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Getting lost is the only way to really find yourself

There is a game I like to play. These are the rules. Get in the car. Drive. Don’t read street signs. Ignore landmarks. Avoid main roads.

The object of the game is to get lost, and then to find the way home again. I take turns on side streets and hope the canals interrupt them or the highway brings them to an end.

It’s a game I’ve played in new cities, in old cities, and on two-lane highways and dirt roads. It’s the only way to know a place, to make it my own.

Since I don’t have a car these days, I have to hitchhike: Find some willing person to drive me around in circles with their eyes closed. I’m lucky; I know someone who knows the game and loves it as much as I do, and the other day we played it together for the first time. I had always known creating my own labyrinth was the way to find myself again, but when we lost ourselves together, I discovered its also a way to get to know someone else.

It takes away all the distraction and leaves just the inside-out navigation, the smell of oregano from a spice warehouse, and the surreptitious pleasure of a beautiful home with the lights on inside.

I know people who’ve lived in Miami as long as I have and have still never driven down Calle Ocho. This baffles me: For fear of getting lost, they’ll never know where they are.

Late at night the streets are quiet, and in a city, the sky is bright like dawn and midnight at the same time. The lights of the buildings reflect off the whites of the clouds, and the traffic lights blink on and blink off, as if they’re saying be careful-but like an anxious mother, they’re almost afraid to look. My friend says the way the sky looks at night makes him believe he could begin anything and it would be fruitful.

I ask myself what there is to begin now, and the red blinking lights tell me to look both ways and go; nothing otherwise will change. I wonder if I do this just for the surprise of coming out of a foreign street into something familiar, or if it’s for the satisfaction of knowing I will inevitably find home.

The thing is, it is impossible to get truly lost, in this game or in life itself. One way or another I will roll down the windows, sigh, and find the way back to something I know. In the end my way is the only thing I will have lost at all.

Angie Henderson is a graduate student in the School of International Studies

Soccer moms fund terrorists, not potheads

Has anyone else noticed those new anti-drug commercials lately? You know, the ones in which the government tries to scare you into believing that every time someone buys marijuana they are funding terrorism?

Indeed, the commercials are very dramatic, especially in light of the events of Sep. 11th. After all, who wants to fund terrorism? But I urge all you pot-heads to calm down and read closely.

Don’t you find it curious how the connection between drugs and terrorism is made to seem so obvious? At the same time, don’t you find it curious how the commercials mention nothing about how every time you buy gas you are conceivably helping to fund terrorists? Or how everyone with a sports utility vehicle is eating gas at an unprecedented rate and consequentially contributing tons of money annually to the countries that house these terrorists?

And why do they not mention anything about how our dubious dealings with the countries that give us all of this precious gasoline and oil are quite possibly half the reason these terrorists hate us so much? I mean, not only are we occupying their countries and exploiting their economies, but we are also destroying their plots of earth as fast as we possibly can.

Oh but wait, I forgot. No one likes to admit to the bad stuff. So I understand why we would want to pretend it doesn’t happen. And I can see how some marketing genius was able to turn it into a brilliant attempt to lend credence to our impotent war on drugs.

This all might sound very radical, but I’d bet you it’s not too far from the truth. I believe that blaming junkies for the problem of terrorism is too easy an excuse. It works too perfectly and seems like a ploy to appease the average soccer mom who drives an SUV and wants her kids to stay away from drugs. And my theory is that it is exactly that soccer mom, spending hundreds of dollars a month on gas, who is the real terrorist.

Travis Atria is a sophomore majoring in English literature.

News Briefs and Campus Calendar

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CANES FILM FESTIVAL SHOWCASES STUDENT FILMMAKERS’ TALENT
Although it’s more than 5,000 miles away from its more famous cousin in Cannes, France, the University of Miami’s Canes Film Festival also showcases the works of talented filmmakers.

What: Free and open to the public, the Canes Film Festival will showcase more than 50 short films and documentaries written and directed by students in the University of Miami’s graduate and undergraduate film programs. Films featured in the festival cover a wide variety of genres and were shot on locations ranging from Miami to Honduras to Moscow. The festival will also feature readings of scripts from students in the screenwriting program. Sample films include “Mooncalf,” a reinterpretation of Shakespeare’s “The Tempest”; “In the Banya,” a story about female relationships shot on location in Moscow; “Advent,” a futuristic look at the evolution of the human race; and “Seeking: Ginger,” a comic ‘dance-ical’ about two senior citizens looking for love.
When:
6 – 10 pm, Fri., April 26
6 – 10 pm, Sat., April 27
5 – 10 pm, Sun., April 28
Where: The Bill Cosford Cinema Second floor, Memorial Building University of Miami’s Coral Gables campus Contact: For schedule, directions or more information, call the University of Miami Motion Pictures Department at (305) 284-6902 or visit www.canesfilmfestival.com. Contact: Heather Sokolow at (305) 662-7154 or (305) 284-6902

DISCOUNT PARKING SPACES ADDED
Beginning Fall 2002, the UM will offer 1,800 discount parking spaces at the Ponce Garage, Metro Lots North and South, Red Road Lots North and South, and Scodella and Liguria Lots, each with fast, convenient Hurry ‘Cane Shuttle service to points across campus. These discounted permits can be purchased when Parking Permits go on sale Monday, July 29. Questions? Call 305-284-3096, option 1.

APRIL IS NATIONAL STI AWARENESS MONTH
The Wellness Center will be distributing condoms and educational information in the Breezeway every Thursday during April between 11-a.m.-1p.m. to celebrate national STI Month. For more information on STI’s or condoms distribution, please contact 305-284-6524.

MENINGITIS VACCINATION CLINICS OFFERED IN BREEZEWAY
Student Health Center will be offering meningitis vaccinations in the Breezeway throughout the month of April for $49.99 (compared to the regular price of $70). Clinics are scheduled for April 11, April 18, and April 25 between 11:30a.m. to 1:30p.m. Cash or check will be accepted at the breezeway Clinics. Vaccines will be offered at the Student Health Center throughout the month of April for students who can not attend clinics.

PONCE GARAGE CLOSING FOR CONSTRUCTION
The Ponce Garage will be closed to all traffic and parking as of Friday, May 3, due to construction, which includes adding two floors of parking. The project is expected to be completed by August 2002. Alternate parking will be available at Coral Gables Municipal Lots 42 and 43, on Ponce de Leon Blvd. across the street from the Ponce Garage and Mark Light Baseball Stadium, as well as the Scodella, Liguria, Albenga, and Red Road North and South Lots. The Hub of the Hurry ‘Cane Shuttle service will relocate from the Ponce Garage to the Metro North Lot.

Sign-up for on-campus housing!

Today
CAC Film, “Lord of the Rings.”
Graduate Student BBQ from 12-2p.m. on the UC Patio.
Games night at Rat from 7-9p.m.

Skee Week raises awareness for AKA

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The ladies of Alpha Kappa Alpha [AKA] raised their pinkies in support of their sorority during their annual skee week.

“We wanted to let people know about our sorority,” said publicity chair Latisha Rowe, “we are here for the campus, and this is our time to show it.”

Pink and green are the sorority’s colors and the pinky-finger, their sign. Playing off of the current popularity of the Outkast song, the sisters of AKA made the theme of their week “So fresh, so clean, with pink and green,” in order to symbolize their new beginning.

After nine members graduated a few years ago, AKA fell into a slump of low membership, members said.

Up from last year’s three members, this year’s 12 are happy to be a part of AKA’s rebirth.

Along with a new beginning, AKA wanted to raise awareness of their organization on campus, as well as give back to the students and community at the University of Miami.

Skee week for the sisters consisted of a series of events, which they held daily in different locations, and went along with their overall theme.

The event that seemed to draw the biggest crowd was the male auction, which the sisters held on Thursday night at the International Lounge in the University Center.

Twenty five male student volunteers, who came in all colors, shapes and sizes, were auctioned off by AKA to the highest bidders in order to raise funding for the Agape Domestic Violence Center.

“I got there and I knew it was going to be wild,” said a smiling Rowe. “There were only 25 men being auctioned off and more than 100 females had already bought bidding paddles. It was a huge success and we were able to raise $1000 for our charity.”

The sisters hosted a wide variety of events, including everything from social activities to an educational forum, in order to create a well-rounded schedule of events.

AKA sponsored a pool party; a barbecue; a movie in the Eaton lobby for their leisurely events; an open mike poetry reading; a car wash; and even a health forum at the Wellness Center, which helped to make students aware of issues like date rape, safety on campus, and breast cancer.

In order to spark interest and draw attendants to the week’s series of events, Latisha Rowe took on the tough task of publicizing skee week.

She made sure that there were banners and flyers all over campus, as well as the widespread word-of-mouth publicity.

After the conclusion of skee week last Sunday at morning mass, the sorority members of Alpha Kappa Alpha felt that their week was a great success.

They had pulled large numbers of people to their events, made money for their charity, and attracted the attention of many possible new members for next year’s fall rush.

Rowe said she expects that membership will double by next year.

AKA hopes to continue making a difference in the UM community and are already excited about next semester.

More information about the iota chapter of AKA can be found at www.miami.edu/studorgs/iotanu.com.

Runner wins against adversity, amputation

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It all started with a soccer game, said world record-holder and UM track team member, Dan Andrews.

“There was a breakaway. A man passed our defense and tried to score. I tried to stop him by sliding out but he slid into my leg,” he said.

Dan’s left leg was instantly broken-broken so badly that the muscles began to swell, preventing his blood from circulating.

Doctors were forced to amputate.

At the young age of 14, Dan Andrews knew immediately that his life would change forever.

Doctors were initially very skeptical about Dan’s sports career. The incision they made on his leg took a long time to heal and made it difficult for him to walk about freely.

“The first two-month period was the hardest, I became frustrated at how slowly time was passing,” Dan said.

And not only was time passing, but the possibility of Dan’s future in sports was fading as well.

Being a true sportsman and soccer fan, Dan’s first words to the doctor after his operation were: “Will I ever play soccer again?”

He was, in fact, able to adjust to his new leg.

Instead of taking his doctor’s advice by waiting an entire year to get back in the game, Dan only waited for a couple of months before beginning practice again.

He soon began walking, then running, and finally training, but it wasn’t until he attended the Para Pan-Am Games in Mexico City that Dan realized his track career beginning to unfold.

“My senior year in high school I had my first big international meet at the Para Pan-Am Games in Mexico City. That meet made me decide I wanted to get back into track. I had a really good time,” he said.

Before that event, Dan only ran at the local track meets.

However, since then, Dan has raked in a lot of attention.

In Sydney, Australia, Dan recently broke the world record for the para 800-meter circuit.

Soon after, he beat his time at Florida International University.

Furthermore, Dan is the only amputee that’s competed in a Division I track level.

“I race against everyone,” Dan says, “not just amputees.”

Most of all, however, Dan races against himself.

“I beat my personal best in two out of my last three races for the 800M. I can also run faster than what I used to, but I haven’t been able to put a solid race together yet,” he said.

Because of Dan’s unwavering spirit, he’s also received a lot of attention from TV networks as well.

Recently HBO hung out with Dan for the weekend at his house and followed him around for an upcoming segment called HBO Real Sports.

Dan said that he was never, “really planning on running here.”

When he came back from Sydney he asked if he could train with the team.

The coaches got together and Coach Ward said he should come along.

“He gave me a chance to not only train with the team but to run with the team as well.” Dan said. “I was pretty pumped and surprised when I heard that – not many people get a chance to compete in a division one school; it’s a big honor.”

“Before I met Dan the coach told me there’s a new 800 [meter] guy that’s going to kick my ass,” said fellow UM distance runner, Matthew Mulvaney.

“People wouldn’t think you’d participate in a sport, especially running, after that. And the kid just bounced back,” he said.

“Dan’s unbelievably fast. He’s an incredible athlete,” said another team member, Billy Bludgus.

While Dan is receiving a lot attention for overcoming a series of adversities, he still manages to remain humble.

“I like being the underdog,” Dan says, “I’m not big into the whole publicity thing. I just enjoy running with my teammates – they offer me no special treatment. I like that.”

‘The Vagina Monologues’ opens today at Storer

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Coming to UM’s Storer Auditorium, direct from Broadway, is Eve Ensler’s world-renowned play, ‘The Vagina Monologues,’ and its anti-violence campaign, V-Day.

‘The Vagina Monologues’ is a play based on conversations that Ensler had with different women all over the world.

“Eve Ensler went around the world talking to women,” said Becky Stead, one of the organizers. “She was moved by their experiences, so she put them in a monologue form to share their stories.”

“She [Ensler] listened to their stories and found common threads,” said Farryl Rosenberg, a junior and one of the performers. “The monologues deal with all aspects of being a woman-from rape to periods.”

This year’s performance will be directed by Patricia Dolan, the same UM theater professor and BA program advisor, who directed the play last year.

“It’s pretty amazing what she does with that show,” said Tricia Shatley, Director of the Women’s Resource Center.

The joint venture between the Counseling Center and the Women’s Resource Center is geared towards alerting and discouraging people about violence towards women.

“It’s all about violence against women,” said Shatley. “We want to educate people on campus; we want to raise awareness.”

“I saw the play on HBO and realized there was more to it than just the play,” said Gabriela Guzman, a member of V-Day’s marketing committee. “Fighting the violence is really important. Women need to stop being victimized-I just think this is really empowering.”

The V-Day college campaign, the longest-running and most far-reaching of V-Day’s global campaigns, is responsible for hundreds of colleges and universities around the world giving benefit presentations of “The Vagina Monologues” to raise awareness and money to stop violence against women and girls.

“There’s a lot of things going on, not just this,” Stead said. “We’re trying to bring awareness to all types of abuse, not just against women.”

“We want women to be comfortable with their own bodies; we want them to be comfortable saying ‘vagina,'” Shatley said.

This year’s V-Day campaign includes a march and a letter-writing campaign to protest female genital mutilation, which is still legal in Florida, among other events.

“I think it’s important for everybody to understand what’s going on-once people know the information, it’s more likely the violence will stop,” said Swenson. “Once I heard the statistics, I felt like I needed to be a part of it and to inform women of what’s going on.”

All profits from both performances are being donated to Safe Space, a shelter for women and children running from domestic violence.

“It will really be most of our proceeds, since we have so many sponsors like the residence halls and student government,” said Stead.

This is the second year The Vagina Monologues comes to UM. It is, however, the first time such an elaborate production is being organized.

“We just felt it was such an amazing show,” said Shatley. “We got such a good response last year, we felt urged to bring it back this year.”

“I can’t wait to see it,” said Lauren Swenson, one of the organizers.

“I’ve learned a lot from helping here-you don’t realize how people don’t speak up. By being aware of what’s going on it’s easier to talk about. Plus, it’s funny,” said Kimberly Needahm, a senior involved in the organization.

The Vagina Monologues will be performed at the Storer Auditorium tonight and tomorrow, at 7 p.m.

Tickets are $8 for UM students, and $25 for non-students. Tickets are available either in the UC Breezeway or at the door. For more information call Tricia Shatley at 284-5646.

Category 5 gives sound to UC patio

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Come next fall, UM students will be the recipients of Category 5’s generous gift to the university center-a new sound system.

Category 5, a branch of student government and the spirit programming board on campus, began thinking about buying a new sound system after their first pep rally last year. They are responsible for putting on all the pre-game events on campus for boosting school spirit.

“The sound system now is antiquated. The purpose of our pep rallies are that they’re supposed to be loud, fun, interactive,” said former Category 5 co-chair and current member, JD Barbosa. “We’ve been thinking about it since our first pep rally last year, but we didn’t have the budget.”

Barbosa said that it is very difficult to hear anything on the current sound system.

“There is no sound system. Activities will be better than before and every club can use it,” said Category 5 co-chair Carlos Echeverri, a sophomore majoring in psychology and mathematics.

Echeverri believes that with the new sound system improving the activities on campus, more students will get involved in events.

“It will promote school spirit overall,” he said.

The system should be installed in the Rock area sometime this summer, Barbosa said. The speakers will be hidden in the trees and the control panel will be located in the UC.

“We’re doing our shopping. We’re getting quotes. We’ve contacted the contractors,” he said.

The people responsible for getting the system are Barbosa, Category 5 co-chair Kimberly Racciato, and Category 5 advisor Webb Morgan.

Category 5 is looking at a price range between five and eight thousand dollars, which they can easily afford, Barbosa said, with the $30,000 annual budget that the student activities fee provides for them.

“We try to spend our budget as wisely as we can,” Echeverri said. “You can say we’ve been stingy with the money over the year so we had a lot left over.”

“Since this is the first year that Category 5 has a budget we thought we should make a capital investment. We feel like it’s going to be an investment for us and the university,” Barbosa said.

“We’re going to do our best to get it done before next semester,” Echeverri said.

Ryder pulls name from UM arena

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The University of Miami men’s and women’s basketball teams will not play any games in the Ryder Center next year.

The convocation center currently being erected on the east side of campus will be completed in time for the 2002-2003 season, it will simply bear a different name, officials said.

In a joint statement first issued to The Miami Hurricane, Ryder System, Inc. and the University of Miami announced Thursday that Ryder was returning the naming rights of the convocation center to the university.

“They are simply giving us the opportunity to resell the name,” UM President Donna Shalala said.

“The Ryder Corporation has been a tremendous supporter,” UM Athletic Director Paul Dee said. “Their stepping forward when they did [in 1994] made it possible.”

Ryder made a commitment to pay $9 million towards the construction of the convocation center in 1994.

“Ryder has paid a substantial amount of that money,” Dee said. “They will complete their obligations under the agreement that we have.”

According to the statement issued to The Hurricane: “Ryder’s funding support to the University of Miami remains unchanged. The company, however, has shifted its marketing strategy away from a consumer audience to an approach that targets business-to-business audiences.”

“The focus of their business changed,” Dee said. “It was no longer retail.”

Both Shalala and Dee said that Ryder approached the university a few months ago about the redirection of their advertising and the redirection of their focus.

“Over that time we’ve come to an agreement,” Dee said. “They were just about ready to make an announcement in a week or two, but I guess this made it come a little sooner.”

“[Ryder] has been among the best friends the university has ever had,” Shalala said.

Shalala and Dee said there are a few possible corporate sponsors in mind, but they are not ready to release their names as yet.

“We have some people that we plan to talk to, but those are usually kept private before we have the opportunity to contact them,” Dee said.

If any of the corporate sponsors were to say no to the opportunity to rename the convocation center, their declination might reflect poorly on them publicly, Dee explained.

The process for finding a new sponsor will remain the same, Shalala said.

“It’ll take a significant gift,” Shalala said. “It’ll be in the same range as the Ryder gift, and based on when Ryder’s gift was made, it might be a bit higher.”

The money from a new sponsor will go directly to paying off the costs of the construction, according to officials.

“We borrowed money to build the Ryder center,” Shalala said.

“It’ll help us pay it off sooner,” Dee said. “It’ll help us pay down the mortgage a lot faster.”

Overall, officials said they are thrilled with Ryder’s announcement.

“It’s a good deal for the university. We’re pleased we were able to work it out. I can’t say enough great things about Ryder,” Shalala said.

“It was [Ryder’s] goodwill to let us remarket the name. It was a tremendous gift by them,” Dee said.

Entertainment News

Layne Staley, lead singer for the pivotal grunge band Alice in Chains, was discovered dead last Friday by in his Seattle apartment, after authorities responded to a call from an anonymous friend . While the cause of death has not been determined, a Seattle police spokesman has reported that it might be a possible drug overdose. Alice in Chains disbanded in 1996 after the success of two number one albums and numerous hit singles like Heaven Beside You, Rooster and Dirt. Staley’s publicized heroin addiction, the inspiration for many of the group’s songs, ultimately played a significant role in the band’s demise. He was 34.

In other music news… Ex-Van Halen singers David Lee Roth and Sammy Hagar are teaming up for a tour that will kick off May 29 and reportedly will feature numerous Van Halen covers. Recent UM musical guest Afu Ra will release his second album, Life Force Radio, on May 21. It will feature production by DJ Premier, among others and guest appearances by RZA, M.O.P and Big Daddy Kane. The Red Hot Chili Peppers are still working on their next album, By the Way. Chili Pepper guitarist John Frusciante said the album, scheduled to drop in June, is much deeper than the mutli-platinum Californication. A sign of what you’ll be seeing on MTV for the next year – Eminem dressed up as Osama bin Laden for the shoot of his new video Without Me, set to premiere in May.
The Rock is now a movie star. The Scorpion King, the new action movie from the WWF wrestler and member of UM’s 1990 champion football team, grossed an estimated $36.2 million over the weekend, making it the largest April opening in film history. The movie is a spin-off of the lucrative The Mummy franchise and had a modest budget that was just over $60 million. Changing Lanes starring Samuel L. Jackson and Ben Affleck slipped to number two and grossed a solid $11.1 million, to bring its two-week total to $32.8 million.
In film news… Playwright Reginald Rose, best known his acclaimed screenplay for the 1957 film Twelve Angry Men, and his Emmy-award winning work on the television show The Defenders, has died at the age of 81. Director David Fincher, with his film Panic Room still going strong in theatres, is in final talks to helm Mission Impossible 3 with Tom Cruise returning in the lead role. The last film in the spy franchise, MI:2, was directed by director John Woo and went on to gross $546 million worldwide.

Is this it?

Do rock gods still exist?

Name a band that you have seen in the last five years that secretly erased your independent, punk, boy band or hip-hop preferences as soon as you fell victim to the sheer power of their presence. A band that you yearned to trade your life with because you knew they were experiencing things you could not and would not try in your lifetime; a band that embodied the true American dream: To live a short, indulgent life free from the workforce, politics, consequences, and cares of ordinary life and full of the music, sin, religion, and alcohol that helps you get by every year. A band with a front man who will quite possibly be worshipped forever as a primal legend in times of increasing rules and regulations?

There are young cynics and bitter middle aged critics who will argue that such bands never existed and simply cannot, because in the end it’s all image, money and superficiality. Those people are jaded and perhaps overly caught up in the holsters of the 9 to 5 reality. Members of earlier generations were lucky enough to witness a couple of musicians with such charismatic force: Jimi Hendrix was a radical thinker and spiritual seeker who connected with electricity in ways no text book can describe. Led Zeppelin simply lived the life, and classic rock stations are still mining away hourly at the bottomless supply of mysticism inside Stairway to Heaven. There are other bands that might do it for you. The Doors, the Beatles, Pink Floyd with Roger Waters, perhaps even Nirvana. Add on if you wish.

If the credibility of music critics was not at stake, band breakers and journalists to search endlessly for the holy grail of rock in obscure, undiscovered acts while remaining loyal to certain cutthroat genres, maybe people would take the time to make a similar consideration for the Stone Temple Pilots. Note a “similar consideration,” meaning a comparison that is alike but not identical.

With the exception of Nirvana, it takes particular gusto to proclaim that STP are in the same league with any of the bands listed above, and it is not even worth visualizing the repercussions that would inevitably arise in using the word “all.”

This article doesn’t have, nor want that gusto. However, the band’s performance two Saturdays ago at the under attended Beyond 2002 Super Festival (of all places), hints that STP’s members possess such a trait and are willing to use the stage to carry out their debate for this elite recognition. Hindered throughout the last decade by Scott Weiland’s heroin addiction, it is a debate that can now hopefully stay on the progressive track.

On the night of April 13, when Weiland walked onto the festival’s main stage shaking maracas, wearing a black suit and white tie, his eyes highlighted with black eyeliner and his hair punked out in whitish blonde, he wasn’t just a glam-rock posterboy. The crowd viewed him with a little more awe, trying to remember why they had abandoned this band for Limp Bizkit, Nickelback or whatever disposable debris Zeta is now playing on the radio. People began to realize that this s.o.b. was possibly the last true rock star for Generations X and Y- and it was pretty clear that he was thinking the exact same thing. With the death of Alice in Chains front man Layne Staley last week, his role is even more solidified.

As bassist Robert DeLeo, decked out in a long sleeve 1970s style silk shirt, and his brother, guitarist Dean DeLeo, formed a gradual ambience around Weiland’s calm, fluid movements, it conjured images of early Pink Floyd and in fact it was. The band members teased the audience with their untapped potential as they nailed a flawless cover of Floyd’s Shine on You Crazy Diamond. They played the song as if it were their own, and it fit like a glove.

The dark-pop calling of Vasoline from 1994’s Purple followed. Weiland ran up and away from the crowd drenched in purple and white lights, distorting his expansive voice through a megaphone. This old technique didn’t resurrect the age of grunge; it simply quenched the thirst for rock by adding a sense of urgent nostalgia.

By the third song, Weiland had lost his tie and was enlightening far far away in his own musical bliss. He swayed serpent-like as Eric Kretz’s incredible drumming took control during the dark confessional tone of Big Empty. A kid in the audience sitting on his mother’s shoulders began throwing his hands out at the singer for whatever reason. Would he fondly recollect this memory to his friends 15 years from now at a house party or at a school lunch table, or perhaps even tell his own kids about the experience?

One thing that separated STP’s performance from newer rock groups was the feeling that Weiland has sacrificed himself for rock ‘n’ roll. He sang and contorted his body with unrestrained freedom and lust, and the apparent physical and emotional wear and tear from years spent in the rock life almost gave the performance a dangerous quality.

All of the drug busts and bad publicity are just part of his journey, not unlike Jim Morrison’s own obsession with death and celebrity. Weiland knows his role and has equally succumbed to and perfected it. Why deny that we want this from our rock idols, especially when they willingly want to become them? There is even less guilt and more viewer satisfaction, when, like Weiland, they simply are them.

Down from number four was soaked in such loud, climaxing hedonism that it catalyzed an undertow of beta endorphins. Girls in the audience yelled things like “yummy,” (seriously) and screamed in realization that this was the real rock experience, the one they needed to utterly seduce them. DeLeo threw out a black towel to an exhilirated topless chick, and told to their roadie that it was a backstage pass. Most rock bands and rappers are now prone to merely talking about such traditional acts of indulgence, instead of just living it out like the Rolling Stones.

Yet, the most pleasing aspects to observe were the people crowd surfing with authentic smiles on their faces and the way the audience sang along to all of STP’s songs.

Cust m order

Custom likes fast cars, rock music, hot chicks, doing things his way, and pissing dads off. That’s the impression that one gets when listening to Fast, Custom’s edgy and sonically eclectic debut album from ARTISTDirect Records.

Custom, known to his parents as their beloved “6’8” classically trained musician Duane Lavold, recorded his album in a family-built studio in his New York City loft with a posse of close musician friends that included Duncan Sheik. The album’s amalgamation of alternative acoustic rock, punk, muffled hip-hop, and pop is backed with lyrics that range from aggressive and biting to juvenile humor.

Custom’s first single, Hey Mister, has been a hit on modern rock radio stations across the country. The single caught the ears of South Florida’s own rock station, Zeta (94.9 FM). Custom will be joining a lineup that includes Rob Zombie, Kid Rock, and Adema for Zeta’s Bonzai Festival on April 26 at Bicentennial Park.

The chorus and school girl na na na chant to the single is a prime example of the sly erotic and tongue-in-cheek matter that makes up Fast: Hey mister/I really like your daughter/I’d like to eat her like ice cream/maybe dip her in chocolate.

The song’s subversive lyrics were so racy that MTV’s Standards and Practices department deemed them misogynistic. The video for the song was shot on a digital camera in Malibu and Las Vegas by Custom. Although it contains nothing dirtier than Custom writing on his bikini-clad girlfriend with a marker, and nothing racier than a Ferrari being driven at 180 m.p.h., the video was banned on MTV.

Custom called MTV’s decision “preposterous” in a recent interview with The Hurricane.

“I was in a bar with my sister and watching her get picked up by a guy. That brought out the protective brother in me,” Custom said. “Then I realized that I was doing the same thing to a girl, who probably has a brother and definitely has a father. I imagined how scary it must be to have a daughter and see her go off on her first date. So I wrote it from that perspective.”

Custom, 27, will be playing the guitar and performing live vocals at Bonzai along with the band he culled together for the tour. While the name Custom stems from a nickname for Lavold, he opted to use the name as an umbrella moniker for his act to facilitate easier future collaborations with musicians.

“We’re going to have a heavier sound than on the record,” he said. “While we’ve done our best to replicate big string sections, we can’t get a gospel choir out on tour with us just yet,” he added referring to one of Fast’s standout tracks, Daddy, which includes a crescendo of rousing choral voices. “We don’t like to have too many loops and samples,” he said. “We rather err on the side of freedom and to rock out.”

Custom’s biggest musical discoveries as a kid were The Sex Pistols, Pink Floyd, The Cure, and Prince. Seeing as these acts are rock-and-roll pioneers that put their rebellious music above all else, it is no wonder that Custom decided to use the money from his record advance on building his own recording studio rather than spending it on a professional studio.

He enjoys the spontaneity that the studio is able to capture.

“I like having the freedom to come into your home recording studio with a little buzz and make whatever you are feeling at that moment into music,” he said. “It ends up being fresher and cooler.”

The easy accessibility of Custom’s home studio came into use when he penned the autobiographical May 26 on the same day his girlfriend dumped him.

“The entire thing was pure inspiration. I tried to redo it later, but it wasn’t as real and emotional,” he said. “So I retained the first pass of vocals and some badly played stuff, but it feels right.”

Feeling right about his music seems to be what Custom is about. Fast is a testosterone-laden paean to good times with friends, beer, and girls. It might not last as long as a six-pack with friends, but it gives you that definite buzz.

Headstrong delivers

OK, we’ve come across yet another band that wedges itself in the popular rap-rock genre. I know what you’re thinking; more Limp imitators, another kernel in the Korn field …enough friggin’ rap-rock already! But read on, we’ve found a jewel amongst the thorns.

On their self-titled debut, Canada’s Headstrong assaults listeners with some seriously muscular guitars, pensive yet aggressive lyrics while incorporating harmony into the equation. No, that wasn’t a typo: harmony.

Not your typical rap-rock band, Headstrong strives to be heavy, yet introspective. Sounds familiar doesn’t it? Not to worry, you won’t find any intolerable Creed-esqe religious overtones or Disturbed-like just plain stupidity here. These guys get their message home the old fashioned way: by enveloping it in a barrage of groove-oriented distortion.

To tell you the truth, I can’t really compare them to anyone else, each song on the album seems to be influenced by another band. Backlash, for instance, would fit perfectly on a Rage Against the Machine album; lofty social commentary layered upon infectious guitar riffs. Do What You Like sounds like something Scott Weiland would, or should for that matter, have written.

Not surprising as they cited STP as one of their major influences. Later in the record, Headstrong tosses a serious curve ball in I am for real by throwing in recycled Slayer riffs (You thought no one would notice?) over some angst-ridden lyrics. What’s all this anger about? Thankfully, it’s not about senseless violence (you hear that Mr. Durst?), but rather more poignant social issues ranging from corruption in the music industry to psychological trauma.

The remainder of the record, including the first single Adriana, could probably be most comparable to the Deftones; bludgeoning, de-tuned guitars mated to catchy lyrics and seriously melodic harmonies. Actually, Deftones fans would really like this album. As a matter of fact, the editors of Spin and Metal Edge think that a lot of people would really like this album; they cited Headstrong as one of the bands to watch in 2002.

Honestly, there was nothing there that really impressed me. I’ve heard all of this stuff before; albeit from different artists. That aside, these kids have talent. Check them out at 94.9’s Bonzai! music festival, April 26 at Bicentennial Park. With bands like Headstrong on tap, Canadians are slowly but surely making up for giving the world Bryan Adams. We haven’t forgiven them yet.