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SG UPDATE: Senate plans for semester

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Sep. 3 marked this semester’s first session of the Student Government Senate. Running with the momentum from last year, SG has planned a lot to improve the lives of students at UM. The first session was dedicated primarily to procedural adjustments to the statutes of SG, but there was discussion about how SG plans to better serve the campus community.
Some of the first items up are a student panel to discuss the newly implemented smoke-free zone surrounding the dorms, the planning of a UNICCO appreciation day and increasing interaction between the senators and their constituencies.
Many of the senate seats are up for election this month, so there are plenty opportunities for students to get involved and let their voice be heard.
For more information on Senate, or to get involved in SG, call X8-3082 or stop by the SG office in UC 214.

The Miami Hurricane will update the student body regarding all of the issues SG is working on throughout the semester. A summary of the SG meetings will be printed in every Tuesday edition of the paper.
SG Senate meetings are held every Wednesday from 4 – 6 p.m. in Senate Ballrooms C-D on the second floor of the UC.

Traveling in Tanzania

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This summer, Minal Ahson, a junior double-majoring in microbiology and religious studies, volunteered with Cross Cultural Solutions, an international grassroots volunteer placement organization. Ahson conducted her volunteer work in Tengeru, a small village outside of Arusha, Tanzania. She was awarded the Patrick Stewart 2003 Human Rights Scholarship from Amnesty International for her project to research the HIV/AIDS and healthcare situations in the village. This is the second installment of a four-part series, in which Ahson will describe her experiences and volunteer work in Tanzania.

JOURNAL ENTRY #2

My first day of volunteering was something I will never forget. We drove to Nkoaranga, which is on a small mountain. My placement was in somewhat of a compound, with the orphanage; secondary, primary and nursery schools; a vocational school and hospital all in the same area. We pulled up in front of the nursery school, and about 50 kids ran up to the van to greet us, as if we were celebrities! It was amazing how happy they were to see us. They all would yell, “Good morning.” I later learned they picked up the greeting from radio programs and would use it at any time of day.
I met the headmistress of the secondary school, who introduced me to the rest of the teachers. They were so excited to have me there. It was amazing how much respect they gave me. They told me I could teach any subject I wanted. I decided that I was not fluent enough in Swahili to teach biology, so I settled on English and math. While I was being given a tour, the students were eager to greet me and practice their English. They felt special that I had come all the way from America to see them. I felt very humbled and grateful for their open arms.
The orphanage was a short walk from the school, and as soon as I walked in, two children ran to me and glued themselves to my legs. The condition of the orphanage was extremely sad – holey clothes, no shoes and diapers changed only once or twice a day. Many of the children had diaper rash, and a few others had rickets and other similar developmental problems from the nutrition-less diet of rice and beans or noodles and porridge. The children are adorable, but the extremely sweet women that run the orphanage are so loaded-down with the everyday washing of clothes and preparing of food that the children are unable to get the attention they crave. Although there was a language barrier, the kids loved to sit in our laps, dance with us and wear our shoes around. Everyday I would leave the orphanage with my hair all messed up because they had not seen hair like mine and wanted to play with it.
The nearest city to Tengeru is Arusha, which is where the United Nations Trials for Rwanda were being held. The city itself has many diverse groups living there, making for a unique mix of tradition and culture. It would not be unusual to see a South Asian walking next to a traditionally dressed Maasai, one of the prevalent tribes in the region. Whenever we went to Arusha, the local shopkeepers bombarded us to buy their goods. We were often called mzungu (which literally means white person, but really means foreigner), and were asked if we wanted to go on tours or safaris.
That weekend, a few of us did in fact go on a safari. The first day, we drove to Lake Manyara, where we saw animals that I have only seen in books and on television. Giraffes, antelopes, baboons, monkeys, elephants and exotic birds walked around in their natural habitats. Our tour guide informed us that it was mating season, so that made for an interesting time. The second day we went to Ngorongoro Crater, which is actually the largest unbroken caldera (formed by a volcanic explosion) in the world, and is about 610 meters deep. From the lodge, you could see herds of elephants, antelopes and giraffes moving around. The next day, we drove down into the crater and were able to see lions, ostriches, hippopotamus, zebras, wildebeest, rhinoceros, warthogs and many other animals. The ground of the crater was covered by wildflowers because rainy season was just ending, and seeing the animals run around freely was surreal. It was definitely an experience that I will always cherish.
Minal Ahson can be contacted at mahson@miami.edu

PROFILE OF TANZANIA
Area: 341,200 sq.miles
Capital: Dar es Salaam
Currency:
1 Tanzanian shilling = 100 cents
Languages: Swahili, English, local dialects
Religions: Animist, Christian, Muslim
Total GDP: US$ 21,000,000,000
Imports: US$ 2,028,000,000
Population Growth: 2.96%
Death Rate: 13.6/1000 people
Life Expectancy: 52.1 years
Population Density:
31 people/sq.km

COWGIRL ACTION

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Photo by: Steve Freeman

ROUGH RIDER: Lindsay Alvarez mounts a mechanical bull at the Rathskeller Thursday night to win second place in a bull-riding competition.

Recruitment in full swing

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As mentioned in our last article, Greek recruitment is here! Panhellenic recruitment began yesterday with the first of the recruitment rounds. The following is a guide taken from the Greek Life website at UM on the Panhellenic recruitment events.

PANHELLENIC FORMAL RECRUITMENT

Round 1
During this night, you should make a friend in each of the suites so you will recognize a familiar face in the nights to follow. Also, try to find something that will help you identify the different sororities.
What to Wear: Dress nicely. A skirt, dress, or pants are fine. Something you would wear on the first day of school and comfortable shoes.

Round 2
You should focus on meeting many different people in each suite. This round is crucial because this is when you have to begin to narrow down your choices. Find out about things such as finances and activities.
What to Wear: This night is a little more casual than round one. Dress comfortably, yet neatly in either shorts or pants, as you may have to sit on the floor.

Round 3
This night is the perfect opportunity to find out what each sorority has to offer you. Know what you are looking for, because this is the night when you will have the best chance to ask questions.
What to Wear: This night is a bit dressier than the other nights so plan on wearing a nice outfit that you might wear out to dinner. However, there is no need to go out and buy new clothes.

Round 4
The last night of recruitment is the most important. If there are any lingering questions or details, this is the time to straighten them out. This is the night that each woman has to make her final decision.
What to Wear: This is the dressiest night of recruitment. Wear a cocktail dress or a nice suit. No prom dresses or ball gowns are necessary.

Bid Day
Today is the day that you will be formally tapped into Panhellenic sisterhood!
What to Wear: A BIG, dark T-Shirt. The sorority you get a bid from will send over your Bid Day shirts and you will wear them underneath your big, dark t-shirt. You have to change so you may want to wear a sports bra underneath your shirt, too. After you reveal what sorority you are pledging you will be spending the rest of the afternoon getting to know your new sisters.

Fraternity recruitment is coming to an end this week, with the traditional smokers taking place. This is typically the last event before bid day.
Bid day will commence at 5 p.m. at the Rock. It is recommended that those men who have gone through recruitment arrive early to see if they received a bid and to accept them if they wish.

That’s all for this week in Greek Life. We look forward to hearing from all the Greeks to see how recruitment went. Don’t forget to send your stories to us at greekhurricanes@yahoo.com.

Remember, “Let the Letters Do the Talking!”

Az

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The Cuban flag that draped the coffin of the legendary Celia Cruz during her memorial services held in Miami and New York City last month, was dedicated by the Celia Cruz Foundation to the Cuban Heritage Collection [CHC] for permanent preservation and display in the Richter Library. A year-long exhibit entitled “La Guarachera de Cuba” will accompany the flag and will include promotional materials, posters, photos and personal papers that belonged to the artist.
“Celia was, and is, a Cuban idol,” Anamaria Guerrero-Machado, who attended the event, said.

In the summer of 1999, Cruz received an honorary doctorate degree from UM.
“Celia is the kind of person that you meet and you feel you’ve known her your whole life,” Raquel Padron, who met Celia when she received her honorary degree, said.
Cruz’s career in music and film spanned over five decades. She recorded over 70 albums and was featured in several movies and novelas throughout her life.
The Miami Hurricane interviewed Miami-Dade Mayor Alex Penelas, who was an attendee at the dedication, and asked him to describe Cruz in one word.
“Celia is life,” Penelas said. “Through this flag and collection, the thousands of students that come to the University of Miami every year will be able to learn more about the Cuban people and community.”

Jorge A. Plasencia, vice-president of the Hispanic Broadcasting Corporation, said he recalled that Cruz had once mentioned that when she died, whoever was organizing her memorial services needed to find a funeral home with a lot of parking.
Plasencia said not even Cruz could have imagined it would take over 20 parking lots and an entire Metro-Rail system to accommodate the thousands upon thousands of fans who came to visit Cruz during her memorial service held in downtown Miami.
“Celia’s goodbye was one of the largest and most memorable in the history of America,” Plasencia said.

Cruz’s life partner of 41 years, Pedro Knight, also spoke at the dedication, visibly overcome with emotion.
“Although my heart is devastated, I will always remember the time I spent with her,” Knight said to the audience in Spanish.
Knight cut his speech short, stating that he did not want to burst into tears as he had previously done in front of the media.
For more information on the Celia Cruz exhibit, contact Richter Library at 8-2210 or visit the Roberto C. Goizueta Pavilion on the second floor of Richter Library.

Jorge Arauz can be contacted at xxarauzxx@yahoo.com

NEWS BRIEFS

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UM license tags available

When it’s time to renew your vehicle’s license plate, why not show your Hurricane spirit with a UM collegiate license tag? When you renew your registration at your local tax collector’s office, simply let them know you want to replace your current tag with a specialty license plate. If it is not time to replace the metal plate (every five years), you will pay a few additional dollars. The UM specialty tags cost an additional $25 each year, which goes back to UM. For more information, contact the Specialty License Plate office at 850-414-2541.

SAFAC seeks freshman delegate

Attention freshmen: A unique opportunity to get involved in student life on the University campus is available to you. The Student Activity Fee Allocation Committee (SAFAC) is seeking applicants for the position of freshman delegate. SAFAC is a highly selective committee of fourteen elected and appointed university students who oversee the budgeting process for all registered student organizations on campus. The committee meets weekly on Wednesdays from 3:30 to 5:30 p.m. to hear student organizations’ requests for funding and to make decisions on those requests. This is a great opportunity to get involved, enhance communication skills, meet new people, have a voice in how your student activity fee money is spent at UM and have some fun, too! Regular attendance is required, so you must have the time slot (3:30-5:30 p.m.) free on Wednesday afternoons. Applications are available in Whitten University Center, room 209. The deadline for accepting applications is Sep. 5. Any questions? Visit us online at www.miami.edu/safac or email safacum@aol.com.

Richter Library web site revamped

The Richter Library’s web site, recently redesigned and featuring a Flash-based navigation system, is now live. This fall, the site will launch both an e-chat reference service and robust meta-database interlinking system. Faculty and staff are encouraged to have a look at the Richter Library Web log to read more about some of these new services.

CALENDAR

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TODAY

C.A.C. presents a Sneak Peek of the movie Fighting Temptations at Cosford Cinema at 9 p.m.

Want to know how to get work done and still have a life? Academic Development Center has the answer. Join them from 12:30 to 1:30 p.m. in the ADC classroom.

WEDNESDAY September 10

C.A.C. presents Identity starring John Cusack and UM alum Ray Liotta at Cosford Cinema, 8 p.m.

The International Education and Exchange Programs office hosts an information session on Study Abroad Programs at 12 p.m. Food will be served. For more information call 8-3434 or stop by Allen Hall 212.

The Center for Latin American Studies will host a two-day symposium, today and tomorrow, to commemorate the 30th anniversary of the military coup in Chile. Call 8-1854 for more information.

THURSDAY September 11

HP presents Patio Jams with Jessie Jackson project from 12 to 1:30 p.m. on the UC Patio.

Feeling parched? Come to Thirsty Thursday’s at the Rat from 7 to 10 p.m.

Come to Culture 101 at 7:30 p.m. in the UC.

FRIDAY September 12

Last day to drop a course without a “W.”

Last day to file for candidacy for Student Government elections.

Show your letters at Fraternity Bid Day on the UC Patio at 5 p.m.

MONDAY September 15

Hispanic Heritage Month begins with food from the Latin Market and the sounds of live Latin music. Performances by Grupo Prisma and Salsa Craze will be on the UC Patio from 12 to 2 p.m. Don’t forget to enter to win a trip for two to the Dominican Republic.

The Judaic Studies Program Brown Bag Lunch Series invites you to works in progress by Dr. Ira Sheskin, associate professor of geography, fellow of the Miller Center and director of the Jewish Demography Project. Dr. Sheskin will speak on “How Jewish Communities Differ: Perspectives from Demographic Research,” from 12 to 1:30 p.m. at The Sue and Leonard Miller Center for Contemporary Judaic Studies, 105 Merrick Building. The event is free, and students are welcome. You can bring your own lunch or, if you prefer, we can order you a wrap, chips and soda from Chartwells for $7.25. Please RSVP by Friday, Sep. 12 to 8-8180 or aberezin@miami.edu.

Hispanic Scholarship Fund is volunteering at the Town Hall Meeting at Miami Senior High. If you’re interested in participating, meet at Stanford Circle at 5:30 p.m. For more information, contact Elena Gonzalez at miamischolarchapter@hotmail.com.

TUESDAY September 16

Join the Hispanic Scholarship Fund at Miami Beach Senior High to host an event about the importance of a college education. Contact jrangel@hsf.net for more information

WEDNESDAY September 17

C.A.C. presents X-2 at Cosford Cinema at 8 p.m. Bring your ‘Cane Card and get in free.

THURSDAY September 18

Hispanic Heritage Month continues with a Poetry Slam featuring local Cuban poet Lourdes Simon at the Rat from 8:30 to 10 p.m. All work must be original and related to Hispanic Heritage Month. All poetry must be submitted in advance to MSA in building 21-P.

WEDNESDAY October 1

Take a break from the hot sun and have some ice cream! Dippin’ Dots: Ice Cream of the Future is open for business outside the University Center across from the Bookstore. You can choose from three flavors: chocolate, vanilla or cookies n’ cream for only $3 (tax inclusive). Dippin’ Dots is open Monday – Friday from 11 a.m. – 3 p.m.

Neverending EUPHORIA: UM fans express the emotion of Saturday’s comeback victory

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GATOR MEAT

‘Canes leave Gators swamped, freshmen react to an explosive home game

he weather forecast predicted a storm in Miami on Saturday night. Although the skies were clear, the prediction was right on target. The ‘Canes delivered a sensational win against the Gators, arguably our biggest rivals.

“I’m really excited that I am one of the lucky few who actually get to see UF come to our home,” Carey McIntyre, sophomore, said.
Amidst the meat grilling on the barbecue at the pep rally and the “I SMELL GATOR” shirts floating around campus, it seemed the ‘Canes would be unstoppable.
“Do not come to this game in a happy mood. You gotta be nasty with these Gators,” Coach Coker said at the pep rally.
After the opening kickoff resulted in a touchdown return, nobody thought the game would be close.

“The Gators stand no chance. Everyone is just waiting for the big win,” Vanessa Krause, sophomore, said. “We are ready to eat Gator meat!”
By the end of the half, however, many had lost hope when the scoreboard read 10-33 in favor of the Gators.
“Miami can’t afford to play down to the level of their competition,” John Norman, sophomore, said. “They have to play their A-game.”
Many people even left the game.

“We were seriously going to leave when there were six minutes left in the third quarter, but a friend convinced us to stay,” Camille Goldstein, freshman, said. “I would have really regretted leaving, because it ended up being the best game of my life.”
The game encompassed every possible emotional high and low. At one moment, a humiliating defeat was imminent, but 30 seconds later, the ‘Canes were pulling off an amazing comeback.

“At the end of the third quarter, it was like the players suddenly realized, ‘Oh wait, we are supposed to win this game,'” Taurri Coyne, sophomore, said.
The ‘Canes shocked the crowd, and surely the Gator players, by scoring three successive touchdowns in the middle of the second half, pulling them back into the game. “Miami doesn’t f*ck around!” James Ranton, sophomore, said.
As the fourth quarter played out, ‘Canes fans could probably be heard in Gainesville. The crowd became more excited with every play.
“We are the number one Gator-haters!” Keri Bolden, sophomore, said.
The game ended in a solid 38-33 victory for the ‘Canes.
“It’s an even better win when they think they have you and then you come back,” April Neumann, freshman, said.

This was the first UM game for most freshmen and the first home game of the season.
“It was an experience that certainly did not disappoint,” Cara Richardson, freshman, said. “The energy at this game was unlike anything I’ve ever experienced.”
“I thought things were crazy in my hometown when the Tampa Bay Buccaneers made it to the Superbowl last year, but it’s nothing compared to this,” Shalu Patel, freshman, said.

Before the game, Florida Gator Blake Bonsack said, “I am going to run the field if we win.”
But many Gators say they knew from the outset what the game would be like.
“My Gator cousin is so nervous about this game,” Lara Traver, sophomore, said. “She thinks Miami is going to win.”
Gator fan Chris Davis tried to console his team.
“If the game had ended one quarter early, there would have been a lot of crying ‘Canes.”
Perhaps Delmar Yarbrough, sophomore, put it best.
“To all the Gator fans around here, I’m going to be glad when the game makes you regret your six hour trip.”
“This game belongs on ESPN classics,” James Brodbeck, sophomore, said.

Megha Garg can be contacted at mgarg@umsis.miami.edu

L&A QUALITY SMACK: Surprise! Ludacris concert goes bust. UM tops NYU for coolest college town. The Fader gets dissed. Mo Rocca to speak on campus

Miami rated over New York for “coolest college town” ——————

West Coast counterculture mag Urb recently slid Miami into the lucky number seven slot on their list of the “coolest college towns,” and yes, we topped New York City – cot’ damn. Party spots name dropped include The Marlin on the beach – even though Counterflow’s decent bashes there are long over – or should be by now – and the Downtown center of all this madness – Revolver at Soho Lounge, which currently has more excess cream than Ron Jeremy in the ’80s. Oddly enough, U of M didn’t get mentioned, probably because the locals are doing all of the scene’s work and having most of the scene’s fun. But either way, kids are dancing and rocking fashion like never before.,,and this looks to be just the beginning.

The pranksters at Buddyhead.com diss the Fader and out Rancid ——

Also on the mag front, those beer-muscled, Friendster-loathing, mall-punk-hating fiends at Buddyhead.com recently posted a candid uber-diss directed at New York’s glossy staple the Fader. It states, “If you happen to be one of those whores who work at the Fader and you think you can steal what we write without our permission for use in your little fake pay-to-play magazine, you’re totally trippin!” Hah hah. They also out “Remember going to the Warped Tour in 9th grade? Nope.” ex-punkers Rancid for signing to Warner Bros, as they continue to act like the tatted, die-hard indie band they aren’t. Remember when Rancid would yell, “Fuck major labels. We don’t need them.” at the Warped Tour in 9th grade. No…well…umm…yeah.

The Convocation Center of really bad, expensive music ——————

Hey now! Those pop culture-wonders in charge of events at the Convocation Center/center for really bad hip hop really lost their bums on Luda last Friday. Next up at the center for really expensive, horrible music (Coldplay excused)? Pac Sun-punks Good Charlotte. To steal from Buddyhead, five fat frat kids wearing Hurley are really siked right now.

David Spade’s newest travesty hits #1 ————————————-

The box office slowed to such a halt over the weekend that David Spade’s new Sandler-funded void of not-funniness, the long-completed Dickie Roberts: Former Child Actor, flopped to the top spot. $7 million worth-of-Americans sat on their asses watching it. Somehow S.W.A.T. joined the hundred million dollar club.

What actor will be the new Batman? —————————————

In more optimistic yellow film news, Momento director Chris Nolan is in the final, let’s hope, stages of casting the newest Batman flick. The short list for Batsie is American Psycho’s sagacious Christian Bale, Cillian Murphy of 28 Days Later psuedo-fame, and Shannyn Sossamon-bedding hunk Josh Hartnett. The winner should be chosen in that order.

Arnold too busy for Predator 3? ———————————————

Too busy filming his new movie where he bids for governor of a giant state while fighting off an evil orgy of bad-orgy/Nazi rumors, it seems Mr. Schwarzenegger will not be headlining Predator 3. In his place? A UM-alum who raises an eyebrow, wrassles, and stars in, tiring of adjectives, action movies with Stifler.

Hurricane Productions bring Mo Rocca to campus ————————-

Kudos to Hurricane Productions for bringing down Mo Rocca later this month. If you can bring down the Rapture – who probably cost less than the 30gs shelled out for New Found Glory, that would be as choice as Mr. Bale landing Batman. That would be truly awesome. And yes, the entire school would show up to smile and dance like some fashionable palm treed one-night Coachella festival. Think about it.

Hunter Stephenson can be reached at Huntlaed@hotmail.com.

Film Review: Le Cercle Rouge *** (now showing at the Cosford)

To the many themes of Le Cercle Rouge, add irony, because there’s nothing more ironic than seeing John Woo get a “presented by” credit in the re-release of this film. Woo’s domestic resume includes Broken Arrow and Face/Off, two decent action movies, but nothing that would draw in an art house crowd. Le Cercle Rouge, on the other hand, is a 140-minute sprawling action/drama from revered French director Jean-Pierre Melville. It’s exactly the type of film accessory that goes right along with black turtlenecks, goatees, lattes, and The New Yorker intelligentsia.

To most Americans, the name Melville brings to mind a big whale book and Cs in high school English. But Jean-Pierre Melville probably impacted film even more than that whale guy impacted literature. Le Cercle Rouge was released in 1970, the second to last in a string of Melville films that are oft-credited with sparking cinema’s French New Wave.

Unsurprisingly, Le Cercle Rouge is a very intelligent film, the ultimate viewer payoff being a nice enlightenment. Perhaps also unsurprising, is that Melville’s methods are, at times, a tad self-indulgent. Clearly, he aspires to set a distinct mood in his work before he gets around to structuring a plot. But hey, he’s a French artist.

Thus we find a film about four people. Corey has just been released from prison, with a tip from a guard about a job robbing a jewelry store. On his first day back to freedom, he meets Vogel, a criminal who was being transported on a train and managed to escape. The cop who let him get away is Mattei, and Vogel’s escape seems to be the first blemish on his record. He is a calm and collected man who firmly believes in the law, unlike Jansen, an ex-cop who Corey and Vogel enlist to help them land the score.

Over two hours long, the only direct purpose of Rouge is to build up to the climatic jewel heist, which is admittedly brilliant. Before the aforementioned scene, plot is almost non-existent, though Melville does a fine job of unearthing the minds of each of character sans dialogue. Mattei is shown feeding his cats in his apartment, while Jansen, consumed by alcoholism, has bracing nightmares about rats and snakes crawling into his bed.

Sure, Le Cercle Rouge will bore the typical American looking to escape into explosions and Jennifer Lopez. But it set the stage for an infinite platter of American heist films of differing quality and importance. Melville’s work is said to have influenced championed filmmakers like Quentin Tarantino, Michael Mann, and Martin Scorsese. Most recently, Neil Jordan remade an early Melville hit into The Good Thief, starring Nick Nolte sans hangover.

Such romantic style can be seen in the films of several of those directors, but Le Cercle Rouge’s influence on Woo and Tarantino is tougher to spot. Using music sparingly, Melville also has very little dialogue in this film, contrasting sharply with Tarantino – whose comic and dramatic eruptions of profanity are, perhaps, the one signature that he didn’t brilliantly pillage from Woo or Scorsese or the Shaw brothers or many others – which is ironic.

Despite the lack of momentum, Melville’s staging of the final robbery scene is classic – a dreamy accomplishment of courage and originality. There is scant sound – dialogue, music, anything – for huge portions of the scene. The camera stands relatively still in wide shots, a welcome relief from the modern 20-something indie director, whose cameras fly around the room like balloons running out of air. These methods help Melville express stunning realism and build crucial intensity.

Up until now, Le Cercle Rouge was tough to find in video stores stateside, but with Woo’s name attached it’s gotten a lauded re-release and is currently being shown at the Bill Cosford Cinema on campus. A few people get shot, and there’s some minor nudity to help non-film geeks bear it, but other than that, it takes a serious interest in French New Wave and film history to be entertained by the majority of this film. Ignore the current ad campaign, because this is not Pulp Fiction. Fans of indie and foreign cinema looking to exercise the brain while relaxing in the dark should seek it out.

Le Cercle Rouge is being shown at the Bill Cosford Cinema from September 5-14. For more info and show times visit www.miami.edu/cosford.

Shawn Wines can be reached at shawnwines@aol.com

Album Reviews: Unrequited Love, a Japanese bed romp, and one Cali Agent

and Michael John Hancock

LOVE
The Forever Changes Concert
***1/2

Recorded live at the Royal Festival Hall on January 15, here is Arthur Lee’s triumphant return to one of the cities that appreciated his music the most. Backed by a new and younger version of Love, the first disc has the group performing what is considered to be one of the finest pieces of vinyl released during the ’60s, Forever Changes. It established Love as one of the most important bands in a younger experimental rock crowd. In fact, there’s a sinking realization that resonates when listening when listening to this fiery concert recording of the inspired original: many renowned and occasionally less talented artists stole a good deal of Lee’s thunder.

The hoity-toity sound of California psychedelia is overshadowed by the raucous energy Lee and his band bring to the stage, and his voice on “Alone Again Or,” originally sung by guitarist Bryan Maclean, gives it a new life that not even Wes Anderson could have wished for. The second disc has four extras from the concert including a version of “Seven And Seven Is” that is the kinetic highlight in this collection, with its precocious punk-meets-hippie call and response.

Unfortunately, a few songs that were performed are not included here, one of which had ex-Blur virtuoso Graham Coxon on guitar. And with the second disc clocking in at a mere sixteen minutes, it’s a shame that producer Gene Kraut did not include the whole show, as is, in the actual order performed live.

Editing aside, there’s no denying that the album holds up incredibly well next to the mass respect Arthur Lee is currently receiving. In between songs, a woman is heard yelling, “Arthur, you don’t know how long we’ve waited!” to which the ex-convict Lee replies, “But you know how long I’ve waited.” Right on.
– MJ

RASCO
Escape from Alcatraz
**

Amidst the fraudulent operations of the music biz, rappers struggle to overcome the shadiness perpetrated by their record execs. After severing ties with his former indie-house, Copasetik, Bay Area MC and Cali Agent member Rasco uses his third solo effort, Escape From Alcatraz, to vehemently state his autonomy. He spits his most vicious threat to his former owners on “Get Free:” “I’m through with the jokes…Take two to your throat/Then take two to your coat/A young Saddam/Laced up, heavily armed.”

Gruff-voiced and still equipped with his battleaxe rhymes, Rasco has matured and touches on more philosophical matters on this album-from his strivings to survive on “My Life” to his commitment to being a good father on “All I Wanna Be.” While he still keeps it gully with party anthems like the Far East-themed “Making U Move,” skillfully produced by Virginia Beach newcomer Kleph Dollaz, Rasco is determined to establish his independence throughout the record. Atop an old-school rhythm by NY legends Da Beatminerz on “Real Hot,” he spits, “Somebody must have sprayed the game with black plague/I try to stay immune and rock to this tune,” and he encourages young black men to hold a strong backbone on Kleph’s ’70s soul-infused “U Got the Time.”

Guest cameos also help the MC to weaken his foe’s iron grip: on “The Sweet Science,” Chali2na of Jurassic 5 offers an unassailable flow upon a threatening, bass-heavy beat and Planet Asia and Rasco showcase their innate synchronicity on “Endless,” a track imbued with a majestic violin melody, reminiscent of their former Cali Agents collaborations. But even if Rasco is a ferocious MC who probably never lost a battle around his way, several beats here are redundantly looped and some tracks give off only a lackluster retrospection. He may have escaped the dubious Alcatraz dominion, but, truth be told, he hasn’t left any remarkable trace when he got out.
– OS

PUFFYAMIYUMI
Nice.
*

I’m starting to appreciate pop music as an art form more these days than I thought possible. From the slick flavor of older jams like Lionel Richie’s “All Night Long,” to the down in the dirt stomp of Chingy’s trendy “Right Thurr,” it’s all very inspiring really. Not all pop music is fare for the music lover though.

Much like the embarrassing hip pop Puffy, this female duo from Japan offers nothing to be inspired by other than goofy album artwork. If this is a tongue-in-cheek take on pop, they got it all wrong, and if these girls are actually serious about what they’ve just released to the world, than that is…just really sad and lame. “Tokyo Nights” is literally “Video Killed The Radio Star” cut-up so as to not have to pay royalties and every other song is comparable to the Matrix producing karaoke-backed tracks of Avril Lavigne hits for Japanese dinner parties.

Both Ami and Yumi are very attractive women, which is rather important in making pop music, and they appear in bed together on the album sleeve which sells records, so they deserve kudos for their business-savvy I suppose.

The point is, record labels, independent one’s not omitted, release hundreds and hundreds of albums every quarter, and you really only hear of 50 or so. The rest end up in the bargain bins for pocket change.
Puffy AmiYumi’s NICE. is on its way to Specs, which is nice.
– MJ

Omar Sommereyns and Michael John Hancock can be reached at SOASIS@aol.com and wkedprjct@aol.com respectively.

Raise The RED FLAG for Duran Duran Marxism

Judging by promo pictures and flyers, Soviet seemed to be just another boring “electroclash” group: crisp and polished on the outside, but lacking substance musically or intellectually. In person, the group delivers just the opposite: a live rock show driven by keyboards and ’80s pop melodies. Lounging on the couches at the M-80 boutique downtown, the band offered an insight to their music and their proletarian politics.

The group’s name has its roots in a chance meeting between keyboardist Chris Otchy and guitarist/vocalist Keith Ruggiero while attending film school at Syracuse. They discovered a shared fascination with early films by Soviet producers and the name is a nod to the those filmmakers’ widely used technique of montage-i.e., the juxtaposition of two contrasting ideas in order to create a third, unconnected idea. Their songwriting process attempts to re-create this method in order to bring forth a novel sound within the genre.

More interestingly, their name was also chosen for its association with the image of workers banding together a political ideal that all the members agree upon (a bit of Marxism, anyone?). The music strives to convey the idea that the attention belongs to the common man and not to the “rock star” archetype that so many similar groups fall into. Soviet feels this so strongly, in fact, that plans are being made for the next tour to play two shows on every day: one regular nighttime show in a club atmosphere and one daytime show in an unconventional setting like a factory or a storage space.

Keyboardist Amanda comments, “We want to make our music available to people who wouldn’t otherwise come to a setting like Revolver” (the club where they performed last Friday).

When asked how they felt about being termed as “electroclash,” a genre that focuses on such sexually-driven artists as Peaches and Avenue-D, Keith elaborates:

“Electroclash doesn’t exist in our vocabulary. I feel like it’s a scene we’ve been lumped into where we don’t really fit. We’re a completely live band, which is something people don’t really know how to react to when they see us perform. For that reason, I understand comparisons to groups like Ladytron, but we are not an electroclash group. I’m not saying the scene isn’t valid in its own right, but it’s not a genre that describes us. I think it ends up being more than a marketing thing than anything else.”

This brings us to the prerequisite discussion about the evils of marketing, but the group has a surprisingly sober outlook: “If the marketing is done right,” Keith says, “when you’re being shown to people who understand what you’re doing, it feels right. But when you’re being pushed on people who get it, but you don’t really sound like anything they are listening to, that just doesn’t work. People want to compare us to groups like The Faint, but the influences are so different.

Because the style is so young, people have a hard time putting their finger on it, really knowing what to call it. As soon as people get to see it live, though, they start to understand it. Touring so much has really helped us because people don’t know what we look like. They see pictures and assume we are from Europe or L.A., but then when they get to see us, it starts to make sense.”

More than 500 people packed into downtown’s Soho Lounge to see Soviet perform along with a DJ set by Carlos D. of Interpol. After a brief delay, the band took the stage and kept the crowd entertained with their blend of modern synthesizer pop and 80’s rock. All in all, they followed through on their allusions to conveying the importance of their music and blue-collar ideals through their live show in a way that a CD never could.

Soviet’s new album, We Are Eyes, We Are Builders, is out on Plastiqmusiq. Stay alert for a performance in a housing complex rec room near you.

James Hush can be reached at pd@wvum.org.