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News Briefs and Campus Calendar

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HOUSING SIGN-UP
The deadline for current students to sign-up for on-campus housing for the 2002-2003 academic year is today. Beginning on April 22nd, current students requesting on-campus housing will be placed on a waiting list should a vacancy become available. To apply for on-campus housing, visit the Department of Residence Halls office-Room. 153 in Eaton Residential College. For more information, call (305) 284-4505 or e-mail housing@miami.edu.

GREEK APPLE POLISHING AWARDS

The greek Apple polishing Ceremony took place Tuesday at the Faculty Club. Certificates were given to all greeks maintaining above a 3.5 GPA. president Shalala and Dr. Patricia Whitely, Vice President for Student Affairs were on hand to congratulate students and faculty.

The Professor of the year award went to Dr. Alexander Perez-Pons from the Business School and Tricia Shatley from Orientation and Commuter Affairs received the award for Admistrator of the Year.

GRADUATE PROGRAMS MAKE MAGAZINE “BEST” LIST

UM’s School of Education was ranked in the top 50 in U.S. News & World Report’s annual list of the country’s “Best Graduate Schools.”

APRIL IS NATIONAL STI AWARENESS MONTH
The Wellness Center will be distributing condoms and educational information in the Breezeway every Thursday during April between 11-a.m.-1p.m. to celebrate national STI Month. For more information on STI’s or condoms distribution, please contact 305-284-6524.

MENINGITIS VACCINATION CLINICS OFFERED IN
BREEZEWAY

Student Health Center will be offering meningitis vaccinations in the Breezeway throughout the month of April for $49.99 (compared to the regular price of $70). Clinics are scheduled for April 11, April 18, and April 25 between 11:30a.m. to 1:30p.m. Cash or check will be accepted at the breezeway Clinics. Vaccines will be offered at the Student Health Center throughout the month of April for students who can not attend clinics.
Sign-up for on-campus housing!
All week, April 16-22 there will be an Alumni trivia contest from 10a.m.-2p.m. in the UC Breezeway for a grand drawing for a $100 gift certificate to All Sports. Stop by the UM Ambassador Table for entry forms.

Conference on Current Debates in Puerto Rican Culture and Politics

The Center for Latin American Studies, The Puerto Rican Professional Association of South Florida, and Frances NegrUn-Muntaner is hosting The Puerto Rican “VacilUn,” A Conference on Current Debates in Puerto Rican Culture and Politics in the Storer Auditorium. The three day conference (18-22) includes speeches and panel discussions from professors from around the country and special events. This conference is free and open to the public. To register or for more information, contact Diane Just at 305-284-1854.

Today

Alpha Kappa Alpha is having a Pinkyland at the Rock from 11:30a.m.-2:30p.m. as part of their “So fresh and so clean with pink and green” skee week.

The last speaker of the Department of Art and Art History’s Euro Art Today lecture series will be Barbara Steiner, who will discuss Contemporary Art in Germany, 6:30 p.m., today in room 180 of the Whitten Learning Center. Steiner has studied Art History at the University of Vienna, and is currently the Director of the Gallery for Zeitgen^ssische Kunst in Leipzig. For more information call 305-284-2542.

Friday Groove on the UC Patio from 11:30a.m.-1p.m. “SmokingPit”

Happy Hour at the Rat from 4:30-8p.m.

Sat April 20

Alpha Kappa Alpha is having a B-B-Q at 2-5p.m., location to be announced.
Free Princeton Review practice tests (MCAT, LSAT, GMAT, GRE) at 11a.m. Please RSVP the Princeton review at 305-662-1464.

Tues April 23

CAC Film, “Lord of the Rings.”

The last PRSSA meeting of the semester will meet at 4:30 p.m. in UC 245. Guest speaker will be Mark Pray, Assistant Athletic Director for the Hurricanes. Executive board elections will be held and refreshments will be served.

Wed April 24

Arab-Israeli Conflict: Fact vs. Fiction talk in the Flamingo Ballroom B at 5p.m.
Games night at the Rat, 7-9p.m.

Fri April 26

Finals are approaching and so is crunch-time stress. If you are feeling overwhelmed with your studies, we can help! Join the folks at the Wellness Center for a relaxing day of movies and popcorn at the center Atrium. For more information contact 305-284-6524.

Friday groove on Patio from 11:30a.m.-1p.m.

Happy Hour at the Rat from 4:30-8p.m.

Classes End at 11p.m.!

No plans in sight for new art bldg.

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If you’ve ever had a class in the art building, you might have noticed that no one is allowed to go up to the second floor.

The second floor of the two-story art building, located in the upper corner of campus near the film school, was condemned a year ago.

Classes that previously took place in the art building have been relocated to other classrooms, often quite far from the art building and the rest of the department.

“Drawing and painting classes are in the Rainbow building,” said graphic design major Steven Waller. “It’s behind the Circle K, next to Pizza Hut. I didn’t even know that was part of the campus. And the 3-D classes are over by Hecht.”

Although rough plans have been made to build a new facility for the art department, nothing is definite.

“I don’t know what the plans are, much less the time frame we’re looking at,” said Dr. Perri Roberts of the art and art history department. “Honestly, I don’t think anyone knows.”

There are currently classroom spaces for all art classes somewhere on campus, but some of those classrooms are very far apart, meaning that the art and art history faculty and administration may not be able to communicate as well as they did when they were closer to each other.

“The art building has character. The balcony is ideal for drawing. But the Rainbow building, besides being far away, is uninspiring. White walls, no windows, fluorescent lighting,” said freshman Angela Wilcox, enrolled in Art 101. “With such a beautiful campus to draw, we need windows.”

“I think it’s a big problem,” Waller said. “We’re spread out all over the place. It’s hard to have a department if there’s no unity in location.”

However, Dr. Roberts says the faculty is coping well with the inconvenience,” he said. “There’s strength in having us in one place, but we can do our jobs separated too.”

Dr. Marian Jefferson, associate chair of the art and art history department, agreed.

“We’d love to have a new building,” she said. “But we understand it could be three or four years. We just don’t know where the funding is.”

“The art department doesn’t appear to have the same funding as other departments. If the University would like to keep the program and attract talented students, it will need to provide better resources, such as an un-condemned building,” said sophomore art student Marc Johnson.

Some art students speculated that the university is currently focusing its attention on aesthetic problems more than education issues, therefore funding is going to things like the new parking garage and landscaping before the art building will be considered.

“The degree of the University’s support is evident from the state of the art department’s buildings and their location at polar opposites of the campus,” said Johnson.

Other students, however, are optimistic about the plans.

“Dr. Shalala seems interested in our problem,” Waller said. “So I have hope that the problem will be fixed.”

In the meantime, classes will remain spread out over the campus, and hopefully students and faculty alike will keep up the good attitude they are showing now.

Greeks beat Apartments in UMIQ Finals

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“Yah! Go Greeks!” was the cry, as they walked away with the grand prize of a check for $7000 at the first ever UMIQ game show.

The taping for the final $10,000 championship game between the Greeks and the Apartment Area was held Wednesday at 8 p.m. at the School of Communication courtyard.

“It’s nice to have some spending money and be part of this whole experience,” said Lizette Vila, a member of the Greeks team.

To get to the finals, the Greeks defeated Eaton and Pearson while the Apartment Area defeated Stanford and the Commuters.

The Greeks won a $1000 each to spend at the UM bookstore, while the Apartment Area got $250 each.

“I’m so happy I got $250 so I don’t need to worry about buying textbooks next semester,” said Lauren Walker.

Each team originally consisted of 8 members but due to unavoidable circumstances, two members of the Apartment Area were absent.

The Greek team members were Carly Bobar, Lizette Vila, Monica Vila, Jose “Pepi” Diaz, Jason Guercio, Vil Assuncion and Roger Alvarez.

The show consisted of four rounds-the in-depth questions, the buzzer round, the pop culture round and the final 90 second round.

“The format of the show incorporates the students, professors and the entire UM campus and this has never been done before,” said Rachel Brill, the producer of the show.

The Apartment Area started off well, winning the first round.

In the second round, the Greeks fought back to claim the lead and after that there was no stopping them.

“We are very proud. You were terrific and we are very lucky to have you. I’m sure everyone at the university is very proud,” said Edward J. Pfister, Dean of the School of Communications who presented the checks.

The idea for the show was put forth last October and actual production began last semester. “It’s been a long labor of love. Many long hard hours have been spent in putting a final product on the air,” said Brill.

“You definitely learn a lot and gain great hands-on-experience. You have to pay great attention to detail,” said Mileyka Burgos, the Production Manager.

The turnout wasn’t very large but organizers attributed it to insufficient advertising.

“We need greater advertising and its very hard to get players for a new show. It’s a new idea and hopefully it will expand next year,” said Deanna Sudikoff, the Associate Producer.

Involvement in the production of the show was entirely voluntary and consisted of a large cast and the latest hi-tech equipment.

“You have to be willing to put forth all your time and energy and you have to love what you’re doing,” said Brill.

The edited one hour long show will be aired on Wed. April 27th at 7 p.m. on channel 24 on UMTV and channel 96 on AT & T Cable in Coral Gables.

Candle vigil promotes interfaith peace

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The stage was set for peace.

A rabbi, a reverend and a Muslim doctor conversed while the organizers and peace-wishers socialized and set up for the candlelight peace vigil on Wednesday, to promote peace between the UM community and the Middle East.

Sounds of nature played and the Merrick fountain served as both backdrop and accompaniment to the event.

Sophomores Emily Horowitz, Lily Asfour and Oded Ashkenazi came together to organize the vigil, in collaboration with COISO-the Council of International Student Organizations-after tensions arose during last week’s International Week.

“There have been problems here in the past week and this has been one of the main forces [behind the vigil],” was all Ashkenazi would say about last week’s disagreements.

“The three of us were discussing what happened. It’s based off of rumors,” Asfour said.

“Lila and I have been friends since the second grade. We see each other as friends, not as a Jew and a Muslim,” Horowitz said.

Although no one really wanted to comment on the incident-the vigil was after all, about coming together-organizers agreed that the end result was a good one.

“The same tensions half a world away found their way here,” said Nikki Chun, outgoing COISO president. “I’m glad that this was the response.”

“I’ve seen in my own family the pain. I went to New York City and I have seen the pain in people’s eyes,” Ashkenazi said. “When I saw the pain in people’s eyes on my campus, I felt it was time to do something.”

Reverend Frank Corbishley, Rabbi Russel Fox, Dr. Moiez Tapia, chairman of the Institute for Islamic Education and Research, as well as COISO president-elect, Cory Cain were the guest speakers.

“We had speakers from three different religions because we wanted to neutralize, have a balance and include all,” Horowitz said.

Each gave their two cents about what it would take to bring and keep peace alive today.

“I have my own vision about what peace would look like,” Corbishley said. “I might be wrong. We need to come together in our willingness to take one step back from our opinions and defer to God and it will be right.”

Rabbi Fox spoke about the difference between being a lover of peace and a pursuer of it.

“We can agree that peace is a good idea. The hard part is to pursue peace,” he said. “That means taking a risk. The true battle is not between those on the one side and those on the other. It is between those who love peace and those who do not.”

Dr. Tapia spoke in agreement stating, “When you deny any person his or her basic rights, it is against God’s law and it is not peace.”

“Both Muslims and Jews are required to greet each other ‘Assalama’ or ‘Shalom’-Peace. It means you have nothing to worry about from me,” Tapia said.

Cain felt that his job as speaker was perhaps, not to speak, but to get the audience to listen.

“I’m not going to talk anymore,” Cain said.

He then initiated a moment of silence for the crowd to contemplate everything that has happened to them lately.

The only sound to be heard was the gentle waterfall of the fountain. Some people had their eyes closed. All of them seemed to be concentrating only on what was going on inside their minds.

As the sun began its descent and a light breeze began to blow, the organizers starting lighting the candles. The light breeze, however, proved to be a problem as the candles began to blow out.

“It’s good this way that they’re hard to light. That way you have to get really close to one another,” Fox said. “Just like with peace.”

COISO advisor and director of International Students and Scholar Services, Theresa de la Guardia gave the opening and closing remarks.

“All of our speakers have given us a lot to think about, a lot to contemplate, and I’d really like us to keep it in our hearts,” she said as the vigil came to an end.

Organizers were pleasantly surprised with the turnout of about 40 people.

“It’s an excellent turnout,” Ashkenazi said. “I thank COISO for their sponsorship and their efforts to help in all the ways they can.”

“Someone brought an American flag,” he added. “I wouldn’t allow it in the ceremony. I’m against nationalism. That promotes wars.”

“More people showed up that expected,” Horowitz said. “People had really great appreciation for the event.”

“I think it’s important we all get together and generate some positive energy for all people in the world,” said continuing studies student, Alina Soto. “By showing up here it’s my contribution to positive energy.” “I’m not Muslim or Jewish so it was great to hear other religion’s opinions,” said senior Paul Stout. “God is peace. It was universal throughout all the religions.”

Cuban students keep seat

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The Federacion de Estudiantes Cubanos [FEC] rejoiced Wednesday afternoon after an overwhelming majority of Student Government senators voted in favor of their maintaining a senate seat.

The recommendation to remove FEC’s seat came from the SG Supreme Court who ruled against them five to one at a hearing that took place April 10, 2002. Every three years student organizations represented in the senate must appear before the Supreme Court to have their seat reviewed.

“The court felt that the needs of this organization were not compelling enough to substantiate a continued organizational senate seat,” said Silia Herrera, Chief Justice to the Supreme Court.

Herrera said that the court believed the senators representing the school, year, or residence of a particular group could continue addressing the needs of this constituency, and that the Council of International Students and Organizations [COISO] could also represent their interests well.

Other supreme court justices agreed.

“To promote unity and equitable diversity on campus, there is no need for FEC to have distinct and unique representation while other ethnicities are content with COISO representation,” said supreme court justice Wilson.

Justice Makowski, who offered the only dissenting vote, argued that: “COISO is a conglomerate organization that cannot possibly meet the specific needs of Cuban Students on this campus.”

“If we look at where we stand now-America in 2002-removing FEC from the Senate would serve absolutely no purpose,” said Makowski. “It would be extremely near-sighted to vote to remove this seat.”

FEC representatives said that COISO is an umbrella organization, FEC would be the thirty-fourth group involved, and there would be no hope of adequate representation.

In a compelling speech given at the meeting, senator Mike Holt representing the Gay Lesbian Bisexual Community, pointed out that if FEC should come under the umbrella of COISO, other smaller organizations within COISO would run the risk of being misrepresented because the Cuban population comprises an overwhelming majority and would overpower other organizations.

Other justices argued that FEC claimed to need the representation in the senate mainly for funding purposes.

Vice President of FEC, Cristina Arriaza, said that arguments made by the FEC senator defending their position were taken out of context and misinterpreted by the justices who used their points to argue in favor of removing them from the senate.

“We never said that our sole purpose in senate was to get money,” she said. “This is an option that we have but that to this day we haven’t used.”

Arriaza said FEC was very happy with the result of the meeting.

“It is unjust to have such a large population of students, such as Cuban Americans, be underrepresented in the senate,” she said. “We encourage other organizations to get a seat in the senate- but they have to fight for it!”

Arriaza explained that any undergraduate student organization that is duly registered, receives funding from a mandatory fee source, and demonstrates a substantive need of representation that could not be met otherwise is able to obtain a seat by a two-thirds vote of the senate.

Over the past three years the FEC has grown into an important student organization that currently holds between 40 and 50 members.

Arriaza said that FEC won first place in the “Hurricanes Help Home Town” event, which means they had the largest number of participants involved in proportion to the total number of members in the organization.

The FEC has also promoted activities like Three Days of Cuban Culture and participated in Homecoming winning several awards.

“We do not just represent the Cubans in our club,” Arriaza said. “We have an open door policy and we put on activities for the entire community.”

President of FEC Roberto Castro said he was very happy they were able to keep their seat.

“This is very important because we represent so many minority communities,” he said.

“I think the senate made the appropriate decision,” said Holt. ” I congratulate FEC for their success.”

My Baby’s Got Sauce

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As the sky faded into a deep blue Wednesday evening, the students of UM piled into the UC patio.

They crowded around the standing area in front of the stage and took up every seat.

Following Hurricane Production’s Spring Concert’s opening act, UM’s own Active Ingredients, G. Love and the Special Sauce began the first song of their two-part set.

G. Love and the Special Sauce, a trio of laid-back guys, hail from Philadelphia, Pennsylvania. The ingredients that make up the band are “G. Love” or Garret Dutton, who sings and plays the guitar and harmonica (though not simultaneously) and the Special Sauce-“Jimi Jazz” (King Kane), the bassist and back-up vocals, and “Houseman” (Jeffery Clemens) on drums.

Their unique eclectic style blends together a touch of rap, jazz, blues, country, and R&B. Their tunes have been compared to those of such legendary acts as Bob Dylan (by whom G. Love claims to be influenced), the Rolling Stones, the Beastie Boys, and Beck.

It must be their little-bit-of-everything attitude towards music that drew flocks of people, since there was something for everyone’s tastes.

Or perhaps it was their stage-audience relations.

The trio charmed the crowd with its soulful groove and G. Love’s witty rappings.

G. Love and the Special Sauce’s first set was a mix of their more rap, jazz, and R&B-esque songs. The host of students moved and swayed to the upbeat music, turning the standing room into a dance floor. The band toned down their style in the second set.

G. Love brought out his acoustic guitar and played “country-style”, although he often free-styled with his rapping capabilities with mass approval. The audience cheered and laughed at G. Love’s comical lyrics.

The crowd screamed and begged for more as G. Love exited the stage.

One student even shouted, “Take off your clothes!”

The band returned, as is their tradition, for an encore and finished their set with the famous Cold Beverage. The house lights came up and the students dispersed, some to the side of the stage for a closer view of the trio, some to the set-up table to buy t-shirts or CDs, and some just back to their rooms.

G. Love began his music career in high school, singing in his South Street neighborhood. He later met up with future bandmates Jimi Jazz and Houseman, and the trio got their big start in 1994 with their self-titled debut album.

Their single Cold Beverage warranted them the hearts of many high school and college students, along with a video on MTV.

They followed up G. Love and the Special Sauce with the more mature Coast to Coast Motel in 1995, and have since put out three more albums: Yeah, It’s That Easy, reminiscent of their first album, in 1997, Philadelphonic in 1999, and their more sultry Electric Mile in 2001.

Mulholland

For the Blockbuster-night afficionado, one of last year’s finest films has finally come out on video: Mulholland Drive.

A woman about to be murdered, a car crash that ironically is her saving grace, the headlights of the oncoming car illuminating her face…just perfect, fun, a rush – and then…the rest of the movie discounts that wonderful beginning and pretends like it didn’t happen.

The characters are always walking up garden pathways into secluded little bungalows that are reminiscent of fairy tales. The camera work during these scenes was nothing less than brilliant – somehow fluidly following the walkers through their garden and making these scenes come breathtakingly alive. David Lynch is saying we (as the audience) are being led down a garden path, and, as the old adage goes – he’s not going to let us in the garden (we’re never going to know what the movie’s about).

But then again, there is this strange idea that there is a plotline, an actual theme, some idea about doubling and reality versus non-reality and the hope for stardom in the glamorous yet frightening world of Hollywood.

Our actress Betty is as fake as can be, except when she’s acting, and her wide-eyed, girl-next-door charm is countered by her bleak, final act schizophrenic meltdown. Is Betty part I some idealized version of life in Los Angeles for a hopeful actress, and Betty part II some sort of reality of what actually happens to a would-be-actress? And if so how does the lesbianism/other woman doubling fit into all of this mess?

And then there’s all those little mini-plots, scenes in which characters we don’t know deal with nightmares or shoot up a whole apartment complex. These scenes, as riveting as they are, don’t fit into the puzzle. But is that part of the puzzle? Is this whole movie a post-modern joke?

The oddest thing about sitting through Lynch’s megalomaniacal id-fest was being awe of every scene, every emotion, every strange, quirky character. How brilliant, how incredible, how imaginatively strange – yet how confusing. You want to open up Lynch’s head with a razor blade, take out the brain, shake it and hope some sort of blue box comes out with a key, turn the key, and all of a sudden the last act of the movie comes out, and it’s a whole lot different than the confusing jumble we are privy too.

A fresh breath

You’ve gotta love Coconut Grove on Thursday nights. Gallons of cheap beer, impressionable college girls and scores of fake IDs- South Florida college debauchery at its best. The problem is, I can’t help but feel the like I’m getting kinda tired of seeing the same drunken frat boys guzzling their Bud Lights, the giggly blondes stumbling around, and I swear to God, although I love the song, you can only hear Lynyrd Skynyrd’s Free Bird so many times in one night.

Whilst sipping a Guinness at Mr. Moe’s the other night, I surveyed my surroundings and realized that the repetition is killing me. Some of us welcome change.

Enter Oyxgen. Billed as a South Beach club in the Grove, Oxygen welcomes more of an older, more sophisticated crowd. Located in the Streets of Mayfair, where the Chili Pepper once was, Oxygen follows in the footsteps of the late Kiss Caf

Entertainment News

Tonight

Concrete Blonde performs live at Billboardlive, 15th Street and Ocean Drive, Miami Beach. Show starts at 8 p.m. and tickets are $22. For more info, call 305-358-5885.

April 23

String Cheese Incident performs at Pompano Beach Amphitheater, rain or shine. Show starts at 7 p.m. and tickets are $28.50. For more info, call 954-523-3309.

April 26

Face to Face performing live at Ovation, 3637 S. Federal Highway. Show starts at 6 p.m. and tickets are $15. For more info, call 561-966-3309.

94.9 ZETA FM’s Bonzai Festival featuring Gravity Kills, Kid Rock, Puddle of Mudd, Sevendust, Rob Zombie, and Fu Manchu at Bicentennial Park, 1075 Biscayne Blvd. Show starts at 2 p.m. and tickets are $25. For more info, call 305-358-5885.

A Tribute to the Cure hosted by Corey Feldman, with Nasty Shahoulian and the Gimmix and seven other local bands at Hard Rock Caf

Sunday at Beyond 2002

By the last day of the Beyond 2002 Super Festival, the musical fete that tried to blend together extreme sports and eclectic music genres, was almost surely in the red and looked to see zero profit.

It was a three-day experiment that would flame out with its dignity intact as it ended with a large Sunday helping of major hip-hop acts on the Main Stage and a midnight set by Fatboy Slim.

“I’m happy I’m not performing on the main stage,” said Slim in a conversation one hour before his performance. “We [disc jockeys] need to be enclosed, the music needs to be inside…we like it sweaty and moist with no fresh air.”

Artists and attendees alike seemed satisfied with the festival’s vast array of performances.

The single recurring complaint was the overall turnout. This left a question of whether the blame should be placed on South Florida’s music fans or on Shutdown Productions, which organized the event.

“I’m not sure why this happened,” said Todd Ross, a Shutdown producer. “But I got feedback from a lot of people who didn’t know what exactly this festival was and some, surprisingly enough, didn’t even believe it was real.”

Sports headliner Trevor Vines, one of the world’s top five motor cross athletes, acknowledged that people received “a good view of extreme sports here since Miami isn’t a hotspot for these type of events.” Vines said he was impressed by the artists’ performances throughout the three days.

“You’d think people would be really attracted to the main lineups of artists,” he said, “but I was disappointed by the amount of people that came.”

Sunday kicked off with a set by Mouse as the crowd walked around aimlessly. Most awaited the arrival of Wu-tang Clan member Method Man, whose performance was rescheduled after he canceled on Saturday for unspecified reasons. Rumors were rampant that the rapper was hanging out backstage, but after a few hours it was apparent that he would not perform. He was the only artist on the bill to do so.

“The artists have been really good, but I feel a little lost walking around,” said Jared Sorkin from West Palm Beach, who came for the full three days. “I don’t feel like there’s unity among the people and within the festival.”

Ice-T appeared later in the afternoon with his crew, SMG (Sex, Money and Guns), and attracted a larger crowd at the main stage, shoving a gust of oomph throughout the audience as he fiercely performed Get Your Dough Up.

Rocking a Philadelphia 76ers jersey, a black player’s hat tucked sideways and holding his trophy for “Pimp of the Year Award,” Ice-T came through to demonstrate a solid hardcore and gangster hip-hop show. Shouting out old-school hip hop acts such as Whodini, Beastie Boys and Run-DMC, he let loose with hits like Bang-Bang, Original Gangsta and Get It Going, stimulating the crowd with his conscious recital of insurgence rap.

“Things here are a little confusing ,though,” said Marvin Blunte, a local music fan. “Right now, Ice-T is performing, but there’s also a break-dancing competition going on at the other end at the same time, which leaves people who are into hip hop a little disoriented.”

As the sun slowly started sinking, many assembled to the main stage. Women sitting on top of men’s shoulders, exposed their chests for the cameras, warming themselves up for Snoop Dogg’s performance. In the outskirts, the crowd began its migration to the main stage as Murder Was The Case blasted from the speakers. Accompanied by laser lights, numerous associates and his uncle, who often tours with him and dances on stage, Snoop’s performance was powerful and lively. Like Busta Rhymes’ showing on Friday, he seemed unconcerned about the turnout and simply made the most of it.

Forever dedicating his songs “to the ladies,” he maintained a dynamic atmosphere, performing such Dr.Dre hits as Nuthin’ but a ‘G’ thang and The Next Episode. Pyrotechnic chronic leaves flashed on the speakers as Snoop, sporting dark sunglasses, swayed slickly with the music. An odd character named Bishop Magic Wand, dressed in a clown-like, yellow, green, red outfit and sparkling glasses, swirled around on stage.

Snoop paused at one point, and asked everyone to take a “chronic break” as his disc jockey played Ludacris’ Area Codes, allowing his crew to dance and enjoy the green fumes. Balloons were issued over the audience and Snoop made a dedication to his late friend and fellow emcee, 2PAC, before he went into the duo’s 2 of Amerikaz Most Wanted.

He followed with Gin and Juice, as Ice-T emerged, giving pounds and bobbing his head to the classic DoggyStyle. Before issuing a peace sign, he dropped some extra old-school flavor with a version of Slick Rick’s La-Di-Da-Di rhymed over Hi-Tek and Talib Kweli’s, The Blast. After Snoop came Outkast.

A white-haired Andre 3000 flew in on his mothership equipped with a space age backpack and a matching puffy white suit, while Big Boi drove down from Atlanta in his Cadillac wearing a simple plaid shirt and jeans. Their contrasting styles combined for a thunderclap of live hits like Rosa Parks, So Fresh, So Clean, Elevators (Me and You) and a sonic The Whole World, joined by Killer Mic.

They plugged their future double-compact disc release and mellowed out the crowd with smooth performances of Da Art of Storytellin’ (Part 1) and Ms. Jackson.

The spirited, lustful concert illustrated Outkast’s shrewd capacities to spit knowledge under the realm of danceable entertainment. They ended their southern lyrical barbecue with B.O.B., and detonated a war chest of lights that left white trails zooming under the eyelids.

At around the same time, Fatboy Slim started to enrapture people with his musical fantasy at the Hallucination Stage.

Fog steamed throughout the large tent while supernatural images flickered on two big screens. Judging from the ecstatic smile on his face as songs reached a climax, he really does love to operate indoors.

The Future of Big Music Acts

Walking through the field of dirt in Bicentennial Park at the Beyond 2002 Super Festival at 1 p.m. on Friday gave off the unusual aura of being at a low budget state fair. The first 100 people in attendance resembled extras from the Harmony Korine faux documentary Gummo. There were lots of mullets, hot dogs, seemingly motherless children and overweight white people rocking cornrows and extra large tie dye T-shirts.

Would Stone Temple Pilots, Busta Rhymes, Less Than Jake, Rabbit in the Moon and Outkast all have played here over in the course of 72 hours? You could have gotten high from the sketchiness in the air, but then again you probably failed to show up.

Three stages that catered to hip hop, local rock acts and electronica remained almost entirely empty throughout the first day. A “SoBe Bus Stage,” constructed beside the half-pipe to entertain vert skaters, BMXers, and observers, continuously played a mixture of Marilyn Manson and abrasive disc jockey mixes. When professional skaterboarders Tony Hawk and Andy Macdonald actually dropped in on the half-pipe and landed some tricks, it was a sigh of relief and credibility.

As the hot sun turned necks redder, Dubcat, consisting of various members from the Long Beach Dub Allstars and the ska band Hepcat, played a refreshing set of West Coast party music complete with loyal Sublime covers like Scarlet Begonias and the fitting April 29, 1992 (Miami). As their toothless, tattooed lead singer downed Heinekens, and the six other members wailed out on saxophone, drums, guitars and turntables (well incorporated scratching for once), the peaceful outdoor vibe was hard to enjoy as seven security guards stood silently in front of the stage. They wore ridiculous, instructional frowns on their faces and held their muscular arms tightly crossed; it was laughable considering that there were more dust tornadoes near the stage than people.

At 6 p.m., ska’s eternal tour horse pranksters Less Than Jake took the stage. The band’s spiky-haired lead singer, Chris, held back a giant smirk as he scanned the crowd. “I sure as hell hope Busta Rhymes brings some people out here, ’cause it looks like Miami’s going to lose their ass on this one,” he said, before the band launched instinctively into Automatic from their 1996 album Losing Streak.

A few kids skanked and got their DC Shoes dirty as the band thrashed through surprisingly energetic renditions of old material like My Very Own Flag, and two unreleased songs from an upcoming album. Originally from Gainesville, Fla., the band seemed at home regardless of who was watching and tried desperately to get the “wall” of security guards to join them on stage for beers and dancing. “You guys haven’t done sh** all day,” Chris plead. His comment received uncomfortable jeers and cold stares from men who exemplified the total opposite demographic that prefers their suburban flavored candy core music.

By the conclusion of their set, confetti was in the air and enough people had gathered in front of the stage for Roger, the band’s dread locked bassist, to risk crowd diving. As Less Than Jake closed with All My Best Friends are Metal Heads, and a toddler working for the “Gettin’ Busy” sex education campaign handed out condoms, the festival had unleashed some indefinite potential.

“Somebody say blunt, say blunt, blunt,” an intelligent member of a group called the Blunt City Crew said into a mike underneath a lonely tent at the Hip Hop Elements stage. The festival’s potential had declined, and concertgoers could only hope that the spirit of rap music’s future had taken the day off to pay nostalgic respect to one of its electric godfathers, Soul Sonic Force.

Noted for being an indirect influence on Miami Bass, the group started out with some rather suspect Dirty South booty calls. Things didn’t get interesting until they brought out their flamboyant Indian chief, monk, Zulu and Egyptian-themed costumes. Covered in orange lights and green lasers, the group passed out tons of plastic Zulu necklaces and waved giant golden Ankhs in the air. They were freaking 12 on stage before they laid rhymes over Afrika Bambaataa’s timeless 1982 anthem Planet Rock. It was a colorfully odd hip- hop performance that would’ve have made George Clinton proud.

During soundchecks, the beer vendors were doing their best business of the day, and by the time Busta Rhymes took the stage, hundreds of drunken revelers had brewed some much needed energy inside the park.

When Busta and fellow Flipmode Squad member Spliff Star ran on stage and ripped into M.O.P.’s Ante Up, Budweisers’ happy customers promptly returned Busta’s adrenaline. The dreadlocked rapper’s bellowing growl on As I Come Back, easily seduced the crowd down a path of hysterics before he calmed them with an educational lesson in melody with the Genesis hook, As we welcome you after the future…

As a Goodyear blimp went by with an American flag lit in red, white and blue, Busta had the need to stretch his rights as a citizen and smoke some weed. “Yo, can we smoke in here? Yo, police, security we can smoke weed in here?” he asked. Apparently the answer was “yes,” because Spliff Star lit up a blunt and they shared numerous tokes. Security brought out their flash lights as a puffing epidemic went air born off stage.

Busta took off his shirt, revealing a beer belly, and a girl with long red dyed hair followed his lead, revealing some Kodak worthy plastic surgery. Spliff Star doused her with Aqua Fina as Busta gave everyone a fiery round of Scenario.

He opened up a bottle of Courvoisier and started chugging as Spliff helped out with the lyrics to Pass the Courvoisier. Spliff took over from there and boasted about his Cowboy style exploits with one of last night’s groupies. Their set practically made the day worthy of a $45 ticket and Rabbit in the Moon was still to come…along with two more days of music.

Orlando’s notorious Rabbit in the Moon unveiled some entertainment that was the electronica equivalent of a big budget Gwar show. A pulley carried Bunny, the group’s frontman, over the stage in a straight jacket as he pretended to have a seizure and attempted to escape into the audience. Before their set was over, he had used a giant gun to shoot sparks over the crowd, passed out 3-D glasses and oriental flags, worn a suit of mirrors that reflected light, slain a dragon with a sword, played a theremin, had half-naked girls dance in Kabuki makeup spinning fireballs, and flexed in a muscle suit. The music consisted of a long irrelevant trance afterthought.

Walking out of the Beyond 2002 Super Festival at 1 a.m. left a recollection of arrival that was as thin as the day’s unfortunate turnout.

Women’s track excel in Gatorade classic

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The Miami Hurricanes women’s track team dominated the field at the Miami Gatorade Track and Field Classic held at the Cobb Stadium last Saturday.

In her final home appearance at Cobb Stadium, senior Kareen Clarke placed first in the long jump (6.33 meters) and triple jump (13.29 meters) while posting NCAA provisional qualifying marks in both events. Clarke won the long jump by nearly seven inches, while dominating the triple jump by over two feet. Clarke has seven victories in nine competitions this season. UM teammate Sharianne Lawson took second in the long jump with a leap of 6.16 meters.

Freshman standout Lauryn Williams set a new UM and Cobb Stadium record in the 100-meters with a time of 11.44 seconds. She also placed second in the 200-meters (23.91) to All-American teammate Wyllesheia Myrick.

The women’s 4×100 meter relay of Myrick, Williams, Lawson, and freshman Wiande Moore recorded the fifth fastest NCAA time this season (44.57) and provisionally qualified for the NCAA outdoor Championship.

Hurricanes junior Jamillah Wade and All-American Patricia Pearson finished first in the 400-meter hurdles (1:00.20) and 800-meters (2:07.96), respectively. Junior Saraque Whittaker was the top collegiate finisher in the 400-meters posting an NCAA provisional qualifying time of 53.31.

The 4×400 meter relay team of Terria Madison, Wade, senior Jenise Winston, and freshman Amber Williams placed first with a provisional qualifying time of 3:38.11.

The Miami Hurricanes men’s track and field team also fared well at the Gatorade Classic. Special highlights included UM senior Jeff Gaulrapp’s first place finish in the 3,000-meter steeplechase at his final Cobb Stadium appearance with a time of 9:18.51. Junior Dan Boniface placed second with a time of 9:33.71. Both had NCAA qualifying times for the Outdoor Championship meet.

The men’s 4×100-meter relay team of sophomore Willis McGahee, freshman Kelly Jennings, freshman Tanard Davis, and Rose Bowl MVP junior Andre Johnson recorded a time of 40.86 to achieve its first win of the season.

Four of the men’s pole-vaulters registered provisional qualifying marks. Senior All-American Aaron Moser placed third with a vault of 4.73 meters and sophomore Aaron Bass placed fifth with a vault of 4.58 meters. Freshman Chris Centrich and sophomore Jon Mark placed eighth and ninth, respectively with marks of 4.43 meters each.

The Women’s and Men’s Track and Field teams will compete next at the Penn Relays in Philadelphia, Pennsylvania on April 25-27.