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Ellis explores demons, modern social landscape

“What kind of car did he arrive in? I’ll bet it was a limo.”

“He’s probably in a back room with armed bodyguards right now.”

“So is this his out-of-rehab book?”

These were a few of the conversation snippets overheard while waiting for Bret Easton Ellis to give a book reading at the UM Bookstore last Friday (see story, page 3), and they are exactly the sort of misconceptions that Ellis plays with in his new novel, Lunar Park.

Lunar Park tells the story of a washed-up writer named Bret Easton Ellis, with a body of work mirroring that of the real Ellis, who retreats from New York City to the suburbs to live with his new wife, a famous Hollywood actress, and her children. While teaching once a week at a local college and awkwardly struggling to connect with his estranged son, Robby, Ellis works on his new novel, a “pornographic thriller.”

A spoof on the writer’s exaggerated public persona, the fictional Ellis wears a marijuana T-shirt at his own Halloween party, does massive amounts of coke and tries to sleep with a grad student in his bathroom (“Hey, I’ve only been married three months”). After an appearance at the party by a stranger dressed as Patrick Bateman, the protagonist of American Psycho, Ellis’s suburban McMansion becomes host to a series of escalating supernatural incidents, and the tone shifts from social satire to a dark rumination on family dysfunction and personal demons.

At the book reading, Ellis (the real one) said that he brought back Patrick Bateman as a metaphor for his resentment of the extreme popularity of American Psycho, while his other works are less widely appreciated. This point was driven home by a student who noticed the low initial turnout and said, “forget Lunar Park, they should have put a big poster of American Psycho up-then people would come.”

Though Lunar Park does tackle personal issues belonging to Ellis alone, the crux of the story is far more universal, never devolving into a self-conscious rant on the toll of celebrity as some critics suggest. At its heart it’s about family, the struggle to nurture lasting emotional bonds in an age of email communication and ubiquitous Ritalin prescriptions, a social landscape as desolate as the moon floating on Robby’s screensaver.

Even as Ellis the character does lines of coke and dreams of orgies with the neighborhood housewives, Ellis the author comes across as a moralist, someone disgusted with parents who view their children as little more than a status symbol, an investment expected to yield dividends upon graduating from Harvard or Juilliard. The result of their fanaticism is a world where kids are controlled rather than raised, put on strict dietary regimens, protected by their own bodyguards and overmedicated into submission until they’re little more than robots in DKNY Kids jackets.

Set against a backdrop of escalating terrorist attacks, a mysterious mass disappearance of young boys and Stephen King-esque paranormal activity, Ellis’s story is also about a loss of control, and the protagonist’s struggle to preserve his family amid his collapsing reality suggests that only through strengthening our relationships with the ones we love can we maintain our sanity in the anxiety-ridden new millennium.

For those who refrain from pigeonholing Lunar Park as an act of narcissism, there’s a wealth of profound messages to be found in its pages.

A sharp satire, an inventive metaphysical study and a moving story of a father and his son, Lunar Park might not define a zeitgeist, but that hardly seems to be its goal. Ellis has written a powerful book that succeeds on its own terms, and that should be enough.

Matt Gajewski can be contacted at m.gajewski@umiami.edu.

everything is illuminated the importance of remembrance and the perils of secrets

Everything is Illuminated is an example of how adapting a novel into a film can really work. It takes Jonathan Safran Foer’s story and presents it very effectively on screen, featuring literary devices like chapter breakdowns and narration but refusing to feel too airy and romanticized like many novels do on film. Maybe it’s Foer’s story that helps this, but the film can easily stand on its own, a task that’s commendable when adapting an edgy book whose main draw is its unusual style of writing.
The story focuses on a Jewish-American man in his early 20s who collects items both sentimental and seemingly-worthless in plastic bags to remind him of everything he experiences. His collecting has instilled in him an interest in his family’s history, and so he departs for the Ukraine to find out more about his grandfather’s experiences there during the Holocaust. His specific goal is to find the Ukrainian woman who helped his grandfather survive and get to America, and so he hires a company that specializes in this very thing. The company is actually not a company at all, but a single family with one car and very little expertise on the subject. His driver is the grandfather in the family, and the grandson, the same age as the American, comes along as a translator.
The film is incredible on a visual level, a combination of director Liev Schreiber and cinematographer Matthew Libatique. Everything about the look of the film, from the camera angles to the colors and movement, is simply brilliant. Libatique’s style has proven to be very adaptable, with his work ranging from Requiem for a Dream to Josie and the Pussycats. In Everything is Illuminated, he relies more on the distinctiveness of the colors than on a fast-moving camera, but at the same time manages to make long car scenes look extremely vibrant.
Libatique’s position as one of the top cinematographers of the future is obvious. Schreiber’s part in the visuals is more surprising, however, given that this is his first directing effort. A very recognizable mostly-supporting actor who’s played everyone from Cotton Weary in Scream to Orson Welles in RKO 281, Schreiber adapted the screenplay from Foer’s novel himself and stayed on to direct. Refreshingly, he didn’t cast a small role for himself, instead staying behind the camera the whole time like so few actors-turned-directors do.
The acting is left up to Elijah Wood, playing the American, Eugene Hutz, a punk musician making his film debut as the translator and Boris Leskin as Hutz’s grandfather. The best thing about the performances is how they unfold throughout the film. In the beginning, they feel stiff and one dimensional. Wood is quiet, almost inaccessible, while Hutz is an outgoing and not-so-bright Ukrainian youth. Leskin’s character is almost unbearably predictable during the film’s first half, but ends up as the deepest and most intriguing by the end.
Likewise, the entire film changes tone as it progresses. The beginning and middle “road trip” parts are quirky and enjoyable, often made very funny by Hutz’s accent and goofy demeanor, but there’s nothing particularly special about them. Towards the end, the trio reaches their destination and the film picks up, becoming more than a beautifully-shot performance piece and really turning into something unique.
Everything is Illuminated is a film about the Holocaust, but never takes the audience to the concentration camps or shows much violence. It’s set in the present day and works so well because it doesn’t take on the body of the Holocaust but a tiny shred of it. It’s one man looking for his grandfather’s story. This ordinary premise, set against something that is the complete opposite of ordinary, the Holocaust, is what makes Everything is Illuminated a really interesting and fascinating film. By the end, there is nothing ordinary about it.

Shawn Wines can be contacted at s.wines@umiami.edu.

Intramural Reminders

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Don’t forget to make an attempt at the Punt, Pass & Kick Competition, which has been extended until Wednesday, Sept. 28 at night out on the Yaron Fields during Intramural flag football games. The cost is $1 per attempt and the top two men’s and women’s winners will compete for the championship at halftime of the UM vs. South Florida football game at the Orange Bowl on Saturday, Oct. 1. Don’t miss out on all the intramural events of the 2005-2006 school year.

FLAG FOOTBALL LEAGUES

Men’s Divisions:

The Charties Crew – 13

MT8 Devil Dogs – 0

P5 Squad – 6

DPT1

Women’s tennis has big shoes to fill without Bradley

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Three University of Miami women’s tennis singles players and one doubles team were named to the Intercollegiate Tennis Association (ITA) preseason rankings, released earlier this month.

This is an encouraging sign for the Hurricanes, who hope to fill the colossal void left behind after the graduation of standout Megan Bradley, who lost only two matches last season.

Bradley, who received a B.A. in sports administration, finished the 2004-05 season with an overall record of 44-2 in singles and 34-4 in doubles matches. She was also named the NCAA Women’s Tennis Player of the Year and ACC Player of the Week four times last season.

With the departure of Bradley, the doubles duo of senior Melissa Applebaum and junior Audrey Banada, who are No. 12 in the nation to start the season, will have to intensify their level of play. The Miami tandem finished 2004 at No. 36 after posting a 4-2 mark during the spring.

Junior Emily Mowery, who finished last season ranked No. 121 after posting a 24-8 overall record, begins the season at No. 86. She will play a critical role for the ‘Canes at either first or second singles.

Applebaum and sophomore Patricia Starzyk were also ranked in singles. Applebaum compiled a 24-10 overall record and is No. 98 while Starzyk, who registered a 21-4 record during the spring, which included a 20-match unbeaten streak, is ranked No. 106.

The Hurricanes, led by Head Coach Paige Yaroshuk-Tews, finished their inaugural ACC season with a 21-5 overall record in 2005. They also advanced to the NCAA regional, where they lost to Georgia Tech, 4-3, in the round of 32. UM’s final rank was No. 13 in the nation and second in the ACC.

The Hurricanes will welcome a few newcomers to the squad this year, including the biggest pickup of the off season: Audra Cohen, a sophomore transfer from Northwestern University.

Cohen had a remarkable freshman season, where she earned All-American honors in both singles and doubles and was named the Intercollegiate Tennis Association (ITA) Rookie of the Year. In her inaugural collegiate campaign, Cohen reached the finals of the NCAA Singles Championship as well as the semifinal of the NCAA Doubles Championship.

The Plantation native opened her collegiate career winning her first 23 singles matches and posted a 51-7 overall singles record this season. Cohen became one of only eight players to record at least 50 victories in the modern era of NCAA Division I Women’s Tennis and her 51 wins ties her for third all-time.

South Alabama transfer Ana Rupic and incoming freshman Monika Dancevic round out the Hurricanes’ 2005 recruiting class.

“This is probably the most significant recruiting class that I have had since taking over at Miami,” Yaroshuk-Tews said. “Their talent is evident, but what I’m most excited about is that these young women are hungry. They have personality, drive and vision. They will not settle for anything less than success.”

The ‘Canes will begin competition in Gainesville for the Gator Fall Classic this weekend.

Mike Holt can be contacted at m.holt1@umiami.edu.

Men’s tennis dominates

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The University of Miami men’s tennis team came out strong to begin the season at the Hurricanes Invitational.

The field of teams included Florida Atlantic University, Georgia Southern University and Stetson University. Miami lost one match in the entire tournament on the first day.

Miami won in straight sets in the singles matches in all of its victories but one. While the teams UM faced are not close to the Hurricanes in talent, the players were able to keep their focus and dominate their opposition.

Miami boasts some high-caliber talent on the singles side, with a total of four players ranked in the top 100. That puts the program in the elite company of ACC champion Virginia, Southeastern Conference Champion Florida, Big Ten Champion Illinois, Georgia and Texas as the only six teams with four ranked singles players. The Preseason Intercollegiate Tennis Association will stand as the official ranking throughout the entire fall season, which consists of only tournaments; there are no ACC matches.

The team is headed by junior Josh Cohen, who led the team last year as an All-ACC performer. Miami also picked up an All-SEC transfer and No. 26 overall from Alabama in junior Luigi D’Agord. The list is filled out by senior Tim Krebs and Eric Hechtman, who are ranked Nos. 62 and 100 respectively.

Miami also has two ranked doubles team with Cohen and D’Agord at No. 32 and Krebs and Hechtman at No. 50.

The squad will look to continue to build off the opening weekend in tournaments that include stops in Charlottesville, Va., Tampa, Gainesville, Tulsa, Okla. and Memphis, Tenn. over the next month. Miami begins its match schedule against Furman on Jan. 28.

Mario Rincon is in his second year as the Miami head coach. Rincon will look to continue the program

THE MATCHUP

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QUARTERBACK Kyle Wright continues to improve for Miami and protected the football well against Clemson last Saturday, throwing for 152 yards and a touchdown. Joel Klatt, a senior for Colorado, doesn’t have a deep threat. His longest pass of the year is 33 yards.
RUNNING BACK Colorado running back Hugh Charles has rushed for over 100 yards with two touchdowns in the first two games. In close yardage situations, the carries go to Lawrence Vickers. Tyrone Moss showed he can be the workhorse back Miami needs with the ability to break off the big run at key moments.
WIDE RECEIVER Colorado only has one receiver who has caught for 100 yards or more. Miami’s Greg Olsen didn

No Place Like Home

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The No.12 University of Miami Hurricanes (1-1) finally return home on Saturday afternoon to face the Colorado Buffaloes. Miami, who has faced two ranked opponents on the road to begin the year, will face a Colorado team that is 2-0.

After defeating Clemson 36-30 in a triple-OT thriller last week, Miami will take the field at the Orange Bowl for the first time since last December’s loss to Virginia Tech. Quarterback Kyle Wright completed 16 of 26 passes for 152 yards and one touchdown. Running back Tyrone Moss rushed for 139 yards and three touchdowns on a career-high 31 carries at Clemson. Moss also was named the ACC offensive back of the week.

Head Coach Larry Coker said he wants to see Moss and the other running backs break some more long runs.

“I really made the backs run a lot today,” Coker said. “We’re making six-yard runs. We need to make 60-yard runs.”

The two schools have met seven times in the past, with Colorado leading the all-time series 5-2. The last time they met was in 1993, when the Hurricanes went to Boulder and defeated a strong Buffaloes team that included QB Kordell Stewart 35-29. CU has not visited the Orange Bowl since 1975, and they have won both games played in Miami.

Colorado is no pushover in 2005. It has received votes in both national polls and looked solid in both of its games. Before its bye week last Saturday, the Buffs defeated arch-rival Colorado State and New Mexico State.

The Buffs will be leaving Boulder for the first time all season, and they could be in store for quite a shock when their plane lands at Miami International Airport on Friday. The heat and humidity will be a factor in this game, as it is anytime the Hurricanes play a team from the north or west. CU is located in the thin air of the Rocky Mountains, where the temperature already feels like fall.

Miami will have to deal with a Colorado offense that has put up a total of 70 points in its first two ballgames. RB Hugh Charles is the leading rusher on the season, with 229 yards on 36 carries. For the second straight week, the Miami defense will have to deal with a senior quarterback. The Buffs will start Joel Klatt, who has completed 40 of 58 passes for 469 yards and two touchdowns.

Colorado likes the big play and it has been able to get the ball downfield in a hurry. Through its first two games, 28 percent of offensive plays have been for over 10 yards.

As for the Hurricanes, they are currently ranked 17th in the nation when it comes to defense. The ‘Canes are 11th in pass defense and 28th against the run. Freshman safety Kenny Phillips also received recognition from the ACC after his 13-tackle performance at Clemson.

Miami will face a feisty Buffs team who will finally complete the home-and-home agreement that was made before the Hurricanes visited Boulder in 1993.

Douglas C. Kroll can be contacted at d.kroll@umiami.edu.

Rap and hip-hop music receiving unfair rap

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Why, why, why must hip-hop vindicate itself yet again?
Not since the early days of rock ‘n’ roll has a popular music form been criticized so much by so many, from the mainstream media to groups of concerned parents to even self-proclaimed arbitrators of what is supposedly appropriate music.
Needless to say, hip-hop culture and rap music has often been on the receiving end of much criticism, and over what, I might ask? What exactly makes it “crap”?
Is it because of the lack of proper grammatical usage? Never mind the fact that language itself is an ever evolving entity, whose rules fluctuate, dependent on the time period and context. But is it a sin worth denigrating the art form?
If it was unique in its so-called abuse of language, then perhaps it is. Many other popular music forms have misused language. Recall almost any form of folk music, and one sees that the lexicon utilized is usually the colloquial language of the time and of the people the music represents.
In fact, improper language usage is usually the norm, not the exception in popular music. A very easy example can be found in country music. How many times will one hear “y’all” in any given song And by most accounts, “You ain’t nothin’ but a hound dog” isn’t that far removed from many of the lyrics found in rap.
So then, what else is wrong with rap? Ah, yes, the apparent lack of meaningful lyrics that reflects social and political strife in the world today. Well, there is a valid point. After all, every other music form on the radio today describes the harsh reality of war in foreign countries, or the hardship of daily life for the lower economic strata, calling for solidarity against the forces of oppression. Oh, wait a minute…
I never understood why for many people who do not like rap music, that the only way rap’s existence can be justified is for it to have a “message” of some sort, as if every other music form only produces “meaningful” songs.
I’m not insinuating that the lyrics to “Back That Azz Up” are rich in context (although I must admit it is rich in imagery). But, once again, to imply that rap is the only music form with vacuous lyrics is just plain wrong.
Even in jazz (another music style that was criticized for various reasons), that American music form which is now so highly regarded, there are plenty of examples where the lyrical content isn’t exactly enlightening.
Then there are those who assert that the good old days of Public Enemy and Tupac Shakur are gone in rap music. This is ridiculous!
Yes, perhaps artists whose lyrical content is more profound than the average song played on the radio today find it harder to breakthrough to reach a mainstream audience. But there are plenty of artists underground and even aboveground who produce “meaningful” music. Perhaps the oeuvre of a particular artist isn’t dedicated to socially conscious music, but then there remain many artists whose body of work is comprised of such.
With that said, there is still much to discuss about hip-hop and rap music. After all, music is a reflection of the people who produce it and the society they live in. Yes, perhaps rap is a dominating force in the airwaves today, but the driving force behind it, the business itself, and the consumers largely remain outside the domain of those who create it. There is no denying that.
I won’t deny that much of mainstream “hip-pop” is materialistic and chauvinistic. But is this so far removed from mainstream culture that is prevalent today?
The fact remains that rap will continue to be vilified and the real reason behind the witch hunt of rap music? Well, quite frankly, that’s a whole ‘nother article.

Christian Martinez can be contacted at c.martinez7@umiami.edu.

Kanye West, Barbara Bush lay down the beat

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In the days following Hurricane Katrina, Kanye West said, “George Bush doesn’t care about black people.” Barbara Bush said, “And so many of the people in the arena here, you know, were underprivileged anyway, so this is working very well for them.” Two different people. Two different opinions regarding the aftermath of Hurricane Katrina.

These statements reveal that something is wrong with our country and those who govern it. A serious evaluation of the state of our society is desperately needed. The handling of the evacuation and aftermath of Hurricane Katrina opened the eyes of many and keeps the eyes of some closed.

Making racist accusations against our commander-in-chief and government in general is not helpful, but this ought to be taken as a realization that people in this country are unhappy with the current administration.

When the former first lady, the current first grandmother, considers the displaced Gulf Coast area residents better off, it shows a detachment from reality, more so than the previous opinion against her son.

Like 9/11, the disaster caused by Hurricane Katrina allowed our nation to see where we are vulnerable and what needs improving. Our government outwardly professes “compassionate conservatism,” yet its actions display “non-compassionate incompetence.”

The richest country in the world knows how to give orders and pull a trigger but needs directions on how to lend a helping hand. The U.S. is compelled to manage its superiority with violence, firepower and technological advancements.

It is no wonder that with war we quickly pull the trigger but prove to be inept with helping those in need from a natural disaster at home. If our nation and the rest of the world began to open its heart to guide its actions to create peace and curtail suffering, we could slowly create a planet that cares.

Unfortunately, we live in a country of quick fixes and quick pick-me-ups. We tend to handle situations with haste and with little regard for others. Violence proves an easy means to an end, a solution when all other options appear futile. When Gulf Coast area residents needed our country the most, our government took its time.

Does a man-made disaster deserve more attention than a natural disaster? When loss of life occurs all disasters become the same. As soon as our country begins to reorganize its mixed up priorities, we might have a chance to better protect our citizens should tragedy-in any form-strike again.

Tragedy is part of the cycle of life, but we have the potential to subdue the painful trail of tears tragedy can leave. As the horrific scenes from the Gulf Coast region flooded television and computer screens, Kanye West probably said what many were thinking. Mrs. Bush, a woman of socio-economic privilege, reveals her “let them eat cake” attitude in times of great need. There is no sensible reason for such an attitude; senility is the only excuse for this asinine comment.

There is much to rebuild following Hurricane Katrina and even more to rebuild for the well-being of our citizens and country. Will we finally learn from our mistakes? I hope we will not need another war or act of nature or terrorism before we turn toward the philosophy of kindness and away from the philosophy of greed and power. For now, we can all begin to follow the guidance of the Vietnamese Buddhist monk Thich Nath Hanh: “There is no path to peace. Peace is the path.”

Sam Rega can be contacted at s.rega@umiami.edu.

LETTER TO THE EDITOR

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I’m part of a group of employees that has decided to oppose the Service Employees International Union because of its tactics.

First, I’m touched by Patrick Gibbons’s comments. Sometimes we find students’ words more valuable than $13 dollars an hour. Most of us need to hear that from you guys, not from our supervisors and managers.

After Hurricane Katrina we had to work really hard, yes, and we were paid accordingly. There wasn’t enough manpower to face such destruction, but we made it. More than the work that we do, more than getting $13 dollars an hour (that was what they promised us), we prefer to focus on the consideration and acceptance that comes from the students and faculty.

Yet, sometimes we feel denigrated in front of the students and faculty. We have to accept that some of them think we are the scum of the world. They should wear our shoes, so that they can see what it feels. It is not only from UNICCO that we expect something. UNICCO pays us for work; students and faculty should gratify us with words like Mr. Gibbons’s.

The SEIU divides and separates fellow employees, using scare tactics, lies, promises and most dangerously, pits the employee against the company. I have even heard one story of a SEIU worker telling female employees who didn’t want to sign any petition that they disgust him. Isn’t this harassment?

I’ve asked a couple of supervisors that are against the Union what they have to say about it. They say that we have the right to unionize, and they respect that decision. The company hasn’t made any drastic decision against any employee or discriminated or fired anyone because of SEIU. Everybody seems to be misinformed about that.

I recently became an American citizen. I adore this country; I will defend the freedom and democracy whatever it takes. I’m still working at UNICCO, working for a small wage, but at least I have a stable job until another opportunity comes along. SEIU wants employees to believe that their signature is their vote. No, no, no. A vote means a direct and secret vote, a secret ballot! I had my right to vote in the past elections and my vote counted! Why doesn’t SEIU want elections?

The other day SEIU approached some employees that haven’t yet signed its petition because they want an election, and SEIU told them to forget about the elections and just sign. I couldn’t believe what I heard-only tyrants say that. If I will defend democracy at whatever price it takes, I believe we should fight these wrong tactics of SEIU.

I thank Mr. Gibbons very much for his attention and hope that everyone begins supporting a fair race to the end. Let’s keep democracy alive in this institution. We all expect your help.

Mario Pelegrin – UNICCO employee

Insufficient closure

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Last April when freshmen Ashley Kelly and Andrea Cinque were hit by a car on U.S. 1 resulting in fatal injuries for Kelly, the UM community was shocked, saddened and moved into action. Many students were angered and expected the driver to be severely punished.

Kristin Arbuckle, the 25-year-old driver in question, received her sentence last week. After pleading guilty to running a red light, Arbuckle’s license was suspended for six months, and she must serve 50 hours of community service, attend an eight-hour traffic school course and pay a total of $323.50 in fines, court fees and a donation to a memorial scholarship fund set up in Kelly’s name.

This seemingly light punishment astonished the UM community. A young woman’s life is gone forever and the punishment is 50 hours of community service? Surely a life is worth more than that. Thoughts of how we would feel if our friend or family member was killed in a similar situation lead us to the immediate and emotional conclusion that we’d want someone to pay.

But after setting those initial thoughts aside and thinking about Arbuckle’s side of the issue there are many of us who should, with some reflection, be able to empathize with her, at least to a certain extent.

Every day a large portion of the UM student body drives to school, work, the mall, the beach or any other number of places. Many of us are in a hurry, not wanting to be late for class, a hot date or our favorite TV show. In our rush to get wherever we’re going, there are many of us who have pushed the speed limit a little (or a lot). Seeing a yellow light, there are at least some of us who have made the decision that yellow means go, not slow down.

For most of us, these decisions haven’t brought on any negative consequences, other than the fact that we don’t get in trouble, so we continue with our actions. For Arbuckle, her decision to run a red light-a decision that many of us could have made in our rush to be somewhere-ended in tragedy. That tragedy is something she will have to live with for the rest of her life.

Arbuckle pleaded guilty to running the light and didn’t fight the charges against her. In fact, our anger should not be directed at her but rather at the law. This case should be viewed as an opportunity to bring to light, and if deemed necessary to lobby against, Florida laws that protect drivers more than pedestrians.

For now, the legal system has decided that Arbuckle did not display a disregard for safety when she ran the light. While many of us may disagree with this decision, our legal system has made its decision. Part of the responsibility of the law is to stop people before they offend or re-offend. Rather than lambasting Arbuckle for her actions, no matter how angry we are, we should use her situation to guide our own decisions. We can’t change what happened, but we can help make sure it doesn’t happen again.

In the end, though, this isn’t about our outrage or agreement with the situation or punishment. It’s about a family that has to live with only the memories of their daughter. No amount of punishment, anger or regret can change that fact or bring about adequate closure for a grieving family. We keep the Kellys in our hearts.

Candidates for Senate Elections

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Senator seats Candidates
Hecht 1 Mitchell Carr, Max Johansen, Dave Switzler
Stanford 1 Megan Ellstrom, Kyna McCartney, Graham Purdy
Pearson 1
Mahoney 1 Stephen Lang, Emily Matos, John Montgomery, Nathaniel Skinner
Eaton 1 Kris Brooks
Apartment area 1
Commuter 3 Benjamin Brislawn, Christopher Contreras, Bruno De Camargo, Janet Herrera, Lorena Inclan
Arts & Sciences 2 John Constantinide, King De, Nicholas Moses
Business 1 Peter Fogarty, Kizzy Gift
Communication 1 Brandon Gross, David Ingenito
Freshman 2 Michael Brookman, Sharde Chambers, Michael Crawford, Alyssa Cundari, Meagan Fitzgerald, Adam Guercio, Andrew Haines, Chin Kim, Benjamin Lemelman, Shane Maritowitz, Jarrod Matthei, Sean Murphy, Vikalp Patel, Ebony White
Sophomore 2 Ranier Pollard
Junior 2 Michele James, Gabriel Trujillo
Senior 2
Fraternity Row 1