” one loyal customer said. “But when you come here, when you go in the kitchen and see all these talented chefs, well-trained chefs, they’re doing something very positive. It just gives you hope.”

Supporting Black-owned businesses that face daily struggles is crucial. Ryan urges the community to be a part of the change and contribute to the positive transformation.

Celebrating Black history is not confined to February’s annual celebration of Black History Month. Rather, supporting local Black-owned restaurants like Lil’ Greenhouse Grill is a year-round commitment.

“How you can support is making sure that the good things that happen in neighborhoods like Overtown continue to get shared and the stories keep being told by you,” Gaines said.

Featured photo from lilgreenhousegrill.com

The can’t-miss parties of Miami Music Week 2024

Music duo Black Caviar performs live at Miami Music Week in March 2019.
Music duo Black Caviar performs live at Miami Music Week in March 2019. Photo credit: Felix Angel Blanco, CC BY-SA 4.0, via Wikimedia Commons

Miami Music Week is once again upon us. The week-long celebration of techno, house, and all other forms of electronic dance music has been a staple of Miami’s music scene for several decades now.

The 2024 iteration is no different, bringing in a load of talent that audiences can catch, even if they can’t make it to MMW’s crown jewel, Ultra Music Festival.

Here, ‘Canes looking to find a guide on this iconic week’s best parties can turn to this list of what to expect day-by-day.

Wednesday, March 20

Experts Only with John Summit at Factory Town

John Summit has quickly become one of the biggest names in EDM in the past few years. His meteoric rise is due in part to his ability to give some of the most refreshingly-unique sets at venues like Club Space and festivals like Electric Daisy Carnival. Now, Summit is bringing himself along with his Experts Only label to Factory Town on Wednesday, March 20.

Filth on Acid Showcase at M2

Techno label Filth on Acid is taking over the M2 as part of MMW, with award-winning Dutch DJ Reinier Zonneveld headlining the showcase and labelmates HI LO and Space 92 following with back-to-back sets. Bassheads will not want to miss out on this techno overload that is bound to go into the late night.

Afterlife at Miami Marine Stadium

Tale of Us, the DJ duo with roots who tie their origin all the way back to Milan, will bring its visually-stunning Afterlife show to the Miami Marine Stadium on Virginia Key. Having brought their show around the world for multiple iterations, now Miami gets the chance to experience two days of sensory-filled euphoric melodies and vivid imagery from Tale of Us, Camelphat, Adriatique, Anyma, Mrak and more. Don’t miss the chance to have this unique experience that aims to change lives this MMW.

Thursday, March 21

Chris Lake’s Black Book Records at Factory Town

Chris Lake’s Black Book Records is putting on a showcase of epic proportions with a stacked lineup at Factory Town’s Park Stage in Hialeah. The evening’s line up includes a headline set by Chris, including appearances from Airrica, Bonobo, Bontan, Cloonee, Cole Knight, Eliza Rose and Franklyn Watts.

Gorgon City: Enter the Realm at Oasis Wynwood

Come and “Enter the Realm” with Gorgon City as they take over Oasis Wynwood on Thursday, March 21 with support from Max Styler, Biscits, DJ Seinfeld, Azzecca and more. Gorgon City is set to bring one of the best dance experiences with their bass-driven house music combined with addictive vocal tracks. The open air space of Oasis will allow the duo and friends the perfect venue for their otherworldly house tracks.

Desolat at Floyd Miami

Loco Dice is bringing famed Puerto Rican producer Caleb Calloway, Yaya, Mahony and Cortes to Floyd Miami for an intimate night with the Desolat crew. Experience a late night of techno and house in the smaller club inside of Club Space grounds. Calloway is sure to bring some Latin flair to the experience, while Yaya aims to combine his African and Italian roots in a diverse combo of house music.

Breakaway Beach at SLS South Beach

Kaskade is headlining an amazing line up spearheaded by the Breakaway Music Festival, also at Hyde Beach. Added to the mix is club DJ duo Loud Luxury, along with superstar house DJs Wax Motif and Matroda. This is one of the most exciting parties to take place on Thursday, just one day before Ultra starts.

Friday, March 22

David Guetta and Cedric Gervais at LIV

If you need a fresh hit of nostalgia, David Guetta is headlining LIV on Friday, bringing special guest Cedric Gervais to the legendary Miami nightclub. Dance the night away to classics like “Titanium,” “Memories,” “Summertime Sadness” and more.

House of Wax at Mad Live

Australian house DJ Wax Motif is bringing his House of Wax labelmates to Mad Live in their first-ever MMW showcase. Partygoers can also expect epic sets from Westend, AYYBO, Crusy, San Pacho, Truth x Lies and Motif, the man in charge of the evening’s beats.

Saturday, March 23

OUR HOUSE at SLS South Beach

International DJ group MEDUZA will appear at Hyde Beach in the SLS South Beach hotel, bringing some of the more unique lineups to the showcase with band OneRepublic and famed local visual artist and DJ, Alec Monopoly. Monopoly is set to perform along with Solardo, while MEDUZA themselves are doing a back-to-back with James Hype.

Fisher and The Martinez Brothers at Club Space

Fisher is playing an early Sunday morning set at Club Space for those who love to stay up late and groove into the next day. Following his set are back-to-back performances between The Martinez Brothers and Loco Dice that promise to party into the early afternoon.

UM students dress for success as First Gen Canes Professional Closet event returns

Ranging from shirts and pants, to skirts, dresses and accessories, First Gen Canes is bridging gaps one stitch at a time to build a better future for first generation students at the University of Miami.

Collaborating with Empower Me First and Bake Back America, the organization will be hosting the Second Annual Professional Closet Event scheduled on Friday, Mar. 22, from 12 p.m. to 4 p.m. at Lakeside Pavilion.

“The Second Annual Professional Closet Event is crucial because it offers another chance to provide much-needed resources to UM first-generation students,” FGC Special Events Chair Zina Martinez said. “It’s an opportunity for First Gen ‘Canes to demonstrate our commitment to bridging gaps between disadvantaged and privileged individuals in our pursuit of equity.”

Offering clothing for all first generation students, attendees can choose from a wide variety of business attire.

Sourced from individual donors, organizations and businesses, collaborators like Bake Back America and Empower Me First help to provide their support alongside First Gen Canes through their donations.

“Bake Back America’s Students Helping Students program aligns with the mission of providing resources to first-generation students,” Martinez said. “Each organization plays a role in contributing resources, expertise and support to ensure the success of the Professional Closet Event.”

First Gen Canes has also partnered with the Toppel Career center to offer support for professional success beyond the donations, including resume-building workshops, interview preparation tips and information on internship and job opportunities.

Representatives at the event will be available to provide additional resources and opportunities for students.

Since the organization was founded in 2022, they have become a source for community support and empowerment for those that do not have access to resources or guidance in a professional setting.

The Professional Closet Event aims to foster confidence and a sense of belonging, addressing the needs of students who are facing barriers in the professional world.

“First Gen Canes really allows students at University of Miami to stand with their heads held high, and motivates them to achieve bigger and better things in life,” external co-vice president of First Gen Canes, Brenis Bostick said. “Equipped with the necessary tools, we can alleviate another obstacle for first generation college students.”

Providing mentorship, career resources and valuable networking opportunities First Gen Canes is addressing the tangible needs of first generation students on campus and serves as a reminder that everyone deserves equal opportunity to achieve professional success.

“As a first generation student, navigating the ins and outs of college life already presents challenges,” Bostick said. “Events like these help to ease the stress of college students, and we will continue to hold them so long as there is a student in need.”

First Gen Canes hopes to continue promoting community, connection and communication in the future through collaborating with more organizations and incorporating additional support services.

The organization also plans on expanding these resources to high school students to provide access to mentorship and guidance for future first generation college students.

“Coming from a family unfamiliar with professional environments, it took my college experience to realize the importance of our external image,” Martinez said. “Fortunately, resources like the Professional Closet provide the chance to reshape perceptions and ensure that skills and knowledge won’t be discounted based on appearances.”

Gallery: Miami men’s tennis defeats UTSA

Miami men’s tennis team snagged a 4-1 win over the University of Texas at San Antonio on Feb. 23, 2024. Here’s a look back at the action:

Sophomore Sam Baumgartner hits a powerful forehand at the Schiff Tennis Center on Feb. 23, 2024.
Sophomore Sam Baumgartner hits a powerful forehand at the Schiff Tennis Center on Feb. 23, 2024. Photo credit: Trevor Castleman
Graduate student Vladislav Melnic celebrates after winning a point during his singles match against UTSA's Alan Magadan at the Neil Schiff Tennis Center on Feb. 23, 2024.
Graduate student Vladislav Melnic celebrates after winning a point during his singles match against UTSA's Alan Magadan at the Neil Schiff Tennis Center on Feb. 23, 2024. Photo credit: Alexandra Fisher
Senior Adrian Burdet makes a leaping backhand return at the Schiff Tennis Center on Feb. 23, 2024.
Senior Adrian Burdet makes a leaping backhand return at the Schiff Tennis Center on Feb. 23, 2024. Photo credit: Trevor Castleman
Head Coach Aljosa Piric watches his players against UTSA at the Neil Schiff Tennis Center on Friday, Feb. 23, 2024.
Head Coach Aljosa Piric watches his players against UTSA at the Neil Schiff Tennis Center on Friday, Feb. 23, 2024. Photo credit: Jason Hill
Sophomore Antonio Prat yells in celebration after winning his match against UTSA's Tomas Pinho at the Neil Schiff Tennis Center on Feb 23, 2024.
Sophomore Antonio Prat yells in celebration after winning his match against UTSA's Tomas Pinho at the Neil Schiff Tennis Center on Feb 23, 2024. Photo credit: Alexandra Fisher
Graduate student Vladislav Melnic hits a forehand during his singles match against UTSA's Alan Magadan at the Neil Schiff Tennis Center on Feb. 23, 2024.
Graduate student Vladislav Melnic hits a forehand during his singles match against UTSA's Alan Magadan at the Neil Schiff Tennis Center on Feb. 23, 2024. Photo credit: Alexandra Fisher
Graduate Vladislav Melnic celebrates winning a set in a singles match at the Schiff Tennis Center on Feb. 23, 2024.
Graduate Vladislav Melnic celebrates winning a set in a singles match at the Schiff Tennis Center on Feb. 23, 2024. Photo credit: Trevor Castleman
Sophomore Antonio Prat lines up a forehand shot during his match against UTSA's Tomas Pinho at the Neil Schiff Tennis Center on Feb 23, 2024.
Sophomore Antonio Prat lines up a forehand shot during his match against UTSA's Tomas Pinho at the Neil Schiff Tennis Center on Feb 23, 2024. Photo credit: Alexandra Fisher
Graduate Student Vladislav Melnic gets ready to serve in his singles match against UTSA at the Neil Schiff Tennis Center on Friday, Feb. 23, 2024.
Graduate Student Vladislav Melnic gets ready to serve in his singles match against UTSA at the Neil Schiff Tennis Center on Friday, Feb. 23, 2024. Photo credit: Jason Hill
Graduate Vladislav Melnic reacts to a tense situation in a singles match at the Schiff Tennis Center on Feb. 23, 2024.
Graduate Vladislav Melnic reacts to a tense situation in a singles match at the Schiff Tennis Center on Feb. 23, 2024. Photo credit: Trevor Castleman
Sophomore Nacho Serra Sanchez hits a serve during his single's match against UTSA on Feb. 23, 2024, at the Neil Schiff Tennis Center.
Sophomore Nacho Serra Sanchez hits a serve during his single's match against UTSA on Feb. 23, 2024, at the Neil Schiff Tennis Center. Photo credit: Alexandra Fisher
Sophomore Antonio Prat celebrates winning a set in a singles match at the Schiff Tennis Center on Feb. 23, 2024.
Sophomore Antonio Prat celebrates winning a set in a singles match at the Schiff Tennis Center on Feb. 23, 2024. Photo credit: Trevor Castleman