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Student to intern with the Kennedys

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UM junior Mary Clark was recently awarded a summer internship in Washington, D.C. to work on the campaign team for U.S. Senate candidate Mark Kennedy Shriver.

Only twenty students from the United States are awarded this internship.

Clark is double majoring in history and political science, with a goal to attend law school. Clark says she is very familiar with the Kennedy family.

“I love the Kennedys,” she said. “I am really looking forward to working directly with a member of that family.”

Clark will be performing numerous publicity duties for the campaign team, including making phone calls and going door-to-door with Shriver.

Clark will stay for free with democratic supporters who have opened their homes to interns in order to help the campaign.

There is no actual pay, but Clark said she does not mind.

“The experience is worth more than any amount of money they could offer me,” she says.

Clark got the internship only with UM’s help, she said.

“I wouldn’t even have known about the internship opportunity if I hadn’t gotten an e-mail about it from the University,” she said. She applied for the internship online after reading about it in a school-wide e-mail.

Gregory Singleton, Assistant Dean of Students, wrote her a recommendation.

“I’m the only reason she got the internship!” Singleton joked. “No, really, Mary has all the characteristics needed for a project like this, and lots of leadership experience. I had nothing but positive things to say about her.”

Clark said the real reason she got the internship was because of the leadership skills she obtained while at UM.

She is a member of Kappa Kappa Gamma sorority, current vice-president of Panhellenic, co-chair of Greek Week, and has served on UM’s Senate.

“Mary is a proven leader in the Greek community. In addition, she is an outstanding student leader,” Singleton said.

These activities indicate that Clark possesses the exact qualities needed for this kind of internship: public relations skills, a knowledge of politics and law, and a good work ethic, Clark said.

“I owe it all to UM,” she said. “My professors, friends, and older student role models helped me develop my leadership skills in so many ways.”

Clark said she especially admires Jose “Pepi” Diaz, president of UM student government.

“Pepi is such a great role model. He is involved in everything and does it all well,” Clark said.

Diaz was accepted early admission to Columbia law school, which is also Clark’s graduate school of choice.

“I’m hoping this internship will give me the leading edge when I’m applying to grad school,” she said.

Clark plans to study intellectual property, or copyright law. She will begin her internship in May.

School of Int’l Studies to close

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University of Miami administrators announced early this week the School of International Studies [SIS] will cease to exist as of next fall.

The undergraduate and graduate academic programs will be transferred to the College of Arts and Sciences.

Andy Gomez, interim dean of the School of International Studies, said he was notified of the decision on Monday at noon.

Most faculty and staff members were told on Tuesday afternoon, Gomez said.

SIS undergraduate and graduate students were told at two separate meetings held on Wednesday afternoon.

President Donna Shalala, said Gomez made the decision “based on strengthening international studies and international affairs within the University of Miami” and better serving the needs of the SIS student body.

SIS was founded in 1997, after the geography and international studies majors offered by the College of Arts and Sciences merged with the masters and doctoral degrees offered by the then Graduate School of International Studies.

SIS has about 300 undergraduate students, 115 graduate students and 22 faculty members, Gomez said.

It offers two majors, one in international studies and one in geography and regional studies.

Its graduate programs include a master’s and doctorate in international studies and a master’s degree in international administration.

The school is also home of the Institute for Cuban and Cuban-American Studies, the Sue and Leonard Miller Center for Contemporary Judaic Studies and the recently established Miami European Union Center, which it co-runs with Florida International University.

“By incorporating [the programs into the College] we will be able to save money at the administrative level and put it into the academic side of the house,” Gomez said. “The college of arts and sciences is the backbone of any undergraduate program at any university. This is a positive move. I have no doubt this is the right decision.”

Gomez said he had been reviewing the possibility of the transfer for about six months.

SIS, Gomez said, has been a deficit school.

Under the College of Arts and Sciences, the programs will have more money to expand. Students and faculty members will have access to more resources, such as more scholarships and research grants, he said.

More funding, he said, will also allow the programs to hire more faculty members and have smaller classes.

Gomez said the undergraduate and graduate degrees would not change.

Faculty members would not lose their rank or their tenure and staff members will not be affected either, he said.

Several professors said they were surprised and “insulted” by the decision.

Thomas Boswell, chair of the department of geography and regional studies, said he was “surprised by the decision to abolish the School of International Studies, but supported Shalala’s decision.”

Boswell was concerned about the future of the programs’ abilities to attract and retain professors and graduate students.

“Being a part of SIS has proven to be an important recruiting tool for some of our young and very talented faculty,” he said. “Now I am concerned about being able to keep them here at UM when SIS no longer exists.”

At the meetings, Gomez assured students they would not be affected and promised students he would do his best to look after their interests.

The changes, he said, would be structural.

The students, however, were outraged.

At the Wednesday meeting in the Bill Cosford Cinema for undergraduates, students vehemently and angrily voiced their disdain.

Many of the nearly 90 undergraduate and graduate students who attended the meetings said they had chosen to enroll in the international studies program at UM because the degree had its own school.

Others complained that they would get lost in the “bloated bureaucracy” of the College of Arts and Sciences, with over a dozen majors and over 3,200 students, is the largest among the 14 schools and colleges at UM.

The students said they were upset because they would lose “personalized service” they received from the staff.

Some also complained that Gomez and Dr. Patricia Whitely, vice president for student affairs, did not answer any of their questions.

Gomez and Whitely said they will try to set up two separate meetings between Shalala and 24 graduate and undergraduate students so they could discuss their concerns.

“To me, symbolically, this means that we, as a university, are not committed to international studies,” said senior Nuri Haltiwanger, 21. “Personally, I would have never applied here if it was just a major within Arts and Sciences. The students who came to this school, didn’t come to be part of Arts and Sciences.”

“[The move] is a scar in the program,” said SIS sophomore George Metellus. “It’s like we lost the luster because we don’t have our own school.”

Kenneth Lewis, a first-year master’s student, said he favors the change if it helps, like “funding for graduate assistantships or scholarships.”

Loss of prestige, Lewis said, does not worry him.

“We still have the same teachers, who will still have the same contacts,” he said.

The transfer of the programs still has to be ratified by the Faculty Senate, which is scheduled to vote on it next week, Gomez said.

Accident victim found inebriated

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The student who found Maria Paola Ramirez lying on the floor after falling from a staircase is shedding new light on the accident.

Amber Lee Condray, freshman, was about to go to bed early Thursday morning when she heard a knock on her door.

“The girl who lives directly below me was banging on my door,” Condray said.

“She said she heard a girl screaming ‘God, help me!'”

Condray, a third floor Mahoney resident, opened the door and heard screams coming from a female.

She and the other girl, a second floor Mahoney resident, ran downstairs, rushing past the nighttime security guard.

“I forgot my ‘Cane Card upstairs and explained to him that someone was hurt and we were going to help her,” Condray said.

The security guard called for help, while Condray and the other resident rushed out and found Ramirez.

“She was lying face down, flailing her arms about,” Condray said. “She said she had fallen and couldn’t move her legs.”

Condray poked Ramirez’s legs, but Ramirez said she felt nothing.

Condray noted alcohol on Ramirez’s breath.

“I asked her if she was on anything and she said she wasn’t, but that she was just drunk,” Condray said.

Condray remained with Ramirez until paramedics arrived, she said.

According to Condray, Ramirez’s roommate, who chose not to comment, said that Ramirez got stuck on the second floor fire escape and climbed up to the third floor ledge , hoping to get down and regain entry into the building.

As of now, Ramirez remains at Jackson Memorial Hospital in good condition.

Condray wanted to visit Ramirez in the hospital, but Ramirez’s roommate, who had already been for a visit, said it was not a good sight.

“She said that Maria couldn’t move and that she had wires everywhere,” Condray said.

Talent show offers diversity

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“Come on! Give me a little more hype here!” said Ian Adams, United Black Students [UBS] Vice-President and the master of ceremonies for the third Annual 2002 Black Awareness Month [BAM] talent show.

The annual event is part of the BAM festivities and incorporated its theme NEXUS, allowing multicultural performers.

There was a mix of jazz, pop, rap and soul.

“We tried to have a variety of acts and diverse talents,” said Kiaira Bell, chairperson of the event.

A jazz group named Innovation won $500 cash for placing first in the competition.

The group is a classic mix of bass guitar, piano, drums, and trumpet.

“It is a nice reward after hard and creative work and it’s nice to have jazz appreciated,” said Quincy Garner, the trumpeteer for the band.

The second prize of $300 went to Unison, an all-boy band that composes, arranges, and produces their own music.

Hasina Brinson and Alvin Jackson won third prize with their rendition of pop singer Mariah Carey’s “One Sweet Day.”

Last year’s winner Serina Guirantes did not place in this competition, but still won the crowd over with her vocal performance of Brotha, complete with a slide show of prominent Black leaders in the background.

“Serina is someone who always goes past the call of duty, she sings, writes, and produces,” Jackson said.

Faculty members served as judges for the show.

“It was very hard to judge, as there was a lot of talent. It was very classy,” said Heather Lancin, a judge.

The turnout was less than expected and Lancin hopes for a larger audience next year.

The organizers attributed it to being a Monday night and many people having late classes.

“I was pleased with the turnout and since it was an intimate place, it didn’t seem too bad,” said Farrah Fontaine, UBS event committee member.

The talent show planning and practices had been going on since October.

The organizers said the event was as good as hoped for.

“I am so proud. It blew me away and I am very pleased with the way the show turned out. The event came together beautifully,” Fontaine said.

There were nine acts, and the audience enjoyed a variety of musical instruments and styles.

” It was very entertaining,” said Chris Whiteman, a junior at the School of Music.

“We definitely didn’t disappoint the audience,” Bell said.

There was also an appearance by “Baby Usher” as Adams introduced Rodney Rouzard. He performed the hit song, U got it bad, by Usher.

“It was like watching the video all over again,” Adams said.

There was also a quiz at the end of the show, where the contestants were randomly picked from the audience.

The questions were based on prominent black leaders and the winner, Gilbert D. Cuffy, won a book about black history.

The money raised from the event will be used to produce similar events for United Black Students organization.

A fashion show is planned for tonight, and the Royal Heritage Ball is set for Saturday.

The ball is a black tie affair with the theme, Escape The Chocolate City.

Students can pick up flyers and tickets for upcoming events at the UBS office in the UC or contact them at 305-284-2583.

Scam artists prey on UM students

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Police issued two male solicitors on the UM campus a trespass warning for attempting to scam several students out of money.

Robert Wander, 23, and Jason Elster, 22, approached junior Danielle Scott as she drove home and told her they operated a body shop, and would repair her car for $450, she said.

Scott who confessed she initially fell for the men’s offer to fix her bumper, and scratch out a few oxidation marks on her 1993 two-door red Honda Civic for $350.

“I gypped the gypsies,” joked Scott.

After she declined the initial offer, they lowered the price to $350, arguing that other mechanics charge double that amount.

Scott phoned her father, Monty Scott, who lives in Trinidad for advice.

He spoke to one of the solicitors and gave them permission to work on his daughter’s car under the mistaken assumption that the two men were acquaintances of his daughter, and thus, trustworthy, Danielle Scott later learned.

Once the nomadic mechanics got their tools out of the trunk of their 2001 metallic brown rented Mercury Sable and got down to work, Scott’s father became uneasy about the situation.

He urged her to get in touch with her boyfriend in order for him watch over the mechanics’ job.

Unsure of how payment arrangements would proceed and concerned for her safety, Scott was relieved to see a UM police car approach the scene.

“The officer told me Public Security had received a call about a suspicious car at Eaton,” said Scott, who briefed Sergeant Mike Arwood about the turn of events.

Soon, a second officer riding a bicycle joined Arwood, and the two policemen confronted the solicitors, inspected their car, and asked them to leave the premises after filing out a couple of trespass warnings, and taking Polaroid shots of the two.

Junior Erin Lynch came close to doing business with the same individuals a few days before Scott.

One of the solicitors offered to remove a dent on her car for $200.

When she told them the price was too high, they lowered their rate several times before offering to fix it for $30.

Hesitant to allow the strangers to work on her car, Lynch asked them for a business card, which they failed to provide.

That was the end of the deal.

Solicitors of that nature don’t prey exclusively on college students.

“It’s happened to me a couple of times,” said UM’s Lieutenant Bill Gerlach, who also told the Hurricane South Florida is a popular spot for solicitors who walk up to strangers with business propositions that are often fraudulent.

“If it sounds too good to be true, it usually is,” added Gerlanch, who said he encourages students and others members of the University to call public safety immediately if they find themselves in a situation similar to Scott’s.

“UM is a private entity. University officials have the right to refuse people they don’t want on their property,” explained Coral Gables Police spokesman Ra?l Pedroso.

“People need to be leery of unsolicited propositions such as this one,” said Pedroso. “If you didn’t solicit the repair, you need to be extremely careful.”

When all was said and done, Wander and Elster said their work on Scott’s car was free of charge, and told police they wouldn’t return on campus.

“I was probably a fool to let gypsies work on my car but all’s well that ends well. My mistake got solicitors kicked off campus and my car fixed for free.” said Scott.

Storytelling has little to say

Few films made as much noise as Todd Solondz’s Storytelling at last year’s Cannes Film Festival-and, if you’re opposed to incest, rape, or making fun of people with disabilities, then you will probably be bothered by this twisted and shocking dark comedy. However, those who have seen Solondz’s previous works, Welcome to the Dollhouse and Happiness, will undoubtedly appreciate this new chapter in a career that has already made a lot of critical noise.

Storytelling is no Happiness. It is no Welcome to the Dollhouse. In fact, the second half is nowhere near as good as the first. Split up into two parts (“Fiction” and “Non-fiction” respectively), the movie is an extremely uneven film that prides itself in being able to laugh at subjects that are far too taboo for most filmmakers to even dream of approaching.

The first section comes to us as a short film about a young college student with cerebral palsy (Leo Fitzpatrick), his pink-haired girlfriend (Selma Blair), and a sadistic creative writing professor (Robert Wisdom). “[…] and CP no longer stood for cerebral palsy, it stood for Cerebral Person […]” finishes the boy. “It sort of reminded me of Faulkner-but East Coast…and disabled” critiques one of his classmates. And within the next ten minutes, the protagonists drag us on an eye-popping trip full of sex, rape, writing, and gluttonous egos.

The second part, “Non-fiction”, has little if nothing to do with the first. It runs over an hour and focuses around the life of Scooby (Mark Webber), and his suburban family headed by none other than a polished John Goodman.

A shoe salesman turned documentary filmmaker decides to capture the essence of American teens in suburbia through what he would like to think of as the next big piece of non-fiction film. “I wrote to Derrida to see if he’d like to do the narration,” he proclaims. Toby follows Scooby throughout his daily functions and tries to delve into subjects such as his relationships with girls or his college applications.

What ensues is a mess of a film, with hardly driven characters, a weak plot, and a few situational jokes that include fellatio, arson, and hypnotism (in no particular order). In fact, it was saddening to see such a creative director/writer relying on easy and contrived plot devices to make his story advance.

Storytelling is worth seeing for those who have followed Solondz’s previous endeavors and appreciate a filmmaker who is not afraid to make some critics cringe in discomfort. However, be warned that some countries have chosen to ban or heavily censor this film. At the same time, can we really trust censors who, sources say, caused Solondz’s producers to cut out a homoerotic scene featuring none other than James Van Der Beek ?

See this film; hate it, love it, discuss it.

Poulain:Miami’s beautiful secret

The first minutes that Isaac Lekach set foot on stage at Revolver, he looked like just another member of the audience: the mop top hair, the discontent look in his face. But as soon as he grabbed his acoustic guitar, he was above everyone else. He took his pain, his feelings and turned them into lovely songs of loss, love and sadness; and became Poulain, the musician, artist and poet.

Opening for Desaparecidos is not an easy task- especially for a relatively still unknown artist and balladeer, considering that most people in the audience came with the sole purpose of witnessing the raw energy they discharge at shows. Yet Poulain managed to silence the room with the first strokes of his guitar and the first words his almost angelic voice uttered.

Song after song, the crowd stared in awe, while he released his innermost passions staring down and occasionally glancing over the people in front of him. Every time he ended a song, he shyly smiled as the audience cheered and clapped.

Taking the last name from the title character in Am

Entertainment News

Through March 10
Cirque du Soleil’s “Quidam” at Bicentennial Park in downtown Miami. Tickets range from $45 to $165 for VIP. For more info, visit www.cirquedusoleil.com.
Tonight
Sugar Cult and Unwritten Law at Millenium in Pompano Beach. For more info, visit www.pollstar.com.

Tomorrow
Jimmy Buffet and the Coral Reefer Band perform at the National Car Rental Center. Tickets are $28.50-59.50. Show starts at 8 p.m. For info call 954-523-3309.

February
16-18
World famous Coconut Grove Arts Festival in the heart of the Grove. Free.

February 17
Arturo Sandoval at Gulfstream Park in Hallandale. For more info, visit www.pollstar.com.

February 20
Mest and H2O at Millenium. For more info, visit www.pollstar.com.

February 24
Le Tigre featuring Kathleen Hanna of Bikini Kill and the Butchies perform at the Polish American Club, located on 1250 N.W. 22 Ave. Tickets are $15 and doors open at 7:30 p.m. For more info visit www.epoplife.com.
February 25
Weezer and Saves the Day performing at Mars, located on 601-7 Sansbury’s Way in West Palm Beach. Show starts at 7:30 p.m. For info call 561-793-0445.

February 26
Free screening of Sorority Boys at the Cosford at 9 p.m.

March 14-17
The Italian Renaissance Fair at Vizcaya, featuring the Living ChessGame and five stages of Renaissance entertainment, including national and international artists. Gates open from 9:30 a.m. to 5:30 p.m. Admission is $15. For more info, visit www.italianrenaissancefestival.com.

Bob Marley Festival

As sporadic intervals of rain splashed down upon dedicated fans nested along the moisture-ridden grass of historical Virginia Key Beach, the spirit of the 9th annual Bob Marley Caribbean Festival remained dry, proceeding as planned with the celebration of the legend’s music, life and philosophy. The Bob Marley Movement of Jah People presented the day long festival with various hip hop, soul, and reggae acts, propagating its reoccurring ideal of “One Foundation” to advance the event’s philanthropic efforts to benefit the needy.

People from all over flocked to the big lawn where the concert was taking place and assembled in their own personal niche, swaying with the music while inhaling potent clouds of smoke, commemorating the progression of art, freedom and independence. In the outskirts of the fest, several stands of food served the hungry, numerous people sat on the grass awaiting the arrival of friends, with some diverting themselves by reading issues of High Times magazine, and booths of Jamaican imported Red Stripe beer helped gratify the thirst of enthused reggae fans.

The rain didn’t affect the musical performances, with most of the scheduled artists showing up to rock the stage, taking the audience in for a musical trip that will long be remembered. The Marley family featuring Cedella Marley Booker, Stephen “Ragga” Marley, Damian “Jr. Gong” Marley and Julian Marley performed in honor of their renowned relative, playing their own original songs as well as emotive performances of Bob’s memorable compositions, each of which still manage to rebelliously profess fundamental issues and concerns that saturate the world’s humanity.

The earlier part of the festival was highlighted by a dynamic show starring Tony Rebel and Swade followed by Miami’s own resident Mr. Cheeks from the Lost Boyz. Cheeks, originally from Queens, New York, moved to Miami when the group disbanded partially after the death of its member Freaky Tah. Enlivening the stage, he boosted the crowd with several renditions of songs off of his solo album. People responded strongest to the thumping rhythms of “Lights, Camera, Action,” but even more fans reacted when Cheeks performed a poignant version of the Lost Boyz classic Renee.

Rebel and his band came through to perform some stirring roots reggae, calling out to the people of Jah as well as to all other people of the world, while he bounced around passionately on stage. For some, however, the escalating downpour ended up outweighing the inspired musical sets. “I was just getting impatient between sets,” explained a soaked, dazed girl from the crowd as she was leaving the concert, “because they were taking so long for the next artists to come on and the rain has damped up all my stuff.” Another attendee was disappointed with the turn out. “There were a lot, and I mean a whole lot, more people last year and everything seemed to flow more smoothly. I guess the rain sort of messed things up,” she commented.

Between sets, disc jockeys from 99 Jamz spun rap and dancehall, animating the front crowd, especially the Hispanic teenie-boppers at the front of the stage.

As the concert moved on, rain decanting intermittently, Erykah Badu, dressed in a taut purple dress with revealing black hair that fell below her knees, blessed the stage with her soulfully delicate croon. Encouraging the spectators to unite together in an amalgamated movement of freedom, her entrancing voice echoed beautifully throughout the fields. She performed several tracks from her acclaimed album Mama’s Gun and, in one of the evening’s highlights, even had a security guard carry her into the audience for one of her songs.

The show continued with powerful appearances by headliners Lauryn Hill and DMX. Hill, whose rare recent live performances have been noted for their promising display of new material from her upcoming album and candid tearful commentary, exalted a similarly touching routine here. Moreover, later on after Hill had left the stage, Wyclef Jean made an unexpected cameo with a compelling freestyle that made reference to Manhattan and the current political situation in the nation.

Since its conception, the festival has promoted a charitable endeavor to feed the hungry and has collected more than 900,000 cans of food in its brief history. This year, the proceeds will benefit the James E. Scott Community Association, Inc., a company committed to helping people help themselves.

Rain or shine, year by year this festival will continue to deliver an important message of peace, understanding, and unity to a world that needs it more so now than ever. Its altruistic efforts contribute to a benevolent support against poverty and starvation, in the memory of a visionary man whose music and everlasting kindness will remain here until the end of time.

For more info, check out www.bobmarleymovement.com

‘Monster’s Ball’ cold melodrama, strong script, performances

Most movies spend the first half of the movie working up to the second in which the real action and drama begins. Monster’s Ball, the new Halle Berry and Billy Bob Thornton movie, does the opposite. The first half is loaded with melodrama (from suicide to capital punishment to racism to obesity) while the second half takes it slow, displaying the aftershocks of such developments in the lives of its two main characters.

Berry stars as a black woman with an overweight son and death penalty-sentenced husband. Her love interest, played by Thornton, by contrast, is a racist, hick-ish, white-supremacist. He, of course, comes to accept blacks and actually wants to protect them, or Berry rather.

Visually, the movie is very interesting, saturated with lime green and harsh yellows, reminiscent of both Trans and The Limey from a few years ago. The cinematography, setting, direction, and mood are interesting without calling too much attention to themselves. Musical ambient accompaniment sets the right tone.

The biggest contradiction in the movie, it seems, is this tone, which is very stoic, unemotional, almost cold as compared to the plot, which is extremely melodramatic. No movie in history probably has so much stuff going on, so many after-school special type issues, so much, well, drama.

With so much going on, you would expect a bombastic, Titanic-like score, or noticeably dramatic direction, but instead you get harsh, cold colors and eerie ambient music. This is a slow-paced film trapped in a melodramatic script’s body.

Berry recently has been getting much Oscar and critical attention for the performance, and, in all honesty, it’s quite spectacular, probably the best of the year. Watch in one scene as she confronts Thornton’s extremely racist father (the seeds of his own racism). Her emotions range from nervous, to confused, to angry in a matter of seconds.

The ending almost redeems the film from the melodrama it holds in throughout. Here, the director realizes his fallacy in trying to sugar-coat the relationship between Thornton and Berry. If one sees this as a positive race-relations film, one would be sorely mistaken.

The Thornton-Berry relationship is dysfunctional, each attached to the other only to survive. Thornton feels bad about being a racist, but in the end still seems to feel as though he’s better than Berry (i.e. blacks). His whole “I want to protect you” shenanigans seem patronizing, yet Berry accepts them. She has no finances and Thornton gives her a free ride.

For some time it seems the movie thinks they’re in love, but then, the final scene shows just how lost and confused these characters still are.

Albeit melodramatic, it is still a fine picture.

Art in the Grove

One of the nation’s most prominent outdoor arts festivals will take over the heart of Coconut Grove this weekend. The streets that are usually crammed with the Thursday night bar-hoppers of CocoWalk will be splattered with artwork, appetizing festival food, and live music over the President’s Day weekend February 16-18. With more than 340 artists on hand, the 39th annual Washington Mutual Coconut Grove Arts Festival is a promising event for art lovers of all ages.

A staple of South Florida’s cultural calendar and regarded as one of the nation’s best fine arts festival, the event covers large portions of McFarlane Road, South Bayshore Drive and Pan American Drive.

The art on display includes fine arts and crafts pieces that range from Marc Sijan’s famed hyperrealism statues to ubiquitous South Florida landscape oil paintings and surrealist pieces from Latin American artists.

A full range of mixed media will be represented, with artists exhibiting their works in such categories as watercolor, clay, fiber, glass, sculpture, painting, photography, wood, jewelry and metalwork, printmaking and drawing.

“I’ve been going to the Arts Festival for years now. I like checking out the different types of art they have on display,” said Ana Aguilar, a freshman. “Some of it is outrageous and some of it you want to have in your house.”

“I have to admit that a big plus is all of the food they have there,” she added.

The “Global Food Village,” presented on the shores of Biscayne Bay, will feature a wide array of ethnic and regional food, alcoholic beverages, and big-name restaurants like Pizza Hut and Starbucks.

University of Miami Social Science Professor Dr. Paul George will be leading a tour of the historic treasures of Coconut Grove on Monday. Known as the “Standup Historian,” the comedic Dr. George will lead a walking tour through the streets of the Grove’s most important landmarks, including the Barnacle, the Old Peacock Inn, Millionaire’s Row, and the Coconut Grove Housekeepers Club. Dr. George’s commentary will reflect on the Grove’s past, a time when it flourished as a haven for thriving artists.

Those interested in the tour should meet at the Coconut Grove Library on McFarlane Road at 9:30 a.m. The tour lasts two hours and fifteen minutes and costs $10 per person.

The festival will feature live music performances by Miami music star Juan Pablo Torres, Manolin el M

Sheila James

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Sheila James’ career at the University of Miami has been about facing adversity. From the moment she stepped on campus, she had to overcome her 5-5 height, and this past off-season, James had to deal with a major stress fracture suffered late in the 2000-2001 campaign.
James, however, has overcome both her height and injury to become one of the leaders of a University of Miami team that at 14-8 is challenging for a NCAA bid. No one would have guessed that James would see action in 19 of the Hurricanes’ 22 games this year, but the senior said that she just wanted to go out and play hard.
“It’s been a long process,” James said. “I came into this season not being able to condition, and now I’m finally able to practice, which is a big step for me.
“Fortunately, I was able to go out on the court and give it 100 percent, which is all I want to do.”
After a successful career at Palmetto High School in Orlando, James saw action in 26 games off the bench her freshman year, averaging 4.2 points a game. After an off-season of hard work and dedication, she became Miami’s starting point guard her sophomore year, and averaged 11.7 points and four rebounds per contest. Last year, James continued to be one of Miami’s best players before suffering a stress fracture, which sidelined her the last three games.
Although James enjoyed a great deal of success on the court, the senior said her fondest memory from UM will be visiting opposing arenas.
“I enjoyed going out to the different arenas and meeting the fans,” James said. “It was nice to see how much they appreciated the game and how much they appreciated someone playing hard out there.”
This season, UM coach Ferne Labati decided to move James to the shooting guard position, which would accommodate James’ injury much easier. Sophomore Hutashi Wilson, who has taken over at point guard this year, credits a lot of her success to James.
“This year, I’m coming in a lot more confident,” Wilson said. “It helps to have a veteran telling me that I have a voice and that I’m a major part of this team.”
James, meanwhile, has averaged 8.8 points while playing almost 24 minutes a contest. Although she has only started five games in 2001-2002, James is happy with her role right now.
“I had no expectations this year,” James said. “I guess I’m doing pretty well right now, especially considering that I was thinking about red-shirting.”
As for her team, the Hurricanes have five games left, four of them against Big East opponents. James says that while Miami’s 14-8 record could be better, she’s looking forward to doing all she can to try and help the Hurricanes get a berth into the NCAA tourney.
“We could have done better,” James said. “We let some close games get away and we haven’t played well on the road, but we’re improving from last year and heading in the right direction.
“I’m just going to have to be on the court and be as much of a leader as possible these last few games. You can’t really do that as well watching on the sidelines.”