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Miami finishes season with Pinstripe Bowl loss to Rutgers

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Hurricanes football fought hard in a New York battle, facing a challenging atmosphere from a Rutgers-heavy crowd in Yankee Stadium as the Scarlet Knights defeated the Canes 31-24.

Miami gave the nod to Sophomore quarterback Jacurri Brown in the Bronx yesterday afternoon, his first start of the season. Brown’s running ability was on full display this afternoon, tallying 57 yards and scoring two touchdowns with his legs.

Sophomore quarterback Jacurri Brown slides into the end zone for a touchdown in the second quarter of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023.
Sophomore quarterback Jacurri Brown slides into the end zone for a touchdown in the second quarter of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023. Photo credit: Jared Lennon

Miami’s start to the game could have been better. In the game’s opening drive, Rutgers gashed through the Hurricane run defense, running the ball 11 times for 55 yards before quarterback Gavin Wimsatt ran it in himself for the score. Wimsatt, the junior quarterback, only threw the ball 15 times for 84 yards but scored two touchdowns with his legs.

To make matters worse, in Miami’s first drive, freshman running back Mark Fletcher Jr. went down with an apparent left foot injury. Fletcher was reportedly unable to put any pressure on his foot.

Head Coach Mario Cristobal told reporters the running back’s X-rays were negative, but “there was something there.”

Fourth-year junior running back Henry Parrish, Jr. goes down with an injury in the first quarter of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023.
Fourth-year junior running back Mark Fletcher, Jr. goes down with an injury in the first quarter of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023. Photo credit: Jared Lennon

Fletcher was making a name for himself in a deep Hurricane depth chart, running for 500 yards, averaging five yards per carry, and scoring five touchdowns on the year.

After finding themselves in an early 14-0 deficit and turning the ball over, Miami seemed to finally wake up halfway through the second quarter, scoring 17 unanswered against the Scarlet Knights.

One of the critical reasons for this success was the connection between Brown and junior receiver Xavier Restrepo. Restrepo was targeted 17 times by the quarterback, making his presence felt. Restrepo finished his last game of the season with 11 grabs for 99 yards and a touchdown.

Restrepo became the sixth receiver in Miami history to record a 1000-yard season, ending his campaign with 1082 yards and nine touchdowns this season.

Fourth-year junior wide receiver Xavier Restrepo stands for the national anthem head of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023.
Fourth-year junior wide receiver Xavier Restrepo stands for the national anthem head of Miami’s Pinstripe Bowl Matchup versus Rutgers at Yankee Stadium on Dec. 28, 2023. Photo credit: Jared Lennon

With seven Hurricane starters opting out of the Bad Boy Mowers Pinstripe Bowl, Miami felt their presence missed defensively.

Throughout the game, Rutgers was able to have their way in the rushing attack, tallying 208 yards on the ground. Junior running back Kyle Monogai did the most damage to the Hurricanes, rushing for 160 yards on 25 carries and scoring a touchdown. To cap it off, the 5’95’9 running back received the Pinstripe Bowl MVP with his performance.

The game’s turning point came from the Rutgers’ special teams. With the score at 17-14 Miami, the Hurricane offense was forced to punt from their 13-yard line. Rutgers special teamer Trevor Yeboah-Kodie blocked punter Dylan Joyce’s kick, which Rutgers’ Timmy Ward scooped up in the end zone to regain the lead.

After the blocked punt, Rutgers never looked back, smothering the Hurricane offense and controlling the clock for a chunk of the second half.

However, Miami fought until the end, scoring a one-yard quarterback keeper from Jacurri Brown, followed by cornerback Te’Cory Couch recovering an onside kick.

With about 11 seconds left, Brown hit Restrepo about a yard short of the first down marker on fourth down, ending the game at 31-24.

Today’s loss for Miami signifies the ‘Cane’s first-ever loss to Rutgers. Coming into the Pinstripe Bowl, Miami was a perfect 11-0 in the all-time series against Rutgers, dating back to 1993. The Hurricanes had previously handled the Scarlet Knights comfortably, winning by an average score of 46-10 during this span.

Rutgers players celebrate their 31-24 win over Miami in the Pinstripe Bowl at Yankee Stadium on Dec. 28, 2023.
Rutgers players celebrate their 31-24 win over Miami in the Pinstripe Bowl at Yankee Stadium on Dec. 28, 2023. Photo credit: Jared Lennon

Miami wrapped up their season with a 7-6 record in Mario Cristobal’s second year but will still be looking for his first bowl game victory in his tenure. Miami has lost five consecutive bowl games and 11 of their last 13. The Hurricane’s previous bowl victory was in the 2016 Russell Athletic Bowl, where Miami defeated West Virginia.

Miami will begin the 2024 season in Gainesville with an instate matchup against the Florida Gators at Ben Hill Griffin Stadium on Saturday, August 31, 2024.

Pinstripe Bowl Preview: Miami vs. Rutgers

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The Bag Boy Motors Pinstripe Bowl is on the horizon for the Miami Hurricanes. Miami is hoping to secure its first bowl-game victory since 2016. The ‘Canes will go to battle against the 6-6 Rutgers Scarlet Knights.

This ‘Canes team will look a bit different than the one that went 7-5 this season. Miami has lost talent on both sides of the ball. Three defensive leaders, Kamren Kinchens, James Williams and Leonard Taylor III, are off to the NFL Draft, while Corey Flagg and Jahfari Harvey entered the transfer portal. Flagg is off to Missouri, and Harvey will take his talents to SMU to play for former Miami offensive coordinator Rhett Lashlee.

On the offensive side of the ball, two starting offensive linemen, Javion Cohen and Matt Lee, are off to the NFL Draft. Key offensive contributors in quarterback Tyler Van Dyke, wide receiver Colbie Young and running back Donald Chaney Jr. are in the transfer portal. Van Dyke is headed to Wisconsin, Young to Georgia and Chaney to Louisville.

Miami is left shorthanded at the quarterback position, with Van Dyke gone and freshman Emory Williams injured. That leaves redshirt freshman Jaccuri Brown to make his first appearance of the season for the ‘Canes. The dual-threat quarterback looks to give Miami’s offense a different dimension in its bowl game.

With Young gone, Brown will be looking for receivers Jacolby George and Xavier Restrepo even more. Freshman Nathaniel Joseph may also see more reps with the loss of Young. Freshman running back Mark Fletcher Jr. will also need to be an anchor for the Miami offense without its preferred quarterbacks and two starting offensive linemen.

Rutgers struggles in the passing game. Its quarterback, junior Gavin Wismatt, has thrown for just 1,651 yards on the year.

The Scarlett Knight offense is headed by its strong running back – junior Kyle Monangai. The 1,000-yard rusher has seven touchdowns on the year and averages over five yards per carry. He’ll be a focal point for the ‘Canes defense. As a team, Rutgers’s rushing attack is very strong. The Knights average over 165 yards rushing per game, with Wismatt and Monangai being threats to score at any time.

ESPN gives Miami a 66.5% chance to win on Thursday afternoon. If the ‘Canes can stifle the strong rushing attack from Rutgers and get solid quarterback play from Brown, they should be well on their way to snapping a four-game bowl losing streak.

Kickoff for the game is scheduled for 2:15 p.m. and will be aired on ESPN.

Meet the creatives behind UM’s first undergraduate feature film, “COLLAGE”

The artist (Dimiter D. Marinov) and his muse (Carl Nowak) eat while tied to each other with a rope during the filming of “COLLAGE.”
The artist (Dimiter D. Marinov) and his muse (Carl Nowak) eat while tied to each other with a rope during the filming of “COLLAGE.” Photo credit: Anna Carl Lucchese @annalucchese @framedmemoridesandtories and Sage Kirk @selenophil.c

UM students and aspiring filmmakers Chiara Padejka and Evan Friedmann are working with fellow students to produce “COLLAGE,” the University’s first-ever undergraduate feature film.

In their fictional mockumentary, videographer David Torres records artists Luna Monroe and Vasil Daskalov tied together by a rope for a year-long creative experiment. Torres captures every second of the artist’s joy and heartbreak as they test humanity’s ability to coexist.

Dimiter D. Marinov, from Apple TV’s “For All Mankind,” Indy Shorts’ “Pickled Herring” and the Oscar-winning film “Green Book,” will star as Daskalov. New York avant-garde model and actress Carl Nowak joins him as Monroe with filmmaker Gavin Hulberg as David.

The filmmakers reached Marinov’s agent to send their dream actor the “COLLAGE” script. Since then, Marinov has championed the project. Nowak’s unique charisma and dynamic performance made her stand out in the nationwide casting call.

After years of planning, “COLLAGE” concluded filming this January at the Wynwood art district with UM film professor and award-winning cinematographer Edmund Talavera. The team is committed to delivering an unique cinematic experience entering post-production.

“The film is shot in a handheld documentary style,” Talavera said. “The camera is an actual character in the movie. The actors must deal with it and react to its operator as he intrudes into their lives.”

Its Bulgarian press release describes “COLLAGE” as a “twisted tale of love and art.”

“The story of ‘COLLAGE’ is an exploration of how we have been feeling in this kind of post-pandemic world,” Padejka said. “We wanted to test the lengths to which people would go to get a human connection.”

Padejka, a senior studying motion picture production and art, found the COVID-19 pandemic to be a universal relationship test.

“The pandemic really showed us that when you have to live with someone in really close quarters, or if you’re isolated and really far away from people, how that affects you psychologically and physically,” Padejka said. “You learn something about your partner or yourself that you really never would have found out otherwise.”

Both writer-directors aim to explore a relationship without privacy.

“[There’s a] heavy theme of secrets, and what we do in the shadows must come out in the light,” Friedmann said. “When you’re with someone for so long, that mask that you kind of put up, it’s hard to keep it up.”

UM student Chiara Padejka and film professor Edmund Talavera during the filming of “COLLAGE.”
UM student Chiara Padejka and film professor Edmund Talavera during the filming of “COLLAGE.” Photo credit: Anna Carl Lucchese @annalucchese @framedmemoridesandtories and Sage Kirk @selenophil.c

Friedmann, a senior studying criminology and film, was inspired by a real-life creative experiment titled, “Rope Piece,” which follows two artists tied together by a 6-foot rope for one year.

A relationship between two characters bound together captured Padejka and Friedmann’s imagination.

“It’s very different than what we are doing,” Friedmann said. “Whereas [in] ours, the rope is sort of an excuse to get these two people stuck in the room, and it’s not about the rope. It’s about these two characters and their relationship.”

The creative team dedicated endless hours of research to understand their characters. Watching documentaries about artists like Marguerite “Peggy” Guggenheim and Jackson Pollock and HBO’s “Scenes from a Marriage” grew their understanding of artists and strained relationships.

Personal connections with the characters in “COLLAGE” added to their understanding.

“Chiara’s family comes from communist Bulgaria, which is a similar background to Vasil. And then my grandparents came from occupied Germany,” Friedmann said. “[We tried] to grasp at each piece of relatability, and that really grew from the first draft to where we are now.”

The young filmmakers faced challenges with logistics, hiring actors and trying to accommodate various interests while maintaining their creative vision.

“Most directors will say making movies is just problem-solving,” Friedmann said. “It’s just about having a plan A, B, C and D — just all the way through — and you can never be prepared for everything.”

Balancing “COLLAGE” and academic responsibilities tested the filmmakers’ time management skills. Padejka recalled sacrificing commitments to produce “COLLAGE.” With every sacrifice, the filmmakers aim to show production companies the power of young storytellers.

“It’s just two characters exploring their relationship,” Friedmann said. “We can make those movies too.”

Padejka and Friedmann want to show future film students the importance of risk-taking.

“It’s better to make a bad film than no film,” Padejka said. “That’s why we can take a chance like this because we’re young and we still have time.”

“COLLAGE” is expected to be completed by the year’s end and submitted to various film festivals. Supporters can donate to the “COLLAGE” Venmo @Collage-Film to help the film reach theaters and beyond.

Meet the creatives behind UM’s first undergraduate feature film, “COLLAGE”

The artist (Dimiter D. Marinov) and his muse (Carl Nowak) eat while tied to each other with a rope during the filming of “COLLAGE.”
The artist (Dimiter D. Marinov) and his muse (Carl Nowak) eat while tied to each other with a rope during the filming of “COLLAGE.” Photo credit: Anna Carl Lucchese @annalucchese @framedmemoridesandtories and Sage Kirk @selenophil.c

UM students and aspiring filmmakers Chiara Padejka and Evan Friedmann are working with fellow students to produce “COLLAGE,” the University’s first-ever undergraduate feature film.

In their fictional mockumentary, videographer David Torres records artists Luna Monroe and Vasil Daskalov tied together by a rope for a year-long creative experiment. Torres captures every second of the artist’s joy and heartbreak as they test humanity’s ability to coexist.

Dimiter D. Marinov, from Apple TV’s “For All Mankind,” Indy Shorts’ “Pickled Herring” and the Oscar-winning film “Green Book,” will star as Daskalov. New York avant-garde model and actress Carl Nowak joins him as Monroe with filmmaker Gavin Hulberg as David.

The filmmakers reached Marinov’s agent to send their dream actor the “COLLAGE” script. Since then, Marinov has championed the project. Nowak’s unique charisma and dynamic performance made her stand out in the nationwide casting call.

After years of planning, “COLLAGE” concluded filming this January at the Wynwood art district with UM film professor and award-winning cinematographer Edmund Talavera. The team is committed to delivering an unique cinematic experience entering post-production.

“The film is shot in a handheld documentary style,” Talavera said. “The camera is an actual character in the movie. The actors must deal with it and react to its operator as he intrudes into their lives.”

Its Bulgarian press release describes “COLLAGE” as a “twisted tale of love and art.”

“The story of ‘COLLAGE’ is an exploration of how we have been feeling in this kind of post-pandemic world,” Padejka said. “We wanted to test the lengths to which people would go to get a human connection.”

Padejka, a senior studying motion picture production and art, found the COVID-19 pandemic to be a universal relationship test.

“The pandemic really showed us that when you have to live with someone in really close quarters, or if you’re isolated and really far away from people, how that affects you psychologically and physically,” Padejka said. “You learn something about your partner or yourself that you really never would have found out otherwise.”

Both writer-directors aim to explore a relationship without privacy.

“[There’s a] heavy theme of secrets, and what we do in the shadows must come out in the light,” Friedmann said. “When you’re with someone for so long, that mask that you kind of put up, it’s hard to keep it up.”

UM student Chiara Padejka and film professor Edmund Talavera during the filming of “COLLAGE.”
UM student Chiara Padejka and film professor Edmund Talavera during the filming of “COLLAGE.” Photo credit: Anna Carl Lucchese @annalucchese @framedmemoridesandtories and Sage Kirk @selenophil.c

Friedmann, a senior studying criminology and film, was inspired by a real-life creative experiment titled, “Rope Piece,” which follows two artists tied together by a 6-foot rope for one year.

A relationship between two characters bound together captured Padejka and Friedmann’s imagination.

“It’s very different than what we are doing,” Friedmann said. “Whereas [in] ours, the rope is sort of an excuse to get these two people stuck in the room, and it’s not about the rope. It’s about these two characters and their relationship.”

The creative team dedicated endless hours of research to understand their characters. Watching documentaries about artists like Marguerite “Peggy” Guggenheim and Jackson Pollock and HBO’s “Scenes from a Marriage” grew their understanding of artists and strained relationships.

Personal connections with the characters in “COLLAGE” added to their understanding.

“Chiara’s family comes from communist Bulgaria, which is a similar background to Vasil. And then my grandparents came from occupied Germany,” Friedmann said. “[We tried] to grasp at each piece of relatability, and that really grew from the first draft to where we are now.”

The young filmmakers faced challenges with logistics, hiring actors and trying to accommodate various interests while maintaining their creative vision.

“Most directors will say making movies is just problem-solving,” Friedmann said. “It’s just about having a plan A, B, C and D — just all the way through — and you can never be prepared for everything.”

Balancing “COLLAGE” and academic responsibilities tested the filmmakers’ time management skills. Padejka recalled sacrificing commitments to produce “COLLAGE.” With every sacrifice, the filmmakers aim to show production companies the power of young storytellers.

“It’s just two characters exploring their relationship,” Friedmann said. “We can make those movies too.”

Padejka and Friedmann want to show future film students the importance of risk-taking.

“It’s better to make a bad film than no film,” Padejka said. “That’s why we can take a chance like this because we’re young and we still have time.”

“COLLAGE” is expected to be completed by the year’s end and submitted to various film festivals. Supporters can donate to the “COLLAGE” Venmo @Collage-Film to help the film reach theaters and beyond.

REVIEW: “The Iron Claw” puts pressure on your heart

Photo credit: Layomi Adeojo

“The Iron Claw” highlights the power of community through laughter and tragedy. Despite fixed character relationships, this tear-jerker depicts a joyful family that faces a tragic ending.

Written and directed by Sean Durkins, “The Iron Claw” shows the rise and fall of the Von Erich wrestling family. Kevin Von Erich (Zac Efron) fuels his father’s (Holt McCallany) harsh parenting as he fights to become a world-class wrestler and protect his younger brothers, David (Harris Dickinson), Kerry (Jeremy Allen White) and Michael (Stanley Simons).

The grueling wrestling lifestyle is showcased through quick transitions from suplexes to body slams. Fight scenes are electric with the wrestling audience’s reaction intensifying after every hit. As dissolving shots layer character’s expressions, the Von Erich’s respect and animosity toward each other after matches flows through the screen.

While the fights are intense, the mixture of yelling and punching sounds are never overwhelming. The juxtaposition between boisterous crowds and uneasy silence allow the audience to read characters’ thoughts.

Efron delivers a poignant and expertly restrained performance. The seasoned actor displays internal pain with simple glances and body language, making viewers focus on his every move in and out of the ring.

Jeremy Allen White had considerably little screen time, despite having won multiple awards for his performance in “The Bear.” Nevertheless, White didn’t spare a second and portrayed a tortured athlete with nothing to lose, a performance reminiscent of his time on “Shameless.”

With flamboyant outfits, luxurious blond hair and a booming voice, Dickinson becomes a wrestling superstar. Cheesy speeches turn into anthems with his charismatic presence.

Wholesome moments between the brothers are riddled throughout the film. As they happily disobey their parents, viewers can easily relate to their ecstasy. Such moments heighten the sadness when tragedy strikes.

The brothers’ greatest obstacle is their father. Despite opposing their father’s teaching methods, the brothers never truly challenge him. As a result, relationships between these characters remain stagnant throughout the film.

The Von Erich family’s oath to apathy harms the film’s plot. With each brother competing for their father’s praise, jealousy between the siblings brews as losers stand in the shadow of the winner. However, such jealousy is never acted upon, making each brother’s talent the only threat to having a chance in the spotlight.

The stakes of losing are low, as their father’s disappointment and anticipation of the following match are the main consequences of losing a match.

Nostalgic family gatherings and tragic funerals combine to make the film’s unforgettable ending. Efron’s performance completes the film with gorgeous cinematography and intimate close-ups. As the actor’s macho persona falls apart, the audience is tempted to cry with him.

“The Iron Claw” questions what sacrifices are truly necessary for success. With each Von Erich falling victim to their father’s relentless demands, the film displays how one’s work ethic and support system can mean the difference between life and death.

Viewers enter the film’s ring and are hit with a barrage of cheerful, heart-warming family gatherings. Considerably trivial stakes and fixed relationships leave time to recover. But as emotional performances deliver the final blow, viewers are left stunned and yearning to call their loved ones.

Rating: 3/5

It’s all about the . . . healthcare?

The University of Miami paid Manny Diaz, the former head football coach, a base salary of $3.4 million during the fiscal year ending in May, 2022. Between high profile football games and a passionate fan base, there’s little surprise that he was the University of Miami’s highest-paid employee.

The same goes for the third highest earner, Jim Larrañaga, the current head basketball coach who led the ‘Canes to the Elite Eight during the 2022 fiscal year.

Lesser known in the list of top earners though are three employees who make more than Julio Frenk, the UM president. All three are medical professors at UM, hold administrative roles in UHealth and made an average salary of $2.58 million in 2022.

For those unfamiliar with these numbers, it is not unusual to pay a doctor, especially a high-ranking one, this amount of money, nor for a doctor to double as a university professor. It is unusual however, that UM, foremost a university, pays them. For comparison, the highest 10 earners at nearby University of Florida are all top administrators for the university.

“That is pretty surprising. I would have assumed most of our money would be spent on academics at the university,” said Alex Miller, a junior studying microbiology and immunology with a minor in health management policy.

Over almost 70 years, UM has built a web of medical services, spanning from internationally renowned eye care to a comprehensive cancer center. In 2008, UM consolidated its network of university-based medical entities into the University of Miami Health System, also known as UHealth.

The relationship is unusual, and it shows in UM’s tax filings. In the fiscal year ending in May, 2022, UM had a revenue of $5.47 billion, the 12th highest of nonprofit universities in the U.S. according to ProPublica’s database. For reference, the nationally top-ranked Princeton University made less than that at $5.02 billion.

Yet, Princeton boasts a $35 billion endowment, contributing $3.33 billion to revenue made in 2022. That number dwarfs UM’s endowment.

Based on data from fiscal year ending in May, 2022.
Photo credit: Patrick Mccaslin

UM’s ownership of UHealth helped it generate $2.94 billion of revenue just through healthcare services in 2022. UM could then spend $1.16 billion of its expenses on academia, nearly doubling what attendees paid for in tuition and fees.

Based on data from fiscal year ending in May, 2022.
Based on data from fiscal year ending in May, 2022. Photo credit: Patrick Mccaslin

However, this $1.16 billion is only 26.5% of UM expenses. Over half of UM dollars were spent on health care services, a category that does not even exist for the majority of universities. Based on spending, UM is a health system first, then an academic institution.

Indeed, in UM’s mission statement to the Internal Revenue Service, it states, “Founded in 1925, the University owns and operates educational and research facilities as well as a health care system. Its mission is to educate and nurture students, to create knowledge through innovative research programs, to provide service to the community and beyond and to pursue excellence in health care.”

That final tenet has grown to become part of the core of UM operations since the inaugural class started at the Miller School of Medicine (MSoM) in 1952, then known as the University of Miami School of Medicine.

In the same year that the medical school began operations, Miami-Dade County established an official relationship with the University of Miami through Jackson Memorial Hospital (JMH). The facility is owned and operated by the county, but UM provides all medical teaching and most training and care through its medical faculty. JMH has existed alongside the development of UHealth as another outlet for academically-oriented doctors.

Dr. Yehuda Raveh, an anesthesiologist at JMH and associate professor of clinical anesthesiology at MSoM, is one of the many who has worked as a professor and clinician at UM and JMH respectively.

“I was interested in academic work,” he said. “And because that’s what I like, I did not seek to go to a private practice.”

He noted that the financial compensation at a private practice may be higher, but the University offers “wonderful benefits,” including tuition assistance for his children and health benefits. His job also builds academic work into his weekly schedule, allowing him to stay engaged in education.

Within Raveh’s contract, one of every five days is devoted to administrative duties, which includes teaching.

“We do the whole teaching, the actual management of the patient, how we sedate the patient, monitor the patient, how we handle the airway, how we do the intubation. They sometimes get to participate with the procedure if they already saw,” Raveh said.

On the clinical days as well, Raveh is continually teaching and training residents and nurses. As a still practicing doctor, Raveh can help advise students in their medical careers, specifically as it pertains to anesthesiology.

According to Raveh, the education done through JMH provides an important opportunity for medical students to learn how medicine works beyond the classroom. At the financial level, the only nod towards JMH is a section in the audit that says the agreement between UM and the county contains terms for “mutual reimbursement of services.” Regardless of how much money, if any, that JMH contributes to the university, its role in teaching has a value of its own in the academic sphere of the university.

“The more experience you have, the more knowledgeable you are, that’s natural, and you have maybe a wider horizon about changes and where medicine is going,” Raveh said. “We are teaching as we work because that’s what they learn, medicine.”

Miami dominates Stonehill behind Poplar’s 24 points

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Miami dominated a struggling Stonehill team on Thursday night, putting the finishing touches on a 97-59 win at the Watsco Center on World Basketball Day, 132 years since the first basketball game was played in Springfield, Mass.

From the first tip, it was all Miami. Early in the first half, the Hurricanes embarked on a 14-0 run which eventually led to as much as a 30-point advantage. They never looked back after that, easily maintaining their lead for a wire-to-wire victory.

For the season, the ‘Canes are shooting 41% from three, ranking them fifth in the country and first in the Atlantic Coast Conference (ACC). Coming into the game, they had five players who had made at least 10 three-pointers and made more than 40% of their three-point attempts.

Miami continued this trend against Stonehill, making 43% of its threes in the first half. Guard Wooga Poplar was 5-for-10, one percentage point shy of his three-point average of 51% per game, putting him second in the country in three-point shooting. Poplar was 9-of-15 on field goal attempts, scoring 24 points for the game.

The ‘Canes were also led by forward Norchad Omier, who in only 18 minutes, recorded his fifth double-double of the season, finishing the game with 20 points and 18 rebounds. This was far from a two-man show, as three other Miami players scored in double figures, including Kyshawn George, Bensley Joseph and Matthew Cleveland.

Ultimately, Miami controlled every aspect of the game, outscoring Stonehill in three-point percentage (38% to 22%), points in the paint (40 to 24), and assists (26 to 12).

“We know they play zone defense,” Miami forward Norchad Omier said after the game. “We move the ball from inside out, we get a lot of open threes, and when threes are missed you get a lot of offensive rebounds, which is something we worked on this week.”

The ‘Canes were not only a threat offensively, but they were also dominant defensively, something head coach Jim Larranaga has stressed needs improvement. Larranaga has not been entirely satisfied with the defense this year.

The ‘Canes rank only 10th in the ACC in team defense, 14th in turnovers and eighth in team rebounding. Using their height advantage against Stonehill, they were far better, out-rebounding Stonehill 52 to 27, resulting in a second chance point advantage of 24-4.

“I feel confident where we’re at,” Omier said. “We’ve been working on a lot of defensive aspects. We did a great job today. We’re really improving. I’m really happy where we stand going into conference play.”

It was not all bad for Stonehill tonight. Two bright spots for the Skyhawks were Se’yphon Triplett and Tony Felder. They scored 16 points and 22 points respectively, accounting for 38 out of Stonehill’s 59 points.

Next up, Miami will host in-state opponent North Florida on Friday, Dec. 29th, at 6 p.m., as its last game before the ACC schedule gets underway.

Miami WBB escapes with a win over Jackson State despite offensive struggles

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Coming into this matchup against Jackson State after its first loss of the season against No. 10 Baylor, Miami was looking to regain its momentum after an 8-0 start to the season. With a shaky performance, Miami was able to come out on top, defeating the Tigers by a score of 59-52.

The first quarter was rough for Miami offensively, who shot 5-of-17 on the quarter, an appalling 29.4% from the field. UM still managed to end the quarter on top, 17-14, thanks to seven turnovers by Jackson State.

Leading the charge for the Hurricanes early was guard Jaida Patrick, who carried the offense, scoring 11 of the team’s 17 points in the first quarter.

“My goal was just to keep playing composed … my teammates did a really good job of finding me,” Patrick said about her offensive success in the first quarter.

Early in the second quarter, the slow start carried over for the ‘Canes, with more poor shooting from the field and a team-wide inability to convert on golden opportunities. In this quarter, UM got off double the shot attempts that Jackson State did, shooting 14 to the Tigers’ seven and still wound up losing the quarter 14-11 with the game deadlocked at 28 heading into halftime.

Miami was putting itself in a great position to be ahead in the first half, especially in the second quarter, where the Hurricanes outrebounded the Tigers 13-6 and forced eight more Jackson State turnovers, bringing that total to 15 in the first half alone.

Unfortunately for UM, 28% shooting from the field erased all advantages the ‘Canes possessed, whereas Jackson State was able to convert at a 48% clip in the first half, allowing them to make this a tie ball game at the break.

“We’re trying to hit the reset button. We’re trying to get ourselves to a level of toughness that’s required to win ACC games,” head coach Katie Meier said about the team’s struggles as of late.

Opening up the second half, guard Ja’Leah Williams came out with a jolt of energy, forcing two quick turnovers with her full-court pressure defense, which led to a pair of open layups.

“I’m always willing to do whatever this team needs whether its pass or just get a teammate open, like I’m willing to do the little things and that’s my standard as a player and just as a person,” Williams said about her strong start to the second half.

Despite the hot start to the quarter, offensive struggles continued, as aside from Williams and forward Lazaria Spearman, who had four points, the team shot 1-7 and did not make a three-point field goal the entire quarter.

With all the offensive woes, Miami’s defense held strong in the third, forcing eight more turnovers, which helped the ‘Canes to a three-point lead heading into the final quarter.

With more struggling shooting in the fourth quarter, UM’s defense was called on to step up in a big way, and it did just that, holding the Tigers to only 11 points in the final frame.

Capping off her spirited performance, Williams led the offense again in the fourth, scoring six points, while guard Jasmyne Roberts hit the dagger triple when the offense needed it the most to seal the victory for the ‘Canes,

Game leaders for the ‘Canes were Patrick with 15 points, Spearman with six rebounds and Williams with four assists. Williams also tallied seven steals, which was a sizable chunk of the 28 Tiger turnovers forced by Miami.

After sneaking away with this win, Miami (9-1) will take a little over a week off before it takes on Alabama State (0-10) at home next Thursday at noon. The ‘Canes will look to build back some much-needed momentum before the start of conference play.

2023 Art Basel Miami artists find inspiration from history, life experiences

What is the purpose of art if not to inspire?

Miami once again hosted the world’s most comprehensive international contemporary art fair, Art Basel. The spectacle of the year, the 2023 fair featured visionary artists that showcased their exquisite installations.

Artists at this year’s convention immersed guests into a world of creativity ranging from interactive exhibits to performance art to breathtaking sculptures. Several artists drew from their cultural roots and personal values and displayed this artistry for all to see.

Actor and musician John Stamos was one of the talented speakers that the Tribeca Festival at Art Basel hosted. Stamos spoke about his book, “If You Would Have Told Me: A Memoir,” which was a testament to his performance art.

“Experience life,” Stamos said, “so, you know, when you get a job you can bring that with you.”

His message to the audience was simple: whatever the job may be, bring the lessons you’ve learned from life and create a unique angle to use as your greatest asset.

This message resonated with the guests that wandered through each exhibit, examining artwork that transcended international boundaries. The walls and floors of the gallery became a tapestry for social commentary to entice critical thoughts regarding identity and humanity.

The “1968: The Fire of Ideas” exhibit took the main stage for social movements this year as a piece of art that didn’t just speak, but screamed. The exhibit was created by Argentinian artist Marcelo Brodsky who showcased at least 40 different countries that demanded change in 1968.

“Sexual rights, political rights, a new culture that was emerging from the sixties,” Brodsky explained to writer Josh Holton at WMNF, “and it’s very healthy I believe today to remember because we are kind of in a different moment and those ideas are inspiring.”

Brodsky’s piece revisits the humanity of change from the 60s and allows guests to reflect on how far they have come and what must still be done.

Art is the greatest form of human expression that inspires individuals to view the world through a new lens. Whether through studio, interactive media or performance, all art forms can spark curiosity, make a demanding statement and express profound thoughts and emotions.

“The world needs their music more than ever,” Stamos said. “Discord is [at] an all-time high and decency at an all-time low.”

The artistry displayed at Miami Art Basel 2023 reminds us of the profound impact that art can have in directing a more empathetic and understanding society.

Canvas of diversity: Exploring the Black art experience at Art Basel Miami

Art Basel is an international art fair held in Basel, Switzerland and has expanded to Hong Kong, Paris and Miami Beach. From visual arts to concerts and panels, there are numerous events to attend during Art Basel weekend that’s sure to strike everyone’s interest.

I decided to investigate and display the Black art. It isn’t just a trend — it displays Black culture, history and celebrates the Black experience.

Hosted by the Wolfsonian-FIU Advisory Board, Tamara L. Harris and the Frankel family, the “Silhouettes: Image and Word in the Harlem Renaissance” exhibit marked the beginning of my Art Basel journey.

Transported to the Harlem Renaissance, an era in the 1920’s when African-American art flourished, “Silhouettes” captured the essence of collaborations between artists and writers at the time. Art was a safe space for them to express themselves.

This experience weighed heavily on my heart as the effects that slavery had on Black people spoke through every piece in the exhibit.

“The Negro Mother and Other Dramatic Recitations” by Langston Hughes and “Banjo” by Claude McKay stood out to me the most as they are two heartfelt books holding a mic to Black perspectives that were silenced at the time.

I gained a new level of respect for them — not because of their struggle, but because of their resilience and determination despite an overwhelming amount of constant hardship.

Gorgeous sculptures and portraits of Black people decorated the gallery.

Art and music come together for Miami Art Week’s jazziest affair! The 1920s get a 2020s spin as Art Basel celebrates their newest exhibition, Silhouettes: Image and Word in the Harlem Renaissance, a century after the movement’s start and at the climax of Miami’s biggest cultural moment of the year, on a Friday night in Miami Beach.
The 1920s get a 2020s spin at the Wolfsonian-FIU exhibit, "Silhouettes: Image and Word in the Harlem Renaissance." Photo credit: Nicole Daitschman

Religious Christian books illustrated all figures with dark skin and dressed in common clothes instead of pale skin and wealthy garments. This enhanced the connection of religion in the Black community by making it more relatable.

I advise anyone interested in the “Silhouettes” exhibit to go in with an open heart and prepare to receive a newfound admiration for Black Art.

My evening ended with the “Basel Black Art Experience (B.A.E)” presented by Paramount and SocialXChange at The Urban, an event space located in Overtown. The event combined the display of contemporary Black art with interactive experiences like Karaoke with Jack Daniel’s and fun Insta-worthy photo-ops.

Paintings by Haitian artist Dorviller Olivier and Adonte Clark stood out to me. Both artists’ displays offered lenses of admiration for Black culture by emphasizing beauty and strategically leaving room for thought provoking conversations.

The comforting fusion of soul, R&B, Afrobeats, gospel, hip-hop, soca, reggae and dancehall music filled the dance floor in celebration of Black art.

The following day, I took on Wynwood — the artsy, hipster area known for its alluring nightlife. Between the celebrity appearances, big brand events and funky outfits pedestrians sported, it became abundantly clear to me why people travel from far and wide for this event.

Taking me right back to my hometown of Queens, New York, the Hip-Hop Museum Tour gave me all the nostalgic feels. The exhibit paid a huge homage to Hip-Hop pioneers like Run DMC, Roxanne Shante, and DJ Kool Herc. Fun keepsakes like Tupac’s original handwritten apology letter to his highschool sweetheart, Cosima Knez and Slick Rick’s Nitro Tour Throne decorated the halls of the museum.

Connecting us back to Miami, the 2 Live Crew display included a vintage Miami Hurricanes green satin bomber jacket accompanied with a thick gold chain, original records, concert tickets and newspaper clippings of court days. Before leaving, I got an airbrushed tattoo from Jazzy Faba, a special effects makeup artist who also did nail art for those interested.

Visitors gather in the backyard basketball court at Unknwn, LeBron James’ clothing brand store, for the Courtyard Classic basketball tournament sponsored by D'usse.
Visitors gather in the backyard basketball court at Unknwn, LeBron James’ clothing brand store, for the Courtyard Classic basketball tournament sponsored by D'usse. Photo credit: Laralyn Jackson

In between stops, I caught a glance of a Courtyard Classic, a basketball tournament sponsored by D’usse in the backyard court at Unknwn, LeBron James’ clothing brand store. Players engaged in street ball while prospects gathered to celebrate.

I also spotted the Museum of Graffiti and the Hip-Hop Museum — not to be confused with the Hip-Hop Museum Tour pop-up — which both had amazing Art Basel events like breakdancing presentations and appearances from Rick Ross, Will Smith and DJ Khaled.

My final stop was Everyday People, an internationally-known live music event experience that celebrates diversity. Hosted at Oasis, a cultural hub down the street from the museum, people from different backgrounds gathered, danced and sang until the sun came up.

Chance the Rapper and influencers Denzel Dion and Ricky Thompson were all spotted at the venue soaking up the thrilling atmosphere. I’ll never forget the fashionable trio of Joe aka “ThatTrendGuy,” Cordell Allen and Jahar Armani serving stylish, fashion forward looks with pride embodying the essence of Art Basel — celebrating artistic expression.

As a first-timer, I did not know what to expect from Art Basel Miami. Nothing could’ve prepared me for this sensational experience that I’ll remember forever. Black art should be celebrated every day, and I hope to see more representation in the years to come.

Last-minute flips highlight Miami’s ACC-leading recruiting class

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Christmas may fall on Dec. 25, but for Miami Hurricanes fans, the holiday came five days early as the ‘Canes put together a second consecutive top-10 recruiting class on Early National Signing Day. With big names abound and plenty of last-minute drama, let’s look at how head coach Mario Cristobal has continued to shape Miami’s roster through this year’s recruiting class.

Continued dominance on the defensive line

Miami relentlessly pursued its top two recruits, five-star defensive linemen Justin Scott and Armondo Blount, despite the highly coveted players initially committing to Ohio State and Florida State, respectively. The team’s efforts paid off, as Scott flipped in late November, and Blount chose the ‘Canes over the rival Seminoles on Wednesday evening.

“Justin is a massive, massive man,” Cristobal proclaimed. “About as explosive as you can be for a big man.”

The defensive duo, who weigh 560 pounds, are joined in the trenches by DL Artavius Jones and edge rushers Marquise Lightfoot, Booker Pickett Jr., and Elias Rudolph. All four players are considered four-star recruits by 247Sports.

“All these guys are relentless. All these guys play with a high motor,” Cristobal raved. “They’re really good technically.”

Miami’s defensive line was stout this past season, highlighted by Leonard Taylor III and ACC Defensive Rookie of the Year Rueben Bain Jr. But with Taylor departing the program in pursuit of the NFL Draft, the ‘Canes brought in more than enough high-end talent to remain dominant in the trenches.

Replenishing the offense

Though the most prominent names of Miami’s recruiting class were in the trenches, the ‘Canes also made waves at the offensive skill positions, bringing in four-star players at running back, wide receiver, and tight end.

Jordan Lyle, a six-foot runningback out of Fort Lauderdale, followed in the footsteps of future teammate Mark Fletcher Jr., committing to Ohio State but ultimately flipping to Miami precisely one year after Fletcher did the same. Lyle amassed 2391 rushing yards and 34 total touchdowns in his past two high school seasons, averaging over 10 yards per carry.

“Two guys that just amassed a massive amount of yardage this year,” Cristobal said of Lyle and three-star back Chris Wheatley-Humphrey. “Really talented, really intelligent, high IQ guys both on and off the field.”

Lyle and Wheatley-Humphrey join a crowded Miami backfield that features Fletcher, Henry Parrish Jr., and Ajay Allen, who combined for 1441 yards last season. Donald Chaney Jr., who was third on the team in rushing yards this past season, officially transferred to Louisville on Dec. 16.

The ‘Canes hoped to flip wide receiver Jeremiah Smith, the nation’s top recruit according to 247Sports, from Ohio State. However, the Hollywood, FL native signed a letter of intent with the Buckeyes on Wednesday. Since the effort will not come to fruition, Miami still bolstered its receiving corps by bringing in three four-star receivers: Ny Carr, Joshisa Trader, and Chance Robinson.

“They’re human highlight films,” Cristobal gushed. “That room just took a monstrous step in the right direction.”

Miami’s receiver room is set to take a hit with junior Colbie Young, who was third on the team in receiving yards, entering the transfer portal. Furthermore, Xavier Restrepo’s future is still in the air; the sure-handed slot receiver, who paced the Hurricanes in both receiving yards and receptions this past season, could enter the transfer portal or declare for the NFL Draft. But no matter Restrepo’s fate, Miami took a significant step toward restocking its receiving corps.

Miami added six-foot-two tight end Elija Lofton to cap off the offensive haul. “As versatile a football player as I have ever seen,” Cristobal said, praising the four-star pass-catcher out of Las Vegas.

Unlike its receiver group, Miami’s tight end room was largely underwhelming this past season—four players combined for 141 yards on 17 receptions. Last year’s starter, Cam McCormick, was granted a ninth year of eligibility but has yet to commit to another season. Whether or not McCormick, about a month older than six-year NFL starter Tremaine Edmunds, returns, the hope is that Lofton and former four-star recruit Riley Williams can bring more excellent production to a position synonymous with Miami football.

The quarterback remains up in the air

The quarterback position was arguably Miami’s most significant weakness this past season, with longtime starter Tyler Van Dyke struggling after a hot start to the year. Van Dyke was ultimately benched in favor of freshman Emory Williams, who showed flashes before suffering a season-ending injury against Florida State.

Van Dyke is transferring to Wisconsin, and Williams’ timeline is still unclear. Thus, many eyes have turned to the transfer portal, where the Hurricanes have been linked to several high-profile targets.

The team’s convoluted quarterback situation has many names to follow, which means the signing of three-star signal-caller Judd Anderson may have gone under the radar. Anderson, who stands at a colossal six-foot-six, put up gaudy numbers this past season. In 13 games for Warner Robins, he completed nearly 74 percent of his passes for 2917 yards and 30 touchdowns.

“Judd Anderson impresses from day one with a couple of different things,” Cristobal remarked. “It’s hard to do that: that many yards, that type of completion percentage, that many touchdowns, natural leadership skills and just flat-out tough.”

However, Anderson is a raw prospect: the prior season, he completed only 56 percent of his passes while throwing 13 interceptions and only 15 touchdowns. The Hurricanes will likely add a more experienced passer in the next few weeks.

“Obviously, the transfer portal is something that we’re going to be very active in,” Cristobal stated. “We’re not done yet.”

Miami flips top defensive lineman back home

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He’s back.

Armondo Blount, a composite five-star prospect and the 40th overall prospect in the class of 2024, according to 247Sports, has flipped his commitment from Florida State to head coach Mario Cristobal and the Miami Hurricanes on Wednesday evening.

Blount was originally committed to the ‘Canes before flipping his commitment to the Seminoles. Blount also reclassified to the class of 2024 after being in the class of 2025.

Hailing from Miami Central (Fla.) High School, Blount totaled 30 tackles for loss and 16 sacks last year at Dillard (Fla.) and helped lead the Panthers to a second-round appearance in Florida’s 3M playoffs.

Blount played varsity football as an eighth grader. The Miami native earned MaxPreps Freshman and Sophomore All-American honors. Blount is known for his speed and plethora of pass-rushing moves. While Blount may need to add some weight, he has the potential to be an impact player as a freshman for the ‘Canes.

Blount joins another five-star defensive lineman in Justin Scott, who recently flipped his commitment from Ohio State to Miami. Two of the top four defensive linemen in the class of 2024 are now committed to the ‘Canes.

Those two join an elite group of defensive linemen that includes the likes of four-star prospects Marquise Lightfoot, Artavius Jones and Booker Pickett Jr. This group of commits is among the best in the nation. With Rueben Bain, Jr., the ‘Canes have the makings of one of the best defensive lines in the country.

Blount is the cherry on top of the best recruiting class in recent UM history. Cristobal may not be done either, as the ‘Canes are working to flip a few more high-profile recruits ahead of the early signing period, which begins on Dec. 20.