Campus tours address safety

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Safety is a major concern on every college campus, and the University of Miami is not an exception.

The Campus Lighting and Safety Tour was conducted this past Wednesday evening as representatives from FPL, UNICCO, Disability Services, Student Government, Public Safety, and several other services came together to inspect safety on campus.

“The campus lighting tours are held twice a year (fall and spring semesters) in an effort to identify problem areas such as lights out, overgrown foliage, need for additional lights, etc. affecting the safety of our campus community,” stated Gayle Sheeder, Administrative Assistant in the Office of the Dean of Students. The tour lasted a total of an hour and a half where concerns such as inadequate lightning and overgrown foliage were pointed out as well as suggestions for placement of more blue light emergency boxes.

The largest concern however, was for the lack of emergency boxes in the Serpentine parking lot where construction is taking place on the new basketball arena.

“Once the construction is over, blue lights will definitely need to be put it. It doesn’t make sense to put them in before construction is completed because that will require major trenching which is extremely expensive,” said Henry Christensen from Public Safety.

The 25 individuals who partook in the tour were separated into two groups where they proceeded to make a thorough inspection of safety concerns around campus.

Group one inspected areas surrounding the academic buildings, Panhellenic and Interfraternity locations, Mahoney/Pearson Residential Colleges and religious buildings.

Group two surveyed the areas surrounding the Wellness Center, Gusman Hall, Ring Theater, University Center, Rathskeller, apartment areas as well as Eaton, Hecht and Stanford Residential Colleges.

Dean William Sandler accompanied the tour in which he made notes of what safety hazards were brought to his attention.

“I make a tape recorded memo of the findings and send the reports back to Physical Plant. The problem will usually get fixed immediately unless it’s a more extensive job which would take more time and planning,” stated Dean Sandler.

The tour showed that all in all, the University of Miami is a safe campus.

“Bill Butler who was the former Vice President for Student Affairs for thirty-two years first began these Campus Lighting tours about six to eight years ago. As a result, a lot of problems [concerning safety] were found,” said Dean Sandler.

Several years later, the Campus Lighting and Safety Tours are still taking place and have corrected countless safety concerns, Sandler said.

Cory Cain talks about culture

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UM graduate student, Cory Cain entered the Mr. UM Pageant two weeks ago representing the Council of International Students Organization [COISO]. Cain, 24, won over the judges and the crowd with his impressive James Brown impersonation. He is working towards his MBA in marketing, finance and e-commerce.

What swayed the Mr. UM judges in your favor?

Well, the crowd really went crazy during the James Brown impression. I had an asthma attack during the dance and I must say it helped. Because the song was saying how the guy couldn’t breathe without the girl he was desperate for, and I couldn’t breathe at the time! They said the suit I wore afterwards helped also.

What are your responsibilities as Mr. UM?

Officially? None. But for me, I am an ambassador for the school. I came to UM as an undergraduate because of the diversity and I want to represent that.

What groups are you involved with?

I’m the secretary of COISO and a member of the Indian Students Association, the African Students Union, the Dancing Ibis and the Organization for Jamaican Unity.

Why are you so interested in culture?

My mom says it is because I was born on international waters! I was born early on a cruise ship. If culture could be a major I would do it. I think I’ve actually done a pretty good job of making it one for myself with all the clubs I’m involved with. I was involved in a lot more when I was an undergrad.

What do you want to do when you grow up?

Open up a school. I want it to focus on everything. If you’re interested in performing arts, that’s what you focus on. If you’re interested in science, that’s what you focus on. I want it to go from elementary to high school and teach about what it means to live together in the world. I had to find out about culture on my own. I want this school to teach about everything, not just black or white or Hispanic or anything.

At first I would want to be the director. But once the foundation is set, I’d want to teach.

I want it to be open to everyone-minority, non-minority. I don’t want finances to be a problem. It will be non-profit school. I’m not getting my MBA for the BMW. I want to get all the finances out of the way for my school.

My favorite car is a Jetta. My goal is to get a Jetta, the nice Jetta with a nice CD player.

How else do you want to use your position to help UM students?

I just want people to get involved. Start saying hi to people. Go to events, anyone’s events. That’s how you learn about culture and how to live in this world.

Student attacked at UC

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Coral Gables police officers arrived at the University Center (UC) Patio last Tuesday afternoon in response to an act of violence and left with a male student in handcuffs.

According to police reports, 20-year-old Virgilie Aliu-Otokiti stated that Bjorn Moncur, 20, approached her while she was sitting at a table on the UC Patio and said “stop looking in my f*ing direction,” after which a verbal altercation began.

Aliu-Otokiti stated that during the altercation, Moncur grabbed her by the neck and threw her on the ground, according to the Coral Gables police report.

UM student Stacey Balkaran, 20, acted as a witness in the police report and verified Aliu-Otokitis’s recount of the event.

Aliu-Otokiti and Balkaran then went to a first floor UC office where police were called.

Police said Alui-Otokiti further stated that she has had previous verbal and physical altercations with Moncur that she had not reported to police.

Alui-Otokiti stated in the police report that Moncur is a friend of hers, “but not a boyfriend.”

Police describe Moncur as a black male, 5′ 6″, 195 lbs. with dreadlocks, a goatee and a tattoo on each of his forearms.

A UC information desk employee who arrived after the altercation said he saw Moncur waiting in the UC office and that he was “immensely built” and “huge for his height.”

“He’s here in the UC all the time,” the source said.

Coral Gables police officers Cuerdo and Saborido charged Moncur with one count of simple battery and then took him away in handcuffs at 1:39 p.m.

Moncur has been released and has not as yet received any sanctions from university administration.

Alui-Otokiti did not request medical attention following the altercation.

9th Annual Diwali Festival of Lights educates and entertains

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Hundreds were in attendance at the 9th Annual Diwali Festival of Lights, which was presented by UM’s Indian Students Association.

Diwali is the Hindu celebration of the victory of righteousness and the lifting of spiritual darkness.

“The goal of the show is to evoke joyous feelings, education, and entertainment so that we can all have a better appreciation of Indian culture”, said Deep Patel, ISA Vice-President.

Students from UM, Coral Reef High School, FIU, and talented children from the local community were among the participants in the event.

Guest speaker, Arvind Singh, an Indian man wearing a headdress and a long beard, spoke at the opening of the show about the discrimination he and many of his friends have experienced since Sept.11.

“We must never forget the multicultural ideals that are the foundation of America,” said Singh. “There is no doubt that I am proud to be an American.”

Throughout the showcase, several traditional dances were performed including Bharata Natyam, Bhangra, Raas, Garba Taandav, and a Filipino Tinikling dance.

Indian dance forms are said to be an expression of the moods of its people.

Classical dance forms are religious in content, while folk dances are reserved for happy occasions.

Not all of the show consisted of traditional customs however.

“I think it was very cool how they incorporated rave moves in the glow stick dance,” said Jorge Manuel Martinez. “I also liked how they mixed rap and reggae into some of the songs they played.”

There was also a fashion show consisting of students displaying traditional Indian male and female attire.

The theme of the show centered around a skit of a semi-Americanized Indian family who wished for nothing more than to marry their daughter to a successful business man from India who drove a silver Mercedes-Benz E-class.

“We laughed every time we practiced,” said Megha Karkera, ISA member and participant in the show.

In the end, the girl married a doctor, as is stereotypically the profession every Indian family hopes their daughter will marry into, organizers said.

“The acting in the skit was hilarious,” said Fong Li. “The accents, mannerisms, and facial expressions of the actors reminded me of the families of many of my Indian friends.”

“I really appreciated all the hard work of the students in the presentation,” said Bhagwan Asnani. “They achieved a performance that was very close to professional”.

Traditional Indian food was served during intermission.

“The food was delicious,” said sophomore Leigha Taber. “I never knew Indian food had so many types of tastes”.

“I loved all the dances,” said Taber. “After witnessing all of the rich culture behind many of the Indian traditions, I’m interested in joining ISA and participating in their activities.”

Many of those involved with the show were also very pleased with the presentation.

“Everyone has been practicing since the school year began,” said Aruna “Aunty” Airan, advisor to ISA. “Every year we are improving.”

“We wanted to build our own Diwali celebration while we are away from our familiar hometowns,” said Karkera.

“I was really happy with the turnout,” said Aaditya Vora, ISA President. “The audience nearly doubled from last year”.

After the show, an after party at was held at Club 609 in the Grove.

“It’s just going to be a regular party,” said Ru Bhatt, and ISA member who was planning to attend the festivities. “We’re not going to wear any traditional clothing or anything, we’re just going to have a good time”.

Students feel safe studying abroad

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Although fears of international terrorism and reduced airline safety are keeping many tourists and businesspeople out of the skies and holding them reclusive in their homelands, UM students feel little or no apprehension about traveling abroad next semester, and studying in a foreign university.

At pre-departure orientation sessions last Wednesday and Thursday, Study Abroad directors instructed prospective travelers in the financial matters, deadlines, health precautions, and safety issues connected with international travel. Students were educated on how to facilitate issues corresponding with departure, residence, and return.

During the meeting, employees from the International Education and Exchange Programs Office discussed the importance of blending in, of looking natural while in a foreign country—basically, not looking American.

An article titled “Yes, I’m American. How Did You Guess” was handed out. The most informative line: “To the skittish tourist: Nikes and fanny packs are a giveaway”.

Lecturers also stressed the necessity of dressing, speaking, eating and gesturing like the natives.

They urged students to understand the nuances of the new worlds they will be living in, and taught them how to assimilate the neccessary traits.

Officials were prepared to pacify students’ anxieties concerning international tension, but a lack of worry surprised everyone.

“I just wanted a break from Miami,” said Andrew, a student traveling to Australia.

When asked if he was apprehensive about living across the world for four months, he calmly replied, “I’m a little bit worried, but I’m more worried about going to New York for Thanksgiving, than anything else.”

Alex, traveling to Switzerland, declared he has “no concern whatsoever” for the media’s over-dramatization of foreign tension.

“A lot of people brought it up, but it never really bothered me much at all.”

Another Australia-bound student, Brooke, broke the silence.

“My parents were petrified! But they’ve been prepared for a while,” she acknowledged.

“They were a little scared before [September 11th], but now . . . they’re not scared about flying, they’re just scared about the other people.”

All the students were in consensus that their fears for their own safety in another country were barely affected by terrorist activities.

“My only concern would be about what would happen over here,” added Michelle, soon to be studying in a university in Switzerland, suggesting her uneasiness with leaving her family and friends behind in a land she feels may not be safe for them.

A general murmur of agreement in the room signified a common theme: their worries lie within the well-being of the ones they love, right at home in the US.

Grades top the list of concerns

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In the past two months America has waged a war against terrorism, two national symbols have been attacked and the US economy has gone from bad to worse.

Two months ago, the University of Miami UC was filled with students glued to the television as the latest news unfolded.

Last Sunday, the television in the UC wass on ESPN and students clustered in groups to study, not discuss national issues.

The threat of disappointing GPA’s trumps the threat of terrorism for the majority of students.

There are less than two weeks until the end of classes and less than a month until finals. It is now time for students to separate themselves from everything going on outside and concentrate on what will be their end-of-semester results, they said.

“I’m responsible for my grades and depending on what I do, I stay in college,” explained Kike Edwards, a junior majoring in international marketing.

Students across the board of majors and standings echoed Edwards’ words.

“All the assignments are coming in. Finals are always the biggest concern at the end of the semester,” said Alicia Lopez, a senior majoring in broadcast journalism.

Students who have not directly been affected by the 9/11 tragedies and subsequent issues feel as though there is nothing they can do to change the situation in America right now, so they shouldn’t worry about it.

“If I die in a plane crash, or I get anthrax, there’s nothing I can do about it. It’s all God willing,” Edwards said.

“I’m not worried about anthrax, about flying, about terrorists. I’m a Christian and there is nothing for me to fear with the Lord on my side,” said sophomore Rachel Dooley-Tucker, a marine affairs major.

“Anthrax? It just hasn’t hit home,” Dixon said. “I’m flying on Tuesday. But the only reason is because last week’s plane crash wasn’t a terrorist attack. If it was, I wouldn’t be flying.”

For some students, grades this semester will determine if, when, and where they go to graduate school so concern for worldly issues has to be put aside, they said.

“Grades are what matter because I have to graduate this December and go to grad school in January!” said senior Robert Mullings, a Computer Information Systems major.

For other students, it was not a matter of putting aside world issues-grades just simply matter the most.

“Grades trump everything,” said freshman Melih Beken, a mechanical engineering major. Beken is also very excited about going home to Turkey, however, for him it is a matter of logistics:

“I have three weeks before I go home, but only two

Toe-tappin’ fun

Jerry Leiber and Mike Stoller wrote “Hound Dog”. Jerry Leiber and Mike Stoller wrote “Charlie Brown”, “Spanish Harlem”, and “Stand by Me”. Jerry Leiber and Mike Stoller wrote “Jailhouse Rock”. Now we are properly introduced to some of the numerous pop hits of the 1950s and 1960s composed by this industrious duo.

Each song has a neat polish to it but none aspires to become a standard in the fashion of songs by Cole Porter or Gershwin, whose crafted show tunes fed not only the pop charts but also served as standards for the jazz musicians to improvise upon. Far from it, Leiber and Stoller wrote songs whose structure relied upon the new music coming of age in the 1950s, rock ‘n roll. Perhaps the greatest merit of gems such as “Yakety Yak” is that they manage to capture glimpses of the time in which they were written.

In two acts where one song leads to another, without leaving the actors time to breathe, the play ‘Smokey Joe’s Caf

Self delves deep into the psyche

Here is a black Londoner who finds an immense piece of crack cocaine in his house and turns his home into a proficient rock-selling kingdom.

There is a dealer wrongly accused of killing and sexually abusing a young boy who is thrown in jail and tries to win a creative writing contest to get the attention of the governor.

There is also the psychoanalyst who wipes away his professional blunders, goes for a drive blasting music, drinking single malts, smoking joints, and finds out that beneath the surface, his life means almost nothing.

Let’s not forget the little baby growing up in England who keeps muttering words in business German (“Bemess-bemess-bemessungsgrundlage!”) instead of using proper words and flusters a worried mother.

These are the type of stories, all accompanied by a witty sense of satire and the bizarre, yet grossly funny use of imagination, that you will find in “Will Self’s” short story collection entitled ‘Tough Tough Toys for Tough Tough Boys.”

The title itself (which used to be the advertising slogan for Tonka Toys) is an enticing welcoming into the sardonic world of social dysfunction and speculative psychology of Self’s compilation of narratives.

Self is an English author (though his Jewish mother was born in New York) with a brilliant and comic sensibility for clever observation and a masterful acuteness for the language of “modern neurosis”, as praised by the New York Times Book Review. He has been compared by critics to such notable writers as Jonathan Swift, Aldous Huxley, Anthony Burgess, Kurt Vonnegut, Jr. and J.G. Ballard.

However, he is most often compared to Franz Kafka, the reputable author of “The Metamorphosis” because of his exceptional ability to dive deep into the psyche of his characters, often entangling the reader as well into his exploratory world of psychological absurdity.

His corkscrewed tales in this collection serve as a mind-tingling platter of nuts and bolts that screw through the profound, imperfect cracks in society and examine the nature of how the modern mind- exposed to the crudity, rawness and lack of sensibleness in modern reality- works to find some sort of moral grounds.

The first story, also one of the best, titled “The Rock of Crack as Big as the Ritz”, lunges into the lives of two black, lower-class Londoner brothers who become drug dealers, one of them falling into the abyss of crack smoke and the other always “morally” refraining himself from using the product. The story ends with an entrancing description of one of the brothers getting high as he never has before on premium crack with some Iranian at the Ritz Hotel .

The title story is good as well and deals with a different perspective. Here, the author dives into the mind of a psychoanalyst who goes for a drive- on the way, smoking joints and encountering a hitchhiker, a Scottish alkie- and contemplates his reality, slowly becoming neurotically overtaken, picturing the racing Tonka trucks from the old commercials colliding at the bottom of the hill. In the end, he becomes a just ghostly figure.

But the best of all is the last tale, considered a novella for its length, entitled “The Nonce Prize”, not only for its funny use of the word “nonce” (in British English, it’s a slang word for a sex offender), but also for its witty and intelligent delineation of a wrongly convicted child abuser trying to win a writing contest for prison writers in order to find salvation. This story actually features one of the brothers from the first story- the one who didn’t do crack, but has now turned to drug use- as the victimized sex offender.

Self’s writing is also a great read because of his extensive grasp of dialogue. He can easily switch from the local London slang epitomized by the black brothers to intellectual, professor-like discussions of literature. Moreover, the stories are interesting because they take place in England or Europe, which provides intuitive information and a pleasant escape from American ways of life.

Self has won the Geoffrey Faber Memorial Prize for his debut novel “The Quantity Theory of Insanity.” He is also the author of ‘Cock and Bull,” “My Idea of Fun’,’ “Grey Area,” “Great Apes,” and “The Sweet Smell of Psychosis.” This year he published his newest work, a novel called “How the Dead Live,” focusing on the aftermath of death.

If you are tired, like so many of us are, of the everyday, mundane bothers of living and big-blockbuster movies don’t entertain you anymore, zap through this collection of stories that will surely put a sharp smile on your face and invite you to look even deeper into your very own psyche.

UM IQ challenges student body

Combining the sophistication of an academic quiz show with the innovation and spunk of a television game show is UMTV’s newest creation, “UM IQ,” where different undergraduate groups are put to the test and battle it out for a “spiffy prize”.

Born of a concept introduced by broadcast journalism professor Sanjeev Chatterjee, UM IQ producers Rachel Brill and Kathryn Smithyman teamed up to make it all happen. Having started in August, the producers and crew worked steadily throughout the semester until last Friday, when the preliminary round of games of four episodes was taped. “This whole program is just like a full-scale game show but on a much smaller scale,” said UM IQ host Joshua Johnson. “I know that if we did this twice, it would be just as difficult; but it’s been worth it.”

The show starts off with two teams of four, one in a green section, and one in an orange section. The host, an electric Johnson, poses a toss-up question, based on UM trivia. The team who answers it goes first goes first.

Both teams will have pre-determined their specialist, the one player who is an expert in a given subject area, and a generalist, one player who is strongest in general trivia knowledge.

“The rapid fire round and quiz round are pretty generic, but I think what makes the show unique is the in-depth question in the beginning,” said UM IQ producer Smithyman.

The specialist is then put on the spot in an in-depth question round, in which he or she interacts one-on-one with a faculty member pertaining to the relevant subject area. Notepad in hand, the specialist listens to the professor on the monitor and is given a minute to formulate a free response. The teacher then grades that response and gives as many points as were deserved.

The next round consists of a quiz round, in which Johnson asks questions on four subject areas, and the first team who buzzes in has a chance to answer. If the first team does not answer correctly, the second has the opportunity to do so. Points are totaled up after each round.

In the third and final round, the generalist must undergo “rapid fire” as he or she sits in a hot seat, and the room fills with fog. Josh then bombards the generalist with “rapid fire” questions, and the player may either pass or play each one.

After a stressful round, points are added up, the winner is determined, and Johnson announces the player’s “spiffy prize”.

“I saw a flyer for the show and said ‘what the heck, I’ll give it a try’,” said junior Gabe Leighton, who competed on the Hecht team.

Designed to incorporate two teams playing each other, UM IQ will feature eight teams in their preliminary episodes, four of which will go on to compete in the finals.

The competition includes Greeks versus Eaton, the apartment area versus Stanford, Mahoney versus Pearson, and the commuters versus Hecht.

Thanks to Provost Luis Glaser, each member of the winning team in the finals will receive a $1,000 credit at the UM Bookstore, and each member of the runner-up team will receive $250 for the same purposes.

“I see “UM IQ” continuing far into the future,” said Smithyman. “And I can’t wait to see what it will look like in a year or two.”

Episodes are set to air next semester on UMTV.

Madonna Strikes Back with GHV2

GHV2 is the four-letter title of Madonna’s newest greatest hits collection. It was another four-letter word though, an expletive at that, which sent her popularity and career as a mainstream singer into a tailspin in 1992, exactly where this retrospective collection of her music begins.

After reaching her commercial and popular zenith with her Blonde Ambition Tour, Madonna decided to not just push the envelope but rip it apart with her exhibitionistic SEX book.

What exactly did Madonna accomplish in the 1990’s ? She was neither a favorite of teenagers or a media darling anymore. With the exception of henna tattoos, cowboy hats, and Kaballah-inspired red wrist strings, her expensive fashions didn’t resonate on the streets as they once did. Instead, she searched the underground music scene for hot, unheard-of musicians and brought them on board to help her produce new work that ranged from dabbling in Sanskrit to Spanish pop and country sounds.

So despite all of the S&M, the public backlash, and the critical lambasting that she endured in the early 1990’s, her power to create music worthy of her iconic stature remained intact as this best-of disc proves. Madonna’s music prevailed on the radio, on the sales charts, and especially in the clubs with 27 #1’s to her dance floor credit.

The first two tracks on GHV2, “Deeper and Deeper” and “Erotica” were the mega-hits that never were. Heralded by critics as being capable of matching the greatness of “Vogue,” the two tracks were quickly forgotten when the SEX book was released. “Deeper and Deeper,” a fan favorite, continues to gravitate people to the dance floor with its disco rhythms, as “Erotica” has yet to meet its counterpart from today’s so-called sex kittens with its Eastern sounds and dark and sexually enticing lyrics.

While Madonna fought off the onslaught of grunge and gangster-rap in the early 1990’s, she nevertheless soaked her sounds in neo-soul long before it was popular with her underrated “Bedtime Stories” album. The public and the media barely took notice of her musical development. Thanks to producers like Dallas Austin and Babyface who helped her co-write the soul-stirring “Secret” and the classic “Take A Bow,” respectively, she remained successful on the musical front.

The most interesting part about this time period was her low-key persona; gracing only a handful of magazines, Madonna herself had a brief, clandestine relationship with 2Pac. An ultra-rare, never released version of “I’d Rather Be Your Lover” circulating among die-hard fans includes 2Pac rapping with Madonna.

“Human Nature” is the most disappointing track on GHV2 because of its lame radio edit which eliminates the song’s catch phrase “I’m not your bitch/don’t hang your s**t on me.” So much for expressing yourself, it seems either Madonna has lost her bollocks since tying the knot with Guy Ritchie or Warner Brothers badly needed a big fourth quarter release with this album.

Oddities lie in GHV2, like having the Evita anthem “Don’t Cry For Me Argentina” being followed by the Bjork-penned “Bedtime Story” which marked Madonna’s first foray into the world of electronica, a music genre she brought into the mainstream with her comeback album “Ray Of Light.”

A little hard on the ears on the radio in 1998, “Frozen” and “Ray Of Light” have become Madonna classics by now. Also featured on the album is the perfect retro-pop confection, “Beautiful Stranger,” which juxtaposes her trip-hop light “Drowned World/Substitute For Love,” a moody UK top 10 hit where she laments her trading of love for fame.

A testament to her record-making power, the album leaves a bit to be desired with the glaring omissions of “I’ll Remember,” “Bad Girl,” and “Rain.” In this age of CD-burning, mp3-swappers seem to be the best solution to capturing Madonna’s eclectic 1990s sounds.

When all is said and done with Madonna, it all lies in the final track on the album, “Music.” She probably will never be an Oscar-winning actress, and that’s a good thing, music is where her powers lay, even during her low points.