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Day of Silence fosters public outcry against discrimination

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Dozens of UM students tied red bandannas around their arms and took part in the Day of Silence Project, a national youth movement protesting the silence faced by lesbian, gay, bisexual and transgender [GLBT]people and their allies.
“By going silent for a day, we are helping demonstrate the silence that is forced on the GLBT people every day,” Christopher Vasquez said in a written statement. “We just want to raise awareness of the issues we face.”
Vasquez is the president of SpectrUM, the University association that recognizes and celebrates individual differences in sexual identity, orientation and behavior.
Throughout the week, SpectrUM volunteers passed out the standard red armbands and “silence cards” to interested passersby in the UC breezeway.
The silence cards were intended to be given by a silent volunteer to others as a substitute for conversation.
“My deliberate silence echoes that silence, which is caused by harassment, prejudice, and discrimination,” the cards read. “I believe that ending the silence is the first step toward fighting these injustices. Think about the voices you are not hearing today.”
The cards then propose a challenge: “What are you going to do to end the silence?”
As a result of the day’s events, many participants began to understand the struggles that many people may encounter when faced with discrimination.
“Most gay people are in the closet. In other words, they are silent,” Frank J. Corbishley, the Episcopalian Chaplain at UM, said. “They are silent because they are afraid of how people will react to them.”
Corbishley was one of few adults wearing a red armband and supporting the cause.
“By being silent, I am trying to empathize with them,” Corbishley said.
Corbishley hopes that students benefited from the Day of Silence.
“I’m also hoping that people will get the message that silence in the face of prejudice and hatred is destructive,” he said. “No one should have to be afraid.”

Sam Lockhart can be contacted at hurricane_opinion@hotmail.com.

Hurricane Administrative Spotlight: Q&A with Richard Walker, director of student life & UC

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Q: What does your job as director of the UC and student life entail?

A: It’s kind of a two-prong position. The student life side is more of what I consider to be student life and programming, which includes the student activities and leadership programs, volunteer services, commuter student affairs, orientation and all the student organizations. I advise Student Government and work with the Rathskeller.
The UC side of it deals more with the operations. That is basically what I do, along with other duties assigned by Dr. Whitely, which can be a variety of things ranging from working with athletics to planning trips to the fiesta bowl to working with the Convocation Center on ticket policies for basketball games. Really my job covers anything that is a student-related issue.

Q: How did you get your position?

A: This is going to be my 16th year at UM. I used to be the assistant dean of student personnel, but that position doesn’t exist anymore. Then I crossed over and got a job with the Dean of Students, working with judicial affairs and sororities. I was the only male applicant for the position, and they had never had a male in the position at this university. People were like “How? You’re a guy, how can you work with sororities?” Then in 1989 I became the assistant dean of students. I still dealt with judicial issues, and then added fraternities in addition to sororities. I did that for eight years. Then in 1997, when Dr. Whitely became vice president for Student Affairs, she asked me if I would be interested in coming over here and taking this job.
This is my 21st year in higher education. I worked at two other schools before I came here. I spent two years at Middle Tennessee State University, where I worked with students as well as was the cheerleading coach.

Q: So, how was it being a cheerleading coach?

A: I cheered two years in college and then I coached two years. I had never done it before. During my sophomore year, one of the female cheerleaders said that they really needed guys to try out because they were losing all of their guys to graduation. I was like “Me, cheer? No”- but I did it, and I made it my first time trying out as a junior. I was actually a captain my first year on the squad. It was one of those things that you would never think you would do, but I was like, “Why not?”

Q: I know that you also work with pageants as well. Tell me about that.

A: I’ve been a volunteer with the Miss America Program for 26 years. That’s really my side venture, in my spare time. I started in 1977 as a freshman in college.
My fraternity, Sigma Alpha Epsilon [SAE], sponsored the pageant. My sophomore year I was named the director and I worked it my sophomore, junior and senior year. Then, when I came to UM, after my first year here, they came to me. I began doing Miss UM and did that for about 15 years.
Then, somewhere along the line, the people doing Miss Miami decided they didn’t want to do it anymore, so I began doing that as well. So, for five years I did Miss UM and Miss Miami.
Last summer there was some issues politically and some others with the Miss Florida pageant. The Miss America organization stepped in and asked me and another woman to take over the Miss Florida pageant. So now, my title is the Chairman of the Board and CEO of the Miss Florida pageant.
Miss America is not your typical beauty pageant. Miss America has talent, that’s 30 percent of the score, and the interview is 40 percent, so that means that 70 percent of the score is based on artistic and intellectual ability. Last year, Miss America gave out $48 million in scholarships across the country. That’s amazing.
We’ve had two Miss Floridas here at UM, and they will tell you that they have been able to go to school because of the money they’ve won. One of our former Miss Floridas, a UM graduate, won over $50,000 in cash scholarships.

Q: What else do you do in your spare time?

I enjoy music. I sing. I like to entertain. I like going to the beach. It’s one of the reasons that I moved down here. My family had always come to Florida on vacations, so when I had the chance to move down here, I was like, sure, let’s try doing that for a while. I like hanging out with my friends. I like eating at restaurants. Miami is one of those places where you can do that. I live on South Beach, so I can walk to Lincoln Road or Ocean Drive for the restaurants. I’m finishing up my doctorate in higher education here at Miami. I’ve done my classes and my qualifying exams so I’m working on my dissertation.

Leigha Taber can be contacted at l.taber@umiami.edu

UM strives to build better relations with neighbors

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Recently the City/University Community Relations Committee [CRC] met at the Coral Gables Commission Chambers of City Hall to address, among other issues, the latest concerns of the UM neighbors.
UM representatives on the committee highlighted the latest initiatives taken by the University to reach out to the surrounding community.
The biggest initiative launched by UM is College Town, a new quarterly publication aimed at informing the neighbors about campus news and activities.
“We’ve heard from neighbors that they would like to know what activities are being offered on campus,” Sarah Artecona, assistant vice-president for University Relations, said. “Since we don’t have a driving street through campus, we’re trying to think of ways to attract the neighbors to come to campus.”
In a letter to neighbors featured in the inaugural issue of College Town, Pat Whitely, vice-president for Student Affairs, says that UM will continue to work together with the neighbors on opportunities for collaboration and to address concerns from the neighborhood.
The administration hopes that, by better informing the neighbors about the facilities that are available to them on campus, they can build stronger ties with the community.
“We would like the neighbors to enjoy and use the Lowe Art Museum, the Convocation Center, the Ring Theater and the Cosford Cinema, or just come over and walk the campus,” Artecona said.
According to Artecona, this is just the first step in a coordinated plan devised by the University.
“Later this summer we will be fully launching a College Town campaign for the neighbors,” Artecona said.
As part of this program, Artecona says, the University is looking into offering UM Bookstore discounts and discounted rates for athletic programs, as well as a spring concert early next year on the Commencement Green.
During the CRC meeting, Maria Cruz, one of the homeowners in the area, complained about illegal student parking in the green area behind the Sigma Alpha Epsilon [SAE] fraternity house, despite the recently erected “no parking” signs.
“I stopped counting at 20 cars,” Cruz said.
UM authorities told The Miami Hurricane that they are unable to enforce the signs because the area in question is not owned by UM.
“I am currently working with the owner of the property [SAE Fraternity] to solve this situation,” Chuck McConnell, director of Parking and Transportation, said. “Because it is private property, it is not within our jurisdiction to enforce the University’s parking rules and regulations. We are aware of vehicles taking advantage of this situation and hope to have this resolved shortly.”
Later in the meeting, Cruz said that she had witnessed students sitting on a couch drinking beer in front of one of the fraternity houses while she was on her way to church with her young niece.
“They were sitting there with beers and an improvised cooler,” Cruz said.
However, Henry Christensen, director for Public Safety, told The Miami Hurricane that he was unaware of any official record of the incident.
Another concern voiced by the neighbors on the committee was the increased volume of traffic on Ponce de Leon Boulevard due to the Power 96 reggae concert last Saturday.
However, UM administration working with the event said traffic in and out of the event was handled well.
“There were no problems with the parking for the reggae concert on Saturday,” Dave Touhey, general manager of the Convocation Center, said. “In fact, traffic flow into the event went very smooth, and all lots were clear after the event within 40 minutes.”
According to UM administrators, the issue of the University Village was not discussed at the meeting because the matter is currently in mediation between all parties concerned.
The UM community hopes that the issue will be resolved as soon as possible.
CRC meetings are held the first Monday of each month at 5 p.m. at Coral Gables City Hall, 405 Biltmore Way.
All meetings are open to the public.

Arnab Basu can be contacted at basuarnab@hotmail.com

News Briefs

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During reading days and final exams the Richter Library will remain open 24 hours a day. The library will open on Saturday, April 26 at 9 a.m. and remain continuously open until Thursday, May 8. The library will close at 11 p.m. on May 8. For a detailed library schedule, visit the library website at www.library.miami.edu/general/hours.html.

Student Government Senate is looking for student leaders with ideas to improve our community. If you want to have a say in matters of great importance to the University or work on projects to improve academics and facilities, please apply for vacant senate seats. Currently they are in need of senators for the following classes, schools or residencies: Commuter Central, Mahoney, Eaton, School of Education, Junior and Sophomore. For more information, contact Student Government at 305-284-3082 or stop by UC 214.

UM announced today that Nilda Peragallo, R.N., Dr.P.H., has been appointed Dean of the School of Nursing.
An internationally recognized researcher on HIV and AIDS among Hispanic populations, Dr. Peragallo, a native of Chile, is an assistant professor at the School of Nursing at the University of Maryland and serves as interim chair of the Department of Behavioral and Community Nursing.
“Professor Peragallo is an accomplished scholar who will strengthen the research activities of the School of Nursing,” said UM President Donna E. Shalala. “Her areas of expertise and leadership make her a great fit for the University of Miami and for our community.”
At the University of Miami, where she will assume her new responsibilities this summer, Dr. Peragallo will also have a faculty appointment at the School of Medicine.
Dr. Peragallo will be on hand when the School of Nursing breaks ground on its new home, the $19 million state-of-the-art M. Christine Schwartz Center for Nursing Education, on April 28.
“I am thrilled to be joining the University of Miami at such an opportune time,” said Dr. Peragallo. “I look forward to working and doing research in a diverse community.”
A 1984 graduate of the University of Texas School of Public Health, where she received her doctorate, Dr. Peragallo previously taught at the nursing schools at University of Illinois, University of Pennsylvania and University of Central Florida. She received her MSN from West Virginia University and her BSN from the University of Chile in Valparaiso, Chile. She is a Fellow American Academy of Nursing (FAAN) member, President of the National Association of Hispanic Nurses and was a Robert Wood Johnson Clinical Nurse Scholar while at the University of Pennsylvania from 1989-91.
Dr. Peragallo replaces interim dean Sharon Pontius, who will rejoin the faculty and assist in the transition.

Campus Calendar

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TODAY
International Week continues with Caribbean Day from 11 a.m. to 3 p.m. The fun continues with a Pacific Night Luau from 7 to 9 p.m. But that’s not all! Don’t miss the Caribbean Night Concert from 10 p.m. to 1 a.m.

SATURDAY APRIL 12
International Week comes to an end with a Feast of Nations. Don’t miss the International Week Banquet at Crowne Plaza Hotel from 7 p.m. to 1 a.m.

Women’s tennis takes on Notre Dame at 3 p.m. at the Schiff Tennis Center. This is the last home match where seniors Abby Smith and Igna deVillirs will be honored.

SUNDAY APRIL 13
Men’s tennis plays their last home match against Duke, at noon at Schiff Tennis Center. Senior Andrew Golub will be honored. Sun Juice Smoothies will be giving away free smoothies and coupons.

The Episcopal Church Center is having its Palm Sunday services on campus at 8 a.m., 10 a.m. and 6 p.m. The Episcopal Church Center is located at the corner of Stanford Drive and Levante. All are welcome!

MONDAY APRIL 14
Join FEC in celebrating Three Days of Cuban Culture. The days begin with Opening Ceremonies at 11 a.m. on the UC Patio. Come watch a children’s cultural performance. Enjoy Cuban coffee, pictures in traditional costume, music and dancing.

Pulitzer Prize humor columnist Dave Barry and his wife, Miami Herald Sports writer Michelle Kaufman, speak at Stanford Residential College. Come hear their success stories and join them in what promises to be a lively and entertaining discussion at 8 p.m. in the residence of Drs. Alex and Hilit Mechaber at Stanford Residential College.

TUESDAY APRIL 15
Frank W. Abagnale was a master of deception, and he was always one step ahead of FBI agent Carl Hanratty, who made it his prime mission to capture Frank. If you haven’t figured it out by now, this is the movie Catch Me If You Can, with Leonardo DiCaprio and Tom Hanks. CAC will be showing Catch Me if You Can at 8 and 10:30 p.m. at the Cosford Cinema.

FEC for Three Days of Cuban Culture hosts a domino competition at 2 p.m. on the UC Patio. Pay $5 a pair and play against the older generation of domino players from the legendary Calle Ocho park as you sip Cuban coffee. Winners get a prize. Also, pass by and pick up a freshly rolled cigar as you play.

Award-winning novelist N

Students take it back for women

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International event opposing violence held at UM
Lighted candles and strong voices united on the UC Rock Tuesday to celebrate Take Back the Night, an annual international event aimed at raising awareness of the worldwide epidemic of violence against females.
This is the first time that the event has been hosted on the UM campus, and it was sponsored by the Sexual Assault Response Team [SART] with assistance from the Counseling Center’s Outreach Peer Education Group, Artemis and other student organizations.
“What do we want?” cried the organizers.
“Safe streets!” responded those gathered.
Local and national media attention was given to the event, including coverage on Channel 10 Eyewitness News.
“I came because I think that it’s an important issue that’s often overlooked,” Paula George, freshman, said. “Most people just don’t bother with it. They think it doesn’t happen, but it does.”
Take Back the Night is an international event, first held in Germany in 1973 as a response to violent acts against women. The first Take Back the Night rally in the U.S. was held in 1976 as a protest against pornography and the violent and disrespectful behavior that it encourages against women.
Participants of the event, mostly women, set out on a candlelight march that wound around the Mahoney/Pearson parking lot, circled Lake Osceola [Lake-O], cut behind the Rat and finally ended back in front of the UC.
“I think it’s great that we passed almost everywhere on campus,” Erica Givens, freshman, said. “Even the people that weren’t taking part had to have seen us and take notice of the cause we were trying to support.”
“It really helps to spread the word,” Givens said.
Marchers regrouped along the path between Hecht and Stanford, and many of the blown-out candles were re-ignited in the midst of chants of “Hey hey ho ho, date rape has got to go go.”
Back at the Rock, participants settled down to listen to speeches, poems, songs and stories before the microphone was opened up to anyone who wanted to come forward and share personal thoughts and experiences on rape or violence.
“I think the most important part was the open mike,” Genny van Horn, sophomore, said. “When someone steps up to talk about her own experience, it makes it real. That’s when the emotions really come out, and it’s very touching to see.”
One UM student did come forward to tell her story. A victim of a sexual assault at age 15, her case was thrown out in court. She felt cheated that she never got to come forward and tell her story to a judge, so she wrote him a letter.
“I’m lost in a world that judges me not as a victim, but as a tainted individual,” she read.
Others came forward to read poetry, sing songs, share excerpts from books, tell stories and give statistics. Presenters included Evelina Galang, professor of creative writing, Officer Raul Pedrozo of the Coral Gables Police Department and Stanley Hannah of the Counseling Center.
“A sexual assault is reported in the state of Florida every 41 minutes,” Pedrozo said. “If only five to ten percent of assaults are reported, think of how many assaults are really happening.”
“You have to have a survival mindset,” Pedrozo said.
Organizers hope that the event helped raise awareness and will continue to do so in the future.
“We hope students, both male and female, learn about sexual assault and its impact on an individual’s life,” Veronica Dumas of the Counseling Center said. “We want students to understand that sexual assault is not acceptable at this university and that every student should be able to feel safe at any time, in any place.”

Kirsten Miller can be contacted at moongoddess_33@hotmail.com

Lama Zopa Rinpoche visits UM

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In a private meeting with ten UM-affiliated individuals, Lama Zopa Rinpoche, currently the main Tibetan Lama spreading Buddhism to the West, gave a candid depiction of his journey to becoming a Lama, followed by a lecture in the Learning Center [LC] that was filled to capacity.
“I was so excited that such a renowned figure of Buddhist religion was on campus that I called in sick to work to attend his lecture,” Fahadh Faasil, freshman, said. “I wish I could have met with him in person to ask him personal questions.”
During the meeting, Rinpoche spoke to a group comprised of religion students and faculty, a representative from the Tibetan library of Buddhism in Miami and a reporter from The Miami Hurricane.
Rinpoche told the group that he was born in Nepal in a mountain village near Mt. Everest, surrounded by fresh water rivers and beautiful trees. At the age of four, he said, he went to a special Buddhist school near his home. However, he said he would sneak out of the school to visit his mother in the middle of the night, until his mother became angry and sent him to another school farther away.
He then went on to say that one day he asked his guru [a Buddhist teacher/monk] to visit his home with him. Rinpoche’s mother had made potato wine and offered some to the guru and to her son.
Rinpoche said he drank so much that the guru had to carry him on his shoulders through the mountains all the way back to the school.
“His life sounds so cool,” Andres Engel, junior, said after he was presented with the information provided at the meeting.
During the lecture held immediately after the private meeting, Rinpoche explained that if one understands the meaning of life, emotional problems will be eliminated.
He also said that much of the problems in life arise from not knowing the purpose of living.
“I pondered on Rinpoche’s words carefully after he spoke them,” Suchita Thakkar, freshman, said. “I’ve often wondered about the meaning of life but never actually sat down and analyzed it – I felt so harrowed.”
“The way to enlightenment is by truth,” Rinpoche said. “The root to suffering is not knowing oneself.”
Rinpoche also believes that happiness is universal.
“Happiness is for both humans and animals – all need happiness to grow and peace,” Rinpoche said.
“The whole thing was enriching,” Engel said. “Rinpoche helped us find happiness in a very simple way.”
“I don’t think I’ll ever be sad again,” Thakkar said.
Rinpoche believes that all should take the time to learn about themselves.
“By enriching the human body, one can attain so much,” Rinpoche said. “Understanding of the mind can solve problems within the hour, minute, even second.”
“Although you might have everything, your heart can be in misery,” Rinpoche said.
Currently, Rinpoche is on a world tour. He will be in the area for one more week until he travels to France for two weeks, followed by two weeks in Russia.
He will end his trip in Mongolia, where he will meet his Holiness the Dali Lama, the highest-ranking priest of Buddhism.
For more information on Lama Zopa Rinpoche, contact Dr. Stephen Sapp, head of religious studies, at ssapp@miami.edu.

Abhishek Shah can be contacted at ablashek@hotmail.com

film review: Phone Booth ***

Phone Booth has been a troubled film for some time now. It was completed three years ago, back when people were obsessing over chads and “Survivor.”

The only thing that saved it from a quiet video release was the buzz around lead actor Colin Farrell. Reasons for its delay are plentiful: reshoots were necessary to replace the film’s villain from Ron Eldard (Black Hawk Down) to Kiefer Sutherland (“24”), which pushed the film smack dab into the eerily similar D.C. sniper shootings. Fox considered several tentative dates during those iffy weeks, but ultimately scheduled Phone Booth for a 2003 release.

The story pits a sleazy publicist (Colin Farrell) against a gravelly-voiced stranger with a rifle. Farrell’s character slyly uses the last phone booth in New York to call his would-be mistress every day, so that his cell phone bills won’t perplex his wife. One day, he instinctively picks up the ringing phone, only to find that the caller knows everything about him.

The film, which is only 80 minutes long, takes place almost entirely inside the booth. Farrell battles the caller, who strong-arms the conversation by forewarning that he has a rifle aimed at the booth from a nearby window. Tension thickens when the cops arrive, fingering the publicist for the man who recently shot an angry pimp outside of the same booth. A third conflict is tossed in when the girl he wants and the girl he has both show up at the scene, and the caller seems infatuated with incorporating this fact into his psychotic game.

Does this sound ridiculous enough yet? That’s because it is, but it’s also entertaining and inventive in the process. There’s not much that can be done with 80 minutes in and around a phone booth, but the film does it all. Flashbacks, lightning-quick editing, and “24”-style picture-in-picture are just some of the techniques used, and they all seem to work.

Director Joel Schumacher is one of the most inconsistent filmmakers of the past 20 years. In the ’90s, his films ran the gamut from spectacularly large failures (the last two Batman movies) to low budget successes like Tigerland and Falling Down. Throw in the dismal Bad Company and the well-received courtroom drama A Time to Kill, and it’s hard not to question Schumacher’s erraticism.

With this effort his direction is consumed by reckless abandon, the camera constantly spins around leaving no detail unturned. He gets some help and hip cred from Requiem for a Dream cinematographer Matthew Libatique, and from Farrell, whose facial expressions alone make the film engaging. In the supporting categories, Sutherland uses his spooky voice to add dimension to the bad guy, and Forest Whitaker (Panic Room) plays the head cop with ease.

In the end, Phone Booth is more like a music video stretched out into a semi-feature length film. For most movies, this would be a disaster, but it’s executed well by the parties involved. Don’t start thinking the Academy, but give it high marks for excitement and entertainment value, and put it on Schumacher’s “good” list.

Shawn Wines can be reached at shawnwines@aol.com.

album reviews: Can Vue dig it? A.R.E Weapons and Pest bury garage rock

Vue
babies are for petting
**

Recently plastered on the cover of the Fader as, “The best band you’ve never heard of,” Vue have managed to annoy the indie set with lots of flamboyant posturing and a blatant predilection for rock stardom. After two lackluster LPs on Seattle’s Sub Pop label, they peeled out for a suitcase full of cash at RCA, which also shelters the Strokes, and “babies are for petting” is their first bid for Jacuzzi-in-a-limo dreams.
A band that has never hesitated to sound sexed in exchange for unoriginality, Vue kick start this five-song EP with the pleasantly airy, “Look Out for Traffic,” in which front man Rex Shelverton doesn’t, “worry about anything here.” With its Trail of Dead summertime vibe, the song is worth downloading.
But the proceeding four tracks are stillborn. You’ve heard this twang-y voice in so many better generic bands, and this time it can’t go the distance across an EP, let alone another album. The faux-blues harmonicas, the dirty garage sound with a glob of mascara – it’s all so blah. Drink a six-pack to this and it’ll give you a headache; a Rolling Stones knockoff (a suitably cliche description of Vue) should never do that. On the total miscarriage of a title track, Shelverton sings, “Now if you are for real, show me more if you are.” If he obeys his own lyrics, Vue will soon disappear, leaving behind plenty of leather and feathers, but none of the drugs, groupies and rock ‘n’ roll they make music about.
For more info, visit www.chunklet.com.

– Hunter Stephenson

Pest
Necessary Measures
***

By the time you figure out what’s going on in each of the cuts on Pest’s album, Necessary Measures, you’ll be retired on a fat farm. Not to say that this album, the group’s first LP, is confusing. Your head will drift effortlessly through its 10 tracks, only bumping into a couple buoys along the way.
With beats backed by twang-y guitar licks, rich cello and keyboards, the five members of Pest have concocted a very soothing formula where (unlike last week’s Mr. Scruff LP) even the English rapping (which is growing on me as of late, scary) provides a decent compliment to the up tempo electronic beat that guides “Dr Umz.”
The true triumph of this album is the musical talent of Pest’s constituents, relying on live instrumentation that pushes the sound slightly away from trendy iBook noise. “St Pest” slows down the beat just enough for the rest of the album to seem fast by comparison, with vocals that sound like earthworms, well… if they could talk. Floating back and forth between electronica and jazz is not an easy task, and sometimes the beats don’t do what they could to highlight the instruments. Maybe I’m talking out of my ass here but sometimes (even halfway through a song) things don’t seem quite right.
Once again, Ninja Tune has sought out and released quality talent and music (continuing a tradition that includes Kid Koala, the Herbaliser and Mr. Scruff). Tracks like “Murda” mix in offbeat vocal samples like a 9-1-1 phone call, while the refreshing closer “Relief” soothes your mind with broad experimentation. Regardless, there’s something else going on here and I’m not sure I can quite nail it. In the meantime, if you see Mr. Scruff, tell him to break one of my stars in half and return it.
For more info, visit www.ninjatune.com.

– Sven Barth

A.R.E. Weapons
s/t
***1/2

Back home there’s a kid my brother used to run with before he started stealing cash from our mom’s purse. He was perma-hungover from the age of 13. When he wasn’t swallowed by a hoodie he was wearing strangers’ T-shirts. He also had a suspect perma-smirk, as if each tooth unseen represented a scam you knew nathan about.
But there were countless amiable details that softened the bigger, more important picture. For instance, someone would bring a new Clue mixtape to a smoke cipher and he’d already memorized the AZ and Big Noyd freestyles. Street prescience fills a room with urgency and “realness.”
On weekends his mom smoked crill in a park with random men, so he never aspired to hustle with businessmen. Instead, the people he befriended-then-got went off to college and he stuck around getting drunk with skinny high school girls.
A.R.E Weapons extract stellar project-blow anthems from stories about juvenile delinquents similar to that one. Embracing thug loser imagery and refusing to shave, this NYC trio’s debut LP milks a crime-prevention electro concert for fame and trim. But it’s all an in-in-in-joke. These guys are reluctant Paper glitterati managed by Chloe Sevigny’s brother, so, “It’s a good time to be a Weapon, it’s a good time to be alive.”
They call themselves Bad News Bears and “sympathize” with Columbine stress aboard drum machine beats implanted with 8-bit cartridge noise, safety pins, cheap Casios, gangster bandanas, and pawned copies of Smells Like Children. Front man Brain cheers phrases like, “Let’s hear it for America,” and “You gonna be ok kid, you gonna be alright?” that grab your attention like rotating lotto numbers. “Hey World” is a kiss-off epic to parents that is thriftily neurotic, nostalgic, embarrassing and awesome. File the entire disc under a new disorder of too much too soon.
Nonsensical Rant: Why Rolling Stone hasn’t put A.R.E. Weapons on the cover while Entertainment Weekly is labeling this disc their pick of the week/month/whatever is a cooler of mainstream magazine ooze poured over my head until it forms a full-body cast and I break out of it and jump off a tall building.
For more info, visit www.roughtraderecords.com.

– Anthony Golden

Rap is D’umb: D’Original turns “My Sharona” into “My Revolver”

When you’re lying around the house one day, and you suddenly get invited to a rapper’s private party to do an interview complete with female strippers and free Hennessey, you don’t say no; there’s generally no need to ask “who?” and “why?”

This was the mindset when Life & Art received an invite from a publicist at Bloodline Records working for rapper D’ Original (yes, we were clueless too). After a quick Google, it turns out that Bloodline is DMX’s record label, but that opened up more questions than it sealed. Images of barking dogs with platinum collars and shot callers hitting girls across dey ass with record release posters (and so forth) turned into stickup nightmares as we were directed up a staircase to the penthouses of the Tudor Hotel on South Beach (what happened to the elevator, yo?).

Expecting a party fit for BET “Uncut,” it ended up that we were the party, with Mr. D’ Original and a few of his cronies (fellow rappers L.S. the Hustler and Madguns Monster, I’m not joking about this name I swear) as our generous (sincerely) blunt-toting hosts. D’s album, complete with an “arsenal” of self-hailed new rap classics like “My Revolver” sung to the tune of “My Sharona” (try to find it, it’s numbing) and “Throw Your Legs Up,” which uses the same damn sample as “Shimmy Shimmy Ya,” filled the air like mustard gas.

After soaking in the complimentary cognac and a miraculous disc swap to Doggystyle, the lights dimmed and the lap dancing began; by this point three more people had shown up. L.S. informed all partiers that the girls were “down,” but after reusing the four or five dollars we were given, four or five times (sorry girls), we took a fifth look at the situation and decided our memories of “Doggy Dogg World” were best left on the school bus.

The next day I returned to do an interview; after all, Mr. D is promoting a just-released LP on his label Money Entertainment impeccably titled From the Cradle to the Grave…uknowmeasahustler. It also turns out that his publicist used to work at The Miami Hurricane, go figure.

Q: The title of your album is From the Cradle to the Grave…Mobb Deep has a song called “Cradle to the Grave,” and there’s a DMX movie called Cradle to the Grave. How is this so D’ Original?
D’O: Well, because realistically, primarily, I stay on top of who’s out and stuff like that and the little trends and stuff. But I’ve learned that people come and go, titles come and, things people did come and go, so I goes with what I wanna do. And what I wanted to do was name this album From the Cradle to the Grave…uknowmeasahuslter because realistically that’s what I am.

Q: Did you bring any AKs down here?
D’O: Yeah, uh, we brought the Sub 2000. We brought two of them. Whenever we take a trip, some of us fly and some of us drive. We always got guns. I don’t care if they gotta drive to California – they gonna drive to California before we get down there and they gonna drive with our guns because shit is real. You will get robbed, you will get jumped, you will get tested for nothin’.

Q: Money Entertainment, what spawned that idea?
D’O: Because that’s what it’s about. It’s about money first, then entertaining you second.

Q: Your crew sports money bandanas (for Money Entertainment). Are you gonna make “Benjie Got Back” ladies lingerie?
D’O: We gonna do everything we can to make money.

Q: On your album you mention meeting Run DMC by running into them with your car. Have you run into other people?
D’O: Yeah, I hit a lot of people in my car. Madguns’ll tell ya, they call me “hit and run haze.” If you a pedestrian and you don’t have the right of way, I’m not slowing down.

I asked Mr. D if I could take some pictures of him with his guns, but they were at another “undisclosed” location (no doubt the same logic as using “I smoke weed a lot” for a hook). There was more to this interview. For instance, he explains why he decided to cover R.E.M.’s “Losing My Religion” (because it’s a “real song”). He’s also a double black belt “nice with his aim.” If you want to hear more details, give me a call and I’ll read them straight off his press release.

Sven Barth can be reached at 305.MOB.RENT.

calendar

Tonight

Grunge rockers Pearl Jam hit the stage at Coral Sky Amphitheatre, 601-7 Sansbury’s Way, West Palm Beach. Sleater-Kinney open at 7:30 p.m. $42 reserved seating, $38 on festival lawn. 561-793-0445.

The UM Latin American Film Series starts tonight at 7 p.m. in the Bill Cosford Cinema on campus with a screening of Apasionados, a new romantic comedy from Argentinean director Juan Jose Jusid. Free. Jack Valenti will be there. 305-284-4861.

Empirical Mile, Shalala’s favorite UM band, rocks the stage at Titanic, 5813 Ponce de Leon Blvd., Coral Gables, starting 10 p.m. Emily Easterly opens. No cover. 305-667-ALES.

Saturday, April 12
Check out Homefront Invasion at OBJEX Artspace, 500 NW 24th St., Miami. An opening by Mark Mothersbaugh, former member of popular ’80s rock group Devo, starts at 7 p.m. 305-576-6551.

Alternative tunes and hip hop feels so nice at the Compound, 84 NW 42nd St., Miami, with The Linx, Brimstone, Aboriginal and Douglas Road. Starts at 2 p.m. $5. 305-761-2275.

Free concert in Bayfront Park, 301 Biscayne Blvd. Souljahs, Tunnel Rats, Freddie Colloca, Sons of God, Contagious and more celebrate hope with inspiring songs beginning at 6:30 p.m. 305-358-7550.

Sunday, April 13
We’ll be losing count of our beer mugs at Churchill’s, 5501 NE 2nd Ave., Miami, with The Slackers, Underpaid, The Floaters and The Monjees taking over the spot. 305-757-1807.

Wednesday, April 16th
Wesley Willis along with Angry Atom perform for Poplife at Soho Lounge, 175 NE 36th St., Miami. Doors open at 8 p.m. $8. 305-576-1988.

Art celebrates love, not war

L&A sheds a tear at Cernuda Arte

To Pat Benatar, it’s a battlefield. Huey Lewis sang about its power. It comforted Shakespeare like “sunshine after rain.” And to Cuban artist Demi Rodriguez, love is everything – a philosophy that she happily illustrates at this month’s exhibit at Cernuda Arte in Coral Gables.
Rodriguez, who goes simply by Demi, captures the tenderness between she and her husband, Arturo Rodriguez, in her exhibit Everything for Love. It’s from him that Demi learned how to paint, and her works are a happy illustration of the joy of their marriage.
Brimming with idyllic representations of nature and celestial imagery, Demi’s work is a spectacular feast for the eyes. She paints with intense colors, a combination of deep ceruleans, sumptuous reds, and lush green forests. Glittery paint even makes a coy appearance in a handful of pieces, including “Alone with the Butterflies” and “The Wedding.” The effect adds a stunning gloss to the emotions of her work.
Love is a festival for Demi, evident in her whimsically ornate details and dainty speckles of color. “Here We Come!” a giddy ode to marriage, shows a couple on a bike being trailed by a stream of flowers. “The Kiss” is a fanciful explosion of color, centering on a kissing couple surrounded by glittery cupids who play with a plump garland of violet blossoms.
This joyous, affectionate exhibit is a breath of fresh air amidst our current troubled times, and the art that imitates the pain. In the endearing “Two Artists in Love,” Arturo lovingly strokes his wife’s hair as the pair lies on a bed of blue blossoms. Two girls dressed in diaphanous white gowns welcome a glowing orb amidst a light-filled forest in “Painters Embracing the Moon.”
“An Artist between Bacchus and Venus” could have been lifted out of Klimt’s sketchbook, with its enchanting gold outlining and smatterings of color. The painting depicts Arturo and the playful god of wine, and Demi as a rather reserved Venus.
The self-explanatory “Artist with Fireflies in His Hair” portrays Arturo in his childhood days, luring the insects in with sugar. Sensually tinged, “A Painter and a Model” features Arturo as the artist, painting his nude wife as she holds a peacock.
Says Demi, who now resides in Miami, “I have found that there is more to life than pain…that love is all-powerful and can do wonders.” This gorgeous celebration of marriage, companionship, and true love is a stunning showcase that will certainly put a song in your heart – something much needed these days.
Everything for Love runs through May at Cernuda Arte, 3155 Ponce de Leon Blvd., Coral Gables. For more information, call 305-461-1050.

Jessica Misener can be reached at jessm02@yahoo.com.