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LETTER TO THE EDITOR: Re “Standing up for the Palestinians” Editorial, 11/21

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Re: “Standing up for the Palestinians” Editorial, 11/21

To The Editor:

This is a letter of thanks concerning the Editorial: Standing up for the Palestinians in the 11/21 issue. Having read the article we wanted to thank you for your objectivity and open outlook.
Many times in lectures on the Israeli-Palestinian issue a speaker will merely portray their own point of view and ignore challenging questions from the audience. An opinion that has not considered the alternative and questioned the challenging aspects of an extremely challenging and complex situation, is not an opinion that should be given credence to talk with authority. Lauren DeSalvo proved that her value as a respected speaker on the subject serves only the purpose of conveying her own personal opinion, and not that of broader education or understanding of the issue.
In light of this we want to extend our most sincere thanks for the article’s highlighting of that issue. It is refreshing and uplifting to know that there are people, especially those in the press, that appreciate the importance of objectivity, the imperative of education and the value of the alternative argument.

Sincerely,
Chabad at University of Miami

CORRECTION:
In the 11/21 editorial, the name of the representative of ISM was Lauren Anzaldo. We apologize for the mistake.

EDITORIAL: Does Miami Deserve the FTAA?

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Even after all that has happened, we will have to wait to find out where the FTAA headquarters will be. Miami wants the FTAA secretariat, the headquarters site for the 34-nation trade agreement. Big business and power for Miami? Sure, for America too, to have a potential seat of power in a state that in 2000 already showed itself to be influential.

Governor Jeb Bush, Miami-Dade mayor Alex Penelas, The Miami Herald, and most U.S. trade officials are struggling to win the prize for Miami. Apparently, Atlanta, Trinidad and Tobago and Panama City, among others, are vying for the chance. “We have one foot firmly embedded in the Latin America and Caribbean and one foot firmly embedded in our great country,” Jeb Bush said about Miami. What if that’s the same reason Miami shouldn’t house the FTAA headquarters?

Advocates for locating the secretariat in Panama City are playing up the poor country role. There’s a low cost of living there, at least much lower than Miami, meaning it would be affordable to representatives from all 34 FTAA nations. Most other countries in the hemisphere have populations and cultures more representative of a greater number of people and countries in the region than Miami does. Anglo-Miamians invariably complain about the Spanish-speaking population, about culture, language, even race sometimes. Would a multinational organization be treated better in Miami than it would in Panama City, in the center of America?

Welcome to the

new Opinion Editor

There’s been a pit in the bottom of my stomach that has been getting bigger ever since I got to college three months ago. The pit is not a reaction to an ever-growing tolerance for alcohol in my quest for the freshman fifteen, nor because I’m homesick, nor because I’m pining over long-lost high school puppy love. The pit comes from none other than bona fide Newspaper Withdrawal. As a news reporter for the Hurricane, the one-article-every-two-weeks business has been such a dramatic drop-off from my past involvement in high school that I just haven’t been feeling like myself. I’ve worked for several different publications of varying content and quality, but all have exposed me to the field of journalism to the point where I’m quite nearly co-dependent upon it for survival. The lack of late night deadlines, layout nightmares, and screaming editors has dramatically disrupted the sense of balance in my life, which is why I came begging for a job on the Hurricane’s editorial staff. The thought of overseeing the opinion section just tickles me pink.

I began working on my high school paper, The Fanfare, at Berkeley Preparatory School in ninth grade, and was made assistant opinion editor by the end of the year. I transferred to East Lake High school in tenth grade and worked as a staff writer at the school newspaper, The Talon, and became news editor my junior year. While news editor, I was also the school correspondent for a local community paper, the East Lake Eagle, and worked as a production assistant at that paper the following summer. At the same time I was attending the Poynter Institute’s Program for High School Journalists, a yearlong course that is affiliated with the St. Petersburg Times, Florida’s largest daily newspaper. My senior year in high school I worked as a correspondent for a local bureau of the Times. It is my first year at the University of Miami, and one of the first things I did when I got here was to start writing for the Hurricane. I am double majoring in International Studies and Judaic Studies, and I am a member of UM’s traveling mock trial team, and participate in Tricanes, the triathlon club here at school. I am from Oldsmar, Florida, which is just outside of Tampa.

-Jillian Bandes

Get Out the Vote continues to raise awareness and registrations

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Last week Get Out the Vote held a campus-wide voter registration campaign in the residence halls. According to Courtney Whitney, director of events for Get Out the Vote, the residence halls campaign had a strong turnout.

“We want to get the student body to have a bigger say in local politics,” Whitney said. “If we can get a lot of people to vote, then we will have a big voice.”

On Friday, representatives of Get Out the Vote spoke with officials from the Bush/Cheney 2004 campaign strategizing committee.

“We gave them information about what is going on at our school and how it can help out their campaign,” said Pam Schiess, director of registration for Get Out the Vote, said. “We will have more events next semester, just trying to keep it in everyone’s minds.”

Among the anticipated events for next semester will be registration drives in the classrooms, as well as in the law, graduate and medical schools. Get Out the Vote will also host various events throughout campus.

According to Schiess, there will also be forums hosted by Get Out the Vote, Council for Democracy, College Republicans and the UM Young Democrats to educate students about the presidential candidates and to encourage registration.

Also planned for next semester are registration competitions between various student organizations, fraternities and sororities with cash prizes for the groups that register the most people to vote.

During the blast-off event for the campaign, Council for Democracy received $250 for registering over 70 people.

“We are still stressing the importance of registering and voting in Coral Gables,” Mike Johnston, director of Get Out the Vote, said.

To date, Get Out the Vote have registered over 500 people to vote since their kick off on Nov. 11. They are halfway to their original goal.

For more information on Get Out the Vote, contact VoteUM@miami.edu.

Leigha Taber can be contacted at l.taber@umiami.edu.

Massachusetts legalization of gay marriage has nation talking

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It appears the floodgates have opened on the issue of gay rights in America. Last week Massachusetts became the first state in the nation to legalize gay marriage when its Supreme Court ruled that prohibitions on gay marriage are “incompatible” with the guarantees of personal freedom in the state’s constitution.
“The court opinion said that they can’t experience true freedom with a ban on the institution of marriage,” Ali Bustamante, freshman, said. “I think that is so true. I can’t believe President Bush is even looking into changing this – he is not representing the nation on this decision.”
Most would agree that the UM community is tolerant and accepting of gay people on campus.
SpectrUM, the on-campus student organization whose goal is to promote awareness on gay, lesbian, transgender and bisexual issues, acknowledges that they are accepted on campus.
“Miami is really good about acceptance,” Cate Dundon, secretary of Spectrum, said. “I don’t really encounter any hostility.”
However, there is definite divergence over the issue of gay rights, especially when it comes to formally legalizing gay marriage. Many people have mixed feelings concerning the issue.
“I think it will open up new doors for people,” Ann Marie Mohan, freshman, said. “I don’t know if it’s a good thing or a bad thing, but it’s their personal freedom and not my problem.”
According to a recent poll in The Miami Herald, while 80 percent of Americans believe society should put no restrictions on sex between consenting adults, about 55 percent believe that homosexuality is a sin.
Americans say they oppose gay marriage primarily because they see it as morally wrong and against religious beliefs. Many also believe marriage is meant to be between a man and a woman.
It is expected that there will be a backlash from religious conservatives and heated debate between Democrats and Republicans on the issue.
A Miami Herald article equated the recent court rulings in favor of gay rights to the legislation on civil rights and voting rights for blacks in the 1960s.
Currently Florida does not recognize same-sex marriages, and 37 states have laws defining marriage as between one man and one woman.
Some students, who wished to remain anonymous, expressed many of these same sentiments.
“I think marriage is between a man and a woman. I agree with President Bush’s stance on the issue,” one student said. “That’s just the way I was brought up.”
“I just don’t think it’s morally right. It’s not the definition of marriage,” another student said. “I think letting go of our values on this issue will lead to worse decisions.”
However, supporters of gay rights are optimistic about the recent succession of events.
“Anyone who is part of the movement for gay rights will be affected by this decision. The fact that it is a step toward pure equality will help us in the future,” Dundon said. “I think it’s a step in the right direction.”
While SpectrUM’s main focus as an organization is not political activism, it is currently in the process of organizing another on-campus group with a more political agenda. They hope to organize more political events next semester.
The debate over gay marriage is expected to be one of the most contentious issues in the upcoming Presidential campaigns.
The first Presidential debate for the 2004 elections will be held at the UM Convocation Center on Sept. 30.
The Miami Hurricane will continue to follow the issue of gay rights and how it affects the UM community as more information becomes available.

Megha Garg can be reached at mgarg@umsis.miami.edu.

NOTICE TO READERS

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CORRECTION:
The Nov. 11 SG Update article on page 8 of The Miami Hurricane headlined “Senators push to hold exams on Monday & Friday to discourage student drinking” was not authored by Mr. Danny Alvarez. It was compiled from the Senate Agenda posted on the SG office door. The Miami Hurricane would also like to clarify that the suggestion to reschedule exams to discourage drinking was an initiative taken by faculty members, not SG senators.

CORRECTION:
On page 3 of the Nov. 21 issue of The Miami Hurricane, the headline “Gay marriages legalized in the state of Mass.” was run over an article that was duplicated from page 5. The actual article was not run because of an error during the layout process.
The Massachusetts gay marriage ruling article has been printed in its entirety in this issue of the paper.

CALENDAR

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WEDNESDAY NOVEMBER 26

CAC presents Bad Boys 2 at 8 and 10:30 p.m. at Cosford Cinema.

COISO present their annual International Thanksgiving Dinner at 7 p.m. Join COISO as they bring together all international students to share this American holiday with them.

THURsDAY & Friday, NOVEMBER 27 & 28

Thanksgiving break –
NO CLASSES

TUESDAY DECEMBER 2

Men’s basketball hosts Stetson at 8 p.m. in the Convocation Center.

FRIDAY DECEMBER 5

Last day of classes!

NEWS BRIEFS

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Miccosukees help fund Presidential debate

The University of Miami has received a gift of more than $1 million from the Miccosukee Tribe of Indians of Florida to help defray the costs associated with hosting the 2004 Presidential Debate. The Commission on Presidential Debates recently notified the University of Miami that its Convocation Center on the Coral Gables campus will be the site of the first Presidential debate. The debate will be the first-ever held in the state of Florida.
The University of Miami was recently selected from among 14 formal proposals submitted to the Commission last spring. It is the only university selected from along the eastern seaboard.
The University plans to create seminars, lectures and other programs to support the debate and to involve students, faculty, staff and the community in the experience.
The debate will be broadcast live at 9 p.m. on Sept. 30, 2004.

SART seeks volunteers

The University of Miami needs volunteers to serve on the Sexual Assault Response Team (SART). Warm, empathic and mature faculty, staff and graduate students are needed as advocates for victims of sexual assaults. The SART program is organized under the direction of the Student Counseling Center. If you are interested in becoming a volunteer member of this important team, please call us at 305-284-5511 for more information.

Stop, Drop & Run needs food donations

Stop, Drop and Run is coming to a dorm near you. Going away for winter break and need to get rid of the food in your dorm room? Donation boxes will be set up in each residential college to donate unwanted foodstuff so that it can go to the needy of our community for the holidays. Help LINK feed the community!

‘Ibis’ wants writers

The Ibis yearbook is in need of writers. The theme of the book this year is school spirit, and they want to include as many voices and reactions as possible in the book. The Ibis covers anything and everything that takes place on campus and even things off campus like summer blockbusters or the World Series. Everyone is encouraged to submit their stories, even if they think it’s not something that would be included. The stories are usually 250 to 300 words, but it is also okay if the articles are more. There are plenty of assignments that need to be covered, and stories printed in the yearbook are considered published work, so it looks great on resumes! The Ibis yearbook wins awards every year – why not be a part of it? All quotes and stories can be sent to ibiswriter@hotmail.com or dropped off at the yearbook office in the UC 229. Include your name, year and an e-mail address.

Gift-givers needed for Holiday Hope Tree

The Butler Volunteer Services Center is celebrating all the holidays by giving you a chance to buy a disadvantaged child a gift. Holiday Hope Tree information can be picked up at the University Center Information Desk.

UM is Up Till Dawn to help St. Jude’s hospital

Up Till Dawn is looking for people who are willing to help raise money for a great cause. St. Jude’s Children Research Hospital is a non-profit organization that treats children with life-threatening illnesses at no cost to the family. They also do research to find cures for these illnesses. If they find a cure or breakthrough, they share it nation-wide free of cost. St. Jude’s is a hospital dedicated to making sure no child is unable to receive treatment. If you or your organization want to help in this effort to raise money for the hospital, contact VSC at 284-GIVE.

Diwali festival shares Indian new year with UM

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An estimated 800 people attended the Diwali show this weekend, hosted by an Indian mock-family of five UM students from the Indian Students Association [ISA] and held at the North Miami Beach Performing Arts Center.

Traditional Indian food was served at the event.

“The food was delectable, the performances were tantalizing and the skits were belly-busting hilarious,” Pushpak Taunk, senior, said.

Diwali, the Indian new year, celebrates the emergence out of darkness and into light and knowledge. This festival of lights signifies the renewal of life. It is common for people to light small oil lamps, called diyas, and candles to celebrate the day.

This year, UM students were able to celebrate with an audience.

The show opened with a documentary filmed by the Hindu Students Association. In this film, a host asked UM students questions about the Hindu religion and caught their answers on tape. Many of the responses were blank stares.

The acts in the show included classical, traditional and modern Indian dancing as well as a vocal performance. The comical family represented some stereotypes of an Indian family: strict parents with heavy accents, an aspiring singer daughter, a cricket player son and a tag-along neighbor.

One act that got the audience riled was a choreographed dance competition between boys and girls, known as antakshri. With the audience as the judges, it was clear that the girls won.

“It was an awesome show that truly managed to display the full array of Indian culture,” said Bhargava Kondaveeti, sophomore and ISA board treasurer.

In addition to ISA’s showcasing of Indian culture, UM’s Filipino Students Association also took part as performers in this occasion.

“The show was a great cultural fusion,” said Deepika Aneja, junior and program coordinator. “Without a great board and performers, the show would not have been possible.”

According to organizers, performers prepared for months to make the event a success.

“Participating in the show made me feel more in touch with my roots and gave me more appreciation for my culture,” Ankita Desai, freshman, said.

“This year’s Diwali show turned out great,” said Aaron Carter, ISA public relations officer. “It was the culmination of all the hard work of each member of ISA, and it showed in each of the dances. Also, the floral decorations and lighting in the arts center set the tone.”

“I love how the annual show gives a chance for UM students to experience a taste of Indian culture,” Carter said. “I will definitely attend next year’s show, and don’t be surprised to see me in a few of the dances, too.”

For more information, contact ISA President Naveen Bellam at n.bellam@umiami.edu.

Shalu Patel can be contacted at shalu03@hotmail.com.

THE BEAT GOES ON Miami police content with lack of incidents

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Police were worried that the free trade meetings held in downtown Miami last week would get out of control.

They had little to be anxious about.

Headlines were made on Friday, the final day of the demonstrations, over a group of several dozen violent protesters about 200 yards away from a trade minister’s meeting. But there were 300 Miami police to take care of the few dozen dissenters. Just over 80 arrests were made in all, with charges ranging from assaulting a police officer and resisting arrest to burglary.

Most of the week’s protesters conducted their protests peacefully and in accordance with the law.

But police had reason to be concerned. In 1999, similar rallies in Seattle led to protesters throwing stones and gasoline-bombs at police in an attempt to disband the WTO summit that was being held there. Over 11,000 officers were used to keep the peace.

Miami police were out in similar numbers. In anticipation of the event, brigades were stationed at every cross street, wearing head-to-toe bullet-proof padding with helmets and plastic face masks and holding thick crowd-control batons horizontally against their bodies.

In parts of Bicentennial Park where the protests began, officers lounged in the sun after the main march had passed and leaned back-to-back against each other. Aids filtered through the ranks, handing out bottles of water and energy bars.

At the main protest Thursday, 10,000 protesters were expected, but it appeared as though far less actually showed up. And while the protesters were prepared with pamphlets and chants, the sidewalks were virtually devoid of crowds to watch them.

“What good is a protest without people to watch?” said Michael Weisbein, junior, who attended the rally Thursday. “They close down the entire downtown district for this thing, and the protests go on, but for who?”

UM is a short metro ride away from the demonstrations. Several campus groups went down to either watch or participate in the protests.

Several members of UM’s Advocates for Conservative Thought attended protests Friday, and at least two classes went downtown as part of the curriculum.

Local schools have also used the protests as a case study.

“I think the FTAA summit demonstrations have been over-hyped,” Ileana Duyos, a local elementary school teacher, said. “The city definitely took great measures to prepare for the summit.”

“Some of my friends have had discussions about the FTAA in their classes,” Les Pantin, a Gulliver Preparatory High School student, said. “The media made the protests seem almost uncontrollable prior to the summit.”

John Cervera, a student at FIU, said the media has sensationalized the protests instead of concentrating on informing the public of what the FTAA actually is.

“They give the anarchists the attention they want,” Cervera said.

The week was full of media coverage, with swarms of reporters covering every inch of protest. In one protest against the Gap clothing company, about a dozen demonstrators went without clothes, attracting attention from more than a dozen media outlets.

One protester summed up his participation by saying that any little bit of activism would help the cause.

“When you quit, you’re responsible for your own defeat,” said John Sutcliffe, a protester at Thursday’s demonstrations.

The summit ended Thursday, earlier than planned, when the FTAA ministers came to a tentative agreement on a framework for what will be the world’s largest free trade area.

Jillian Bandes can be contacted at jillianbandes@hotmail.com. Ernesto Zaldivar can be contacted at e.zaldivar@umiami.edu.

L&A QUALITY SMACK REHAB

Life & Art Editor

THE FOLLOW-UP

So, yeah, the last newspaper of the semester hits newsstands and the Web on December 5. Look for t-h-e follow-up then, when “solid” answers will have developed. As readers of this publication, it is my belief (and perhaps L&A’s only) that you deserve to know what is going on. Thank you for the support (even if you disagree – all that is needed here is more communication). It all goes onto an equal and open field for the better.

AWAITING THE FOLLOW-UP

So, yeah, umm…now what? Do I diss the ever-caught-in-a-trap-of-odd-smugness Mike Myers for making The Cat in the Hat?

HEAVENQUEST DSV

So, yeah…word, Jonathan Brandis is dead-at-27. During times like this I wonder why in the hell I wasted a handful of hours watching “SeaQuest DSV” instead of learning a second language. And, The Neverending Story 2 – well, remember when hearing the title did a number on you? Try being in that thing. RIP dude.

RICH GIRL

So, yeah, g-r-e-a-t, Ally Hilfiger was at Revolver recently. So, yeah, like, yeah, like, yeah, like…

EAVESDROPPING & “GIRLS ON FILM”

So, yeah, this is when you eavesdrop on the young girls and boys at UM saying stuff like, “I can’t believe Christmas is so close because it is so warm.” (Douse in enthusiasm, a little laughter, and follow with sips from Cokes at the food court.)

But, really, it can be quite strange, like driving past trick-or-treaters in 80* weather. Ben Minkus’ opinion column (and coinciding photo) better explained this realization in the last issue – a well-written dose of optimism within a documentation of badness and frustration – thanks for the sanity man.

If you need a little rehab during finals, when those up-stairs-down-stairs dorm flings get snuffed out, when the ‘rents’ aren’t sending pre-flight cash (bastards): Duran Duran (seriously) is the answer. Download “To the Shore” or go cop their first album, it looks like (see image) and will put snowflakes on your palm trees and then melt them away in sunny South Beach full-on glee.

ANTE-ING UP

Ante-ing up.

Hunter Stephenson can be reached at Huntlaed@hotmail.com.

Little Jimmy’s been naughty and Sally’s been n-i-c-e

and the Life & Art clan

RZA
The Birth of a Prince
****

Okay. Time to disappear from hot stuffiness into the frosty charge of dark streets and warm jackets, eggnog and long-time friends and family. Come this time each year, rappers compete in the Winter Warz, who has the beats and sharpest rhymes for car rides at night, street light swerves and nostalgic raise-a-glass laughter? Why, RZA and Jigga – did you think not?

While Hova is dipping into the 401K Black that is Beyonce’s milkshake, Prince Rakeem has sweated out that B-O-B-B-Y nonsensical stress in a four-star hotel sauna, and returned rejuvenated on the NY scene, like, “Damn, it is time to have some fun, get crunk and let my thoughts unravel as they may for I am the Prince.” No, I do not know what the hell is up with Wu-Tang, but this is where heads need to head: stop comparing empires (Wu isn’t Murder Inc., oh, so now it’s The Inc. – how lame), stop worrying about total mainstream crossover (Method Man, reign it in) as the ol’ stuff is just hitting its eighth-wind, and keep the beats dark – re: but not pitch-black militant hallway shiv redundant.

From the get-go, Nancy Sinatra croons about flying high on “Bob N’ I” – born again, carefree, different – crisp bass echoes into the background, chills, “sha na na!” Next, a piercing siren isn’t too piercing, all the rewind-flip-it madness of Supreme Clientele’s “Stroke of Death” on “The Grudge,” but RZA is slipping and sliding with the tongue like windshield wipers over sleet – look both ways and you still won’t see the hit.

So much has been heard about comebacks and this is the first Wu CD in sometime where that point is not forced home – over it. “We Pop”: party anthem where the beat (courtesy of Megahertz) is almost sarcastic – it is not, however, whatev, and flows into a “Domestic Violence”-type back-forth hilarity.

And then there was…”Grits”: vibe with it, ’cause it’s tracks like this where the Wu stay young and kind – just big kids at heart battle-axing complex ideas and American struggle. Masta Killa – where is your solo album, dude? He’s honed the better Method for quite the minute – time to ship gold. Eating grits for dinner to survive another day – a less profane image than Ghost’s “roaches in the fridge,” or whatever, but it works.

Back to the paper chase, “wipe the smirk off your fucking face,” “searchin’ for that Bill like Lewinsky,” where there is a girl in the bed in need of the d and a world outside demanding substantial coin-op play. The answer: “Bobby Digital, Zodiac sign: Cancer.” Hah.

RZA brings chimes higher than smoke signals on “You’ll Never Know,” gives “servus” to ancient hood libation on “Drink, Smoke + Fcuk,” Kill Bill hype is fired up via “Koto Chotan” – filled with kung-fu blocks and chop-socky soundtrack – then the disc ends with mountainside meditation. Inverting back to a mother’s womb on “See the Joy” where Robert Diggs is “just a sperm…cell” racing against tadpoles, he is born into another turbulent rat race alongside us listeners. Will it ever end? I hope not.

– Hunter Stephenson

“”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Dwayne Sodahberk
Unfortunately
***1/2

Dwayne Sodahberk is a talented musician and programmer whose main fault registers in is his inconsistency. Unfortunately comes across as two different EPs with the tracks shuffled together like a deck of cards. Oh yeah, his other main fault is that all influences are worn on sleeve. Right out of the gates, he brings the electronics/guitar/female vocals assault that sounds as if he snuck into the City Slang locker room and stole The Notwist’s playbook.

The second track is filled with IDM spasms that are only tied to the first track by his eerie vocals. All of a sudden, Sodahberk really throws a monkey wrench into the whole business by placing the first of his very much shoegaze-influenced-tracks into third position. An average listener is going to look at the CD player to make sure nothing is shuffling and grab a bottle of aspirin, since the bi-polar mood just lags. And that’s a real shame – as most tracks are of a superior quality.

Released on TigerBeat6, this is mostly electronic music that is easy on the ears, and any insrumentation is most likely Sodahberk. Nevertheless, standard fare for the IDM world, and so, he is left trudging down paths already blazed by artists like Inkblot and Casino Vs. Japan.

“Bird” is the standout track – check it out – a cut that starts off with a jangly ’60s-ish guitar hook, and slowly accumulates a spastic breakcore beat ala One Speed Bike or Criterion. The two divergent styles erupt in a swirling drum solo drowning out the over-saturated guitar space. From here, the disc settles back into the par-for-the-course vacillation between better-than-average IDM and laptop folk music.

Sodahberk shot his foot on this album by combining what would have been two terrific EPs into one disc that ends up more perplexing than exciting. It is an artistic decision that splits the audience: the IDM faithful will be left underwhelmed, and the unfamiliar seekers of new sounds will be left entertained by eccentric vision but alienated by confused composition.

– James Hush

“””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Jaylib
Champion Sound
****, ***1/2 (compared to my hotttass bootleg)

There is no doubt that Jay Dee and Madlib have been responsible for some of the hottest beats/albums of the past decade or so. Decade?

Un huh: Dilla used to be a part of the Tribe production team known as the Ummah, for which he laced classics: “Find a Way,” “DaBooty,” “Keep it Moving” and on and on…oh yeah, the Pharcyde’s “Runnin,” Common’s entire Like Water For Chocolate album; ‘get about it, it don’t stop.

Madlib’s smoking enough greens to keep him as antisocial and subsequently productive as can be; here is something that may flip your toupees though: remember that monumental and whoever-you-are-you-gotta-respect-the-fact-that-you-own-it-or-know-the-lyrics-to-every-song-on-it album, Paul’s Boutique? Wells, Madlib mastered all of the production, so again, Champion Sound should be the shit, right?

I was hopping back and forth holding my ween with both hands waiting for the release of this shit since they announced it, then much like Wu-Tang did Wu-Tang Forever, it took forever to come out. I’d heard the single, “The Red” sometime around March or April and every weekend since, so regardless of [hotness] it suffers. They should push “Starz” though, that shit’s guaranteed to take off like a $20 tip at a strip club.

The only reason why I am hesistant about giving this album the hand job it deserves is due to the earlier bootleg version I’d heard and received and, which Life & Art subsequently got a stern talking-to by Peanut Butter Wolf for reviewing. (again: sorry).

Said ghetto CD-R contained, though clearly not as polished, hitters like the Marlins, rollers like a pastry shop, and bangers like a girl who points out to you that her Fruit of the Looms have a banana in the bunch.

It sounded more like Madlib and Jay Dee’s attitude toward music, that being: just do what sounds right. God that sounds shallow, but for real, their lyrics will never be amazing, just on point with the beat; and it’s the beats on this album that will really stick with you, even though “Survival Test,” “React” and to a lesser extent “Strip Club,” all sound the same.

But, with all the crap floating about in the port-a-potty that rap has become, Champion Sound is three handfuls of Charmin, so pick it up, wipe the rest away; plus “No Games” is so full of fire my piss burns.

– Sven Barth

The Life & Art staff ’03 can be reached at Huntlaed@hotmail.com.

Like if prog rock sobered up, left the basement and got its MBA (and a few rays)

“What you see is what you don’t get” is what American Pop artist James Rosenquist once said about his work, and this statement exemplifies well a cornerstone facet of his ingenuity. Truly, what he purposely leaves out gets you wondering, burrowing helplessly for answers, yet what you do get is a lesson in popular culture iconography.

At first glance and from a distance, Rosenquist’s show at the Barbara Gillman Gallery appears like Abstract Expressionism-meets-Pop Art-meets prog rock imagery.

Pop Art emerged in the ’50s and ’60s as an insurgence against what some thought of as the pretension of the Abstract Expressionists, using commercial icons of the times – celebrities, soup cans and other grocery items, advertisements and comic strips. Rosenquist, like other Pop artists including Andy Warhol and Roy Lichtenstein, got his start as a commercial artist painting billboards in New York.

The works here aren’t like typical Richard Hamilton-style collages. They hit you, no, shock you with flashy, vivacious colors. You want to look at everything all at once, not knowing where to land your eyes first. Part of the mystique here is that the colors alone are so overwhelming that you don’t know what to focus on first and it’s easier to let it all sink in.

Secondly, you’ll start to see some recognizable features – glimpses of the bluest eyes, the reddest lips and whitest teeth straight out of Maybelline ads, intertwined with flowers and swirling patterns, enough to make the mind’s eye go clinically insane.

“Flowers and Females” sounds soft and pretty, but this piece comes off as rather haunting. Rosenquist’s collage technique superimposes the face of a woman, cut into menacing jagged edges, creating a Venetian-blind effect. The juxtaposition of the sharp lines, the delicacy of the flowers and the overpowering red casts a deranging spell on the viewer.

Similarly, other pieces like “Shriek” and “Crosshatch and Mutations” are as loud and schizophrenic as “Flowers.”

Geishas have an air of mystery about them as they are, with their expressionless white faces, scarlet mouths and black hair. Yet the artist manages to make them even more mysterious by fragmenting the face of an Asian woman in Kabuki theatre makeup, emphasizing the eyes, mouth and, this time, rose-colored cheeks in “The Kabuki Blushes.”

There’s a certain focus here, but also a matter of decomposition. As with many of these pieces, the viewer is left at odds between disorder and beauty.

Other pieces on view include seven lithograph prints from his “High Technology and Mysticism: A Meeting Point” collection – works employing the collage element of the previous pieces, as seen in “Above,” where the face of a woman is suggestively placed over the head of a horse.

“Sky” screams Pop Art loud and clear: you can almost see Warhol and Lichtenstein peeking through. Yes, there are the latter’s famous dotted images and the former’s signature colors – electric blues, hot pinks, shocking yellows – and an overall silkscreen look.

Although the pieces here are almost 20 years old, Rosenquist’s works have preserved their freshness and pop throughout the years. Unlike his earlier works in the ’50s and ’60s, which relied heavily on media and advertising icons, these pieces are comprised mostly of his 1980s work, where collage techniques, mixed media and vibrant colors are wholly emphasized.

All in all, these pieces burst off the canvas with a miscellany of imagery, and, in the end, the feeling of bewilderment is, perhaps, what these works want to incite.

Rosenquist in Florida is on view at the Barbara Gillman Gallery, 3814 NE Miami Court, Miami, through January 12. Call 305-573-1920 for more info.

Ambar Hernandez can be reached at weetchie@hotmail.com.