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UM volleyball put away by Florida State in 3-set sweep

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Miami volleyball fell victim once again to the Florida State University Seminoles in its straight-set loss at the Knight Sports Complex Sunday afternoon. Fans dressed for the white-out game and packed the stadium to capacity to watch the rivals compete in hopes of a Miami win.

FSU set the tone for the matchup just days prior when it pulled out a close win in Tallahassee, but even with the electric crowd and home court advantage, the ’Canes (9-4, 0-2 Atlantic Coast Conference) were unable to secure a win of their own.

While both teams were neck and neck for the entirety of the first set, Miami’s performance was always one step behind Florida State’s. The Seminoles (10-2, 2-0 ACC) dominated the court with their blocking power and created a boundary that Miami was unable to cross.

Even through the loss, Flormarie Heredia Colon dazzled the crowd once again with 16 kills, eight digs and 17.5 points in just three sets. She also tallied a hitting percentage of 0.343, making her an asset for the team’s success both in this game and throughout the season.

After a messy second set, a comeback seemed unlikely, and the hope of the fans began to deflate. The Hurricanes rallied for the lead late in the third set, but FSU remained calm and claimed its victory with a final set score of 27-25.

There was major intensity on both sides of the court, making the game interesting and highly competitive, but Miami was once again bested by the Seminoles. If the Hurricanes are going to be successful in ACC play, they’ll need to bounce back from these two losses to their in-state rival.

The ’Canes head to the road next to face Virginia Tech on Oct. 4.

Hurricanes Soccer falls to Cal to close out west coast weekend

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After a narrow defeat at the hands of Stanford on Thursday night, the Miami Hurricanes soccer team (3-5-2) was unable to end their West Coast trek with a victory, falling to the California Golden Bears (10-1-2) by a score of 3-2.

With a 1 PM Pacific Time kick in Berkeley, where the Hurricanes football team will square off with Cal football next Saturday, the ’Canes got off to a blazing start. With two corner kicks in addition to three shots in the match’s first eight minutes, it looked like the ’Canes may take control early. However, they were unable to convert any of these opportunities, and Cal would make them pay with a goal to open the scoring in the 21st minute. 

This lead, however, would not last for long. Star freshman midfielder Giovana Canali received a pass from teammate Kyla Gallagher and tied the game in the 26th minute off a turnover. Canali had two goals on the day, which marks the second occasion of the 2024 season where she had multiple goals in one game.

Before the break, Cal’s Julia Leontini was able to put her team ahead once again, with her second goal of the season coming in the 41st minute to put the Bears up 2-1 at halftime. 

Miami used the deficit as a chip on their shoulder, and they came out in the second half with something to prove. They dominated the first 20 minutes of possession, and eventually Canali found her second goal of the game in the 68th minute. Off of a pass from Ciara Alarcon, Canali recorded her seventh goal of the season and tied the game.

In the 77th minute, the ’Canes once again faltered and allowed a goal from the Bears, this time from Malia McMahon who notched her first goal of the season. 

Although the ’Canes were relentless trying to draw even in the final moments of the match, they were unable to do so. Head Coach Ken Masuhr was pleased by the effort of his team but noted that the team needs more than just moral victories. 

“I mentioned on Thursday that this team was capable of a result, and coming back twice with two goals shows that,” Masuhr told Hurricane Athletics postgame. “However, wanting to get a result and doing what is required to actually earn one is still something that this team is learning. This team is scoring goals and they fight nonstop, but games are won and lost inside the 18-yard box, and at the moment we are not decisive or disciplined enough in defending ours and that needs to change.” 

With a return to Coral Gables in sight, Miami fans can look to the evident progress from the team as a potential sign of future victories to come. The Hurricanes’ next outing will be on Thursday, October 3, as they are set to duel with the Virginia Tech Hokies in an Atlantic Coast Conference clash. Kickoff is set for 8 PM Eastern Time at Cobb Stadium.

A look at the Miami women’s basketball schedule

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In just over a month, the University of Miami women’s basketball team will hit the hardwood, and the team recently announced its ACC schedule for this season.

In a late-December trip to Hawaii for the Maui Classic, Miami will face Nevada and Oregon State. The Hurricanes will also take a trip to Gainesville to face Florida in November. Those are just some of the highlights of the early season non-conference schedule.  

Going into conference play, the ’Canes cannot take any game lightly, as they went 8-10 during last season’s ACC schedule.

Miami begins ACC play on the road at Pittsburgh on Sunday, Dec. 15. After the Hawaii tournament, it will come home to the Watsco Center to face North Carolina on Dec. 29. This will mark its first of nine home ACC games.

The Hurricanes will have their work cut out for them, as they have a three game stretch where they will face the top teams from the ACC last season. This stretch starts in Louisville on Jan. 2, is followed by a home duel with Virginia Tech on Jan. 5 and is concluded with a trip to Syracuse, New York on Jan. 12.

Miami will play Notre Dame – a team that made it all the way to the Elite Eight in last season’s NCAA tournament – at home on Feb. 20.

To end the season, Miami will make the cross-country trip to California to play two new ACC teams: Stanford and California. The Stanford game will be played on Feb. 27, and the Cal game on Mar. 2.

After losing in the quarterfinals of last season’s ACC tournament and not qualifying for the NCAA tournament, Miami will look to rebound in Tricia Cullop’s first year as head coach. 

To help with this, Miami brought in ​​Natalija Marshall, a graduate student transfer from Notre Dame who had eight multi block games last year. Cameron Williams is another new face on this Miami team. The graduate student transfer from Michigan started in all 34 games last year and scored in double digits 12 times last season. The Cavinder twins are also back; they are a major reason why the program made a deep run in the 2023 NCAA Tournament.

Miami kicks off its season in just over a month at the Watsco Center against Stetson on Nov. 4.

FULL ACC SCHEDULE:

Dec. 15: at Pittsburgh 

Dec. 29: vs. North Carolina

Jan. 2: at Louisville

Jan. 5: vs. Virginia Tech

Jan. 12: at Syracuse 

Jan. 16: vs. Boston College

Jan. 19: at Florida State 

Jan. 23: at Clemson

Jan. 26: vs. SMU

Jan. 30: vs. Virginia

Feb. 2: vs. Georgia Tech

Feb. 9: at Duke

Feb. 13: at North Carolina State

Feb. 16: vs. Florida State 

Feb. 20: vs. Notre Dame

Feb. 23: vs. Wake Forest

Feb. 27: at Stanford

Mar. 2: at California

Sims: ’Canes vanquish ghosts of Miami’s past in dramatic Virginia Tech win

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As Virginia Tech Hokies wide receiver Da’Quon Felton mocked Miami quarterback Cam Ward’s viral touchdown celebration after officials ruled the last-second heave from VT quarterback Kyron Drones, this felt like it was going to be déjà vu for Miami. 

Another year, another disappointing year for Hurricanes football. So much hope, so much anticipation, only to be undone in a week 5 home game against an ACC program that the ‘Canes should have soundly defeated. 

We’ve been here before. A very similar situation unplayed in Miami Gardens in week 5 last season, when the Hurricanes let the Georgia Tech game slip due to a poor coaching decision from Mario Cristobal. 

Tyler Rowe had come out of the pile with the ball, but the referees called it a touchdown on the field, and there was not clear enough evidence to overturn the play. Minutes felt like years as the officials looked over the play. The dread of the tension of this call by the officials sat in the air at Hard Rock Stadium. What felt like heartbreak for the ’Canes seemed inevitable. 

Except it wasn’t. 

The head official overturned the call, and Miami emerged victorious. What a turn of events. Miami failed to execute on numerous occasions. The ’Canes were begging the Hokies to put the game away. UM was favored by as much as 19.5 points heading into this contest. Tech was talented, but Miami was supposed to be far superior. 

The ’Canes I know would have lost that game. They would not have clawed back and fought back to win a tough ACC game at home. At the first sign of things not going their way, they would have bowed out and another year of disappointing UM football would have followed as too many South Floridians are used to. 

But in the words of Herb Brooks, not tonight. The ’Canes showed something I haven’t seen in a long time from them – heart. Led by their Heisman quarterback candidate Cam Ward, who played his worst game of the season on Friday, Miami battled. 

“This team over the last 20 years lost a game like this,” Cristobal said to reporters. “This team found a way to win. People can take that however they want. I’m proud of the effort. I’m not proud of the way we coached and played. But, sometimes, you’ve just got to find a way to find a W. And we found a way to win.”

The game turned on a critical holding penalty on Miami left tackle Markel Bell, who was filling in for Jalen Rivers. Ward found wide receiver Jacolby George in the back of the endzone, which would have made the score 21-7 in favor of the Hurricanes early on in the second quarter. 

Instead, on the next play, Ward tossed an interception, and the Hokies went on to score 17-straight points to make it 24-17 at the half. 

Ward came into this game with two turnovers to his name through the first four weeks of the season. The fifth-year senior ended the game with three turnovers: two interceptions and a fumble. Tech was able to capitalize on these mistakes from the ’Canes on the fumble on the first drive and the interception in the red zone in the second quarter and turn it into 14 points. 

Miami played its sloppiest game of the season on both sides of the ball. The offense seemed to miscommunicate on key play calls as Ward was sacked, threw the ball away or was intercepted far too often. The running game was not as explosive as it had been. 

The defense was undisciplined and missed a plethora of tackles. Through the first four weeks, the Miami defense missed a combined 22 tackles. Against the Hokies, UM missed a whopping 21 tackles. The U pressured Drones 31 times but were only able to put him on the ground once. 

Hokies running back Bhayshul Tuten tore up Miami’s defense. The senior torched the Hurricanes to the tune of 141 yards on 14 carries, including a backbreaking 55 yarder that led to his only score of the night where Miami’s defense looked pedestrian. Drones was able to make plays with his legs too, scrambling 10 times for 43 yards. 

“We overcame a lot of stuff — a lot of self-inflicted issues,” Cristobal said. “It certainly wasn’t our best performance. But when you play conference (opponents), expect it to be playoff football.”

Some stellar efforts brought Miami back and ultimately allowed it to win this game – something that would not have happened in years past. Cristobal mentioned that he did not need to say anything to motivate his group at halftime; the players knew. 

In the third quarter, after Ward’s second interception, tight end Elijah Arroyo chased down the ball carrier from the opposite side of the field in order for the interception not to be returned for a touchdown. 

The Hurricanes’ defense was then able to hold the Hokies, and defensive end Malik Bryant was able to stop a fake field goal attempt from Tech that swung momentum back in Miami’s favor. 

“I just saw an opportunity, and I knew the team needed a stop,” Bryant said. “Glad I was in a position to make a play, but it’s a team effort, always.” This kind of mentality is always something that has been preached at The U, just rarely seen in action.”

While Ward struggled with turnovers, he still made plays when it mattered. Driving late in the fourth, down three points, facing a blitz from the Hokies, Ward evaded two separate potential sacks and was able to flip the ball to his tight end, sophomore Riley Williams, who took the ball near the goal line and set up the Hurricanes to take the lead. 

While the game ended with controversy, this play will be on all of the Ward Heisman highlight reels if he is indeed on his way to New York for the ceremony in December. 

This is a game Miami teams of old would have lost. Whether you think that the refs made the right call at the end of the game, the fact that the ’Canes were even in a position to benefit from a controversial call speaks volumes to how far this team has come and the spirit inside the locker room. 

A win is a win. Start brewing your coffee for next weekend’s 10:30 p.m. kickoff against California.

Students react to HP homecoming concert artist announcement

American singer-songwriter Olivia O’Brien and musical trio Cheat Codes will take the stage at Watsco Center for the annual homecoming concert on Oct. 24 at 8 p.m., Hurricane Productions announced at the football game on Friday.

Simultaneously, HP Concerts, a committee within the student programming board, posted a video announcement to their Instagram page (@hp_concerts) with the caption,” Did we say artist? WE MEANT ARTISTS!”

“What we’re most excited about is the production that students can expect this year,” Hurricane Productions told The Hurricane. “We are going to boost the Watsco feel with lasers and much more elevated production than students have seen in the past.” 

A week before the announcement, the HP Concerts page began posting emoji hints on their page. In the comment section, students guessed artists like the Jonas Brothers, Chappell Roan and Ross Lynch. 

Online, students expressed disappointment. Students took to the comment section, saying things like “Who are they?” and “This must be a joke.” After about an hour it was posted, HP concerts turned off their comments.

However, for Caleigh Russo, a senior at UM studying journalism, this artist choice, specifically Cheat Codes, perfectly encapsulated Miami’s “vibe.”

“I think it’s more about finding someone that matches the vibe of Homecoming, and I think Cheat Codes matches that vibe perfectly,” Russo said. “There’s no better way of encapsulating the school spirit than dancing your heart out in Watsco.”

Cheat Codes is a Los Angeles-based electronic music trio known for blending pop, dance and EDM influences. Consisting of Trevor Dahl, KEVI (Kevin Ford), and Matthew Russell, the group gained international recognition with their 2016 hit single “Sex” featuring Kris Kross Amsterdam. 

Since then, they’ve continued to dominate charts with tracks like “No Promises” featuring Demi Lovato and “Feels Great” featuring Fetty Wap. Known for their catchy melodies and energetic beats, Cheat Codes has made a name for themselves in the dance-pop world, collaborating with top artists and performing at major festivals worldwide.

Olivia O’Brien is a pop singer-songwriter known for her heartfelt lyrics and candid approach to music. She first gained recognition with her 2016 hit “i hate u, i love u” featuring Gnash. 

Since then, she has released multiple projects, including her debut album “Was It Even Real?” (2019) and “Episodes: Season 1” (2021), which explore themes of love, heartbreak and self-discovery. With her relatable music, Olivia has built a loyal fanbase and continues to be a standout voice in the pop music scene.

Follow @hp_miami and @hp_concerts on Instagram to stay up-to-date on concert details like ticket sales and floor passes.

Frost vocalist Nicole Acosta’s journey to performing for Joe Biden

Nicole Acosta’s love for music led her to some of the nation’s biggest cities, from New York to Los Angeles. Starring in musicals and game shows made her dreams into reality.

After performing for Joe Biden in front of numerous international leaders, Acosta realized she had to start dreaming bigger.

The journey to the big leagues

Nicole Acosta started as a singer. Encouragement from the junior’s piano teacher when she was in elementary school led her to a vocal coach. What started as humming along to piano notes became singing in front of the president.

“After that, I never stopped,” Acosta said. “That was the catalyst and what got me into singing.”

At Miami Arts Studio, Acosta opted to first start studying theater instead of vocals. She joined Phil Collins’ Little Dream Foundation at 10-years-old to practice drama.

The foundation sponsors children from around the world to support their athletic or artistic dreams. When the famous musician heard Acosta sing “Defying Gravity” from “Wicked,” he knew she was a prodigy he couldn’t ignore.

Collins invited her to join the foundation and sing alongside him at the annual gala. That was her first taste of stardom.

Going into highschool, she transitioned into studying musical theater to combine her love for acting and singing. Her teachers motivated her to immerse herself in the story and let the vocals come naturally.

“I’m a perfectionist, so I worry about the notes,” Acosta said. “They really helped me get out of my head and enjoy the performance and tell the story.”

Acosta’s ambition drove her to endlessly audition for singing competitions and musical theater roles. The answer she often got was, ‘no.’ Doubt about her career began to creep in. 

“Sometimes you’re like, ‘Should I even be doing this?,” Acosta said.

A couple years into high school, her faith was answered. In a time of ‘no’s, producers from American Idol reached out to her and told her to audition for their upcoming season. She was brought to the show and awarded a golden ticket to go to Hollywood.

“There’s always a moment where you’re doubting yourself before something huge comes,” Acosta said.

Acosta competed rigorously in the Hollywood Week portion of the competition, but didn’t get the platinum ticket to go to the next round. Nonetheless, she walked away as one of Miami’s up-and-coming artists.

Her defining moment 

She returned as a local celebrity. Her acclaimed performances helped Acosta get the lead role as Gloria Estefan in the first high school production of UM alumna Estefan’s biographical musical, “On Your Feet.”

On the night of the local show, Acosta anxiously prepared backstage. Her teacher then thanked the audience and Gloria and Emilio Estefen for attending.

She pushed her anxieties to the side and stepped on stage transformed into Gloria, capturing the heart of the Estefans watching from the audience. 

“In the back of my head, I was thinking that the Estefans were there for the first few numbers. But, then after, I was just playing the character,” Acosta said. 

During intermission and after the show, the Estefans approached Acosta to applaud her performance. Gloria hailed Acosta’s performance as her favorite, telling a star-struck Acosta that she was ready for the big leagues. 

Emilio Estefan then brought her to a Miami Marlins baseball game to sing the Cuban national anthem. Her jaw-dropping vocals in the 37,000 capacity seating arena proved to Emilio she was ready to tackle an audience even award-winners struggle to get. 

The next big thing

The Summit of the Americas is an annual gathering of North and South American leaders. In an attempt to wow foreign leaders, Emilio elected Acosto to sing at the summer 2022 summit, the first one hosted by the United States since 1994.

“It’s always a surprise,” Acosta said. “I never know what I’m waking up to.”

She rehearsed in the Los Angeles Microsoft Theater days before the event. On the day of, once Vice President Kamala Harris finished speaking at the summit, Acosta took her place on stage to sing “One World, One Prayer.”

She recalled her encounter with President Joe Biden on stage.“He went up to me and introduced himself to me and shook my hand,” Acosta said. “I did not expect that.”

In her first semester at the U, producers from FOX’s new singing show “I Can See Your Voice” gave her a spot on their inaugural roster. She sang to see if the contestants and celebrity judges could guess if she was using her real voice or lip-syncing.

Acosta was flown out to Atlanta to rehearse her songs and get ready for the live performance. “It didn’t feel real,” Acosta said. 

A contestant incorrectly guessed Acosta was lip-syncing, which led her to perform Elvis’ “Can’t Help Falling In Love With You.” Acosta’s vocals made the live audience gasp.

The host, comedian Ken Jeong, personally told Acosta this won’t be her last time on TV.

“That one was one of my favorites that I’ve done so far because the crew and everyone was so nice,” Acosta said. “It’s a celebration of talent rather than a competition.”

What’s next?

In the middle of all the incredible opportunities, Acosta takes time to produce and write her own music. She anticipates releasing multiple singles this fall. She also gives back to the community that trained her, giving vocal lessons to students at Miami Arts Studio in her spare time.

She remained hungry for more eagerly traveling to New York City for Broadway callbacks. Last summer, she flew to New York as a finalist to play the role of Lydia Deetz in “Beetlejuice The Musical” on the national tour.

“I love it all,” Acosta said. “Whatever I can get to really pursue first, I’ll go with that.”

Acosta encourages up-and-coming singers to be present in the moment and have faith that the next big opportunity is right around the corner. 

“Enjoy where you are at right now and keep working hard,” Acosta said. “You’re never going to enjoy the opportunity that you have at the moment if you keep thinking about the next big thing.”

Is true crime too fictionalized? Unpacking the ‘Monsters’ controversy

“How demoralizing is it to know that one man with power can undermine decades of progress in shedding light on childhood trauma,” Erik Menendez said about Ryan Murphy’s “Monsters: The Lyle and Erik Menendez Story.” 

The limited series debuted on Netflix on Sept. 19 and stirred controversy almost immediately. The show is a true crime biopic centered around the Menendez brothers, who were convicted of murdering their parents in 1996. 

In a heavily televised trial, the brothers revealed disturbing truths of their parents’ abusive acts towards them, sparking public intrigue.

Murphy, the creator of “Glee” and “American Horror Story,” announced this project as a follow up to its predecessor, “Dahmer – Monster: The Jeffrey Dahmer Story.” “Dahmer” faced similar backlash due to Murphy’s portrayal of the infamous serial killer and his victims. 

Family members of the victims denounced the “Dahmer” series for the exploitation of their relatives’ deaths.

“It’s sad that they’re just making money off of this tragedy,” said Rita Isbell, sibling of Errol Lindsey, one of Dahmer’s victims.

Despite this, “Dahmer” smashed expectations in its opening weeks. It got one billion views in its first 60 days on Netflix and garnered critical acclaim, receiving 13 nominations at the 2023 Emmys with Niecy Nash-Betts winning best supporting actress in a limited series.

With this recent uptick in true crime documentaries and biopics being released, concerns have been raised about the glorification and dramatization of these tragic events. At the forefront of this discussion is Erik Menendez.

“I believe Ryan Murphy cannot be this naive and inaccurate about the facts of our lives so as to do this without bad intent,” Erik Menendez said.

Menendez condemned Murphy and Netflix for the portrayals of himself and his older brother, Lyle. He said that the series had neglected the seriousness of their trauma, taking “the painful truths several steps backward.”

Murphy responded to Menendez with E! News, saying, “We show many, many, many perspectives. That’s what the show does in every episode. You are given a new theory based on people who were either involved or covered the case.”

Ultimately, this discussion has raised questions about the artistic liberty showrunners are given when dramatizing peoples’ stories. 

Murphy, known for his boundary-pushing content, has taken a large role in this trend, and continues to do so.

UM students echoed the conflict between entertaining content and the truth.

“I loved the show, but I know people are saying it’s not an entirely accurate portrayal,” freshman School of Communication student, Jenna Simone, said. “The actors did amazing, it was a perfect cast lineup, and I really do wanna see them in more films in the future.”

Lulu Obell, a freshman majoring in Biomedical Engineering, referred to the show as an “emotional watch,” because of the structure, displaying multiple theories about the brothers from those involved. She said the show “sacrifices accuracy for entertainment.”

“He made the show for entertainment and defamed two victims in the process,” she continued. “Ryan Murphy never met the brothers. He said in an interview that he never intends to and that’s enough. That tells you how much he cared about being accurate or sharing the truth about their story.”

Presently, in tandem with “Monsters,” Murphy has released “American Sports Story: Aaron Hernandez,” focusing on the former Patriots star who was involved in a string of murders, which has received similar criticism regarding a lack of substance.

Although criticized for the content, both of Murphy’s new projects have received positive feedback towards the performances of the actors.

Netflix is set to release a documentary on Oct. 7 about the Menendez case, which will focus more on the events themselves rather than a melodramatic recreation of them.

In addition to the docuseries, “Monsters” was greenlit for another season focusing on serial killer Ed Gein. Production is slated to begin this coming month.

With the public’s commentary on the current season, viewers hope to see a more accurate account of the events, with more sensitivity to the victims and their families. 

While true crime has and will continue to play a major role in the entertainment industry, the approach to how these stories are told is in need of a change.

Club Space returns after months of renovation

Miami’s iconic Club Space celebrated its highly anticipated reopening last Thursday. Club Space closed in May 2024 for renovations and officially reopened on Sept. 17. The grand reopening featured an exciting lineup of four different DJs — Peggy Gou, John Talabot, Alinka, Ms. Nada and Sister System. 

The nightclub posted its reopening announcement on Instagram, and tickets for the weekend sold out in under 30 minutes.

“I found out they were reopening through their Instagram and I was lucky enough to see their post 6 minutes after it was posted,” Aris Montero, a senior studying creative advertising, said. “I FaceTimed my friend Josh Abel and got tickets immediately because we both love house music and Club Space.”

Adding to the excitement was the celebrity appearance of famous Miami influencer, Alix Earle. Her presence at Club Space was particularly anticipated by University of Miami students and fans. 

The anticipation began just hours before her arrival, as she posted two TikToks of her process of getting ready to go out for the night: “GRWM Night out in Miami” and “OOTN Night in Miami.”

“We may be out tonight until the sun rises. Club Space is open in Miami again,” Earle said. 

UM students had the chance to meet Earle at Club Space both on the dance floor and even in the restroom. Fans eagerly took pictures with her and shared them on social media, granting Club Space even more attention. 

Unlike other clubs in Miami and like Earle said, Club Space is notorious for late night parties that go into mornings, afternoons and evenings that follow. This distinction keeps clubgoers coming back.

One of the club’s most standout features is the iconic upper terrace which has a transparent, retractable roof that opens to the sky. This allows clubgoers to watch the stars transition to sunrise as they dance and enjoy the music on the dance floor.

The excitement didn’t stop with Earle’s appearance; the hype continued on Sept. 22 when well-known Australian DJ Fisher took the stage. 

Fisher is beloved by many in the Miami music scene, as he has performed at Ultra Music Festival in Miami multiple times. His set on Sunday began at 5 a.m. and lasted until 11 a.m. 

“Fisher’s set was so good, and it was totally worth staying up. It was cool to see him perform in a smaller, more informal setting,” Brooke Wolkowicz, a UM student on the pre-dental track, said.

On that morning, the roof then opened to reveal a beautiful sunrise that lit up the club. 

The reopening of Club Space marks a revitalization of Miami’s nightlife. With its commitment to hosting well-known DJs, special events and having celebrity appearances, Club Space is set to be a hotspot for both locals and visitors. For more information, follow @club.space.miami on Instagram, @clubspacemiami on X, or visit their website, clubspace.com.

Don’t forget about Isaiah Horton in Miami’s wide receiver room

At the beginning of the season, the Hurricanes had three of their receivers named on the preseason watch list for the Fred Biletnikoff Award, awarded annually to the nation’s top pass catcher, and Isaiah Horton wasn’t one of them.

Horton is second in both receiving yards and receptions for the Hurricanes this season. The redshirt sophomore has put up impressive numbers in nearly every game this season, yet there’s been little buzz around him outside of Coral Gables. 

With talented teammates and a Heisman-worthy quarterback, Horton has to make the most of the limited opportunities thrown his way. This season, he’s done just that, doubling his production from his first two seasons by totaling 22 receptions for 312 yards and two touchdowns with a 14.2 yards-per-catch average through five games.

Despite not receiving the same recognition, Horton’s commitment to his teammates and their success highlight the depth of talent in Miami’s wide receiver room and his determination to rise alongside them. 

“I just want to keep getting better with my brothers … I just want to push them to be as great as they can,” Horton said after Miami’s win over the University of South Florida (USF). “I want them to push me to the best of my limit, and I just want to push all my teammates to be the best they can be. I want to work with them. I want to be out there together, and I want us to all shine. I want them to shine before I can.”

Horton had his best game of the season so far against USF, with a career-high performance of 108 yards, eight receptions and one touchdown. Horton showed off his ball skills with a 29-yard pass from redshirt senior quarterback Cam Ward late in the third quarter. 

This past week, in Miami’s close battle against Virginia Tech, he was a key component to their win, despite having a quieter game statistically. While he only had three receptions for 34 yards, Horton scored the game-winning touchdown late in the fourth quarter. Then, on the very next drive, he joined the field with the defense – eventually emerging with the ball seconds after Tech’s attempted game-winning pass to prove Miami’s win. While there was additional confusion about the play after that, it’s clear now Horton was vital to the last-minute victory.

Excelling at multiple positions is not an easy feat. Horton’s ability to perform all around the field is a testament to his consistency and versatility, especially when performing without the same level of attention as other players. 

“He’s always been a hard worker,” Hurricanes coach Mario Cristobal said to reporters. “And he’s another guy that’s really, really hungry for more.” 

While Horton has been exceptional, credit must also be given to Ward, as almost every pass catcher on the team has caught at least one pass from him. Ward is quick to recognize his receivers’ hard work, even going so far as to say their dedication to the game motivates him. 

“He’s made big strides since I got here,” Ward said to reporters when asked about Horton. “That boy’s a ball player. He lives in the film room with me. That’s all he wants to do is go to class, play football and watch film. He makes me want to play better.” 

Miami’s wide receiver room is strong and dynamic, building off each other’s energy. There have been three games this season where a different receiver has led the team in receiving yards, with Horton shining in their win against USF. 

“That just goes to show you how unselfish we’re playing right now,” said Restrepo, a fifth-year senior who leads the team in receiving yards, to the media. “And it shows you how dangerous our offense is.” 

Ultra 2025 headliner Zedd on “Telos,” his album a decade in the making


World renowned DJ and producer Zedd was just announced as part of the lineup for Ultra 2025, where he’s expected to showcase his third studio album, “Telos”. Released after almost a decade since his last album, “Telos” promises to transform Ultra into an immersive audio-visual spectacle, blending genres and pushing the boundaries of live electronic music performance.

The concept album features John Mayer, Bea Miller, Muse and Remi Wolf, all of whom brought their own sound to the concept album. 

Zedd had been accumulating these songs that were more geared towards his personal taste and vision for the last decade. He then found them a home in “Telos”. 

Unlike his past albums “Clarity” and “True Colors”, “Telos” is designed as a cohesive musical journey, perfectly suited for the festival environment. Fans at Ultra 2025 can anticipate a seamless set that mirrors the album’s flow.

The opening track “Out of Time” featuring Bea Miller starts with an orchestra-like tune up that leads into a stretched-out synth chord. Miller’s vocals and imaginative lyrics fit perfectly with Zedd’s signature electronic melody. 

The classically influenced outro blends seamlessly into their second collaborative track, “Tangerine Rays.” It fuses electronic dance music and pop with its dramatic strings and dynamic tone. 

On “No Gravity,” a laid back beat, gentle chords and Bava’s warm, whispering voice create a tranquil scenery. After “Shanti,” it’s a relaxing descent before the burst of energy in “Sona.” 

The song features Irish folk group the olllam, which brings an enchanting flute-led melody. Zedd shined by producing buzzing synth chords, rising bells and a building beat. It sounds like an epic end credit song for an ’80s video game. 

Videogames were an inspiration for Zedd. As a gamer and fan of visuals, he sees this project as a grand space movie. This concept is incorporated into his shows on tour. 

Ultra-goers should prepare for a multi-sensory experience. Zedd’s mantra, “If you can hear it, I want you to see it,” will come to life on a grand scale at the festival. Expect stunning visuals synchronized perfectly with the music, especially during tracks like “Descensus”, where Zedd might recreate the album’s space movie concept with mind-bending projections and light shows.

The diverse influences in “Telos”, from classical to rock and heavy metal, will likely translate into an eclectic set that highlights the love and acceptance of the EDM community. 

Zedd thanks collaborators like John Mayer and Muse for helping him reach the light at the end of the tunnel. His ultra set could potentially feature these surprise guest appearances.

After a couple of emotionally charged songs, Zedd’s “Automatic Yes” is a fun feel-good track, using a crunchy bass and bouncy keys melody that accompany John Mayer’s distinctive blues guitar notes. 

To close out the album, Zedd joins forces with Muse to create a warmly familiar and nostalgic track that ends on a deceptive cadence. Some speculated this could be his way of saying, “to be continued.” When asked Zedd said, “No, it’s not.”

Zedd doubted he could make a cohesive album that felt like a musically connected cinematic experience. In fact, the process was so demanding that he stated he would never want to go through it again. He experienced symptoms of burnout like weight loss and insomnia. 

“I ran into a wall,” Zedd said. “I decided to take a day off and go for a walk looking at houses because I am a big fan of architecture. When I went back to the studio I was a lot more productive.”

The album is meant to feel like a live DJ set that intelligently transitions into itself by building on key energy structures. Throughout production, Zedd was very meticulous about every single aspect of this project. 

He refrained from rushing and relied on his broad knowledge of production to create a more mature sound that would resonate with time.

For a long time, this musical release was all Zedd wanted and he doubted himself along the way, but finally he achieved his goal. 

Fans can expect Zedd’s Ultra 2025 performance to be a mind-bending audiovisual journey where the cinematic and genre-fusing elements of “Telos” will be brought to life. His stunning visuals, perfectly synchronized light shows and seamless transitions can create an immersive experience that transcends the boundaries of a typical EDM set.

Sylvester Cancer Center renews NCI designation

The University of Miami Sylvester Comprehensive Cancer Center has renewed its esteemed National Cancer Institute designation five years after initially earning it, receiving an “outstanding” score. 

Sylvester, a part of the University of Miami’s Miller School of Medicine, is one of just 72 institutions that have received this designation to date, placing it in the top 4% of cancer centers in the U.S.

The NCI is a government agency that recognizes cancer centers across the country which demonstrate a commitment to developing new and better approaches to preventing, diagnosing and treating cancer through transdisciplinary, state-of-the-art research.

“NCI centers are the crown jewels of the nation’s war on cancer, and the standards are very high. It takes years of preparation and work, with strong leadership from the university, the state, and the community,” said NCI Director of Cancer Control and Population Sciences Robert Croyle, Ph.D.

This designation comes with an annual grant from the NCI, which in 2023 totaled $2.34M, as well as a myriad of ​​federal and state grants, research contracts and philanthropic contributions.

As the only NCI-designated center in South Florida, Sylvester “demonstrates unwavering commitment and dedication to this cause,” said UM CEO and Acting President Joseph Echevarria. “I am incredibly proud of our team’s relentless pursuit of excellence and the profound impact Sylvester has had and will continue to have on cancer research and patient care.”

Recent programs that have helped propel Sylvester to a renewal of its NCI designation include the Firefighter Cancer Initiative, a long-term study of exposures to carcinogens and ways to reduce and prevent cancer risks for Florida firefighters. 

Sylvester’s Game Changer vehicles bring cancer screenings and health information to underserved communities in South Florida, seeking to address higher-than-average cancer incidence and mortality rates in these areas.

Its clinical trials have led to the FDA approval of multiple drugs, including Pralsetinib, a targeted therapy for lung cancer, in 2020.

In 2021, Sylvester was named the first World Health OrganizationCollaborating Centre for Cervical Cancer Elimination for its diligent efforts to address cervical cancer.

It has also spearheaded the $7.5 million National Human Genome Research Institute’s Molecular Phenotypes of Null Alleles in Cells program, a comprehensive effort in 2023 to understand the function of every human gene.

As a leading cancer center in a state with the second-highest cancer burden in the country, Sylvester’s efforts are paramount in the continual fight against the disease. 

“Giving new hope to the 7,000 to 8,000 new patients a year we see at Sylvester is incredibly rewarding,” said oncologist and Program Director Dr. Stephen D. Nimer. “We will never relent in our quest for cures. The best is yet to come.”

Trump’s comments thrust Florida abortion amendment into the national spotlight

On the ballot this upcoming election, Floridians will be voting on an abortion referendum known as proposed Amendment 4, a recurring topic in the political scene. 

Former President Donald Trump again avoided taking a concrete stance on this amendment, when asked by ABC’s Linsey Davis during the presidential debate

“In your home state of Florida, you initially had said that [the six-week abortion ban] was too short… But then the very next day, you reversed course and said you would vote to support the six-week ban,” said Davis. 

Florida voters will decide on proposed Amendment 4, alongside 5 other amendments in November. 

The Amendment to Limit Government Interference with Abortion is a citizen initiative, which prohibits government interference with a woman’s decision to have an abortion until viability, defined as the point when a fetus can survive outside the womb with standard medical assistance. 

If approved by a 60% supermajority, it would make abortion legal until fetal viability, and amend the Florida Constitution so that reproductive rights cannot be restricted in the state.

In response to “why should [women] trust you?” On the abortion issue, Trump said “The reason I’m doing that vote is because… they have abortion in the ninth month.”

“[Harris’s] vice presidential pick says abortion in the ninth month is absolutely fine. He also says execution after birth, it’s execution, no longer abortion, because the baby is born, is okay. And that’s not okay with me,” said Trump.

Davis immediately fact-checked him at the end of his statement, saying, “There is no state in this country where it is legal to kill a baby after it’s born.”

Trump also praised the Supreme Court’s 2022 reversal of Roe, claiming “through the genius and heart and strength of six supreme court justices we were able to do that.”

“Every legal scholar, every Democrat, every Republican, liberal, conservative, they all wanted this issue to be brought back to the states where the people could vote,” Trump said. “And that’s what happened… it’s not tied up in the federal government.”

Trump initially told NBC News that Florida’s six-week ban is “too short” and indicated, although did not explicitly state, that he would be voting to overturn it.

Intense backlash to this initial comment led Trump to backpedal just a day later, stating he would vote “no” on the referendum in comments to Fox News. 

“Democrats are radical,” he said.

UM Political Science professor Sylvia Thompson believes Trump wants to avoid offending the anti-abortion faction of his party while also not trying to alienate the majority of the American electorate.

“I think he knows that [6 weeks] is a really short time period to make a decision to have an abortion… most people around the country, including in Florida … don’t want that. But, his most staunch supporters definitely want that, and he can’t afford to offend them,” Thompson said.

Trump claimed to be “very pro-choice” in a 1999 Meet the Press interview. Since then, his view on the issue has consistently fluctuated. During his first presidential campaign in March 2016, he said he supported “some form of punishment” for women who get abortions.

“We can give him the benefit of the doubt,” Thompson said. “It’s possible he reexamined his views and the situation and decided he was wrong previously.” Albeit, most likely, “he wants the votes of people who are pro-life.”