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Chris Lake on his year of momentum and motion

For more than twenty years, Chris Lake has shaped the pulse of house music, but this past year has pushed him into an even sharper creative stride. 

Fresh off the momentum of “Chemistry,” his debut album, Grammy nominations and  a run of global festival slots that have stretched from Europe to the U.S., Lake arrives in Miami for Miami Art Week. 

Even at his scale, the preparation behind his live sets isn’t about rehearsing transitions or mapping out every beat. It’s about building the music itself. 

“It’s not really about practicing the DJing part,” Lake said. “I’m constantly making new stuff with the idea of incorporating it into my shows.” 

The unseen work creates the surprise moments his fans chase. He treats each performance less like a stop on a tour and more like a world he’s personally responsible for shaping. 

“These are my shows,” Lake said. “I want to make sure the whole experience is right for everyone.”

Still, even with the scale and pressure of international touring, Lake keeps his instincts grounded in something simple: watching the crowd. He laughs while describing the moments where the energy dips and he’s forced to pivot. 

“If they’re looking miserable, then I probably need to change something.” 

But he’s quick to clarify that his decisions aren’t based solely on pleasing the room. In fact, he plays best when he’s following his own curiosity. 

“A lot of what I do is born out of selfish decisions. I’m doing things for myself first,” Lake said. “I believe if I make it interesting for me, it’ll be interesting to others.”

 That trust in his own compass is what gives his sets their shape — a mix of instinct, risk and a willingness to choose the unexpected. It’s also what keeps his individuality intact in a scene where trends move fast and imitation is easy. 

“You can emulate others, or you can focus on your own compass,” Lake said. “That’s what makes you stand out.” 

Lake’s sense of identity extends beyond his performances and into his label, Black Book Records, which has grown into a platform for some of the most exciting grooves in house music. 

This week, he brings a Black Book Records showcase to Miami Art Week featuring Marco Strous, Sirus Hood, Amanda Moore and longtime collaborator Chris Lorenzo. The lineup is both intentional and, in his words, selfish. 

“I love their music,” Lake said. “I want to see them DJ.” 

As Lake moves through one of his most successful periods yet, he isn’t chasing reinvention or spectacle, he’s sharpening the edges of what he already does best. Making music that excites him, building shows that reflect his fingerprints, and trusting that the right people will meet him where he is. 

He’s stepped into a role to design, surrounded by artists he believes in, testing ideas he made in the quiet hours long before anyone else hears them. And like every chapter in this latest run of momentum, he’ll do it with intention, instinct and the confidence of someone fully in his element.

’Canes WBB drop third ranked game in a row in 64-48 loss to Kentucky

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The Miami Hurricanes Women’s Basketball team returned to action at the Watsco Center for the ACC/SEC Challenge against the No.17 Kentucky Wildcats, falling 64-48.

For UM head coach Tricia Cullop and her team, this would be the first time in over two weeks that the ’Canes would be playing on their home floor, following trips to Orlando and the Cayman Islands for neutral site tournaments. In the past two weeks, Miami had lost twice to ranked opponents (Iowa and Oklahoma State) by a combined total of just six points. 

However, Kentucky would come to Coral Gables and take care of business in dominant fashion.

Sophomore guard Ahnay Adams opened the scoring for Miami with a right handed finish on the glass. The ’Canes would get a couple of defensive stops, holding the lead for the opening two minutes of the game, before Kentucky’s offensive pressure forced Miami into early foul trouble. Kentucky took advantage of their free throws, shooting 5-for-5 from the charity stripe in the quarter.

Going into the second, Miami trailed 16-13, but an early run to start the frame allowed Miami to regain some control. The period would turn into a defensive slugfest with the teams exchanging stops. The margin remained at three until with 40 seconds left in the quarter, Kentucky forward Clara Strack would hit a baseline jumper to increase the Wildcat lead to 5. 

RaShaya Kyle would find her way to the free throw line in the dying seconds of the frame and sink both to bring Miami within one possession (26-23) going into the half. 

The first 20 minutes left much to be desired offensively for both sides, with the teams shooting a combined 3-18 from beyond the arc. 

The Wildcats would come out the gates flying to start the third quarter, going on a 13-5 run led by Tonie Morgan’s 9 points in the frame. Cullop would use a timeout halfway through the third, but Miami would turn it over on the following two possessions, allowing Kentucky to increase their lead to 17. 

Going into the fourth, Miami trailed 50-38, and Kentucky would ride the final 10 minutes out to an eventual 64-48 victory, holding the ’Canes to just 18.2% from the floor in the final period. 

The loss drops the Hurricanes record to 5-3 and marks the first loss for the program in the history of the ACC/SEC challenge. 

Miami will be back in action at the Watsco Center on Sunday at 2 p.m. against Georgia State. 

Photo Credit: @CanesWBB via X // UM Guard Gal Raviv dribbles at the top of the key versus Kentucky on Dec. 3 2025.

Line dancing takes over Miami

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The origins of line dancing are not clear, but it definitely wasn’t in Miami. Line dancing has grown in popularity over the past couple of years, and it has transformed Miami into a country paradise. 

More and more people are choosing to go line dancing instead of clubbing, making it a new Saturday night activity. Line dancing offers a nice shift from stuffy clubs to feeling free to let loose and dance. With that comes a challenge: whether you’re equipped to stay on the dance floor while tirelessly learning difficult choreographed dances that can include jumps and a lot of spinning. 

Line dancing may not be exactly what you picture. People still wear their boots and cowboy hats and dance to country music. But now they’ve incorporated a mix of Latin music, such as Pitbull’s song Fuego, showing how diverse it has become. 

The rise in popularity has people going every weekend to dance at places like Schnebly’s Redland Brewery, or more popularly called “the winery.” Berry Farms, a strawberry farm by day, is a perfect line dancing spot by night. If you’re willing to make the journey, another popular spot is the Roundup Night Club in Davie, a staple line dancing hotspot for over 20 years. This place offers line dancing classes early in the evening and often has a mechanical bull for visitors to try to ride. On Tuesdays, students at the University of Miami dance at Pub 52 Bar and Kitchen, 10 minutes away from campus.

Due to this up-and-coming spread of western culture, Nataly Leiva and Tyler Corzo decided to start a line dancing student organization, Two Step Canes, to practice the line dancing choreographies with their fellow ‘Canes. 

Corzo, an avid and practically professional line dancer, a sophomore at the University of Miami, started dancing about two years ago over the summer and is now addicted to the thrill of line dancing.  

He shares, “I got into line dancing through my friends who invited me to try it out. I was hesitant at first, but I was immediately hooked on it, and it has become my favorite hobby.”

Even though line dancing is clearly an enjoyable experience, the downsides are that it may be challenging for beginners. 

Rocio Pelaez, a sophomore and the events coordinator of Two Step Canes, expressed how line dancing has “recently changed to super complex contemporary dances that regular people struggle to keep up with.” She adds, “I wish we had better intermediate and accessible dance options.”

So if you’re not willing to practice a few dances, you might not be on the dance floor for long. The regulars know all the dances that involve quick spins and various footsteps that will leave you dizzy if you’re trying to follow. You may want to try to give it a whirl in your dorm room before venturing off to your first dance, or even try out a lesson with Two Step Canes.

Instead of going to the same nightclubs or parties, try on some cowboy boots and start learning how to line dance. It is enjoyable and a refreshing change from jumping up and down at a club.

‘Canes MBB take down Ole Miss 75-66, claim first road victory since January 2024

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The Miami Hurricanes men’s basketball team (7-2) notched its most impressive victory of the season, earning a gritty 75-66 win over Ole Miss (5-3) Tuesday night as a part of the ACC/SEC challenge. Tuesday’s win in Oxford, Miss. signified Miami’s first road victory since Jan. 24, 2024 against Notre Dame.

The victory not only pushed first-year head coach Jai Lucas’ record to 7-2 but also showed the resilience of a team that’s built on a high-powered offense and dominance on the glass. 

The Hurricanes roared out of the gate, reflecting their season-long identity as a potent scoring unit. Behind a barrage of three-pointers (8-of-15 in the first half) and staunch defense, Miami built a commanding 42-26 halftime lead.

The UM defense held the Rebels to a season-low point total for the first half. The ‘Canes have averaged around 85 points per game this season, a trend that they relied on early to build their cushion in the first period. 

Miami also fought through significant setbacks in the contest, as guards Dante Allen and Marcus Allen were out of the lineup, and three starters – Tre Donaldson, Malik Reneau, and Ernest Udeh Jr. missed extended time due to in-game injuries. 

Photo Credit: @CanesHoops via X // Miami Hurricanes freshman forward Shelton Henderson takes the ball up court during a scrimmage against Florida Atlantic on Oct. 26, 2025

Despite this, it was the Hurricanes’ young core that stepped up in their place. Freshman forward Shelton Henderson had a breakout performance, tallying a season high with 18 points on 7-of-12 shooting, in addition to nine rebounds and five assists. Junior guard Tru Washington also provided major support with 17 points and seven rebounds, while Reneau and Donaldson contributed 15 and 11 points, respectively. 

Out of the half, Ole Miss worked to reduce the lead, trimming it to 10 points with a 12-2 run. However, the ‘Canes never allowed the Rebels to come within nine points, responding effectively to every run Ole Miss attempted, with the 75-66 victory sealed by a late corner three from freshman Timo Malovec. 

The rebounding margin was crucial in the game, as Miami dominated that aspect 45-29. UM also outscored the Rebels 28-18 in the paint.

The Hurricanes will now return to Coral Gables for a five-game stretch at the Watsco Center, starting on Saturday against Southern Mississippi at noon. The game will be broadcasted on the ACC Network.      

Keep Frost practice rooms open 24-7

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If you’ve ever messaged a music major in the late hours asking what they were doing, there’s a good chance they said they were practicing. But those night owls might be out of luck: On Nov. 14, the Frost School of Music sent out an email to all students and faculty announcing that Foster practice room access will now be limited to between the hours of 7:00 a.m. and 12:00 a.m.

Unlike the average University of Miami student who can simply write an essay in the comfort of their bedroom, it’s unfair to limit the time music students can work in the practice rooms. There’s rules that prevent loud volume throughout residence spaces, and for students playing a larger instrument like a piano or drumset, they’re not even able to practice anywhere besides Foster.

Music industry major Quinn Olson averages two to three hours of practice each day. Olson said Frost’s decision to limit practice room hours “portrays a general lack of concern for student’s livelihood.”

“Practicing is essential to musicians’ work, and it is hard,” said Olson. “It’s hard to motivate yourself to sit down every day and work. Making practicing less accessible decreases that motivation even further.”

With less than 50 practice rooms for nearly 700 students, it’s often difficult to secure a practice room during business hours. Limiting hours will make it even harder for students to find an empty room.

“Almost every case of someone being in Foster after or before hours is simply because they need extra practice time…The students that are there at 2:00 a.m. or 6:00 a.m. are among the most passionate and hard-working in our school,” Olson continued.

The average Frost student enrolls in at least 17 credits each semester. Most music majors typically have 20 class-hours a week, in addition to extracurricular activities, work and social obligations. Sometimes, early mornings or late evenings are the only viable time to practice.

Coco Brown, a senior violinist, relies on late practice sessions due to her many day-to-day obligations. 

“These new rules make no sense,” said Brown. “It’s making facilities that students are paying for harder to access, when administration should be doing the opposite and should be expanding and improving our practice room facilities.”

The decision is overall one that most Frost students feel was made without their best interests in mind. Olson suggested a form asking for the community’s input would have heeded better results, and Brown agreed there’s an ongoing “disconnect between administration and students.”

Brown added that in her four years here, she’s heard various complaints surrounding the Foster building. With extensive issues already existing within the Foster building — such as loud air conditioning, severe mold and faulty pianos — most music majors agree that the attention should have been allocated to more pressing issues. 

“Over my four years of being here, there were no modifications to Foster until the other day with this new change, which isn’t remotely close to the issue that students have been frustrated about,” said Brown.

There’s no doubt that the Frost School of Music’s Foster building is in need of significant improvements. It needs expanding, cleansing and maintenance. It most certainly does not need to be made more inaccessible. 

A new era of ‘Canes basketball: Miami MBB storms to 6-2 start under Jai Lucas

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The 2025-26 season has roared life into the Miami Hurricanes men’s basketball team that boasts a strong 6-2 overall record to begin the season.

In his debut season at the helm, head coach Jai Lucas has quickly established a compelling identity for the Hurricanes, who currently sit atop the early ACC standings, largely due to their stellar non-conference record.

The Hurricanes’ immediate success has been built on a relentless, high-octane offense. Through its first few contests, Miami ranks among the nation’s elite in scoring, pouring in over 92 points per game. Their precision has been astute, shooting over 52% from the field and demonstrating great ball movement, tallying an assist average that leads the country at 19.3. This offensive firepower was on full display in Coral Gables, where UM secured five blowout victories by margins frequently exceeding 30 points.

Leading the charge has been a dynamic group of veterans. Senior transfer Malik Reneau has established himself as the team’s anchor, averaging 20.8 points and 7.3 rebounds per contest.

He is complemented by senior guard Tre Donaldson, who provides playmaking and scoring, averaging nearly 16 points and 5.8 assists per game. The emergence of junior guard Tru Washington and promising freshman Shelton Henderson provides the depth needed for a challenging ACC schedule.

David Lebowitz, Staff Photographer/Senior Guard Tre Donaldson races toward a loose ball against Elon on November 20, 2025.

While the wins have been plentiful, the two losses—a neutral-site defeat to No. 10 Florida and a recent battle against No. 9 BYU—have served as important early tests for the ‘Canes, highlighting areas for growth on the defensive end. Despite these games, Miami has responded well by defeating Georgetown in its final tournament game in the Terry’s Chocolate Invitational. 

Miami’s strong start has energized the fanbase and clearly demonstrated that the program is a major contender in the ACC. This marks a significant turnaround from last year, which was dismal, as the ‘Canes finished with an overall record of 7-24. The Hurricanes will look to continue their success as they head into the ACC/SEC Challenge and the final stretch of non-conference play.

Lucas and the Hurricanes head to Oxford, Miss. for an ACC/SEC showdown against Ole Miss (5-2) on Tuesday evening. Tip-off at SJB Pavilion will begin at 9 p.m. EST and will air on ESPN.

Be bored!

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When was the last time you were truly bored? No music, no scrolling, no talking, just you and your thoughts? 

Social media and constant notifications keep our attention spans fragmented, making stillness increasingly uncomfortable. A constant state of being alert trains the brain to need external stimuli for engagement. When this stimuli is removed, it can trigger extreme discomfort because we are so unused to self-regulation and stillness. 

With attention spans shrinking and burnout on the rise, reclaiming boredom goes beyond nostalgia or anti-social media sentiment. 

It is a form of resistance against overstimulation. In a culture obsessed with productivity and constant stimulation, boredom is not a problem, but rather a necessity. Allowing ourselves to be bored fosters creativity, reflection, and genuine rest, serving as a form of personal liberation.

Being bored feels bad, especially at first. It is easy to believe that it is unproductive, or at worst, harmful. Every idle moment is a missed opportunity to watch Reels or to stalk someone on LinkedIn. 

The secret truth is boredom fuels creativity. People come up with more ideas after periods of mindless activity — not mindlessness like scrolling — but mindless in terms of stimulation. Boredom is a “variety driven emotion” which means it forces you to think of new things. 

It also reconnects us with self-awareness. Arthur Brooks, professor at the Harvard Business school, says boredom ignites the default mode in our brains, which is critical for reflection, even if we don’t like it. This mildly uncomfortable default state of thinking is where we are able to find meaning in our lives. 

In a 2014 study, psychologist Timothy Wilson found that people sitting alone in a room would rather administer painful electric shocks on themselves repeatedly than continue to feel bored. Our avoidance of boredom has gotten so extreme that even a few minutes of silence feels unbearable. 

However, the rise of ‘do nothing’ challenges reveal that there is hope.On social media, a new trend encourages people to sit in front of a timer and do nothing for a set amount of time, usually between 15 minutes and an hour. This idea is emerging from the same places that are contributing to issues of stimulation withdrawals, proving people are craving stillness. 

Boredom is not the enemy, but a space for growth. So, next time you reach for your phone in a quiet moment, resist. Look around the room, walk to class without music, be bored on purpose. See what happens when you retrain yourself to be still in the moment.

Reality check: why the internet keeps falling for fakes

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Apocalypse predictions, AI pranks and fake facts keep going viral — because on the internet, views count more than verification.

On April 7, 2025, Meta ended third-party fact-checking in the U.S., meaning Facebook, Instagram and Threads no longer flag false information. Without those labels, misleading posts now spread unchecked, making it easier for conspiracy theories and AI images to be mistaken for real news.

As digital misinformation accelerates, one example stands out: #RaptureTok predicted the apocalypse. But we’re still here.

The Rapture is a belief held by certain religious groups that at the end of the world, believers will be taken to heaven. Some people braced for the end of the world this September after a pastor’s vision of said Rapture went viral on TikTok. 

Considering you are still reading this, it’s safe to say that did not happen.

Digital culture and algorithms increasingly turn potentially harmful situations into entertainment. Content that should be approached cautiously is instead treated as humor. 

If society doesn’t develop stronger media literacy and critical thinking skills – especially as social media and the use of AI make misinformation easier to believe – these trends could escalate, desensitizing people to real harm.

Interviewed by the YouTube channel CettwinzTV,  an account with 431k subscribers, South African pastor Joshua Mhlakela claimed that he saw a vision of Jesus returning on Rosh Hashanah, the Jewish new year, between Sept. 23 and 24. 

“I saw Jesus sitting on his throne, and I could hear him very loud and clear saying ‘I am coming soon,’” Mhlakela said in a video.

#RaptureTok became popular on the app, with some poking fun at the idea while others shared serious stories and Q&As of how to prepare for the event. This is only a modern version of the conversations that have long happened offline but have now been moved to social media.

One user, @romans.ten.9through11, captioned her post ‘My LAST Video,’ thanking her followers and the Lord for using her “as a vessel.” She promised that if she is not raptured, she will make an apology video for being deceived.

Her account was later deactivated but has since been restored, with that video deleted. On Oct. 10, she uploaded a video explaining that the reason no one was raptured was because “our calendars are all jacked up.”

“I still believe that the lord told Joshua those dates… He is still coming,” she stated.

Will I hit my head on the way up? Do my clothes come with me? What about my pets? These are all questions that TikTok user @sonj779 answered in her “Rapture Trip Tips” videos for helping fellow users get ready.

Why was the prophecy so believable? While the term “rapture” is not explicitly mentioned in the Bible, the theory was popularized in the 1830s as some interpreted passages describing believers being “caught up” to meet Christ. 

Still, you’d think after so many missed doomsdays, people would stop setting dates for the end of the world. Even with history full of wrong guesses, some people remain convinced they’ll be the ones to get it right.

This is only one of many times the end of days has been “predicted”. In 2011, Christian radio host Harold Camping claimed Judgement Day would occur in either May or October, similarly leading to believers selling their possessions and even homes. 

Marshall Applewhite, leader of the Heaven’s Gate cult, taught that the Earth would be “wiped clean” in 1997. 

Though these events have continuously caused hysteria, financial consequences, and in extreme cases, suicide.

This theological idea has since been amplified. Instead of interpretations and visions being shared in the church, they are now circulated widely online, unchecked. 

It’s unsettling that a viral video can now carry the same weight as a sermon. When creators can preach to millions with a single post, it’s more crucial than ever to question what we see online, especially when it claims divine truth.

For now, #RaptureTok has quieted down. But, the pattern of online deception hasn’t slowed. In fact, new technology has made it even easier to blur the line between what’s real and what’s fake.

AI ‘Homeless Man’ pranks became all the rage a couple months ago when Snapchat released its Imagine Lens filter, which generates images based on text prompts that users can type in.

It became a trend to use this filter to generate a homeless man and send out the picture to friends and family. In one TikTok video with over 12 million views, a terrified father begged his son to pick up the phone after receiving images of a disheveled man sleeping on his bed and using his toothbrush. In another video with over 20 million views, a mother’s texts read “answer the phone immediately” and “call the f**king cops right now”.

We got a reality check recently when a ton of people were fooled by a viral video of bunnies jumping on a trampoline. The AI generated a security-camera-esque video that left many users utterly shocked at how good the technology has become. Some comments read “This is the first AI that has ever got me,” and “how is this not real?”.  It seems like “AI slop” may not be entirely slop for long.

And that’s the problem: while these videos received a ton of positive attention and laughs, they can turn destructive when you think about the implications of these fakes.

More than 1,500 videos pop up under the hashtag #homelessmanprank on TikTok. The app doesn’t care if you’re laughing or panicking, as long as you’re scrolling. AI technology is becoming more seamless, more accessible, and more terrifying. Fake images are no longer obvious jokes, they’re believable enough to trigger consequences in the real world. 

In an Oct. 16 ‘Good Morning America’ segment, Massachusetts Police Captain John Burke said, “You’re tying up a [911 dispatch center], you’re wasting police resources.”

In some states, making a false report to public safety officials can be a punishable offense of up to two and a half years.

How long will we be laughing until the cops are called and an innocent person pays the price?

As platforms loosen their control and developing technology makes AI harder to distinguish from reality, users are left to decide what’s fact and what’s fiction. 

And many don’t stop to question it before sharing. That’s a dangerous power to hand over to millions of users who double-tap before they research. In the age of AI, misinformation is a feature we’ve learned to live with.

The real danger isn’t the content itself, but how easily we let it spread.

No. 12 Miami clobbers No. 22 Pittsburgh 38-7 to close out regular season

Heading up North to Pennsylvania to finish off their regular season, the No. 12 Miami Hurricanes (10-2, 6-2 ACC) steamrolled the No. 22 Pittsburgh Panthers (8-4, 6-2 ACC), winning 38-7.

After three scoreless drives to start the game, UM got the party started with a 29-yard field goal by Carter Davis to give Miami a 3-0 lead. 

The drive showed what would be a large aspect of Miami’s gameplan with freshman phenom, Malachi Toney, tallying a catch, a rush and a pass attempt during the drive. In total, Toney would end with 13 receptions for 126 yards and a touchdown, five rushes for 30 yards and a passing touchdown. 

On the next drive, Pittsburgh responded to Miami’s score and then some. The Panthers drove down the field with a 75-yard drive, which featured a 40-yard completion to wide receiver and Miami-native, Cataurus Hicks. Pitt finished off the drive with quarterback Mason Heintschel throwing a 6-yard touchdown to tight end Justin Holmes, giving Pittsburgh a 7-3 lead over Miami.

The lead would not last long for the Panthers as the Hurricanes took it back on the next drive, and from there it was all ’Canes.

Set up with great field position after a 38-yard kick return from redshirt senior Keelan Marion, Miami only needed a few plays to get into the endzone. After starting the drive with a five-yard false start penalty, quarterback Carson Beck got Miami moving with four consecutive pass completions to get Miami on Pitt’s side of the field. 

Freshman running back Girard Pringle Jr. then brought the Hurricanes into redzone territory with two solid rushing gains. Pringle had 82 rushing yards by the end of the game — continuing his hot streak of late.

The drive ended on the next play with Toney throwing to tight end Elija Lofton for a nine-yard touchdown. With the touchdown, Miami retook the lead, 10-7.

Pitt came close to keeping the scoring trend going as they went on a 50-yard drive, setting up a field goal. However, kicker Trey Butkowski missed the 43-yarder to the right, keeping score as is. 

UM took advantage of the missed opportunity and kept up the attack. The ’Canes were in a great position after tight end Alex Bauman had a 23-yard reception bringing Miami close to the red zone going into the two-minute timeout. The Hurricanes then capitalized on the large gain with another big play, with Beck throwing a 22-yard touchdown to an uncovered Toney, bringing the lead to 17-7.

Photo Credit: @CanesFootball via X // Miami Hurricanes true freshman receiver Malachi Toney breaks a tackle against Pitt on Nov. 29, 2025.

Pittsburgh’s final drive before the half ended up with no points, but it was a prime example of a large aspect of their poor performance against Miami: penalties.

In that drive the Panthers had two penalties for 20 yards, one of which was an offensive pass inference. In total, Pittsburgh had nine penalties for 88 yards. 

And to start the second half, Pitt continued to commit costly penalties which benefited the ’Canes.

On two occasions in the opening drive, Pitt defenders were penalized for unsportsmanlike conduct. The first on defensive back Tamon Lynum brought Miami into the Pittsburgh redzone, and the second ruined a great third and long stop for the Panthers. Pitt defensive back Shadarian Harrison, who broke up the pass that gave them the stop in the first place, gave Miami a fresh set of downs after getting in Keelan Marion’s face after the pass break-up.

The Hurricanes capitalized on the discipline breakdown with running back Mark Fletcher plunging it in for a touchdown, and rode the momentum on their following drive.

After just a few plays which included Pringle ripping his longest run of the season for 38 yards, the Hurricanes were once again in scoring position.  A nine-yard pass to running back CharMar “Marty” Brown extended the Miami lead 31-7, forcing Pitt into desperation mode to keep its season alive.

And with Pittsburgh in desperation mode, the Miami defense smelled blood when the Panthers decided to go for a crucial fourth and three. The Hurricanes got the stop with defensive back Xavier Lucas forcing a fumble that went out of bounds for a Pitt turnover on downs.

The final score of the game would come in the form of a 33-yard pass from Beck to wide receiver CJ Daniels, who hauled a circus catch for a touchdown to give the Hurricanes a 38-7 lead.

The final nail in the coffin for Pittsburgh came in the lone play of their final drive with Heintschel throwing an interception to freshman defensive back Bryce Fitzgerald. UM then finished it off in victory formation, kneeling the ball for a 38-7 ’Canes victory.

After the win, the Hurricanes end the regular season with a 10-2 record while 6-2 in conference play. With Virginia and Duke facing off in the ACC championship, Miami can only wait and see if the CFP committee will give them an at-large bid into the playoffs.

Credit: Brian Mulvey – Assistant Photo Editor // Miami and Notre Dame face off at the line of scrimmage during their game at Hard Rock Stadium in Miami Gardens, Fla. on Sunday Aug. 31

No. 13 Miami volleyball completes reverse sweep on the road against No. 19 UNC

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After narrowly dropping the first two sets, the No. 13 Miami Hurricanes rattled off three straight sets on Saturday in Chapel Hill to complete the reverse sweep, marking one of their most impressive wins of the season.

The Hurricanes end the regular season at 26-5, riding high on a four-game win streak that includes two victories against the Tarheels within the span of six days. They also finish the season sitting fourth in the ACC at 16-4, trailing SMU, Pitt, and Stanford, teams that are all ranked in the top 10.

Flormarie Heredia Colon continued her good form against UNC, dropping 36 kills in yet another dominant performance for the senior.

The Hurricanes found themselves struggling down 18-10 in the first set thanks to a 6-0 run by the Tarheels. Miami did eventually narrow UNC’s lead to just three, but still dropped the set 25-20.

The second set was far more competitive than the first, with the two ACC rivals sitting at 20 a piece heading into the final stretches of the period.

Lorelei DiSanto @loreleis_lens, Contributing Photographer// Freshman Sonja Danilovic receives the ball against Virginia Tech on Sunday, Oct. 26, 2025 in the Knight Sports Complex.

However, UNC once again pulled away with a 5-0 run to take the second 25-23.

Miami finally found its rhythm late in the third set, going on a late 12-5 spree to spark its comeback and win the set 25-23 off of a Heredia Colon kill.

Launching off of their momentum from the last set, the Hurricanes were never down in the fourth and won the set handily 25-20.

The fifth and final set was similarly dominated by UM, the team finishing off UNC and achieving the reverse sweep 15-10 following an attack error by UNC’s Maddy May.

Other key contributers for Miami besides Heredia Colon includ graduate student Jazmin Vergara and senior Dalia Wilson, both of whom chipped in with 11 kills each.

UM sophomore setter Ariana Rodriguez also had a monster game, earning seven blocks and 54 assists in a steller two-way performance.

The full playoff lineup for this year’s NCAA Division I Volleyball Championships will be revealed Sunday evening at 6 PM on ESPN.

Finishing their regular season with yet another victory, Miami looks poised to earn a top seed and should be ready to make a deep postseason run.

Graduate student Outside Hitter Jazmin Vergara going for the kill against Florida State UNiversity on Nov. 5,2025 at KNight Sports Complex

Put it all on the line: Takeaways from No. 12 Miami’s 38-7 win over No. 22 Pitt

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The No. 12 ranked Miami Hurricanes rolled into Acrisure Stadium with a mission: to dominate No. 22 Pitt with a chance to the College Football Playoff on the line.

They did just that on Saturday afternoon. The frigid 30 degree temps in Pittsburgh did not faze the Hurricanes (10-2, 6-2 ACC) and as Miami head coach Mario Cristobal said best, “There is no such thing as bad weather, only soft people.”

Regardless of making the CFP, the Hurricanes won a game they haven’t won in years past, clinching back-to-back 10-win seasons for the first time in over 20 years. Miami hopes it can keep that momentum into 2026 and beyond.

Oh My, Malachi 

That was likely the words everyone in the college football world uttered during Saturday’s contest against Pitt because there’s no one like Malachi Toney. It feels like every week the 18-year old phenom does something special, and Week 14 was no exception.

Early in the second quarter, quarterback Carson Beck stepped back in the pocket and fired a pass that looked to be too far to the left of Toney. But Toney leaped and caught the ball one-handed and the crowd was in shock of what they just saw.

The freshman finished the game with 13 receptions for 126 yards with two total touchdowns, one receiving and one passing. In the process of his superstar performance, he broke Miami’s freshman receiving yard record which was previously set by Ahmmon Richards in 2016 with 934 receiving yards. Toney now sits at 970 receiving yards on the season. 

Toney spent his true freshman season involved in all three phases of the game, showing immense talent as a runner, passer, and receiver. Freshman All-American is a surefire guarantee. It’s time to start calling Toney an All-American and one of the best players in the sport.

Miami must do whatever it takes to keep Toney in the orange and green for the rest of his career.

David Lebowitz, Staff Photographer/ Freshman wide recievers Daylyn Upshaw (15) and Malachi Toney (10) celebrate after a big play on November 8, 2025.

What a difference one year makes on defense

Thank you Corey Hetherman. The first-year defensive coordinator has reshaped what once was a struggling unit just a season ago. 

Miami put on a dazzling display defensively. UM held Pitt to just seven points and 229 total yards. Pitt was a team just a few weeks ago who put up 42 points against Georgia Tech, who at the time was the favorite to make the ACC Championship game. Most notably Miami held Pitt to 30 rush yards compared to when Georgia Tech allowed 201 from Ja’Kyrian Turner alone.

The pass rush dominated once again, sacking freshman quarterback Mason Heintschel four times and holding the Pitt passing game to under 200 yards and an interception from true freshman safety Bryce Fitzgerald.

There is so much good to say about this defense especially in the secondary, a unit led by future NFL first-round pick Rueben Bain Jr., who finished his last regular season game as a Hurricane with four solo tackles and 1.5 sacks.

David Lebowitz, Staff Photographer/Fifth-Year Senior Safety Jakobe Thomas returns an interception on November 15, 2025.

Miami deserves to make the CFP

Miami needed to have a complete and dominant game if it wanted to turn heads to the college football selection committee and they did that. Although Miami did not qualify for the ACC Championship, on paper they are better than both Virginia and Duke.

If you look at ranked opponent wins, common opponents, and head-to-head matchup wins, the Hurricanes check the box in all of those categories. In terms of the remaining at-large teams, Miami has the head-to-head over Notre Dame and wins over Florida and Florida State, teams that beat Texas and Alabama, respectively.

College Gameday’s Nick Saban, the greatest coach in the history of the sport said before Saturday’s game that if Miami gets in, it will be “one of the most dangerous teams in the playoff.”

“This [Miami] is a College Football Playoff team. I think we’ve all seen it, we know it,” Cristobal said following the 38-7 win. 

The Hurricanes will await the results of College Football Playoff Selection Show on Sunday, Dec. 7, to see if Miami’s postseason will continue in the playoffs or in a bowl game. The show airs from 12 p.m. to 3 p.m. on ESPN.

David Lebowitz, Staff Photographer/Redshirt Sophomore Defensive Back Damari Brown narrowly misses a pass deflection on November 15, 2025.

Hurricanes edged 87-84 by No. 24 Oklahoma State in Cayman Classic

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The Miami Hurricanes Women’s basketball team lost a Saturday morning thriller to No. 24 Oklahoma State, 87-84 in the final game of the Cayman Islands Classic.

The high-scoring affair saw five different ’Canes reach double-digit scoring outputs, but it wasn’t quite enough to compete with Oklahoma State, who was led by sophomore guard Jadyn Wooten, who ended the night with 26 points.

The Hurricanes’ key players on the night were guards Gal Raviv and Amarachi Kimpson who scored 17 and 21 points, respectively.

UM took the lead to begin the game courtesy of Kimpson who provided nine of Miami’s first 13 points. However, Oklahoma State stayed close enough to creep ahead during the quarter.

Behind 21-17 to end the first quarter, Miami caught fire. They outscored the Cowgirls 25-10 in the second, taking a 42-31 lead going into the break.

Coming out of the half, Oklahoma State struck back again, going on a 16-4 run and cutting the ’Cane lead to just one heading into the final quarter. The Hurricanes failed to score for over five minutes during this period, a cold spell that would prove crucial.

It was a back-and-fourth battle in the final period, with Oklahoma State eventually grabbing an 84-76 lead with just under two minutes left, which they held on to. UM attempted a miraculous comeback, but the Cowgirls lead proved too much to surmount as the game ended 87-84

Miami (5-2) will be back at the Watsco Center on Dec. 3 for the 2025 ACC-SEC Challenge, where they will take on the Kentucky Wildcats. Tipoff is set for 5 p.m. and the game will be aired on ESPN2.