Home Blog Page 1994

album reviews: The Flaming Lips do three hits of Eighties ACID. Spacek invent quirky R&B&B. Being blessed doesn’t help Ben Harper

Ben Harper
Diamonds on the Inside
*1/2

Ben Harper causes rock critics to peddle hard in their corporate hamster wheels. His half-assed generosity is as hard to rip as Adam Sandler’s, perhaps even more so. Sorely lacking the genius, mystique and belly dancing worshippers of Hendrix, there’s also no Lenny Kravitz delusional grandeur permeating from his doughy eyes (or way-stylish hipster threads) either. This is a good-hearted, God-fearing musician who just happens to have an Afro, be black, and make the hippie cliques and hot suburban moms swoon. Unfortunately, his music has the depth of a kiddie swimming pool occupied by a kid with eight jellyrolls.
Diamonds on the Inside, his latest attempt to “bring the funk,” is standard Harper fare – so all you fans (and non-fans) know what to expect – reread the album’s title. Ever the optimist, Diamonds drips with his signature gospel of vague, sunlit happiness, shout outs to the Lord, and Mason Dixon queens. On “Blessed to Be a Witness,” he sings, “I am blessed,” five times before he finishes the sentence, and then people starting thumping on drums – Paul Simon tribal roots style. Far out bro. This disc should come with a plastic “collectable” stick of Nag Champa and some cloves.

For more info, visit www.benharper.net.

– Hunter Stephenson

Spacek
Vintage Hi-tech
**1/2

Gentlemen get out your silk pajamas and Sherlock Holmes pipes. If, for some reason, you own this kind of crap, then you should definitely own a vinyl edition of Vintage Hi-Tech from Spacek.
The disc is not crappy though. For some reason, I can listen to this and not feel too bad about myself (with the exception of the track “Amazing,” which is really annoying and far from amazing). The beats served up by this feisty London trio have a dash of Jay Dee flavor (particularly on “Time”) with a whole lot of bleeps and bloops. Steve Spacek, the singer, lays enough honey on each track for any Miami girl (in her right mind) to get out of her rolled over UM sweat-shorts and into the beehive. Each song rolls into the next, and with the LP being about 45 minutes long, that’s enough time to unroll something and roll into bed with someone – preferably after rolling something else.
Yep, that was pretty ridiculous, but so is trying to take R&B seriously. Realistically, Spacek is R&B&B – Rhythm and Bleeps and Bass. The latter thumps through the whole album, but the vocals draw enough away from the trip-hop sound to set a make-out mood that’s not disagreeable. Still, with each track possessing a good “head- nodding” beat from the start, it’s kind of hard to start spraying Coolwater on your sheets and lighting candles.
As the album title suggests there’s a certain contradiction in the sound of each song, mixing the mellow ’70s-style vocals of Steve Spacek with ambient modern blipping in the background. Spacek’s working their thing well – I’m just not exactly sure what their thing is.

For more info, visit www.k7.com. Spacek is currently swooning the ladies at Miami’s Winter Music Conference.

– Sven Barth

The Flaming Lips
Finally the Punk Rockers are Taking ACID (1983-1988)
***1/2

Yeah Shalalala, L&A reviewed this because the title connotes the use of acid. Your (students’) favorite band of dubiousness, The Flaming Lips, gave birth to a massive amount of material in the ’80s. This 3-disc set may not live up to the “zany” subtleties of Yoshimi and The Soft Bulletin, but for me, a college kid born in ’82, it offers a stellar encyclopedia on the diversity, quirks, drugs and noise I imagine college kids were absorbing during that decade – via headphones and lysergic sweet tarts.
The first disc, consisting of an early EP and their first LP, Hear It Is (with bonus tracks), shows a band on the fringes, roaming the Replacements’ terrain, but with Ferris wheel eyes in place of white knuckled fists. Track titles like “Jesus Shootin’ Heroin,” betoke the band’s current (and popular) subtle irony, but the profound chanting, particularly striking on “She is Death,” is less self-aware and more intent on emotional shimmer. Excluding “Batman Theme” (it was the ’80s), this disc introduces listeners to a juvenile band understandably overlooked, but whirling around in a closet of eccentric potential.
The second and third discs usher in a busload of influences, notably the Butthole Surfers – lots of pummeling weirdo American rock, novice/youthful charisma, and rule breaking. Unlike the first disc, the sound of today’s Flaming Lips is apparent (“Chrome Plated Suicide”) alongside more dated efforts in experimentation and sound clashing (“Hell’s Angel’s Cracker Factory”).
Collections like this usually give off the aura of lucrative musical leftovers, but ACID contains three filling portions of Lips madness wrapped in mesmeric retro-colored packaging. These are kooky flashbacks you won’t mind experiencing again and again. Of course, if you’re looking to wander like a young Leary inside the blotter-papered halls of Lips’ history, 1997’s Zaireeka will give you a grin fit for the Mad Hatter.

For more info, visit www.flaminglips.com.

– Hunter Stephenson

A Paradise Lost resurfaces at the Lowe

While landscapes are sometimes relegated to a debased status in “academic” art, they can be keen representations of regional identity and of the artists’ sensibility to their aesthetic surrounding at the time.

Composed of paintings, photographs and mixed media works, Paradise Lost? Aspects of Landscape in Latin American Art at the Lowe Art Museum, gives a solid, though diverging impression of the perceived environment by 76 artists from 20 countries.

Partitioned into 5 historical groups-travelers, academics, modernity, contemporary classical tradition and contemporary idioms-the exhibit embarks on the beginning of the spectrum, as early as 1830. Notably, it was only in between the 18th and 19th centuries that landscapes befitted the categories of “academic art” and were taught alongside portraits, nudes and historical themes. The first Latin American landscapes were made by Europeans-“travelers,” so to speak, intrigued by the voyage journals of Alexander Von Humboldt in the 19th century.

“La Ceiba,” by Belgian artist Henry Cleenewerck, has a mellow orange sky in the backdrop as a peasant sits on his cattle peacefully, all conveying the pristine nature of the setting. Moreover, Domingo Roamos’ “Landscape with Mountains,” with its airy, cool light blue and pink brushes, has the impressionistic quality of a Monet.

These are in radical antagonism to Roberto Matta’s violent and disorderly “Industrial Landscape,” which has fervid and cubistic lines, dark blues and greens overcome by pasty, smoggy whites resembling toxic factory fumes. At the dawn of industrialization, Latin American artists, studying in Europe and appropriating the modern techniques of Cubism, Futurism and Expressionism, applied these methods to their works. Matta’s piece captures the disarray of industrial technology in surrealistic tones with a finish similar to a more colorful and riotous Georges Braque.

Some artists here have chosen to realistically depict what they’ve seen, while others relied on an imaginative, intuitive sense to study different degrees of abstraction. Antonio Barrera’s “Pacifico” uses sweltering blotches of red and makes the ocean a gurgling lava stream, while Teresa Icaza’s “Trees and Shadows” is a collage of glossy paper to illustrate the scene.

The advent of industry and political control over the land has lead to its deformation and several of the contemporary pieces expand upon issues like imperialism and the ousting of primitive peoples, poverty and environmental destruction. Laura Anderson Barbeta’s “In the Order of Chaos” is a disquieting shot of semi-naked South American natives in panic as a helicopter prepares to land in their territory and Ruben Gutierrez’ “Objects over Havana” shows a UFO hovering across various locations in the Cuban capital.

Ironic it seems that Tomas Sanchez’ “Tanbos”-an ominous painting of filthy garbage cans looming large in the foreground with trash and debris in the back-is placed in the center of the exhibit, its hefty size (80 by 100 in.) and situation portending the theme of the show. Has our civilization, with our inventions, technologies and imperial motives, pushed us to imperil some of the paradisiacal landscape of the past?

Paradise Lost? Aspects of Landscape in Latin American Art is on view at the Lowe, 1301 Stanford Dr., Coral Gables, through April 6. Call 305-284-3535 for more info.

Omar Sommereyns can be reached at SOASIS@aol.com

calendar

Tonight

Revolver WMC-style: DJ Hell, Adult, Miss Kittin and Justine D. from Motherfucker NYC and others hit the stage at Soho Lounge, 175 NE 36th St., Miami, and it’s sponsored by the wicked minds at Vice Magazine. 9 p.m.-5 a.m. $15. 305-576-1988.

L&A doesn’t promote binge drinking (right…), but we like chugging big ones at Churchill’s, 5501 2nd Ave., Miami, with Of Montreal, Paper Lions and Party of Helicopters. Starts at 9 p.m. $8. 305-757-1807

Big Shot Magazine party at Level, 1235 Washington Ave., Miami Beach, with massive drum ‘n’ bass battles featuring Adam F., DJ Craze, Dieselboy and others. 10 p.m.-5 a.m. $20. 305-532-1525.

Saturday, March 22

Get the mega-dose of electronica at Ultra Fest in Bayfront Park, 301 Biscayne Blvd., Miami, with acts like Rabbit in the Moon, Paul Oakenfold, Goldie, The Streets, Roni Size, etc…11 a.m.-1 a.m. $50. 305-358-7550.

Fashion Week of Americas Moda and Music Awards show at the Roney Palace Beach Resort, 2399 Collins Ave., Miami Beach. Starts at 9:30 p.m. $70. Jon Secada performs. 305-604-1000.

It’s “anti-WMC” at Infiltrate 5.0 at Soho Lounge, 175 NE 36th St., Miami, with J-Live, Egon & Peanut Butter Wolf, Rich Medina and others. 305-576-1988.

Sunday, March 23

Sting Miami 2003 at Bayfront Park, 301 Biscayne Blvd., Miami, with reggae performances by Buju Banton, Beanie Man and Bounty Killa. 3 p.m.-1 a.m. $35, $40. 305-358-7550.

In a dissapointing season, Hite provides glimmer of hope for UM

Robert Hite soars through the air with such grace that some people call him “Flight.” Standing at 6-2, the freshman guard has dazzled fans at the Convocation Center with high-flying dunks and alley-oops all season. However, Hite’s exciting style of play hasn’t helped the ‘Canes as much as Hite wished.
“I could have done a lot better,” Hite said. “I think I could have contributed more, but things went the way they went and there’s nothing I can do about it now.”
Despite Hite’s disappointment with his effort this season, he has provided 7.5 points per game, which ranks third on the team behind star forward Darius Rice and senior leader James Jones.
Head Coach Perry Clark had good things to say about Hite’s progress.
“I think Rob started off and gave us a really big boost,” Clark said. “I think he’s going to be an outstanding basketball player for us, and I just think he’s going through the adjustment that freshman go through in the Big East.”
The rookie adjustment that Clark mentioned has taken its toll on a struggling Miami team that features five freshmen. Even though Hite came out of high school ranked by CNNSI as the nation’s No. 50 recruit, he knew coming to Miami would involve a big adjustment in his game.
“It’s a totally different level,” Hite said. “The game is just a lot faster and you have to be able to recognize things faster.”
Hite, who came to Miami as the reigning Associated Press Ohio Player of the Year, started 18 of the first 19 games this season, but lost his spot after an overtime loss to Villanova on Feb. 8.
“Since he [Clark] took me out of the lineup, I’ve been playing more aggressive and trying to get my spot back,” Hite said.
Although Hite’s immediate goals include reclaiming his starting spot and helping the team win its last two games in order to reach the Big East Tournament, he has big plans for the future as well. Someday, Hite hopes to play in the NBA and own a business. However, Hite knows he has a lot of work to do before any of those dreams become a reality.
“I’m going to try to gain 10 more pounds of muscle in the off season,” Hite said. “I also need to work on my ball handling and my shooting, so my shot will be more consistent.”
Clark believes that Hite needs to work more on the mental aspect of his game more than the physical aspect.
“I don’t think Rob has the right mentality,” Clark said. “I think Rob can be a very dominant type player in this league. I don’t know if he sees himself like that day in and day out and sometimes he doesn’t assert himself.”

Nate Johnson can be reached at NPJ44@aol.com

Road victory keeps UM’s hopes alive

The Miami Hurricanes shot 52.7 percent from the floor and got scoring from some unlikely sources to beat the Hokies 79-71 in a Big East game in front of 3,020 fans at Cassell Coliseum.
The Hurricanes improved to 11-15(4-11 Big East), and are now tied with the Hokies for last place in the Eastern Division. However, Miami owns the tiebreaker over Tech by virtue of its two wins over the Hokies this season. The loss dropped Tech to 11-17 on the season, and they are 4-11 in the Big East. A Miami victory over St. John’s Saturday night at the Convocation Center, or a Hokies loss to West Virginia puts the ‘Canes in the Big East Tournament.
Tech never led in this one and trailed by 10 twice in the second half before tying the game both times on 10-0 runs. The Hokies tied the game at 63 the final time when Dixon converted a three-point play with 3:37 left in the game.
The ‘Canes, though, regained the lead when Eric Wilkins connected on arguably Miami’s biggest basket of the season. Wilkins, a 6-foot-4 freshman guard, hit a fade away jumper with less than five seconds on the shot clock to give Miami a 65-63 lead.
That started an 11-1 run as Miami built its lead back to 10 and never looked back. The ‘Canes hit 10-of-12 from the free-throw line in the final 1:09 to seal their second road win and first Big East road win of the season.
“I thought that shot was huge,” Miami coach Perry Clark said. “I felt if they ever got the lead, then it would be like a runaway horse and we’d never catch them.
James Jones led Miami with a game-high 21 points and Darius Rice – who sat out Miami’s game against BC this past weekend with an injury to his shooting hand – scored 10 on 3-of-10 from the floor after scoring 32 against Tech in the first meeting. But the two guys who killed Tech were guards Armondo Surratt and Wilkins.
Wilkins, who had been in double figures just twice all season and came into the game averaging 3.8 points per game, scored a career-high 19 points and made 7-of-9 from the floor. Surratt, who came into the game averaging 6.2 points per game, scored 15 points and dished out eight assists.

-Courtesy of the Virginia Tech Sports Information Department

Women’s Basketball closes regular season the right way

Seniors Meghan Saake and Alicia Hartlaub will likely remember Tuesday’s victory over the Georgetown for a longer period of time than their teammates, since the win came in the final home game of their careers.
However, it was junior Chanivia Broussard who scored 20 points, propelling Miami to a 73-71 win against Georgetown at the Convocation Center. The victory, combined with Seton Hall’s loss to Pittsburgh, gives Miami the No. 7 seed in this weekend’s Big East Tournament.
The 20-point effort was a turnaround for Broussard, who scored just two points in Saturday’s loss at Boston College.
“As a team we decided to leave everything on the line and that we weren’t going to lose any more close games,” Broussard said.
The Hurricanes trailed 30-29 at the half, but went on an 8-0 run against the Hoyas with 11:26 to play — putting the ‘Canes in the drivers seat. Georgetown did not go away easy, however, as a Mary Lisicky three-pointer tied the score for the 11th time during the game.
Junior Shaquana Wilkins responded with a jumper inside of the final two minutes, and. Broussard then gave Miami the lead for good with a three-pointer from the right wing.
Saake iced the contest with less than 10 seconds to go, stealing the ball from Georgetown’s Rebekkah Brunson. The steal was Saake’s third of the night and No. 352 for her career.
“It was very important for us to win tonight,” Saake said. “Not only because it was senior night, but it also meant a lot for us as far as being No. 7 in the Big East as opposed to No. 8 or 9.”
The Hoyas fouled the ‘Canes down the stretch, but Miami went 4-6 from the free throw line to secure the victory.
“The key to this game, really, is that we didn’t turn the ball over,” head coach Ferne Labati said. “Georgetown has been playing very, very well in the last few games and it was a great game for us to win.”
Georgetown was able to stop the Big East’s leading scorer, Tamara James, in the first half, as she was held scoreless. Another Miami freshman, Katie Hayek, filled the void with a pair of three-pointers. Hayek’s strong play comes during a stretch in which the 5-9 guard has seen more playing time.
“Katie has been playing extremely well in practice,” Labati said. “We are the type of team that what you do in practice is what you are going to do in the game.”
Brunson and Zsuzsanna Horvath kept the game close with 24 and 18 points, respectively for the Hoyas. Horvath, who averages just over five points a game, has some history with the Miami program.
“It really came down to the fact that it was between Miami and Georgetown four years ago when we recruited her and I think that she always gets up when she plays Miami,” Labati said.
Broussard became the 15th Miami player to reach 1,000 career points with a lay-up early in the first half. Yolanda McCormick also scored 12 points and dished out five assists. Hartlaub and Saake, who were both honored before the game, each scored six points.
Miami finishes its regular season 16-11 overall and 8-8 in conference play. They will begin Big East Tournament action Saturday in Piscataway, N.J., against the No. 10 seed, Syracuse.
Labati is eager for the postseason.
“It’s 0-0, a new start, and we are ready,” Labati said. “We finished .500 in the Big East which is very good. We feel we can compete. There has been no team that has blown us out and we have been in every single ballgame.”

Ben Wolf can be reached at b.wolf@umiami.eom

Armed and dangerous in Tennessee

In a week that was clouded with NCAA sanctions, the unexpected resignation of longtime pitching coach Lazaro Collazo, and a devastating injury to No. 1 pitcher Dan Touchet, the Hurricane baseball team showed its resolve by winning its series against The Citadel this past weekend.
Now the ‘Canes head into this weekend’s series against the Tennessee Volunteers in Knoxville armed with a new pitching coach in J.D. Arteaga and a new starter in J.D. Cockroft.
Arteaga was head coach Jim Morris’s only choice to fill the void left by Collazo’s departure. The former college and minor league pitcher is the Hurricanes’ all-time wins and starts leader and was a protEgE of Collazo. His jersey number 33 was retired at Mark Light Field after he left the university.
“I am very comfortable with the choice to bring in J.D. as the new coach,” Morris said. “He wants to coach and is familiar with the school and players.”
Arteaga has wanted to coach at UM ever since leaving the school in 1997 to pitch in the New York Mets and Houston Astros organizations.
“This was the only job that could get me to stop playing,” Arteaga said. “I look forward to sharing what I’ve learned with these pitchers.”
Arteaga doesn’t plan on changing what his mentor Collazo had been doing with the staff.
“Lazer was a father to me and what I know about pitching has come from him,” Arteaga said. “I don’t plan on changing any of his concepts and methods with the pitchers.”
Arteaga’s staff will enter this weekend without Touchet ,its top starter, who will be sidelined for at least four weeks with an ACL injury. Cockroft will get the nod on Friday night’s series opener.
The Volunteers are led by lefthander Derek Tharpe, a transfer from Samford, and righty Brandon Crowe, who went 6-0 as a reliever in 2001 before missing the 2002 season following Tommy John surgery. Tennessee’s catcher Javi Herrera entered the season ranked No. 59 in Baseball America’s top 100 players in the nation.
Tennessee is currently 9-1 and ranked in the top 25. Coach Morris anticipates a hard-fought series in a tough place to play.
“Tennessee is always a good team and Knoxville isn’t an easy place to win,” Morris said. “It is cold there and there are always good crowds.”
The ‘Canes are hoping to build of the offensive explosion from The Citadel series, which included Ryan Braun hitting three home runs and catcher Erick San Pedro jacking his first two career home runs over the right-field wall of Mark Light Field on Sunday.
Morris hopes San Pedro, who has struggled early in the season, will use his big game on Sunday as motivation for this weekend.
“It was good to see Erick hitting the ball well,” Morris said. “We certainly need offense from that position.”
Morris attributes the improvement in the team’s power to strong winds and concentration.
“I think we did a good job of taking advantage of the daytime wind and going with pitches instead of trying to pull everything,” Morris said. “It was a great weekend to be a hitter here.”
Now the ‘Canes are looking to put the events of last week out of their minds and head into Knoxville focused on winning an important series on the road.
“Last Thursday and Friday were two unbelievable days that were hard to deal with,” Morris said. “I was proud of how we came back on Saturday and Sunday and now we’re just looking to go into Tennessee and take the series.”

Eric Kalis can be reached at elk777bc@hotmail.com

Take Spring Break to think about your Democracy

As Spring Break approaches, everyone is probably wondering how a cynical college student with deep-seated objections to the impending war with Iraq spends his break. I’m sorry to harp on war, but I have a hard time writing about how much parking sucks when thousands of lives and billions of dollars are about to be spent pursuing a war that has not yet been justified and that has literally millions of protestors world wide (our president referred to them as a “focus group”).
This Spring Break, I will be trying to answer two questions that it seems supporters of war cannot answer. First: why Iraq? Supporters of war cite a list of reasons, some of which may not be completely true. Then, when millions of people and some of the most powerful countries in the world say that they are not persuaded, supporters of the war merely repeat those same “facts” without any new information that might make protestors change their minds.
These supporters of war, for example, will say that Hussein gassed his people, a comment that has absolutely nothing to do with the situation we are in right now. They will also say that we must stop him from developing and selling more weapons of mass destruction as a matter of national security, which is just hypocritical. After all, North Korea has nuclear weapons and wishes to sell them to anyone who will buy them, but no one is crying for their blood.
Second: Why now? Supporters of war have failed to answer this question. The world seems ready to explode, we are in the middle of a conflict based largely on a clash of religions, and our president, diplomatic genius that he is, is outspoken in his belief that the Christian God is on America’s side. Call me crazy, but doesn’t it seem like pursuing this war right now might be a little like lighting a match in a barrel of gunpowder? Is this the smartest time to toss diplomacy to the wayside, and more importantly, will this war solve anything or will it simply increase anti-American sentiment worldwide?
If I may say one last thing: I am disgusted by the recent trend in this country of treating protestors like traitors or supporters of terrorism. Are we living in 1955? Has Joseph McCarthy been resurrected? Are we going to reinstate HUAC and start blacklisting people because of their “ties to communism?” It certainly seems there are plenty of “good Americans” who would love to see protestors silenced by any means necessary. And to think, we want to instate a democracy in Iraq when we don’t even understand what it means to have one here.

Travis Atria is a senior majoring in English Literature. Viruses can be directed to Batman7777@aol.com.

Butcher of Baghdad’s Reign of Terror Soon Over

The time has come for the United States to rid the world of its worst terrorist, liberate 25 million people and install democracy in Iraq. Inaction will result in Iraq’s indefinite condemnation to life under a tyrannical animal that mutilates, tortures, rapes, robs (Forbes estimates his personal wealth at $2 billion) and murders his people at will. The Iraqi people have the inherent, fundamental human rights of self-government, life, liberty and the pursuit of happiness.
The world must not continue closing its eyes, naively acquiescing and, as President Bush says, “hoping against the evidence” as it so regretfully did with Adolf Hitler. We have the opportunity to prevent another holocaust, including you or I as victims.
Iraq’s illegal, unaccounted-for weapons total at least 25,000 liters of anthrax, 38,000 liters of botulinum toxin, 500 tons of sarin, mustard and VX nerve agent, along with 30,000 chemical warheads and unmanned aerial vehicles to deliver them, according to a 1999 U.N. report. Hussein currently seeks the crown jewel of his terror arsenal, enriched uranium for a nuclear weapon, as evidenced by defected Iraq nuclear engineers and satellite images of rebuilt nuclear facilities. Under threat of nuclear holocaust, Hussein would again invade his neighbors, fulfilling his aspiration of Middle East domination.
Hussein has used chemical weapons against Iran and the Iraqi Kurds, murdering over 20,000 civilians. Iraq financially supports the families of Palestinian homicide bombers, an unjustifiable evil. Hussein has praised the 9/11/01 attacks, given refuge to and instructed Al-Qaeda terrorists how to produce bombs, poisons and lethal gases for use against the U.S. The slaughter of 2,998 civilians finally awoke America to terrorism after eight years of inexcusable inaction under Bill Clinton. How many more Americans must die before we eliminate Saddam Hussein?
In material breach of UN resolution 1441, verifying the disarmament of Iraq, Hussein has threatened to kill the families of Iraqi scientists for cooperating with inspectors, hid documents and sanitized weapons sites. C.I.A. intelligence indicates weapons facilities have been mobilized on trucks or buried underground, making them impossible to locate. It’s Iraq’s obligation to present and destroy their weapons. If by miracle the U.N. locates them, Iraq will simply produce more.
Hussein bears full culpability for Iraqi and American casualties during the war he’s forcing upon the world. In the words of our courageous president, “We did not ask for this present challenge, but we accept it . . . we will meet the responsibility of defending human liberty against violence and aggression . . . and lead the world to a better day.” God Bless Our Armed Forces.

Pete Trombadore can be contacted at petetrombadore@hotmail.com.

The Posing War is just a Bad Episode of DEj Vu

“I want to be just like my daddy!” Or not. The lack of solid reasons to invade Iraq makes me think more and more that Bush Jr. is just trying to “finish what his daddy started” 10 years ago.
Supposedly, this invasion is for the protection of the American people; yet, with disasters such as September 11 still freshly imprinted in our minds, I question the government’s true abilities to protect America from another horrible attack within our borders. The still-present security gaps, with target places such as airports, further prove that the government is not serving the people’s interests. It seems as though concentration has shifted from directly improving security on our turf to endangering innocent lives by shipping people out to war.
It’s pathetic to see how fast our world is going down the drain because of our wonderful world leaders showing each other how big their guns are, or saying and doing things to show “Look! We’ve got Missiles!” and “Look! Biological weapons!” and “Look how many billions we spent on defense this time, never mind our growing economic problems!” It looks as though leaders are making sure our generation can re-experience the horrors of war over the last century that our parents, grandparents and great-grandparents were so unfortunate to encounter. Only this time it involves “weapons of mass destruction,” that only have the potential of affecting our society and environment for the rest of our planet’s existence if not blowing it out of the solar system.
The irony of the whole situation is that our country tries so hard to relieve other countries of their destructive and biological defenses yet with the billions we allot to defense, it makes you wonder what we else have hidden within our back pockets besides horrid weapons such as Napalm.
I don’t want to be like my daddy and fight a war like the one he did 10 years ago. Nor do I want to remain under leaders who fight invisible enemies like terrorism, similar to the bloopers we got involved in by trying to fight Communism.
Blowing up countries does not solve social injustices or dethrone ringleaders (as seen with Bin-Laden), but only makes us place our energies continually in a losing battle with ideologies outside of our own.

Marquita Bell is a sophomore majoring in print journalism and political science. She can be reached at m_bell01@hotmail.com.

Letter to the Editor

In response to the Roman Polanski article published on Friday February 28,2003:
Mr. Shawn Wines’ article on Roman Polanski omits what is clearly the most relevant detail in a retrospective that deals significantly with The Pianist, that Mr. Polanski himself escaped a Krakow Ghetto while his parents were sent to a concentration camp. Isn’t this be more relevant information than the details of his sex scandal (to which the writer devotes an entire paragraph)?
What I find inexcusable is the writer’s glaring oversimplification that Mr. Polanski “brings little” to the metaphorical Holocaust offerings table. The Pianist has a “unique angle.” It tells the story of the true events of Wladyslaw Szipilman’s life and therefore is different in its own right. Unlike Schindler’s List, which recreates the gruesome images from concentration camp life, or Life is Beautiful, which deals with the relationship between a father and son during the Holocaust, this film is unique in that it is the survival story of a man in hiding, who watches the horrors unfold from the outside. Moreover, 6 million stories about the Holocaust will never be told. Each and every one of these stories is unique, and when one of them is told with the mastery and craft that Mr. Polanski brings to The Pianist, I fail to see how “this film brings nothing new to the table.” Films bring each and every one of these stories to life, and even the writer would agree that Mr. Polanski does that superbly with The Pianist. More importantly, there is no such thing as “just another Holocaust film,” just as there is not such thing as another slavery film.

– Orly Shuber

Response from Life & Art Film Critic
I feel The Pianist is a fine film, but it’s not Polanski’s best. The visuals and Brody’s stunning performance are the highlights, but it certainly contains flaws.
Polanski chose to tell the story from a certain distance, not letting us become as emotionally invested in the characters as in other dramas. This choice just didn’t work for me.
I also believe that a retrospective should provide information about the filmmaker’s background, as well as his body of work. Polanski’s troubled past is something that defines who he is and how he works, and was deserving of the space it got in the article.

– Shawn Wines, Life & Art Writer

EDITORIAL

Our neighbors, a.k.a the UMNHOA, are hardheaded. And hot-headed. And, frankly, out of control. It seems that these people have grown desensitized to yelling and shouting and arguing in circles.
And we’re at the core of all this because UM has a critical need for housing.
The recent decision to move forth with Phase I of the 1992 plan for University Village was one made out of necessity. But the neighbors refuse to listen.
Sure they can voice their concerns. It’s their neighborhood too.
But the fact remains is that many students are registered voters of the City of Coral Gables. We’re residents too. Our vote counts. We work here. We live here.
We help to elect city officials. We contribute to the community.
They think we are all “hooligans” that “urinate from roofs”. They yell these things all the time at University Village community relations meetings. They blame UM students for random disturbances and minor crimes.
But the neighbors have never stopped to consider the fact that maybe local Gables and South Miami youth are responsible for these issues. It seems more likely that local elementary, middle, and high school kids are doing these types of things. On campus, local youth are always trespassing and causing havoc. Ask Public Safety.
Sadly, the neighbors are not aware of the fact that the majority of the students within this campus that totally de-evaluate their misconceptions. Many of us are very successful. Some are nationally recognized. What about the academic and athletic dedication of our athletes? What about the service projects of the fraternities, sororities, student organizations and clubs? Our debate teams and mock trial teams win awards all of the time.
The neighbors ignore these successes.
The reality is that our involved student body continually stimulates changes within the University and local community. We are not criminals.
But who can blame the neighbors for thinking as they do? Their heads must be filled with stereotypical images from Hollywood of what the typical college student is: Animal House, Road Trip, American Pie. Poor neighbors, Hollywood has brainwashed them.
Meanwhile, most of us sit around and wait for all of these things in the movies to happen to us, but they never do.
Still, it seems that any other type of discrimination would be unacceptable under any other circumstances. Therefore, their unfounded statements can’t be excused.
But the neighbors are smarter than that. They back up their generalized discriminatory remarks with facts, primarily from articles printed in this very publication.
The problem is that they take the articles out of context and mold the facts to their liking. Then they present the misinterpreted information at city meetings. They print it in their local Homeowner’s Association newsletter to distribute to surrounding neighborhoods.
They talk about us behind our backs.
Even better, the neighbors continually criticize UM for not being open to new options, but refuse to listen to the point of view of the University and compromise for a comparable middle-ground.
What hypocrites.
Even better, the proposed Village would only heighten safety and improve the condition of the current area, making it more aesthetically pleasing and useful.
In the end, UM has done everything in its power to be a good, considerate neighbor and has been received with nothing but criticism, stereotypes, and barefaced discrimination. Simple human decency should take precedence over even the most serious of concerns.
Maybe the neighbors should move to a less classy neighborhood.