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Student hit by student driver, dog dies during baseball game

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A UM student was hit by a tan C230 Mercedes-Benz while watching an intramural semi-final baseball game Monday night. The victim, Elizabeth Ashley Moore, was watching the game from San Amaro Drive while holding what witnesses said was her roommate’s pug on a leash. The dog died at the scene.
Witnesses say that Moore was hit when she ran across the street, chasing a baseball that was overthrown. The next thing they heard were tires screeching and a thump.
“I heard yelling that someone had been hit by a car and immediately sent an employee to call 911,” Jason Carroll, assistant director for intramural activities and special events, said.
Moore was struck in the eastbound lane of San Amaro and Alhambra and thrown 15-20 feet in front of the Mercedes-Benz driven by a UM student. Moore landed on the windshield, causing the entire windshield to bend and splinter.
Officials at the scene were unclear if the dog was struck by the car or thrown from the impact. The dog landed in the westbound lane of San Amaro. According to UM officials, the dog is believed to have died at the scene.
The male driver refused to identify himself to The Miami Hurricane at the scene.
Dan Staloch, Moore’s boyfriend, was nearby on the baseball field when he heard his girlfriend had been hit by a car. At the scene, Staloch confirmed that Moore was conscious while she was in the Coral Gables Fire and Rescue vehicle that transported her to Ryder Trauma Center at Jackson Memorial Hospital.
Moore was released on Tuesday morning with a concussion and bruising. She could not be reached for comment.
Officer Barros of the Coral Gables Police Department confirmed Tuesday that the driver had not been charged yet since the accident was still under investigation. Whether any charges will be filed has yet to be determined. The driver was released from the scene and his car was impounded for further investigation.
As of press time officials working on the case say alcohol was not a factor in the accident, although speeding has not been completely ruled out.
Drivers frequently speed down San Amaro Drive, a one lane road that extends from Ponce De Leon Boulevard around the south side of the University. The Department of Public Safety ensures that it takes all the necessary precautions to protect the safety of students.
“San Amaro is a public street in Coral Gables,” Lt. William Gerlach, a spokesperson for Public Safety, said. “Our officers have the ability and can take action as necessary if they observe traffic violations.”
Currently, frequent radar operations are conducted by the Coral Gables Police Department on a frequent basis throughout the San Amaro and Ponce De Leon areas.
A complete copy of the official police report for this incident can be picked up at the Coral Gables Police Department, 2801 Salzedo Street, Case # 03-3722.

Cassandra Palanza can be contacted at c.palanza@umiami.edu.

Student expelled for sex offense rejects UM grounds for expulsion

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Sean Penny acknowledges that having sex with a minor during the summer of 2001 was a mistake.
However, he contends the act of consensual sex, over which he was arrested then, did not warrant his expulsion last June from the University of Miami.
A recent appeals court ruling, which found the Florida Sexual Predators Act unconstitutional, breathes life into Penny’s argument that he should not be subjected to a decade of alienation and scrutiny over an offense for which he was never convicted.
“This was a case of a high school senior having sex with a freshman,” said Penny, 20, during a recent interview. “It happens every day.”
However, University officials rejected that notion.
They expelled Penny, a former music theory and composition major and half-scholarship recipient, arguing that, as a registered sexual offender in the state of Florida, he posed a threat to the University community.
The ordeal began on the internet in June 2001. Bored in his parents’ house in Ocala, Florida, Penny, then 18, said he logged on to a gay website and struck up a conversation with the only other person in the Ocala chat room, a 14-year-old boy.
After swapping messages for a few hours, the two decided to meet at 3 a.m. Penny snuck out in his parents’ brown Pontiac Bonneville and drove a couple of miles to an address where he had agreed to meet the minor.
The boy, from Illinois, was a high school freshman in Florida for the summer visiting his aunt.
They drove around for about 20 minutes, looking for a deserted place to park. Penny pulled over and turned off the engine. They kissed and then engaged in sex, until the red and blue lights of an approaching police car interrupted them.
Hastily, they reached for their clothes as a trooper approached the Pontiac, pointing a flashlight toward their half-naked bodies.
Todd Spicher, Marion County Sheriff, tapped on one of the rear windows of the vehicle and asked Penny and the minor to get out of the car. He interviewed them separately, taking the juvenile’s statement first.
Then he took Penny aside and asked him for his side of the story.
Penny told the sheriff that he had had oral and anal sex with the juvenile. The sheriff then confiscated four unopened condoms and an open bottle of Astro Glide lubricant, read Penny his Miranda rights and drove him to county jail.
Penny was arrested on two counts of sexual battery on a child. Under Florida law, it is illegal for an 18-year-old and a 14-year-old to have sex, regardless of whether it is consensual.
Penny started classes at UM in August 2001, trying to put behind him the pain and embarrassment the ordeal had caused him and his parents. His first few months in school were rocky.
He often felt depressed, which hurt his academic performance. In November 2001, his roommate, Chad Meredith, drowned in Lake Osceola. By the end of the semester, Penny’s scholarship was in jeopardy due to his poor grades.
The next semester, he sought counseling at the University. His grades improved; so did his mood. His scholarship remained safe and his day in court was approaching.
In April 2002, Penny accepted a plea bargain from the state attorney’s office in Marion County and pleaded guilty to two counts of lewd and lascivious battery on a minor. As part of the plea bargain, the judge withheld adjudication. That meant he was never technically convicted of a crime. However, under the Florida Sexual Predators Act, a guilty plea is sufficient to put an individual on the sexual predators’ online registry.
His mug-shot and charges will remain on the Florida Department of Law Enforcement online database until April 2012, when Penny can legally ask a judge to consider removing him from the registry.
As a sexual offender, Penny must also submit monthly reports to his probation officer in Miami. By law, probation officers are required to notify university officials that one of their students is a sexual offender.
It is unclear whether that is how University officials learned that Penny was a registered sex offender last spring.
Initially, they asked him to move off campus.
“Because of your past actions,” Robert Redick, director of Residence Halls, wrote to Penny in a letter dated June 10, 2002, “I have concluded your continued residence in University of Miami student housing would not be in the best interests of other students at the University.”
He gave Penny four days to move out.
Penny appealed the decision and submitted to UM officials a letter from one of his court-appointed counselors. In the letter, dated June 19, 2002, Dr. Edward Sczechowicz, a clinical psychologist at the Alliance for Psychological Services in Miami, stated that Penny did not pose a threat to the “health or safety of anyone at the University of Miami campus.”
The following week Penny was expelled.
“This decision was made after reviewing the clear scope and intent of the [Florida’s Sexual Predators Act] and with due regards to the best interests of the University community,” William Sandler, dean of students, wrote in a letter dated June 24, 2002.
Sczechowicz’s findings, as expressed in his letter to UM officials, “[run] contrary to legislative findings and purpose of the Florida Sexual Predator’s Act,” Sandler wrote.
Sandler also informed Penny that University officials had deemed it necessary to issue him a trespass warning.
Sandler declined to be interviewed for this story, replying via e-mail: “I’m sorry but I cannot comment on action taken against a current or former student.”
Penny moved into a Coral Gables apartment soon after his expulsion from UM. Coral Gables notifies neighbors when a registered sexual offender moves to the city, and a few weeks into his new lease, his landlord evicted him.
In July 2002, Penny made a written appeal to UM’s Office of the Vice President for Student Affairs seeking readmission. Eric Isicoff, an attorney at Isicoff, Ragatz & Koenigsberg, responded to his appeal on July 26, 2002, on behalf of the University.
Isicoff informed him that the University would not consider his appeal for readmission. Quoting from the state’s Sexual Predators Act, Iscoff wrote, “The Legislature finds that sexual offenders, especially those who have committed their offenses against minors, often pose a high risk of engaging in sexual offenses even after being released from incarceration or commitment.”
Penny applied to Florida International University [FIU]. He submitted a two-page dossier explaining the intricacies of his case. FIU officials rejected his application for admission in August of 2002.
Currently, Penny is enrolled in Miami-Dade Community College [MDCC] and lives in an apartment outside of Coral Gables.
Penny said that recent efforts to explain the intricacies of his situation to the University have been futile. He added that he hopes that by going public about his case – while exposing what he perceives to be a flawed law that that fails to distinguish between dangerous and non-dangerous sexual offenders – University officials might consider readmitting him.
“Sean is not a high risk,” Sczechowicz said. “I would challenge anyone in the field to evaluate Sean.”
Last January, a Florida appeals court ruled that the state’s Sexual Predators Act is unconstitutional because it fails to provide minimal procedural process. It allows for people like Penny to be branded as sexual predators even though their guilt and the level of threat they pose on their community was never established by a judge or jury.
Sczechowicz, who describes himself as “very conservative” when it comes to sentencing sexual predators, reserves his harshest criticism for the manner in which UM officials handled Penny’s case.
“Rather than have a knee-jerk reaction, as professionals it is inherent upon us to look upon the unique characteristics of each case. . . to consult with the experts and do more than pay lip service to the concept of rehabilitation,” said Sczechowicz, who earned his masters degree and doctorate in clinical psychology from UM.
“The University trains individuals to heal people who have problems. It is hypocritical to train their students to do this and not acknowledge that it should be done,” Sczechowicz said.
Penny and Sczechowicz said they believe University officials chose to expel Penny not because they deemed him dangerous to the University community, but because having a sexual offender on campus would have made them liable.
“If you had wanted to throw me out because you worried about the image and integrity of the University being tarnished or of the University being sued, which is in reality the case, you should have just done so on those grounds,” Penny wrote in a recent letter to UM President Donna E. Shalala. “You needed a reason, however, so you tarnished my reputation and my integrity by quoting an unjust law and pushing me out the door. . . I wish you could understand the impact such an arbitrary decision has had on my life.”

Ernesto Londono can be contacted at londonoernesto@yahoo.com.

News Briefs

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During reading days and final exams, the Richter Library will remain open 24 hours a day. The library will open on Saturday, April 26 at 9 a.m. and remain continuously open until Thursday, May 8. The library will close at 11 p.m. on May 8. For a detailed library schedule, visit the library website at www.library.miami.edu/general/hours.html.

Lost your cell phone? Can’t find your keys? Then be sure to stop by the Information Desk at the UC to see if they have your missing possessions in lost and found. Lost and found is open Monday through Friday from 8 a.m. to 3:30 p.m.

As the semester comes to end, voice your opinion about your professors, whether you love them or hate them, at www.myprofessorsucks.com. This is your chance to give THEM a grade.

Combined graduation ceremonies for UM undergraduates and graduates will take place during four ceremonies on Friday, May 9; the School of Medicine will hold its graduation on Saturday, May 10; and the School of Law will hold graduation on Sunday, May 18.
All together, more than 3,000 students will graduate at the Convocation Center,
The schedule is as follows for combined ceremonies on Friday, May 9:
School of Business Administration commencement takes place at 8:30 a.m. Arthur Levitt, the longest-serving chair of the U.S. Security and Exchange Commission and former chair of the American Stock Exchange, will receive the Doctor of Humane Letters honorary degree.
The combined ceremony for the School of Architecture, Continuing Studies, Education, Music and the Rosenstiel School of Marine and Atmospheric Science will take place at 12:30 p.m. Susan Solomon, atmospheric scientist and leading researcher on ozone depletion in Antarctica, will receive the Doctor of Science honorary degree.
At 4 p.m., the School of Communication, College of Engineering, School of Medicine (graduate degrees) and School of Nursing commencement will take place. Jeffrey Immelt, CEO and Chair of General Electric, will receive the Doctor of Humane Letters honorary degree.
The College of Arts and Sciences completes the day at 7:30 p.m. with their commencement ceremony. Wynn Handman, Artistic Director and Co-Founder of the American Place Theatre in New York, will receive the honorary degree of Doctor of Humane Letters, and Cundo Berm

Campus Calendar

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TODAY
Need a break from finals? Then don’t miss the Finals Fiesta from 4 to 6 p.m. on the bridge between Stanford and Hecht Residential Colleges. Join MSA, Eaton, Hecht and Hurricane Productions in celebrating the last day of class. Come by for some great food, music by DJ Sage and prize giveaways.

The recent recipient of the Provost’s Award for Scholarly Activity, Dr. David Ellison, professor of French and chair of the Department of Foreign Languages and Literatures, will present a lecture titled “Proust and the Art of Lying.” This event will take place at 5 p.m. in Room 331 of the James W. McLamore Executive Education Center in the School of Business. A reception in the Executive Education Center Dining Room will follow.

Come hear how you can put your degree to work in making a difference in someone’s life. Do not miss the Peace Corps Information Session and Video Presentation from noon to 1 p.m. in University Center Room 233. For more information, contact Erin Seiler, Peace Corps Campus Recruiter at e.seiler@umiami.edu.

SATURDAY APRIL 26
The Hammond-Butler Inspirational Concert Choir are having their annual Spring Concert at 7 p.m. in Gusman Concert Hall. There will be singing, dancing, sign language and a steel drum band. Come and be uplifted! If you have never been to one of their concerts, you don’t want to miss this one. Tickets are $5 for students and are available in the breezeway.

MONDAY APRIL 28
The University of Miami community is invited to honor history professor Dr. Robert Levine at a memorial service from 3 to 5 p.m. at the Lowe Art Museum. The author of more than two dozen books on Brazil, Cuba and photographic analysis, Dr. Levine died April 1 of complications from brain cancer.
Dr. Levine joined UM in 1981 and has an extensive University service record. Dr. Levine served as chair of the Department of History from 1983 to 1991, director of the Latin American Studies program and, most recently, director of the Center for Latin American Studies. He founded the Institute for Public History in 1982.
In 1999, Dr. Levine was appointed as the first Gabelli Senior Scholar in Arts and Sciences.

Finals are approaching, which means high stress. If you are feeling overwhelmed with your studies, the Wellness Center can help! Come and take a load off after a long day of classes with the Wellness Center’s Stress Less Days between 9 a.m. and 5 p.m. for two relaxing days of yoga, studio cycling, chair massage, music therapy, table games, information tables, refreshments, etc. For more information or a schedule, contact 305-284-6524. This event is sponsored by the Wellness Center, Dean of Students Office, STRIKE and PHATE.

The Dr. M. Lee Pearce Chair in Middle East Peace Studies invites you to attend the Eleventh Annual Luria Family Foundation Lecture by Rep. Ileana Ros-Lehtinen, Member of the United States House of Representatives and Chairwoman of the House Sub-Committee on the Middle East and Central Asia, on “The United States in the Middle East – A View from the House.”
The event will take place from 8 to 10 p.m. at The Sue and Leonard Miller Center for Contemporary Judaic Studies. The lecture is free and open to the public. Seating is limited. For more information, contact ccjs@miami.edu or call 305-284-6882.

TUESDAY APRIL 2
Stress Less Days continue at the Wellness Center form 9 a.m. to 5 p.m. For more information contact 305-284-6524.

Shadowing Shalala

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Shalala shows Hurricane what it takes to run UM
Up close and personal with the president

At 8:30 a.m. on a recent Friday, UM President Donna E. Shalala walks into a conference room at the Ritz Carlton Hotel in Coconut Grove for a 15-minute appearance.
A group of professors from the College of Arts and Sciences is meeting for a two-day retreat to discuss the future of the college.
After working the room for a few minutes, Shalala sits at a table near the front.
James Wyche, Dean of the College of Arts and Sciences, walks up to the podium and asks “our noble president” to say “a few words of comfort” to professors in a school that is at an “important juncture.”
Shalala, petite next to Wyche, walks up to the podium, adjusts the microphone to her height and delivers one of her customary punch lines.
“This place,” she says, pausing for a moment. “It’s kind of ritzy.”
Laughter spreads through the room, then subsides.
“I had to say that,” she adds, before getting down to business.
The college’s curriculum needs an overhaul, Shalala says, arguing that programs must become more interdisciplinary in order for the University to remain competitive. Many at UM like the idea; some don’t.
“President Woodrow Wilson once said that trying to revise a college curriculum is like trying to move a graveyard,” she tells the crowd. “We periodically have to step back and see how we’re doing.”
During Shalala’s two-year tenure, the College of Arts and Sciences welcomed a new dean and took on the now-defunct School of International Studies-a controversial move that drew ire from students and professors. Several critics and supporters of the change were stunned by the ease with which Shalala dropped her first bomb at the University.
While receptive to criticism, the president clearly has a mind of her own.
“The world is interdisciplinary,” she says, standing outside the hotel, waiting for her ride. “Students like that idea.”
Minutes later, the president arrives at her office. On Fridays, she usually spends a couple of hours combing through mail, responding to e-mail and returning phone calls. Her agenda for the day is posted on a plastic desktop frame. The schedule has a header with a series of heads-ups for the day.
“FYI: Student reporter from The Miami Hurricane will shadow you today. Wear something bright and makeup for video shoot.”
As Shalala flips through a copy of The Miami Hurricane, Margot Winick, head of the University’s Media Relations office, tells her that the newspaper ran a brief about the newly appointed dean of the School of Nursing, who is Hispanic.
“What about the Spanish media?” Shalala asks.
They haven’t picked it up, Winick replies.
“What the Hurricane needs is a good gossip column,” Shalala says, putting the paper down. “You’re laughing – people read that stuff,” she adds.
Shalala is media savvy. Photogenic, unpredictable, witty and astoundingly articulate, she seems to bask in the publicity she draws to the University.
Behind closed doors, however, the president strips out of the jolly, bouncy persona she shows in the limelight. A University administrator who works close to the president refers to the president’s knack to transform her behavior in a matter of seconds as “her amazing ability to switch on and off.”
As Shalala dashes out of her office to make her second brief appearance at 10 a.m., she asks her personal secretary, Lucy Mascar

eye filler: Hot hot reggae heat

Even though they performed at what seemed like a high school cafeteria at Miami’s 420 Fest fallout (mad disorganization and discomfort), ska/reggae legends the Skatalites set it off like a motherfa…(you know what I’m sayin’). Only problem was that the cops were patroling the grounds like hound dogs, so we weren’t smelling the sweet greens like we were supposed to, but the horns and riddims got us high anyway.

Bermudez’ art exhibit at the Lowe lacks emotion, but is aesthetically exciting

Spicy cigars, intoxicating coffee, balmy weather – along with this collection of distinguished Cuban exports is master painter Cundo Bermudez. An homage to Bermudez, A Life in Art, is handily on campus at the Lowe Art Museum this month and celebrates his over 60 years worth of contributions to the art world.

Now 88 years old, the Havana resident continues to find solace in his art: “I enjoy painting as Mozart used to enjoy music,” he has said on several occasions. This month’s exhibit at the Lowe presents more than 50 original works by Bermudez, dating from the 1940s to the present.

Every work echoes trademarks of Bermudez’ work: large noses, stocky figures and a captivating use of light that creates a metallic effect on ribbons of color. Unfortunately, many of the pieces seem to be lacking emotion. There’s no magic in the genre scenes. While they are intended to be simple portraits of everyday events, the faces of the characters are expressionless.

Cuba confirms itself in Bermudez’ style. He employs thick brush strokes that bring out the best of the dark, punchy colors. There is no place for pastels among zesty reds, searing blues and warm golden tones.

The unorthodox Juliet in “Romeo and Juliet” is chunky and androgynous, embracing her secret lover over a vibrant garden. “Trio” shows three shadowy, Cycladic-like figures holding musical instruments. In “El Billar,” three men enjoy a game of billiards against a tropical backdrop. “Screen,” a mirrored quadtych, is duly impressive, featuring a carved wood border framing Bermudez’ trademark bright paintings.

In “Couple,” a pair sits on opposite sides of a canvas, sporting what seem to be aqua-colored turbans. “The Flora” deviates from Bermudez’ typical genre scenes with an attractive plant motif that exudes the transparent, multi-colored quality of stained glass.

The standout here however is “Portrait of Gloria Martinez” from 1976, featuring a sultry brown-haired beauty, the golden glow of her skin enhanced by Bermudez’ warm yellow background.

Bermudez’ Picasso-like angles and geometric figures as well as his passionate use of color in the scenery all create a compelling atmosphere. It’s a shame that there is no underlying emotional tone in this collection – though perhaps it’s just a matter of personal taste.

A Life in Art runs through June 1st at the Lowe Art Museum, 1301 Stanford Drive. Call 305-284-3535 for more info.

Jessica Misener can be reached at jessm02@yahoo.com

Last Splash for Summer: Albums by Sea and Cake, Black Eyes and DJ Green Lantern

The Sea and Cake
One Bedroom
**1/2
Summer advice: sleep on the
hammock waiting for sundown

The Sea and Cake’s sixth full length is a 10-track chill out session and the perfect accompaniment to a sunny day. Hardly music to complain about, but it fails to startle the ears like drummer John McEntire’s other group, Tortoise. “Le Baron” name drops the laid back elements of summer – in fact, this LP never veers off far from the idea of keeping it simple and relaxed, pleasing the ear. However, as a sit down record this same mentality fails to keep the listener intrigued past track three – nothing more than thin indie rock and soft synth stylings from a band that is far more talented. But rest assured this is excellent background music to whatever you’ll be doing once school lets out. There’s even a cover of Bowie’s “Sound & Vision,” that exchanges the original’s rawness for modern spritz. Once the sun goes down, though, One Bedroom should be stashed away.
– MJH

Black Eyes
s/t
***1/2
Summer advice: give and take a few

Black Eyes take the Dischord sound over the top. Present are the frenetic guitars and wildly inspiring drum beats, but gone is the subtle restraint that adds so much to many of Dischord’s finest acts (Q and Not U, Fugazi). Black Eyes throw rock ‘n’ roll right in your face and defiantly challenge you to do something about it. Two vocalists volley lyrics, one sounding like the singer from the Chromatics, and the other sounding like Todd from Le Shok. Allegedly, the lyrics are political and meaningful, but you wouldn’t know it without reading the liner. Just fight already.
– JH

The Stratford 4
Love & Distortion
**
Summer advice: pawn for beer

In 2000, the Stratford 4 released an LP called The Revolt Against Tired Noises. Three years later the four-piece have released a second LP full of tired noises. Essentially, this album is 10 tracks of uninteresting space rock, not Sigur Ros meets My Bloody Valentine meets Velvet Underground as Rolling Stone would have you believe. When the disc kicks off with “Where the Ocean Meets the Eye,” there’s considerable hope, but after several minutes of the same progression and a severe lack of melody, the Stratford 4 are easy to pass off. This is yet another group of hipsters ready to fool the critics and trick some play out of college radio stations (excluding our own). Love & Distortion is well produced and the music is not drivel, but it never goes anywhere. You’re left waiting for the band to rip into something fresh; instead, they’re moping around in a pop dream of boredom.
– MJH

DJ Green Lantern
Invasion Part II: Conspiracy Theory
**
Summer advice: crash a house party
back home

DJ Green Lantern may be the most talented mixtape DJ on the scene today. But on Invasion Part II: Conspiracy Theory his skills are merely used as a marketing tool for Shady/Aftermath records. Much of the album focuses on the growing beef between Murder Inc. and Shady/Aftermath, notably Ja Rule’s laughable diss songs towards Eminem, 50 Cent and the whole Shady/Aftermath crew. This tape is the outlet for their responses that includes a horrible remake of Makaveli’s classic “Hail Mary” by Eminem, 50 Cent and Busta Rhymes. When Ja Rule is your opposition, it doesn’t require much effort, but this invasion is paltry.
– KJ

The Life & Art staff can be reached at HurricaneAccent@hotmail.com.

Last Splash for Summer: Albums by Adult., Cat Power, Cex and Scarface

Adult.
Anxiety Always
****
Summer advice: makeup/breakup with a bi-polar mate

Speeding past Communist detours and guilty pleasure accidents with peaking recklessness, Adult. have crafted an album better equipped for involuntary convulsions than dancing. This is dirty electro flossed over sexually frustrated commands courtesy of vocalist Nicola Kuperus. Her hot-yet-militant mien is reminiscent of a classier Brigitte Nielsen in Rocky IV. On nine tracks, Kuperus shakes your head, kicks you in the shin, glues your eyelids together and forgets your name. You’ll keep coming back for more – because unpredictable flings with crazy chicks in the summer have a private satisfaction all their own. Anxiety Always jump ropes over bass and showers naked in electricity – best exemplified on “Turn Your Back” and the lone instrumental “Nervous (Wreck).” Adult. is a duo you’ll want to know this summer. The attraction is fatal.
– HS

Cat Power
You are Free
***1/2
Summer advice: flirt with an art
school student

I am not a Cat Power fan. I find her music annoying and her erratic, well-magazined stage manners incorrigible. While still subject to the gross comparisons to other girl power singer/songwriters, Chan Marshall has increasingly stripped away those influences in exchange for a simpler sound of bare purity. I was surprised when I not only made it through You are Free, but also actually liked some of it. Produced by Adam Kaspar (Foo Fighters), this disc is just more listenable. It’s still whiny girl rock, sure, but this is a “bitter little pill” you won’t mind swallowing.
– JH

Cex
Being Ridden
***
Summer advice: hot box the pool
cabana

When Baltimore IDM artist Rjyan Kidwell (a.k.a. Cex) first brought his music to the stage, folks familiar with his previous vocal-less releases were in for a treat. To their surprise, Cex was a silly, young white guy with fake gold teeth in various colored sweat suits rapping about bicycles, proclaiming to be the world’s #1 entertainer. Any topic the audience threw at him was fit for freestyle incorporation, joining personal favorites like quality ’80s TV programming and the (faux) superiority of B’more over D.C. Finally, Cex has released a record that does his stage performances justice! With a mix of carefully programmed beats, acoustic guitars, and arguably the cleverest lyrical prowess in indie hip-hop, Being Ridden is the disc this saucer-eyed psycho needed to put out. With lines like “Middle finger to the indie rock singer, middle finger to the whack MC” and former Shudder to Think frontman Craig Wedren doing backup vocals, the album is unlike any other rap album released in the ’03.

– MJH

Hey Kristian – great job…not.

Scarface
Balls and My Word
**1/2
Summer advice: barbecue with
friends and 40s

On Balls and My Word Scarface attempts to revamp back his classic Geto Boys style with a 2003 twist. Since this album is being released by Rap-A-Lot, and not Def Jam South, it has very a different sound from his brilliant last album, The Fix. Nevertheless, Scarface maintains the trademark Southern style and laments on his (seemingly infinite) days as a hustler. He delves deep into personal troubles, even imagining his suicide on the track “Make Your Peace.” In an uncharacteristic move, Scarface goes after 50 Cent with the help of Bun B (of UGK) on the diss track “Snitch Nigga.” Balls and My Word is a decent album that is rather inconsistent, which is surprising, coming from Scarface, whose legacy spans a decade.

– KJ

Correction: In an edition last week, Sven reviewed a Madlib bootleg. For those who don’t know, a bootleg is not the real CD. The real CD drops later this summer. It will be S!CK. Show Stones Throw Records love at www.stonesthrow.com.

Calendar

Tonight
Summer is here playas, so shake that ass at Level, 1235 Washington Ave., South Beach, with rappers Black Moon and Cocoa Brovaz. Hosted by MTV’s Sway (the worst) and the usual unoriginal batch of DJs, the solid rap lineup might counter the Nyquil vibes (if the artists don’t show up at 3 a.m.). 305-532-1525.

Indie rock quartet The Heatseekers perform at Soho Lounge, 175-193 NE 36th St., for the Revolver party and the release of their new album, In Praise Of. Opens at 11 p.m. $7. 305-576-1988.

Zeta 94.9 is dumb. Their Salute the Troops USO Show at Bicentennial Park, 1075 Biscayne Blvd., Miami, has a wack lineup (Three Doors Down, Powerman 5000, American Hi-Fi…) and the event’s featuring a paintball shooting gallery with targets such as Saddam, bin Laden and French President Jacques Chirac – American patriotism to the X-treme. Confederate flags optional. $24.95. 305-575-5256.

Egal Art show at the Rainbow Building, 1540 Levante Ave., Coral Gables. 7:30-10 p.m.

Monday, April 28
Afrobeat 14-piece ensemble Antibalas play the Culture Room, 3045 N. Federal Hwy., Fort Lauderdale. $10. 954-564-1074.

Wednesday, April 30
Lots of female skin at Churchill’s (5501 NE 2nd Ave, Miami) Women’s Mud Wrestling event. You know you want some. 305-757-1807.

Thursday, May 1
Les Savy Fav and The Faint get wild at the Polish American Club (your high school ballroom), 1250 NW 22nd Ave., Miami. $15. www.epoplife.com.

Friday, May 2
Canes Film Fest showcases 50+ student short films through May 4th at the Cosford. Check out Doodie Calls at 8 p.m. on Saturday. All other films play nightly 6-10:30 p.m.

Androgynous summer daymares at the Guggenheim: Matthew Barney’s “The Cremaster Cycle”

In the contemporary quest for the definition of “post-modernism,” Matthew Barney is the American pinnacle of shape-shifting, ambiguously ambiguous metaphors that reach into the abyss of sexuality and gender by referencing the cremaster – the muscle that regulates the ascension or descention of reproductive organs in humans. In a series of five videos and site-specific installations, he takes the audience through a cyclic journey of illusion, ambition and self-realization at New York’s Guggenheim Museum.

Born in San Francisco in 1967, he later moved to Boise, ID, and spent his time playing football and doing model work for the fashion industry. He fathered a child with Bjork (Icelandic musician/artist) and has exhibited work in San Francisco, Paris and New York. From the beginning, his mythologies have referenced athletics, fetishism, transexuality and Harry Houdini – all the workings of macho fear and insecurity.

The so-called “post-sexuality” movement happening in Miami, New York and around the art world champions his Cremaster Cycle as a bible to relevant discourse on blurring the line between male and female. “Post-sexuality” itself is an oxymoron that would inevitably die off if it could ever happen because just as post-modern is a concept that can never define itself (what can be more modern than modern?), sexuality is defined by understanding difference, not all-encompassing generalizations that attempt to subjugate and label.

Do not be fooled by Barney’s metaphors of androgynous gonads as the author presents a highly genderized version of male sexuality. The Cremaster Cycle is not as layered or eloquent as Judy Chicago’s The Dinner Party, yet both work on monumental scale and address stereotypes and innate truths concerning the roles and preconditions of gender.

Barney uses the space and levels in the Guggenheim to create an interactive artwork in which the audience and the museum itself become characters within a grand narrative. As the viewer maneuvers through the sculptural obstacles up the rotunda, the five levels of The Cremaster Cycle unfold themselves with the accompanying video playing on central screens at the top of the building. Within the levels are offshoots with space to watch the entire looping narratives while surrounded by objects that reference the past action that took place either in the Cremaster videos or in the museum as Barney and crew acted out the sequences on site to set the stage.

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Cremaster 1 (1995) is set at Bronco Stadium in Boise, ID, where the Astroturf is blue. This sometimes causes birds to dive kamikaze into the turf thinking that it is water. The film thematically represents the first six weeks of fetal development in which gender has not yet been specified. This is a time of pure potential. Goodyear blimps float through and are pulled into a shape that resembles an androgynous gonadal structure while women dance on the field in a chorus line.

Cremaster 2 (1999) is where the sexual division begins on the Bonneville Salt Flats. The looping narrative stars Barney as Gary Gilmore (who was executed in 1977) and Norman Mailer as Harry Houdini (who performed at the World’s Columbian Exposition in 1893). Gilmore claimed to be Houdini’s grandson and sacrificed himself to a firing range to keep with the Mormonic tradition of being forgiven for a sin by shedding blood. He probably wasn’t as concerned with Mormon dogma as much as he wanted to achieve freedom through death and self-transformation. This film also alludes to Johnny Cash (who apparently called Gilmore to fulfill a dying wish). Dave Lombardo, from Slayer, has a drum solo to the sound of bees as the protagonist realizes that he is doomed to be a drone bee.

Cremaster 3 (2002) is set in New York and chronicles the construction of the Chrysler building by the Architect, Hiram Abiff (played by Richard Serra), and the Entered Apprentice (played by Barney). Hiram Abiff was the supposed architect of Solomon’s temple, which emulates everything hierarchal about wisdom. Symbols and references to Masonic initiation rites pervade the film and sculpture as potatoes serve to set the foundations of the bar, piano and Chrysler building ajar and off balance. This may show how poor people screw up the foundations of the lives of the upper crust.

Cremaster 4 (1994) was the first video completed and is the biological model for the entire Cremaster enterprise. It is set on the Isle of Man and depicts two motorcycle sidecar teams racing in opposite directions of ascending and descending motions. The resistance to division slows the inevitable process toward descention.

Cremaster 5 (1997) is a tragic love story that sets the Queen of Chain (Ursula Andress) and her Diva, Magician, and Giant (all played by Barney) in an opera of complete descention set in the late 19th century Budapest, where Houdini was born in 1874.

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The objects and images that scatter the Guggenheim are a testament to “post-modern” art, yet it plays out like an interesting conversation with a person who desperately seeks all of the attention. It is a struggle to read all of the layers and meanings that are formed into tapioca, petroleum jelly, wrestling mats, Astroturf, glass and photography, yet the game that Barney engages his audience into is simply part of the piece. The faces on the viewers perusing the museum are almost as entertaining as the work.

For now, America has found its multi-tasker in Matthew Barney. Like Houdini, he is an escape artist to interpretation and revels in distraction and dark magic. He may just change how America sees itself.
The Cremaster Cycle is on view Guggenheim Museum in New York City, 1071 5th Ave. (at 89th St.) through June 11. Visit www.guggenheim.org for more info.

Alex Saleeby can be reached at claysaleeby@hotmail.com

An inside look at spring practice

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Spring practice, it means very different things to a number of different people.
To fans, it’s a teaser that acts as a buffer between signing day and the draft. To coaches it is a chance to evaluate the team, its future, and, especially, its parts. Players must be assessed, appraised, and plugged into niches where they can help the team.
Spring football means a variety of things to a variety of players as well. For established returning players like Kellen Winslow, Jonathan Vilma, or Roscoe Parrish, it’s a chance to polish up their skills and establish themselves as leaders of the team.
For players coming off surgeries, such as Maurice Sikes and Kyle Cobia, it’s a time to learn by watching others, and a time to rehabilitate wounded parts.
However, for the majority of other players, myself included, it is an opportunity to assert themselves as new blood, new personalities, and new starters.
Springtime, for the most part, is the most laid back and relaxing time of a college football player’s life. For a change, we enjoy many of the luxuries that normal students enjoy. Things like being able to take class later in the afternoon or at night, catching that early 5 P.M. episode of The Simpsons, and that precious commodity that seems foreign to any college athlete…spare time. .
However, once that first day of spring practice opens, all that leisure time disappears faster than Roscoe pulling away from a FAMU defensive back, at least for those fifteen days.
All at once I start attaching post-its to my daily planner for lack of room. In fact, I’ll run you through my routine day.
6 a.m.: Wake up to the sound of my cell phone alarm.
6:04: Really wake up and get out of bed when alarm number two goes sounds off.
6:30: Arrive on campus and start to change into my weight room attire. Everyone wears matching shirt and shorts.
7:00: Start the hour-long workout that might be as easy as a stretch, or as rigorous as a decathlon.
8:15 While most of the world is leaving for work, I walk into the showers to wash off the early morning sweat I just worked up. The showers will come up again later in the schedule, I promise.
9:00: Head on over to the cafeteria and grab some breakfast and a morning paper.
10:00: Sociology 271, Intro to Criminal Justice. As a journalism and criminology dual major, this class is required.
10:50: Class is finally over. This concludes my class schedule for the day, but another class awaits at night, after practice.
11:30: Lunch. Usually a taco, burger, sub or some variation thereof.
12:15: Back to the athletic center. At this point of the day I enjoy a small, constrained amount of free time.
2:00: Pre-practice meetings. These usually include some film from the previous practice and/or previous season, and coaching points for the day’s practice.
3:20: Pre-practice, in which different individual positions go over light drills with their coaches.
3:30: The “real” practice begins with light warm-ups and stretches.
4:41: At this point practice is a little more than halfway over and I’ve been bashing my head into a 340 pound shaved grizzly bear named Vince Wilfork for over an hour.
5:30: Practice is over, give or take a few minutes.
5:40: Several reporters intercept me on my way back to the locker room by about six who want to know whether I’ll be as good a sound bite as Brett Romberg.
6:04: I get to the showers and realize that even though our shower has about fifteen shower heads, only about seven work. Now, we have 85 players on scholarship; add walk-ons and that brings the count to a little over 100. Granted, some guys don’t shower, but the math is not in my favor here.
6:18: I finally get a shower but the water’s freezing cold and the soap’s a little low, Oh well.
6:26: I make my way to my locker, already late for class, and try to dry up and get dressed quickly.
6:41: I walk into CNJ 461, News Ethics Seminar and get a few weird looks.
7:40: I awake from my otherwise serene nap to find all my classmates packing up and leaving the classroom.
8:20: I arrive home after a pit stop at Subway or KFC and feast.
8:45: Over fourteen hours after I left home for workout, I finally plop down on the couch and start figuring out exactly why CNN’s war analyst thinks that today’s toppling of a Sadaam Hussein statue signals the end of the regime.
8:47: Rather than me watching the war, the war starts watching me as I slouch over into a deep slumber.
11:02: I make my way back to my bed, set the alarms, and cuddle up to my pillows as I get ready to do it all over again.
Did I mention in all of this that I am a 20-year-old college student who is supposed to go out, hang out with friends, and have a social life? Fat chance, 6 a.m. comes awfully early and the Sugar Bowl isn’t far behind.

-Joel Rodriguez is a junior looking to take over Brett Romberg’s role as UM’s starting center. Rodriguez is also a journalism major.