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Buying and selling textbooks on-line saves money

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UM students are always complaining about the cost of the UM Bookstore and about the lack of buy-back potential of the books they buy. However, several options are becoming increasingly popular among UM students for both purchasing and selling back their textbooks.
According to UM administration, the average cost of books for a student is $775.00 per year. Unfortunately, some students spend far more on their textbooks.
“I spent $450.00 this semester,” junior Sandra Trip said. “It seems like books are getting more expensive every semester.”
Students do have options, though, when it comes to buying their books.
“UM students have it better off than other schools,” said Will Sekoff of Book Horizons. “They have two well-run bookstores nearby to get their books from.”
Many students believe the UM Bookstore has a large selection and is easily accessible.
“I like that the Bookstore is so close, but I hate waiting in the long lines,” sophomore Dan Blanchard said.
Book Horizons, located across US-1 next to Burger King, is celebrating its 50th year in business this month.
“We’ve been here a long time so we have a great reputation for service,” Sekoff said.
Students seem to agree.
“I like Book Horizons better because it’s smaller and there are always people willing to help me find my books,” sophomore Jake Soule said. “Plus, they are so organized that there is never a line.”
Other popular options among students include various websites such as Amazon.com, Half.com, Campusbooks.com and Ecampus.com.
“‘ve bought my books online before. It’s a lot cheaper than the bookstore is,” senior Heather Johnston said.
Some students have reservations about purchasing their textbooks online.
“I know that I could probably find books cheaper online, but then there is the shipping charge and having to wait for the books to arrive,” Traip said.
“The feedback that I get from students about purchasing their textbooks online is that it can be difficult to make sure you get the right edition for the right class,” Sekoff said. “Plus, you’re lacking the personal service, right books and easy returns that a bookstore can give you.”
However, most students are equally concerned about the buy-back price of a book.
“I bought a book last year for $100, but when I went to sell it back I only got $15,” Blanchard said. “I couldn’t believe it.”
Buy-back typically takes place at the end of the semester during finals. At that time, you can sell your book back to the bookstore or online.
“We buy back books for the following term, so if a professor is using the book again then we will buy it back for up to 50% of the cost,” said Richard Dunham, textbook manager at the UM Bookstore. “Once we have met our buy-back quota, the remaining books will get only the wholesale value of the book.”
According to UM Bookstore and Book Horizons representatives, timing is everything when it comes to buy-back.
“Sometimes I tell students to wait until April before bringing their books back because they will make more money that way,” Dunham said.
“We try to give students something for their old books because lots of times the Bookstore gives them nothing,” said Paul Strassburg, textbook manager at Book Horizons.
If the buy-back price offered to students is too low, students can sell their books online. However, although selling online can yield a higher return, students say it also takes much more time and effort.
“I’ve heard that you can make a lot of money selling your books online, but I’m just too lazy to go through all of the work,” Blanchard said.
Overall, there are a lot of options out there when it comes to buying or selling books. It’s just a matter of knowing where, when and how to look.

Leigha Taber can be contacted at l.taber@umiami.edu

UM ranks high on The Princeton Review’s list

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The Princeton Review recently ranked UM fifth in the nation for “Great College Towns” and sixth for “Most Students From Different Backgrounds Interact” in a nation-wide ranking of colleges. UM was the only Florida school to be ranked in those categories.
“The University of Miami is indeed a diverse institution with students hailing from over 110 countries,” said Dr. Pat Whitely, vice president for student affairs. “Through a variety of activities both in and out of the classroom, diversity is celebrated and recognized as one of the important values of the University of Miami.”
Other categories on the review included “Academics,” “Administration,” “Politics” and “Quality of Life.” Each category had sub-categories, each of which had both a positive and a negative section.
For example, “Professors Get High Marks” was paired with “Professors Suck All Life From Materials,” and “Great Food” was paired with “Is it Food?”
Other sub-categories included: “Lots of Hard Liquor” and “Scotch and Soda: Hold the Scotch,” “Birkenstock-Wearing, Tree-Hugging, Clove-Smoking Vegetarians” and “Future Rotarians and Daughters of the Revolution,” and “School Runs Like Butter”and “Long Lines and Red Tape.”
For the location category, schools were judged by size of the city, beauty of the campus and surrounding areas, climate and resources available to students.
“The moment I stepped on campus, I was sold,” said sophomore Aimee Garcia. “I knew as soon as I saw the palm trees painted across the clear blue sky that this was the school for me.”
For the diversity category, schools were judged on the percentage of non-white students enrolled and on how students from different backgrounds interact with one another.
“This campus boasts significant ethnic diversity and, in a nutshell, students say they are part of a ‘receptive and diverse group,'” the review said.
According to the report, students at UM describe themselves as “high-energy, fun-loving, friendly, and outgoing” but also feel “fiercely competitive” with one another. Also, some students are described by other UM students as “arrogant, self-centered, spoiled rich kids.”
The review goes on to say that sometimes life at UM feels like “a constant fashion contest” and that many students spend much of their free time “getting buff” and “working on their appearance.”
Although some students believe that the diversity of UM is a result of location, meaning that most of the diversity on campus comes from the diverse population of South Florida, most find that UM strives to recruit diverse groups of people from different parts of the U.S. and in many countries throughout the world.
“Yeah, it’s diverse alright,” sophomore Jennifer Wright said. “I mean – hello – my roommate is from Hong Kong.”
Many students take pride in the level of diversity on campus.
“I didn’t come here for the diversity, but I appreciate it now that I’ve experienced it,” junior Shelly Steele said.
“There are so many opportunities for everyone, no matter what race they are,” said Camille Linton, a Jamaican-American student and member of the United Black Students.
Aside from UM, two other Florida schools, UF and FSU, were also highly ranked in several categories of the Princeton Review.
UF ranked tenth in both the “Reefer Madness” and “Dorms Like Dungeons” categories, and fifth in the “Party School” category. FSU ranked third in both the “Lots of Beer” and the “Students (Almost) Never Study” category, and first in the “This is a Library?” category.
“Can we really expect anything more?” Garcia said
The Princeton Review is currently surveying students online at survey.review.com until Feb. 10. For a complete listing of the categories and rankings of the Princeton Review, visit www.princetonreview.com/college.html.

Jaclyn Lisenby and Leigha Taber can be contacted at j.lisenby@umsis.miami.edu and l.taber@miami.edu.

Campus Calendar And News Briefs

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TODAY
Come learn about the Peace Corps in an information session and video presentation, from 12 to 1 p.m. in UC 241. Contact Erin Seiler at 305-284-5398 for more information.

Metropolis will be showing at the Cosford Cinema at 7:15 p.m. Fritz Lang’s epic drama of life in the year 2026 has not been seen in its original version since a brief run in 1927. German archivists, working with material gathered from all surviving versions and using new digital technologies, have restored the film to as close to the original version as we are ever likely to see. The dazzling sets and tens of thousands of extras provide the backdrop for a wild combination of love story and political allegory of man versus machine.

SATURDAY JANUARY 25
Women’s Basketball vs. Syracuse at 7 p.m. in the Convocation Center. Wear your beach attire and get free pizza.

Doctoral Recital: Joseph Talleda, piano accompanying and chamber music. 8 p.m. in Clarke Recital Hall (5501 San Amaro Drive).

SUNDAY JANUARY 26

Men’s Basketball vs. Syracuse at 1 p.m. in the Convocation Center. Sign up for the Slam Dunk contest at halftime; call 305-284-5903.

The UM Men’s Soccer Club’s next game will be at Mills Pond Park in Fort Lauderdale at 12 p.m.

Faculty Artist Recital: Richard Kosowski, tenor. 8 p.m. in Gusman Concert Hall (1314 Miller Drive).

TUESDAY JANUARY 28
Women’s Basketball vs. Virginia Tech at 7 p.m. in the Convocation Center. It’s also Residential Hall Night: greatest attendance wins free pizza.

The spring semester Spiritual Information Fair will be from 11 a.m. to 2 p.m. on the UC patio. The various student religious organizations of the University will provide information on the variety of religious life on campus. KFC and Kosher pizza will be served.

WEDNESDAY JANUARY 29

The Hispanic Scholarship Fund Scholar Chapter will hold a Goldman Sachs Learning Modules/Leadership Development Workshop, at 7 p.m. in UC 233. Direct any questions to RA8046@students.law.miami.edu.

FRIDAY JANUARY 31

Come out and party with young Arab-Americans featuring DJ Nile spinning the latest and hottest Arabic and international music at the Rathskeller. Argeela Night is from 9 p.m. to 12 a.m. Email oasisofum@yahoogroups.com.

SATURDAY FEBRUARY 1

Take a FREE GMAT, LSAT, or MCAT practice test at Kaplan’s Test Drive. To enroll, call 305-284-0090.

TUESDAY FEBRUARY 11
Are you in the process of selecting a major or considering a change of major? Are you possibly interested in adding a major? Toppel Career Center will have a Majors Fair from 11 a.m. to 3 p.m. in the Whitten University Center Lower Lounge. Come talk with faculty representatives from these schools and colleges: Arts & Sciences, Business, Communication, Education and Nursing. The Pre-Law and Honors Programs will also have representatives to whom you will be able to talk.

WEDNESDAY FEBRUARY 19

The Hispanic Scholarship Fund Scholar Chapter will hold an Alumni-Mentor Reception at 7 p.m. in UC 233. Direct any questions to RA8046@students.law.miami.edu.

Join the Wellness Center on Wednesday, Feb. 5 from 5 to 7 p.m. in the Wellness Center Atrium for Healthy Heart day, an event providing information to protect both aspects of your heart: physical and emotional. For more information, contact Janet Tiberian at 305-284-6524.

Is quitting smoking one of your New Year’s resolutions? BeSmokeFree is a comprehensive smoking cessation program that incorporates other methods of quitting, such as pharmacological aids, hypnosis, exercise, etc. For more information, visit www.miami.edu/wellness.

Come to the Teach for America Information Session, Tuesday, Jan. 28, at 4 p.m. in the Toppel Career Center. Teach For America is the national corps of recent college graduates who commit two years to teach in urban and rural public schools and become lifelong leaders in the effort to expand opportunity for children. Seeking all majors. No previous education experience or coursework necessary. Full salary plus $9,450 education award and loan forbearance. Final application deadline is Feb. 21, 2003. For questions or more information contact admissions@teachforamerica.org or 800-832-1230, ext. 225.

The National Endowment for the Humanities is offering up to 15 internships in Washington D.C. for the summer 2003. College students entering their junior or senior year in fall 2003 are eligible. NEH interns receive $4,000 for 10 weeks of work. Past interns have written articles for Humanities magazine, researched emerging fields in the humanities and developed web-based tools for gathering humanities-related information. The application deadline is Jan. 21, 2003. Applications are being accepted online at http://www.neh.gov.

In West Hollywood, CA, the city that reclassified pet owners as “guardians” two years ago, there is now a push toward the first U.S. ban on declawing cats. The City Council voted unanimously Tuesday to publicly condemn declawing and proposed a ban on the surgery. Animal advocates who say declawing is inhumane because it cuts off part of a cat’s toes hailed the move. Some cat owners have their pets declawed to keep them from scratching people or furniture.
“With West Hollywood making this statement, we’re hoping it will cause other cities to think,” said Jennifer Conrad, a veterinarian who founded the Santa Monica-based Paw Project, which seeks to abolish declawing. The city attorney has a month to draft a proposal. Declawing is banned already in several European nations.

MLK legacy lives on

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This week students from every background celebrated the life and message of Dr. Martin Luther King, Jr., along with UM’s United Black Students [UBS].
“All I hope is that no one forgets what everyone in the past has done to get us to the point we’re at now,” said Bryan Jones, first vice president of UBS. “It’s not that long ago that things have changed.”
“Everything that Dr. King was saying then, we’re still trying to achieve now,” said UBS member Nia Grace. “It’s all still relevant.”
“Everyone should take better advantage of [Dr. Martin Luther King, Jr. Day] and use it as a way to become more educated and to learn,” Grace said. “It’s not just a day off from work; it’s a day to celebrate and appreciate the life and message of Dr. King.”
Events and activities for the week included a parade in Liberty City on Monday in honor of the national observance of the holiday, a candle light vigil on Tuesday, a forum entitled “His Dream: Where Are We Now?” and Jazz Night at the StormSurge Cafe.
“Throughout the entire week, we have been asking ourselves, ‘Have we taken any steps closer to achieving his dream?'” Grace said. “I think we have definitely come a long way and we need to continue to apply what [Dr. King] was saying then, now.”
Danielle Gilyot says she understands that many Americans may have not been fully exposed to the history of the Civil Rights Movement and that education begins in the home.
“The only way that a change can occur is through education,” Gilyot said. “Parents and teachers must educate themselves and sit down with their children and students and teach them about the freedom that Dr. King and so many before and after him have fought for.”
During the candlelight vigil around Lake Osceola on Tuesday participants sang “We Shall Overcome,” “I’m Gonna Let it Shine” and “Lift Every Voice and Sing.”
“When you complain about someone holding you back, remember that Dr. King always tried to prevail,” Leslie Ann Brown, president of UBS, said before the Vigil procession. “Always remember to look to Dr. King for inspiration and know that you can be anything you want to be.”
David Bush of Alpha Phi Alpha Fraternity and UBS says he is thankful for the fact that all of those involved have been blessed with the opportunity to receive a college education.
“We should all light the torches of others who don’t have the options or privileges that we have,” Bush said. “Sometimes we may take for granted how blessed we really are.”
Closing ceremonies for Martin Luther King Week will take place today on the UC Patio at noon.

Jorge Arauz can be contacted at xxarauzxx@yahoo.com

dvd review: El Bola ***

More important than the Spanish film El Bola is the independent film revolution it might spark. El Bola is the first release in a new monthly film club called Film Movement.

The creation of Hollywood producer Larry Meistrich (Sling Blade), Film Movement is a way, at least in theory, to bring art-house films to the suburbs. Given the fact that entries into prestigious film festivals like Cannes or Sundance are often released only in New York and Los Angeles, if at all, Meistrich needed a cost-efficient way to give independent film lovers their fix. He also wanted to help indie directors share their visions with more than the same two urban markets.

Film Movement is Meistrich’s solution, combining a film’s theatrical run with its DVD release. The club releases one movie a month, in select theaters in a handful of major markets, and nationwide on DVD, thereby fulfilling Meistrich’s desire to spread independent films across the country.

Movie buffs in Montana may read about Sundance winners online, but they would most likely never get to see the actual films, except for the few that received major distribution and make it to Blockbuster Video.
El Bola, a quaint movie from first-time writer/director Achero MaOas, is an excellent choice for the club’s first film. The winner of Spain’s equivalent to the Academy Awards, it is very intelligent, and features some of the best performances from child actors in years.

The title character (El Bola is Spanish for “Pellet,” the boy’s nickname) is 12- years old, and lives a seemingly normal life in Spain. He becomes friends with a new boy at school, Alfredo, and their relationship is the basis for the film.

The main theme behind El Bola is family. Alfredo’s father is a tattoo artist, a profession most viewers will immediately associate with being macho. Pellet’s father owns a hardware store, where Pellet spends much of his time working. MaOas builds brilliantly on the preconceptions that most viewers will have of the boys’ families. They are exact opposites of what we expect.

Alfredo’s family is loving and joyous. The times that Pellet spends with
Alfredo and his family are some of the only places in the movie where he smiles. Pellet’s own family situation, on the other hand, is not as glamorous. His aging grandmother lives with them, requiring constant care from his bitter mother. The father seems merely strict throughout the first half of the movie, but we then find out that he has beaten Pellet for years.

El Bola walks the thin line between an excellent emotional drama and a cheesy after school special. If MaOas had pressed the issue a little harder, the audience could have easily been annoyed at the heavy-handed attempt at dramatics. Instead of a dark and dreary tale of child abuse, MaOas adds plenty of lighter moments reminiscent of 1992’s Radio Flyer. One of the best scenes in the movie has Alfredo and Pellet, who have just met recently, spending a day at an amusement park. They ride the roller coasters and other attractions, both trying to impress the other by pretending the big drops don’t scare them.

From the moment the boys meet, we like them. Pellet is intelligent and nice, being one of the only boys at school to not reject Alfredo simply because he’s new. Alfredo, on the other hand, seems rougher around the edges. He is caught smoking on his first day of school, and he seems fascinated with tattoos. The way the boys appear at opposite ends of the personality spectrum plays an important role in the end of the film.

The most emotional scenes come near the movie’s conclusion, in which Pellet is on the run from his abusive father. He runs out of his house after an especially severe beating by his dad, and thinks only to go to Alfredo. Alfredo’s parents are more than willing to care for him, but a lawyer friend advises them that keeping him overnight without his parents’ knowledge could result in a kidnapping charge. When Pellet hears that they are returning him to his house, he fears for his life and takes off into the streets. Alfredo’s family and Pellet’s father ride around looking for him, and the silent tension that builds in the car between the enraged family and the ashamed father is stunning. At the end, Alfredo’s father has to choose between keeping his promise to Pellet to protect him, and the risk of arrest via kidnapping charges.

The DVD contains a “making of” featurette, a preview of next month’s Film Movement release, and an excellent Sundance-winning short film, More. Film Movement could not have chosen a better movie to introduce the cinematic benefits of being a club member.
For more info visit www.filmmovement.com.

Shawn Wines can be reached at shawnwines@aol.com.

trash can: George Dubbya

George W. Fool: Check out the Big Man supposedly reading to a young patriot (though the book’s upside down) or posing for a military shoot, while looking through closed binoculars. We gotta admit: G.W.’s nothing but a fool and we fear his next moves. Either the people open their eyes, or face his judgements. In his words: “I’ve made good judgements in the past; I’ve made good judgements in the future.”

– OS

album reviews: Nas & the Rogers Sisters see stars

Nas
God’s Son
***1/2

Just by looking at the front and back of the new disc from Nas, God’s Son, you get a pretty good idea what’s going on: megalomania. From a Jesus-piece on his chest to the doves in his hands, the “humility” attempted on the cover (a clear boost from any jazz LP of the ’60s and ’70s, take your pick, if you know, you know) seems a little out of place; don’t forget the words “GOD-SON” emblazoned on his crotch via a four-pound belt buckle in the liner notes – actually, just try to forget it.
Anyway, once the first few seconds kick in on the self-produced “Get Down,” all those bad thoughts fizzle. However, as the tracks press on, a little too much stating-the-obvious, which can’t be saved even by Nas’ flow, takes away from the songs’ instrumentals; most of which (check Alchemist) are as hard as Queensbridge pavement.
Anyhow, Alicia Keys shows up, but for some reason it’s not even that bad, until, “Bravehearts!” keeps getting shouted out by Nas, when this clinging posse (Nas’ D12) have already proven to be the worst part of every Nas album – in this case, “Zone Out.”
Regardless, the album has more solid tracks than forgettable ones, but, with all due respect to the memory of Ann Jones, getting some guy Nas wouldn’t even list in the liner notes to croon “one more dance witchu momma” is definitely not the best strategy to make a memorable one. The lack of a verse by Eminem on the track that he produced, “The Cross”, is ridiculous; it’s designed for his flow, period. “Thugz Mansion” is priceless, 2Pac and Nas lay down something that would’ve been good seven years ago and turn it into something amazing today.
The last point, which makes “Last Real Nigga Alive” the fakest track out there, is that the bars “Jesus Christ/ He’s just nice/He just slice like a Ginsu” were already spat by Animal (he even drops his name twice in the song) on AZ’s “Hustler” – how “official” is that? I only saw N. Jones and Ron Brownz on the credits for that shit, no Animal as a ghostwriter in there. The album as a whole is good, not great. There are stellar cuts on it, sure, but that doesn’t make a great album. People need to learn that before it’s too late to make a great album anymore.

– Sven Barth

The Rogers Sisters
Purely Evil
***1/2

I know what you’re thinking, “Great, another rock band made of starving artists from Brooklyn, I’ll go put this on the shelf between my LIARS and The Rapture records that I’ve gotten bored with.” But I say, “Hold your horses, mister.”
Sure, this record has the quirky Brooklyn art school charm you’ve grown used to (ex. the track listing on the back of the CD consists of lines from the songs instead of the titles), but there is really something here.
This record is to The Rapture what Devo was to the Fabulous Poodles (Who are the Fabulous Poodles? Exactly.) The vocals are shout-y and out of tune (think Le Tigre circa 1999), and the music ranges from dance punk to dance punk (brings to mind “Are We Not Men?” or The Peechees (not Peaches).
Standout tracks include “The Money Life”, an ode to the joys of extravagant living, and the most obvious homage stylistically to Mark Mothersbaugh, “Now They Know (XOXO),” a track reminiscent of Gang of Four (even replete with the random chanting of “X O X O”), and “I Dig a Hole”(God, this record drips of Devo influences).
I expect “Calculator” (originally released as a 7″ in anticipation of this record) to become the new indie dance hit, although I would not be surprised to see this end up overlooked not much unlike the recent LIARS and My Morning Jacket tracks that deserved to be ass shakers but never got the chance. And, unlike some other rock combos, the implied family status is factual; not to mention, these chicks are way hot, Brooklyn here I come.

– James Hush

film review: Talk to Her ****

It’s almost impossible to figure out what writer/director Pedro Almod

Calendar

Tonight
Hit up the Revolver party at Soho Lounge, 175 NE 36th St., Miami, and watch Kid 606, with Needle and Sony Mao, take over the stage. Doors open at 10 p.m. and it’s $10 to get in. Call 305-576-1988.

Get your drink and dance on at Churchill’s, 5501 NE 2nd Ave., Miami, with IRON & WINE, Fruit Bats and HoloPaw. Call 305-757-1807 for cover info. See feature on this page.

Reminisce the era of drug experimentation and Day-Glo with ’60s singer Judy Collins and guitarist David Crosby from Crosby Stills Nash at Mizner Park Amphitheatre, 590 Plaza Real, Boca Raton. Tix $25-$45. Starts at 8 p.m.

Saturday, January 25
Cannabis advocates can head to Tobacco Road, 626 S. Miami Ave., Miami, for their Medical Marijuana Benefit, hosted by an eclectic mix of bands including The Oski Foundation, Swivel Stick, Multi-Culture Ink and many others. Doors open at 4 p.m. and $10 goes to the Ploppy Palace Productions fundraiser.

Carmen Lundy sings with the University of Miami Concert Jazz Band at the Gusman Concert Hall on campus, 1314 Miller Dr., Coral Gables. $10. Call 305-284-5813.

Feast on some punk/reggae/ska with Late For Life, Bum Ruckus, Fang Shooey and Vanguard at Kaffe Krystal, 10855 SW 72nd St., Miami, starting at 5:30 p.m. $7 to get in. Call 305-274-1112.

Sunday, February 2
INSIGHT Sundays at Ouzo’s, 71st & Rue Vendome, Miami Beach, with DJs Karakter, Kurt J Random, Contra, Nebuloso
and Polaris twisting hip hop on the one
and twos. Starts at 11 p.m. Cheap drinks.
305-586-9734.

Saturday, February 8
The annual Marley Fest with Bunny Wailer, Stephen and Julian Marley, Steel Pulse, Mr. Cheeks and others at Bayfront Park, 305 Biscayne Blvd., Miami. $22.50 or $30 at the show. Call 305-740-7344.

Iron & Wine: Ballads for Miami boondocks

When you’re young, it’s easy to knock the South for its vast undeveloped pastures, cultural ineptness, and the backward, apostle-quoting sensibility of elders you haven’t met, but exist nonetheless. After enough mid-day car horn blenders, the trembling bass of Eminem singles, and dumpsters of Taco Bell consumption, the South becomes, for some, a hearty myth of peace-of-mind.

The simplicity of “hard work,” a beer, and a lawn deeply surrounded by pine trees, withdrawn as it may be, beats involuntarily knowing where Cameron Diaz ate last night. This is the mindset one will wander through when listening to the reposed folk endearment of Iron & Wine’s The Creek Drank the Cradle.

After spending time in South Carolina and Virginia, Iron & Wine’s sole member, Sam Beam, now lives comfortably in Miami with his wife and two kids. He teaches cinematography at the Miami International University of Art & Design, but this semester he’s off to tour in support of an intimate little record that’s leaving a path of refulgent praise in publications ranging from Entertainment Weekly to Pitchfork Media.

“It feels good. I really don’t see a lot of the press, but yeah, it’s strange that we went from no one hearing it to thousands of people listening to it…it’s good,” Beam laughs over the phone in Tallahassee, where he’ll play a gig that evening with Floridian label mates Holopaw.

Words like “lullaby” and “gentle restraint” often pop up in reviews of The Creek Drank the Cradle, since, through stereo speakers, the album is the musical equivalent to your favorite pillow. It operates on naturally quiet volume, and, on the surface, Beam’s calm yet aware vocals scarcely hint at stress and conflict. With more attentive listening, the intricacies become clear and stories take shape, like a duskily lit museum where headphones narrate modeled recreations of a woman questioning religion after severe loss (“Southern Anthem”) and a man struggling with his mother into adulthood (“Upward over the Mountain”).

Fittingly, Beam wrote and recorded most of the album in the bedroom of a house he has moved (not too far) from in North Beach.

“When I was living up on North Beach, all of my neighbors were Argentineans and Brazilians, and it was very easy for me, because I don’t speak the language very well, to sort of slip away, hole up, and do a lot of writing. I still made a lot of friends, but it felt like a different country from the rest of the country,” Beam explains.

Though subtle banjo twang, slide guitar, and rural imagery draw heavily from Southern influence, (lesser influence derives from late, troubled British folk artist Nick Drake, and perhaps, even director Terrence Malick), Beam believes that many, actually “most,” misconceptions about the South hold significant truth.

“I didn’t like living in South Carolina very much. I took a lot of it for granted as far as the geography. It takes you a while, once you move away from somewhere, to realize what you miss. When you write a little bit more contemplative stuff, man… it kind of wanders back to you.
Socially I still don’t like going back there for very much, but as far as the geography, the architecture and the nature, I love it.”

The combo of submitting 2-discs of undiscovered, profoundly down-to-earth songs and failing to be a good ‘ol boy is no doubt what landed Beam a deal with Seattle’s auspiciously rejuvenated Sub Pop Records (Nirvana, Hot Hot Heat, the Catheters). The dots connected perfectly from there on, with Iron & Wine opening for Modest Mouse front man Isaac Brock’s side-project, Ugly Casanova, on a tour to promote its acclaimed, experimental folk LP Sharpen Your Teeth…featuring Holopaw’s front man John Orth.

With another album’s worth of material in the can (at least) and The Creek Drank the Cradle topping The Onion A.V. Club and Allmusic.com’s best of 2002 lists, Sam Beam plans on returning to the studio (a real one) “sometime this summer” to record all-new material with a more “dynamic, cleaner sound,” added percussion, and backup vocals from his sister, who performs with him on the road.

Over the past two years, Miami’s non-South Beach music scene has grown at a brisk rate, from the independent hip hop of Counterflow Recordings to DJ Le Spam to flourishing club nights like Revolver and POPLIFE luring nationally credible independent acts. For the city to have an act like Iron & Wine garnering recognition of this caliber pushes the city’s faux trance reputation further out-to-sea.

“The beach culture is a lot easier to sell on the news and promote the city to get tourists to come, but it’s not a huge part of the city, there’s a lot of normal people. People flip out when they find out I live in Miami.”

Iron & Wine, Holopaw, and Fruit Bats play at Churchill’s, 5501 NE 2nd Ave., tonight. Check the Life & Art calendar for more info on the show.

For more info visit www.subpop.com.

Hunter Stephenson can be reached at HurricaneAccent@hotmail.com.

Addition of Bradley raises UM’s high goals

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The Miami Hurricanes have a new sheriff in town.
Megan Bradley, a transfer from UCLA, came to UM before the fall 2002 season and has since taken over the No.1 women’s singles spot, giving the defending Big East champions a huge addition for their run at a national title.
Bradley, who has played since she was six years old, decided to transfer to University of Miami, primarily due to her great relationship with UM Coach Page Yaroshuk.
“I understand her and what makes her tick,” Yaroshuk said. “I understand why she is a perfectionist and where she wants to go with her game.”
However, not everything has gone according to plan for Bradley. The sophomore underwent shoulder surgery in May, and has spent the last eight months trying to get ready for the first match. Last night, she proved she was ready with a straight set victory (6-2, 6-3) in No.1 singles.
“I’m obviously not playing as well as I was before surgery, but I’m trying to get there and getting more comfortable,” Bradley said.
According to Yaroshuk, Bradley’s work ethic and her business like attitude has been the main factor in triggering her quick recovery
“She has attacked her physical therapy,” Yaroshuk said. “Any athlete going through something like this should learn from her. If you attack your therapy, this is the outcome. Her shoulder is probably stronger now than it was prior to her surgery in May.”
Along with surgery, Bradley was also forced to deal with the difficulties of transferring to a new school and making new friends. In addition, Bradley has to get used to living in South Florida. In this area, Bradley feels that she has definitely excelled.
“‘ve adapted very well,” Bradley said. “I get along with the girls (on the team) great, and I’m doing well in school. Last year, I was the leader of my team and I expect the same thing out of myself this year.”
Bradley could not have done all this without her parents, who have moved wherever she needed to go to play tennis. Saturday was an example of this, as her mother was in attendance for her daughter’s first match since shoulder surgery.
Bradley also takes her tennis very seriously. There are few players in the game that want to be perfect in every way, but Bradley definitely has this quality, and it is what makes her a great player.
“Megan is a bit of a perfectionist,” Yaroshuk said. “She doesn’t like to miss anything, but she has to understand that missing is part of the game. However, that perfectionist attitude is also what makes her so good.”
Bradley’s on and off court personalities are polar opposites. On the court, she is fierce, perfect, and serious, while off the court, she is laid back, relaxed, and sometimes aloof. After her victory on Saturday night, she left her tennis rackets and water bottle behind at the Neil Schiff Tennis Center for her coaches to find.
“Megan is unbelievably laid back off the court, but always knows the important things,” Yaroshuk said. “When she’s on the court, she’s pure business. Its like Dr. Jeckyl and Mr. Hide.”
Bradley wants to become a national champion, which according to Yaroshuk would be great for the University of Miami’s tennis program, which has not seen a female national champion in a long time.
“Megan winning the national title would be unbelievable for recruiting and for our program,” Yaroshuk said. “Just having her here is great for our program. This program hasn’t seen a national champion since the 1970s.”

You can reach Darren Grossman at DRG215@aol.com