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Billboard Latin Music Week is here

Miami is once again gearing up to become the heartbeat of Latin music when Billboard takes over from Monday, Oct. 20 through Friday, Oct. 24, 2025 at the iconic The  Fillmore  Miami  Beach at the Jackie  Gleason  Theatre in Miami Beach. 

The annual week-long festival of panels, workshops, networking sessions and performances under the banner of Latin music arrives with star-power, behind-the-scenes conversations and the energy of a city ready to celebrate. 

From the moment registration opens in the morning to the after-hours showcases and parties across Wynwood, Midtown and the Beach, this year’s edition promises to deliver both the business of music and the pulse of culture. 

Attendees checked-in around 8a.m. on Monday morning and then dove into sessions such as “The Power of Independence,” featuring artists and producers kicking off the week’s conversations about creation, distribution and release strategy. 

By Tuesday and Wednesday, the schedule expands into themes like the globalization of Latin music, songwriting and production, genre-explosions (tropical, cumbia, Afrobeats influence) and panels featuring icons like Laura Pausini and Gloria Estefan & Emilio Estefan. 

Evening hours will see the entertainment side ramp up — showcases, concerts, brand activations and late-night events mixing industry folk, fans and music lovers in one city-wide party.

On the talent front, the lineup already reads like a who’s-who of Latin music’s present and future: names like Ozuna, Laura Pausini, Gloria & Emilio Estefan have been confirmed. 

Beyond performances, the conversations and panels feature industry heavyweights: label executives, producers, songwriters and others shaping Latin music in the U.S. and globally. This means that for anyone remotely interested in the business side of music it’s far more than a “see a show” week — it’s a front-row seat to how the genre is evolving.

For Miami itself — and especially for students and young creatives — this week is an invitation. 

The city provides more than just event spaces: it offers the backdrop of beachside energy, Wynwood murals, art-district nightlife and late-night sets that blur the line between conference and festival. 

Whether you’re attending a midday session or hitting a showcase after dark, the week turns Miami into one giant music-campus meets party.

And for Frost School of Music students, this is a golden opportunity. If you’re studying composition, production, performance, music business or audio-tech, imagine being in the same space where hit songs are dissected, new genre-crossovers are discussed and the next wave of Latin stars are discovered. 

Having the event right here in Miami means you don’t just attend — you can network. Swing by workshops that dig into songwriting, royalty systems, AI in music or case-studies on albums and touring. 

Make a business card, ask smart questions, listen in on panels that apply directly to your studio class or your next project. Between sessions you can meet visiting artists and execs, chat with peers from around the world who are shaping Latin music’s next chapter. 

After the daytime deep-dives you can still hit up showcases or informal gatherings — because some of the best ideas happen outside the formal programming. And while you’re at it: explore Miami, and let the week feel like part of your own fall semester experience.

Bottom line: Monday to Friday in mid-October becomes less about going to a music festival and more about living the scene of Latin music at its highest level — from panels to parties, from backstage to beachside. 

If you’re curious about how music gets made, how stars build brands, or how a city like Miami becomes a sound-capital, set your calendar, clear some space and plan to dive in. This year’s edition of Latin Music Week looks poised to not only celebrate the sounds of today, but also to map out the sounds of tomorrow.

UM-inspired Halloween ideas to rep the U in style

With the fall season officially upon us, that means Halloween is just around the corner. If you are struggling to find  a costume that also showcases your love for your school, we got you covered.

Dwayne Johnson Meme Picture

The iconic picture that has been circulating the internet for decades features proud UM alum, Dwayne Johnson, also known as “The Rock”. The Rock played football at UM from 1991-1994 and earned his degree in General Studies.

Pat McAfee on College Gameday

During his presentation of College Gameday on campus, Pat McAfee sported two unforgettable looks. A costume could pay tribute to his flashy, formal presentation suit in which he hosted the show or his infamous high dive Speedo. 

Jaco Pastorius, Legendary Faculty

For the music lovers, a funky shirt or button up paired with a foldover colorful beanie is an easy way to dress up as famous jazz bass player, Jaco Pastorius. Pastorius worked at UM throughout the 1970s at the Frost School of Music, giving bass lessons and playing gigs around the city.

Alix Earle Frat Wedding

UM’s own Alix Earle is one of TikTok’s most popular influencers. When she was still a student, one of her most viral moments was her over the top, magical “wedding” hosted by the Sigma Chi fraternity during the 2023 spring semester. Wear your poofiest white dress in honor of one of the public’s favorite UM alums.

Sylvester Stallone and his many roles

Sylvester Stallone has several iconic characters with manageable costumes. You can easily throw on a ripped tank top and bandana (a bodybuilder physique MIGHT just help). Before his roles as Rocky Balboa and Rambo, Stallone studied drama at UM from 1965 to 1967. He went to finish his degree later on in 1998.

Whether you’re channeling the swagger of The Rock, the glam of Alix Earle or the cool jazz vibes of Jaco Pastorius, there’s no shortage of Halloween costume ideas that let you show off your Hurricane pride. 

These UM-inspired looks not only celebrate campus culture and alumni legends but also guarantee you’ll stand out at any spooky season event.

Ditch Spotify, spookify your dorm with these Halloween records

Physical media has been on the rise over the past years. Customers have been enjoying being able to own a physical copy of albums and EPs. These vinyls, CDs and cassettes can even serve as a decorative touch to student’s dorms. 

Album cover art serves as a great way to show off your favorite artists and genres. There are many albums to choose that provide the Halloween-vibe sound along with their amazing artwork. Check these albums out to add to your Halloween mixtape and dorm decorations.

Evanescence – Fallen

Evanescence’s hit album “Fallen” came out in 2003 and was their first full length album to come out signed to a label. The hard rock album features heavy, yet celestial, riffs combined with smooth vocals that redefines the rock/metal genre. 

Songs like “Bring me to Life” and “My Immortal” bring themes that remind audiences of a scary movie storyline throughout their hard hitting rock sound. The album cover’s dark tones paired with Amy Lee’s mysterious look makes for a great halloween record.

Blue Oyster Cult – Agents of Fortune

The most popular single of this 1976 album is the instantly recognizable song “(Don’t Fear) The Reaper.” This song has long been considered one of the most famous Halloween themed songs ever. 

Its catchy riff in the beginning slowly transcends into spooky, off putting chromatic melodic lines that leads the song into chaos. Do not underestimate the rest of the album, though. 

The scary stories carry on throughout songs like “Tattoo Vampire” and “E.T.I. (Extra Terrestrial Intelligence)” that pay tribute to their equally spooky album cover. 

The Cranberries – No Need to Argue

“No Need To Argue” introduces the start of The Cranberries’ heavier sound. The album rings out a soulful, angsty vibe that ties in perfectly to the changing weather and colors of the fall season. 

Their 1994 hit “Zombie” is a Halloween classic that showcases The Cranberries’ ability to provide a thick, round sound as a band throughout their edgy image and lyrics.

Metallica – Ride the Lightning

Metallica’s sophomore album “Ride the Lightning” is jam packed with heavy, thrash riffs to fill your room. The dark blues and lightning rods are a perfect fit to the dark yet forceful songs that are consistent throughout the album. 

Fast paced thrash hits like “Creeping Death” and “For Whom the Bell Tolls” manage to take popular stories and motifs and turn them into hard-hitting forceful songs for the holiday.

Avenged Sevenfold – Nightmare

Heavy metal greats Avenged Sevenfold released their album “Nightmare” in 2010. The title track is the quintessential Halloween song. The song opens with an eerie bell melody before cranking in full speed into their main riffs. 

The lead singer, M. Shadows, provides raspy, loud vocals to pair with the track. The album’s cover does a great job representing the sinister essence of nearly every song on the record. This album is great to pair with the other dark colors and images of Halloween-esque albums.

‘The Wiz’ eases on down the road and straight into our hearts

As a self-proclaimed musical theater lover, I had been wanting to see “The Wiz” on Broadway for years. I’ve heard incredible reviews about its stellar cast and beautiful set design. After finally experiencing it, I can confidently say that it was unlike any theatrical performance I’ve ever seen. 

The musicality of the show stood out immediately. Each of the actors blew me away with both their vocal agility and technicality. Dana Cimone’s portrayal of Dorothy was nothing short of stunning, as she effortlessly controlled and maintained her vocal tone throughout each performance. While goosebumps covered my arms during every number, her rendition of “Home” silenced the house, demanding every watcher’s attention and capturing their hearts.

Similarly, D. Jerome as the Tin Man reawakened my love for musicals entirely during, “What Would I Do If I Could Feel.” Time seemed to stand still as he san with such raw passion and vulnerability. I genuinely believed he was nothing but a Tin Man in dire need of both love and a heart.

The chemistry among the cast was undeniable, making every scene enjoyable. Cal Mitchell’s portrayal of Lion and Elijah Ahmad Lewis’s as Scarecrow brought a playful energy to the stage that balanced their impressive vocals and larger-than-life personalities. 

Sheherazade as Glinda blew the audience away during “Believe In Yourself,” seemingly redefining and challenging the limits of vocal ability. Similarly, Kyla Jade felt as if her voice was designed for the part of Evillene, effortlessly powering through complex songs as if it were as easy as breathing. It would be impossible to recall the show’s greatness without their performances. 

During the second act, the hair and costume design added more layers to the experience. The vibrant, bold colors of the Emerald City sequence mixed with the intricate design of Evelline’s hair, makeup and costume during the “Don’t Nobody Bring Me No Bad News” number, made the show special. Every detail was meticulously crafted, ensuring that nothing went unnoticed. 

Full of passion, heart and extraordinary talent, “The Wiz” was nothing short of remarkable. Even now, I still find myself daydreaming about my time in that theater seat, holding my heart as tears streamed down my face, blurring the scene in front of me. I will never forget it.

“The Wiz” is currently on its North American tour, with its next performances debuting in Tampa and West Palm Beach from Oct. 14 to 26. 

‘Me and My Miami’ is a new musical celebrating the 305

The Brévo Theatre Company welcomed the world premiere of “Me and My Miami: The Musical,” a colorful celebration of Miami, its people and its culture.

The production, which ran from Oct. 2 to Oct. 12 at the Westchester Cultural Arts Center, is part of Brévo’s “Freshly Rooted” series, a showcase of original productions that have yet to be professionally produced. 

“Me and My Miami” was produced in collaboration with the Roxy Theatre Group and the Warten Foundation. The production is additionally supported in part by Miami Dade County Cultural Affairs and Cultural Affairs Council.

“Me and My Miami” follows three local teenagers as they perform in the Dade County Farmers Market Arts Festival. Their performances become less reliant on their chosen art forms and more focused on what matters to them, leading the musical to trace less of a story and more of a social commentary. 

The main characters explore local issues on a larger scale such as homelessness, familial standards and missing children.

“When [the teenagers] get to the arts festival, they start to speak and say things their family thought they should only say privately,” said writer and director Patdro Harris, whose artistry has been applauded as “praiseworthy” by the New York Times.  

In conjunction with the main cast, “Me and My Miami” plays to its art festival setting by featuring special guest artists that differ depending on which night you attend. 

A prominent theme in the musical’s storyline is the power of using your voice. While in Harris’s past works, most voices have been older, he decided to explore a younger perspective.

“I realized that my generation didn’t do all the things that I thought they should do, but hopefully this generation can,” said Harris. “So [this story is meant to] motivate them and inspire them in that way.”

Zaylin Yates, the Founding Managing Director and CEO of Brévo Theatre, described the production as “an easy story that can be shared with a multitude of cultures, families [and] walks of life.”

Brévo Theatre prides itself on its larger mission to amplify underrepresented voices. The cast is most prominently composed of actors of color.

“At the heart of what we do, we always try to uplift the entire community, because we celebrate all walks of life,” said Yates. “The storylines are always going to tell a story that I think everybody can see themselves in.”

Patdro Harris and Zaylin Yates both see a bright future ahead for “Me and My Miami” — possible avenues include a music video, cast recording and a slew of nation-wide productions.  

“At the end of the day, the story itself resonates nationally,” said Yates. “I just want the audience to be able to take away a feeling of self-reflection.”

Should you make the metro trip for CAVA Brickell?

If you find yourself in Brickell after a CorePower Yoga class, studying at a café or just exploring the neighborhood for the afternoon, the new CAVA at 801 Brickell Avenue is an easy and worthwhile place to grab a meal. 

The fast casual Mediterranean chain, known for build-your-own bowls, pitas and salads, brings fresh flavors and quick service to one of Miami’s busiest neighborhoods.

I went on Saturday around 8 p.m. with a friend, and even in the evening there were about ten people in line and most of the tables were full. 

The space feels bright and modern, clean with neutral colors and a simple layout that makes it easy to move through. Inside, there are about eight tables and a high-top counter with stool seating. 

The crowd was a mix of locals, students and people coming from nearby offices. It was busy but calm, the kind of steady flow that fits the Brickell atmosphere. 

From start to finish, it took maybe fifteen minutes before we got our food. Everything is made right in front of you, and the process feels efficient. 

The staff moved quickly and kept things organized, though they seemed a little tired toward the end of the night. 

I ordered a half-rice, half-greens bowl with grilled chicken and steak, avocado, feta, corn, persian cucumbers, tzatziki, lemon herb tahini and pita crisps. My friend got a chicken bowl with onions, tomatoes and tzatziki. We also tried the blueberry lemonade and an apple-pineapple juice. 

Everything tasted fresh and well-balanced. The cucumbers were especially crisp, the avocado creamy, and the pita crisps stayed crunchy until the end. 

The chicken and steak were both flavorful and tender, with none of the chewy or fatty texture you sometimes get at other fast-casual spots. 

According to CAVA’s website, the proteins are marinated in Mediterranean spices before grilling, and that flavor really comes through. The temperature was also just right, with cool vegetables and warm grains that tied everything together.

My bowl with double protein, avocado and a drink came to be about $21 since both the steak and avocado are premium add-ons. My friend’s bowl and water were around $12. 

The price is slightly high for students, but the portions are generous enough for leftovers, and the quality makes it worth it. 

CAVA also has a $6 kid’s meal that comes with a protein base, two toppings and a dip or spread, making it a good option for a smaller appetite or a tighter budget. 

Brickell isn’t always the most student-friendly area, but this CAVA makes it feel more accessible. It’s close enough to the metro for an easy trip from campus and adds another reliable, healthy option to the neighborhood. 

The menu offers balanced choices that fit a range of fitness and protein goals while still tasting great. For days when you can’t make it to Brickell, CAVA is also on Uber Eats – a convenient upgrade from on-campus dining options.

For anyone who already loves CAVA back home or just wants a quick meal that feels fresh and satisfying, this new location delivers exactly what it should: flavorful Mediterranean food, efficient service and a clean, welcoming space. 

Four out of five stars for quality, convenience and giving students one more reason to hop on the metro and explore more of Miami.

Dwayne ‘The Rock’ Johnson smashes expectations in ‘The Smashing Machine’

University of Miami alumnus Dwayne “The Rock” Johnson, once a defensive tackle for the Hurricanes football team from 1991 to 1994, returns to the spotlight in a role unlike anything he’s done before. 

Known more for blockbuster action and charismatic charm than for serious drama, Johnson surprises audiences with a raw, transformative performance in “The Smashing Machine,” directed and written by Benny Safdie.

The film is a gripping biopic centered on MMA pioneer Mark Kerr, chronicling his rise and struggles between 1997 and 2000, years that defined the brutal and unregulated early days of mixed martial arts. 

Safdie’s direction gives the film an almost documentary-like authenticity, immersing viewers in the sweat, pain and chaos of the sport’s infancy. The camerawork feels intimate, as if the audience is a fly on the wall, witnessing both the triumphs and the unraveling of a man driven by obsession and fear.

Johnson is visually unrecognizable. Having gained more than 30 pounds of muscle for the role, he reportedly trained with real MMA coaches and fighters to accurately capture Kerr’s fighting style and physical toll. 

The result is staggering. Each fight scene lands with a realism rarely seen in sports films. More impressive, however, is Johnson’s emotional depth. 

He portrays Kerr not as a superhero but as a man grappling with addiction, fame, and identity, offering a vulnerability we’ve never seen from him before.

“The Smashing Machine” doesn’t just revisit the dawn of MMA, it peels back the facade of masculinity and fame to reveal the cost of both. 

For Johnson, a former professional wrestler who built his career on strength and spectacle, this performance marks a new chapter: one of restraint, risk, and remarkable growth as an actor.

Johnson doesn’t just play Mark Kerr, he becomes him.

Sports Brief: The Midseason Slump

Pablo breaks down a challenging couple of weeks for the Hurricanes. After a stunning upset over No. 4 Pitt, Miami Volleyball faces its first real skid of the season, while Canes Golf struggles at the Tar Heel Invitational. Baseball shows promise in its fall exhibition opener, Cross Country closes its regular season with solid results, and Football takes its first loss of the year in a nail-biter against Louisville. Pablo dives into what went wrong, the standout performances that kept hope alive, and what the Canes must do to bounce back as they prepare for a primetime showdown with Stanford.

Hurricanes struggle in Chapel Hill, finish T-13th in Tar Heel Classic

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After having a strong showing in its last tournament, finishing 6th in the Golfweek Red Sky Classic in Vail, Colo., the Miami Golf team did not keep up the momentum, finishing near the bottom of leaderboard in the Ruth’s Chris Tar Heel Invitational in Chapel Hill, N.C. this past weekend.

In a field of 15 teams, the Hurricanes finished tied for 13th with the FIU Panthers, only beating the Rollins Tars.

UM finished the tournament 62 over par, with round scores of +24, +17 and +21. The Auburn Tigers were the victors of the event finishing 5-under par along with three of their team members finishing in the top five, including tournament winner, junior Anna Davis who shot 7-under par.

Miami’s top performer of the invitational was junior Ashleen Kaur, who shot 11-over, finishing tied for 35th on the tournament leaderboard.

UM’s other competitors finished as follows: 

  • Senior Stella Jelinek: +15 (T-49)
  • Sophomore Cloe Amion Villarino: +16 (T-53)
  • Senior Rebekah Gardner: +20 (T-67)
  • Senior Katie Carman: +50 (80th)

The Hurricanes will head out of the country for their next event, as they head to The Bahamas, for the White Sands Invitational Oct. 24-26.

On frozen ground, UM Women’s Hockey finds its fire 

At the Kendall Ice Arena, the home rink of the University of Miami Women’s Hockey team, the air is as charged as it is cold. 

The players treat it like a temple, each other as family — it’s one of the most tight-knit, quietly revolutionary teams on campus. 

Having recently been promoted to a Division II team under the American Collegiate Hockey Association, the upcoming season brings these Hurricanes skaters tougher opponents, official standings and more visibility than ever before.  

But for the Hurricanes, that was never the whole purpose. This team isn’t just playing for points — they’re playing for people. What carried them to D2 classification isn’t budget or prestige, but rather the unbreakable sisterhood that comes alive every time the puck drops. 

That bond is sacred to sophomore forward Alex Meola and junior goalie Ana Baurle.

“We’re the same person, just a different font,” Baurle says. “I’d do anything for her.” 

UM Women’s Hockey brought these two together, and as they laugh together in the locker room, you might mistake them for having grown up playing together. 

They met a week ago.

That kind of closeness isn’t a rarity on this team — it’s the culture. In a city better known for surfboards than slapshots, the UM women’s hockey team has built a community where anyone who shows up with heart and hustle belongs. 

Some players grew up skating before they could walk, like freshman Izzy Schaeffer, whose father built a rink for her in their backyard. Others, like sophomore Samantha Bonomi and freshman Bella Rodriguez, picked up a stick for the first time in college.

All that matters is that you show up, ready to work. And from there, the team works its magic. 

“Hockey is a community,” freshman Amelia Kong says. “This program was a big reason I came [to UM].” Kong brings four years of experience to the rink. 

Players come from all corners of the country, drawn not just by the sport, but by the promise of something deeper: inclusion, trust and a shared refusal to let geography or gender norms define what hockey should look like.

“If you see her, you can be her,” graduate defenseman Allie Litzinger said. “We live by that.” 

For a sport often still closed off to women, the players on this team aim to be a driving force in helping to increase the number of girls who lace up their skates come winter. Although it’s one of the fastest growing sports in the U.S., hockey isn’t always an easy space for women. It’s expensive, isolating, often underfunded and overlooked.

Captain Kaila Griffin, who’s been playing hockey for eight years and has been on Miami’s team since its inaugural season in 2022, watched this unfold in real time. 

“The men’s teams are preferred over us for ice times because there are more teams, they’ve been around longer, and they have more stakes in the rink,” Griffin said. “We’re at the bottom of the totem pole.”

But that doesn’t discourage the Hurricanes. 

In a city where ice shouldn’t exist, the UM Women’s hockey team has built a home for everyone who needed one.

When their skates touch the rink now, it’s not just about playing the game they love — it’s about creating a sense of belonging and carving out space for themselves, pulling up a chair to a table they refuse to be excluded from anymore. The team’s Division II classification is a well-deserved recognition of how they leave everything on the ice. And thanks to these pioneers, there will be many more chairs to come in the future.

“It’s so cool seeing girls get the opportunity to play hockey past high school,” Griffin said. “Hockey is family.” 

And this team is a formidable one, at that.

Because greatness doesn’t always come from privilege — sometimes, it’s born from persistence. 

That’s what it takes to build something that lasts. Thankfully, this team is as strong as they come.

And in Miami, a city synonymous with heat, the UM Women’s Hockey team proves the fiercest flames can be found on the ice.

UM Women’s Hockey team lines up on the bench before its game against USF on Oct. 3, 2025. Photo Credit: Bella Armstrong

How Mario Cristobal has rebuilt The U

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At the turn of the millennium, Miami ruled college football. The choice was simple for recruits: play for them, or get beat by them.

But after their late 90’s to early 2000’s championship runs, the Hurricanes’ dominance and recruiting edge began to fade. Now, two decades later, Miami is clawing back with head coach Mario Cristobal leading the charge.

Miami’s downfall stemmed from a mix of factors, the first being their on-field performance. 

While head coach Larry Coker’s tenure started out hot, it quickly cooled off. While Miami still landed top-tier talent, many recruits failed to meet expectations. Prospects who were almost guaranteed to be future Sunday stars like Willie Williams never lived up to their potential, hurting UM’s on-field performances.

From 2006 to 2021, Miami only recorded one season with double-digit wins and rolled through a carousel of coaches from Randy Shannon to Manny Diaz.

As their on-field performance dwindled, the identity behind The U went with it. This led local talent, which used to yearn to play at Miami, to start getting poached by powerhouse SEC schools, such as Alabama and Georgia.

In dire need of a jumpstart to their dormant giant of a football program, the Hurricanes brought in former player and master recruiter Mario Cristobal to lead the next generation of ’Canes.

Head coach Mario Cristobal holds up a Miami jersey as he is introduced by University President Julio Frenk at the Carol Soffer Indoor Practice Facility on Tuesday, Dec. 7. Photo credit: Josh Halper

Cristobal, a Miami native and ’Cane himself, was an offensive lineman at UM from 1989 to 1992, where he won two national championships during his tenure.

After a brief stint playing pro, Cristobal returned to The U as a graduate assistant, jumpstarting a decorated coaching career. His coaching career can be defined by one famous football phrase, made popular by his former coach Jimmy Johnson, “It’s not about the X’s and the O’s it’s about the Jimmy’s and the Joe’s.” 

Cristobal’s first taste of success as a head coach came right down the road from UM at FIU. 

Instead of landing blue-chip talent, Cristobal had to find diamonds in the rough due to the small size of the FIU program. His most notable recruitment was three-star wide receiver T.Y. Hilton, who blossomed into an outstanding collegiate player and NFL star. Cristobal’s work at FIU transformed the program from a struggling bottom-feeder to 2010 Sun Belt champions.

After proving his head coaching credentials at FIU, Cristobal joined Nick Saban’s staff at Alabama — a masterclass in recruiting and program-building. Cristobal learned priceless lessons from Saban on both recruiting and coaching, which helped him earn 247Sports National Recruiter of the Year in 2015. 

After his stint at Alabama, Cristobal went across the country to Oregon. He turned the Ducks into a recruiting giant, landing the highest-rated classes in school history alongside winning two Pac-12 Championships.

His story came full circle in 2022, as Miami brought him on as head coach, the latest attempt at bringing back the swagger and culture of The U.

Cristobal started off with what he knew best; recruiting. In 2023, he landed five-star lineman Francis Mauigoa and Samson Okunlola, which established his philosophy built on physicality and toughness, while also showing his recruiting capabilities.

Cristobal also prioritized keeping South Florida talent home, as he has built relationships with countless high-caliber high schools and coaches in the area.

The last huge reason for Miami’s recruiting success as of late is name, image and likeness. Cristobal and the ’Canes have embraced the ability to give student-athletes compensation for their play, and are using it to their advantage in recruiting. 

Cristobal’s most recent use of NIL was in early 2025, when former Georgia star quarterback Carson Beck transferred to Miami instead of opting for the NFL Draft. According to multiple reports from sources such as Sports Illustrated and Athlon Sports, Beck is making an estimated three to five million dollars in NIL. Miami had the money to spend and used it on the best player available in the transfer portal.

With the Hurricanes undefeated and ranked in the top two in the AP Poll, their flair and presence remind fans of the legendary teams of the 80s and early 2000s. The energy inside Hard Rock Stadium on Saturdays is electric, and feels like games back in the Orange Bowl during Miami’s heyday. 

As stated by ESPN personality Pat Macafee, “The U is Back!” 

The rest of the country better get used to it.

Mario Cristobal stares down his players pregame. Photo Credit: Brian Mulvey

Miami needs more public transportation options

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For many of UM’s more than 60% of commuter students, the day starts not only with coffee but with bumper to bumper traffic. It’s a daily frustration that could easily be fixed by expanding the city’s public transportation systems. 

Cities such as New York and Chicago have incredibly effective public transit systems that assist in moving people faster from place to place. A busy city like Miami needs more transportation options so people can commute with ease. 

Publications such as Bloomberg have labeled Miami as a global city. Miami operates as a financial hub for many private equity firms and hedge funds and is the center of significant international trade and commerce. 

Global cities demand more access to public transportation due to the amount of people that live and work there. But, Miami’s public transportation is not up to par with other global cities. 

Chicago, for example, has several public transit options including an underground metro, a wide ranging elevated train network and commuter trains to and from the suburbs.

Investing in more public transit could significantly reduce traffic congestion on the roads. The more people there are on public transit routes, the fewer people there are on the roads causing traffic. This shift in public transit would not only ease the daily commute for thousands of people, but it would also improve the overall flow of traffic within the city.

Fewer cars on the road also means less CO2 emissions into the atmosphere. Since climate change is a major concern in Miami, adapting to more environmentally friendly forms of transportation will inevitably help our very vulnerable region. An investment in public transportation is an investment in a more sustainable and environmentally conscious South Florida.

The city of Miami can also restrict where personal vehicles are allowed to go. New York City has lanes dedicated to buses and other public transportation vehicles, which is something easily adoptable in Miami. 

Bus-only lanes would benefit the many people that rely on public transportation as their only means of transportation. It will also improve the efficiency of public buses, because they are often delayed due to major backups on our roads. Additionally, limiting access for private vehicles in certain areas could incentivize residents into using public transportation as a faster and more efficient alternative to private vehicle usage. 

In 2024, Miami-Dade residents voted overwhelmingly in an unofficial August vote to expand the Metrorail to new places across the county. As of now, Metrorail operates two lines, but the plan calls for expanding the orange and green line while adding more lines to connect riders all across Miami-Dade county.

Expanding Metrorail is a necessary first step in ensuring that all of Miami-Dade county has access to vital forms of public transportation. Everyday, Metrorail carries students and commuters to work and class all across Miami-Dade county. And by expanding the Metrorail, it gives people more access to public transportation when it otherwise might not have been available to them. 

Even with potential plans to expand Metrorail, Miami’s public transit system remains inadequate for the needs of the growing population.

Miami was built as a car-centric city, so people are more incentivized to use private forms of transportation more than efficient public transportation. The limited walkability of Miami has also made it difficult to encourage residents to want to talk public transit. 

If Miami is to become the global city that it wants to be, the local government must invest heavily in its public transportation system. No city can thrive without the use of effective public transportation. Beyond the fact that public transit saves time during our commutes, it’s also an investment in sustainability and our quality of life. For Miami to achieve its global ambitions, it must embrace public transportation for the sake of its future.